His process primarily involved plein - air watercolor paintings, which he would later revision as
woodcut prints in the studio.
Zarina, Dividing Line (2001),
woodcut printed in black on Indian handmade paper mounted on Arches Cover white paper, image 40.6 x 33 cm, sheet 65.4 x 50.2 cm.
Original
woodcut printed in colors on Arches wove paper.
Woodcut printed in black on Japan paper, 1922 — 1923.
Original
woodcut printed in black ink on Arches wove paper.
Donald Judd Untitled, 1988 complete set of ten
woodcuts printed in ivory black on Japanese wove Okawara paper paper: 23 1/2 x 31 1/2 inches (59.7 x 80 cm) each framed: 26 x 34 1/4 inches (66 x 87 cm) each edition of 25 with 10 APs and 4 PPs DJ - EPR - 01C
Unique
woodcut printed in five colours on linen, attached to two painted hand - carved stretchers
Woodcut printed in black on Mexican wrapping paper.
Helen Frankenthaler, Cedar Hill (Harrison 121)
Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in
Helen Frankenthaler, Freefall (H. 233)
Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in
Helen Frankenthaler, East and Beyond (Harrison 41)
Woodcut printed in colors, 1973, signed in pencil, dated» 73 -»74 and inscribed «Trial proof with Orange 2/2», a proof aside from the numbered edition of 18, on Nepalese handmade paper, with the publisher's blindstamp, ULAE, West Islip, NY, framed 600 by 457 mm 23 5/8 by 18 in Sheet approx. 785 by 548 mm 30 7/8 by 21 5/8 in
Helen Frankenthaler, Geisha
Woodcut printed in colors, 2003, signed in pencil, dated and numbered 30/50, on Torinoko paper, framed Sheet 970 by 663 mm 38 1/8 by 26 1/8 in
Helen Frankenthaler, Tales of Genji VI
Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in
Not exact matches
Albrecht Durer, resident
in Nuremberg, sent Luther a set of
prints of
woodcuts, as thanks for expressing what everyone wanted said.
Art and science often came together
in the works of Dutch artist M.C. Escher, known for his
prints and
woodcuts of «impossible constructions,» such as the famous stairway illusion
in «Relativity.»
Next is the Wearever Pleated Cropped pant
in Black Indonesian
Woodcut print.
Old Master
Prints from Christopher Mendez, specialist London - based dealer
in old master etchings, engravings and
woodcuts.
One is a
woodcut that my friend Justin Quinn helped me
print up
in St. Cloud, Minnesota.
The Swedish artist Mamma Andersson is best known for her paintings — evocative images of mysterious worlds — but this show is dedicated to
woodcut prints, her first solo exhibition
in the medium.
Showcasing Joan Snyder's adventurous approach to printmaking, particularly
in etching and
woodcut, the gallery will present 11 of her most important
prints from the 1970s until today.
As an art student experimenting with printmaking, Alyse Rosner that,
in woodcut printing, the directness of cutting the block and the intrinsic beauty of the wood seduced her.
«People were really into Rockin» Rollin»
Prints» — an annual day - long event
in which participants use a two - ton steamroller to
print large
woodcuts — «and PrintHouston, but we were self - funding that,» Rhodes Fields says.
Benjamin Franklin, Join, or Die (May 9, 1754),
woodcut, illustrated
in «The Pennsylvania Gazette,» on view at «News /
Prints: Printmaking and the Newspaper» at IPCNY, closed October 19.
Digital, silkscreen, and
woodcut prints, lithographs, engravings, linocut collages,
printed paper constructions, and smoked paper
prints presented
in this show demonstrate the experimental trends
in printmaking today.
«Renaissance Impressions», at the Royal Academy of Arts
in London (until 8 June), plucks some of the world's finest chiaroscuro
woodcut prints from the ample collections of the artist Georg Baselitz, and the Albertina
in Vienna.
Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including —
in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993,
prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002,
woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).
Patrick is well known for his large, high key colour canvases
in acrylic, often
in series and
in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or
prints, groups of etchings, silkscreen
prints and
woodcuts.
From self - portraits created
in our children's programs and wearable art designed for the Teen Stylin» runway to
woodcut prints inked
in the Studio School's adult classes, art - making happens across VMFA's campus.
Jacob Lewis: This is a beautiful ukiyo - e
woodcut style
print we did
in 2009 called «Snow Pines `.
I am especially fond of Hurd's painting Enemy Action over American Bomber Station because it reminds me of medieval
woodcut prints of weather and heavenly phenomena —
in particular, Hans Glaser's depiction of a celestial event over my birth town, Nuremberg, on 14 April 1561.
Four additional
prints are also included
in the exhibition; Geisha (2003), Snow Pines (2004), Japanese Maple (2005), and Weeping Crabapple (2009), which were all
printed using only the ukiyo - e
woodcut technique.
[7] He would go on to produce many editions
in lithography, etching, silkscreen,
woodcut and linoleum cut, producing over 400
prints made by different techniques
in his lifetime.
Helen Frankenthaler The Clearing, 1991, (3/28)
woodcut 16.75 x 21
in Image size: 16 x 21 inches Frame Size: 33 x 41 inches published and
printed by Garner Tullis Workshop, New York
In his first «Eagle» portfolio of 1966, he began to use the
print to develop his style, employing a variety of block
printing techniques, including
woodcut and wood engraving.
Dynamic abstract expressionist
woodcut print done
in neutral tones by Rikio Takahashi, 1958.
Other artists who will be included
in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and
woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (paintings), John McCracken (sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).
Judd Foundation is pleased to present Donald Judd:
Prints, a selection of woodcut prints and metal furniture, curated by Flavin Judd, at 101 Spring Street in New
Prints, a selection of
woodcut prints and metal furniture, curated by Flavin Judd, at 101 Spring Street in New
prints and metal furniture, curated by Flavin Judd, at 101 Spring Street
in New York.
Also included is a rare text by Wassily Kandinsky, previously
printed in a 1934 exhibition bulletin for a show of Albers's
woodcuts at the Galleria del Milione
in Milan.
Judd's preferred medium was
woodcut, which he used right from the beginning; all the
prints in this exhibition are
woodcut, except a pair of lithographs and a set of screen
prints.
For this installation, Judd Foundation will feature three complete sets of
woodcut prints dating from 1988 to 1993 that explore color and proportion
in series, key concerns for Judd's work
in both two and three - dimensions.
Over the course of four decades, Judd created hundreds of
prints in aquatint, etching, and screenprint techniques though focused on
woodcuts as his primary
print medium.
In the way that an eloquent author's chosen words illuminate a story, Stella's layered
printing techniques (lithography, etching, engraving, aquatint, screen
printing, mezzotint, relief, collagraph,
woodcut, and hot foil stamping) and sculptural forms elucidate the power of a narrative thread to join his works together.
Josef Albers, a founding member of the Bauhaus, pioneered
print making
in the last century, making use of numerous media, including etching, engraving,
woodcut, lithography and screen -
printing.
First established
in 1964
in Barcelona, Polígrafa's renowned workshop was opened
in the 1970s, enabling artists to use traditional
printing techniques including
woodcut, etching, and lithography to realize their ideas and give them the space to experiment and innovate.
In the 1970s Joan de Muga, son of the founder, opened Polígrafa's own workshop with facilities for etching, lithography,
woodcuts, and other traditional
print techniques.
The scroll will be on display through March 30, alongside additional
woodcut prints by Shapiro
in editions of 30.
Mr. Sims, however, emphasizes the artist's process here by including the working photos and some of the plates used
in the various stages involved
in creating the artist's silkscreen and
woodcut prints.
Down south, the Amon Carter Museum of American Art
in Fort Worth, TX, is exhibiting Frankenthaler
prints more expansive
in their techniques: lithographs, etchings, aquatints, screen
prints, and
woodcuts.
Two
print portfolios by David Shrigley, which were shown
in the UK for the first time
in GENERATION, will be the first
woodcuts by the artist to be acquired by a UK public collection.
Chiaroscuro
woodcut printed from three blocks, the tone blocks
in yellow and green.