Sentences with phrase «woodcut prints in»

His process primarily involved plein - air watercolor paintings, which he would later revision as woodcut prints in the studio.
Zarina, Dividing Line (2001), woodcut printed in black on Indian handmade paper mounted on Arches Cover white paper, image 40.6 x 33 cm, sheet 65.4 x 50.2 cm.
Original woodcut printed in colors on Arches wove paper.
Woodcut printed in black on Japan paper, 1922 — 1923.
Original woodcut printed in black ink on Arches wove paper.
Donald Judd Untitled, 1988 complete set of ten woodcuts printed in ivory black on Japanese wove Okawara paper paper: 23 1/2 x 31 1/2 inches (59.7 x 80 cm) each framed: 26 x 34 1/4 inches (66 x 87 cm) each edition of 25 with 10 APs and 4 PPs DJ - EPR - 01C
Unique woodcut printed in five colours on linen, attached to two painted hand - carved stretchers
Woodcut printed in black on Mexican wrapping paper.
Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in
Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in
Helen Frankenthaler, East and Beyond (Harrison 41) Woodcut printed in colors, 1973, signed in pencil, dated» 73 -»74 and inscribed «Trial proof with Orange 2/2», a proof aside from the numbered edition of 18, on Nepalese handmade paper, with the publisher's blindstamp, ULAE, West Islip, NY, framed 600 by 457 mm 23 5/8 by 18 in Sheet approx. 785 by 548 mm 30 7/8 by 21 5/8 in
Helen Frankenthaler, Geisha Woodcut printed in colors, 2003, signed in pencil, dated and numbered 30/50, on Torinoko paper, framed Sheet 970 by 663 mm 38 1/8 by 26 1/8 in
Helen Frankenthaler, Tales of Genji VI Woodcut printed in colors, with pochoir, 1998, signed in pencil and inscribed «AP 7/14», an artist's proof, aside from the numbered edition of 35, on tan TGL handmade paper, framed Sheet 1194 by 1067 mm 47 by 42 in

Not exact matches

Albrecht Durer, resident in Nuremberg, sent Luther a set of prints of woodcuts, as thanks for expressing what everyone wanted said.
Art and science often came together in the works of Dutch artist M.C. Escher, known for his prints and woodcuts of «impossible constructions,» such as the famous stairway illusion in «Relativity.»
Next is the Wearever Pleated Cropped pant in Black Indonesian Woodcut print.
Old Master Prints from Christopher Mendez, specialist London - based dealer in old master etchings, engravings and woodcuts.
One is a woodcut that my friend Justin Quinn helped me print up in St. Cloud, Minnesota.
The Swedish artist Mamma Andersson is best known for her paintings — evocative images of mysterious worlds — but this show is dedicated to woodcut prints, her first solo exhibition in the medium.
Showcasing Joan Snyder's adventurous approach to printmaking, particularly in etching and woodcut, the gallery will present 11 of her most important prints from the 1970s until today.
As an art student experimenting with printmaking, Alyse Rosner that, in woodcut printing, the directness of cutting the block and the intrinsic beauty of the wood seduced her.
«People were really into Rockin» Rollin» Prints» — an annual day - long event in which participants use a two - ton steamroller to print large woodcuts — «and PrintHouston, but we were self - funding that,» Rhodes Fields says.
Benjamin Franklin, Join, or Die (May 9, 1754), woodcut, illustrated in «The Pennsylvania Gazette,» on view at «News / Prints: Printmaking and the Newspaper» at IPCNY, closed October 19.
Digital, silkscreen, and woodcut prints, lithographs, engravings, linocut collages, printed paper constructions, and smoked paper prints presented in this show demonstrate the experimental trends in printmaking today.
«Renaissance Impressions», at the Royal Academy of Arts in London (until 8 June), plucks some of the world's finest chiaroscuro woodcut prints from the ample collections of the artist Georg Baselitz, and the Albertina in Vienna.
Frankenthaler's distinguished and prolific career has been the subject of numerous monographic museum exhibitions, including — in addition to the 1960 Jewish Museum show — major retrospectives at the Whitney Museum of American Art, and European tour (1969); The Solomon R. Guggenheim Museum, and tour (1985, works on paper); the Modern Art Museum of Fort Worth, and tour, including The Museum of Modern Art, New York (1989); the National Gallery of Art, Washington, D.C., and tour (1993, prints); the Naples Museum of Art, Florida, and tour, including the Yale University Art Gallery (2002, woodcuts); and the Museum of Contemporary Art, North Miami, traveled to the Royal Scottish Academy, Edinburgh (2003, works on paper).
Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.
From self - portraits created in our children's programs and wearable art designed for the Teen Stylin» runway to woodcut prints inked in the Studio School's adult classes, art - making happens across VMFA's campus.
Jacob Lewis: This is a beautiful ukiyo - e woodcut style print we did in 2009 called «Snow Pines `.
I am especially fond of Hurd's painting Enemy Action over American Bomber Station because it reminds me of medieval woodcut prints of weather and heavenly phenomena — in particular, Hans Glaser's depiction of a celestial event over my birth town, Nuremberg, on 14 April 1561.
Four additional prints are also included in the exhibition; Geisha (2003), Snow Pines (2004), Japanese Maple (2005), and Weeping Crabapple (2009), which were all printed using only the ukiyo - e woodcut technique.
[7] He would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut, producing over 400 prints made by different techniques in his lifetime.
Helen Frankenthaler The Clearing, 1991, (3/28) woodcut 16.75 x 21 in Image size: 16 x 21 inches Frame Size: 33 x 41 inches published and printed by Garner Tullis Workshop, New York
In his first «Eagle» portfolio of 1966, he began to use the print to develop his style, employing a variety of block printing techniques, including woodcut and wood engraving.
Dynamic abstract expressionist woodcut print done in neutral tones by Rikio Takahashi, 1958.
Other artists who will be included in this exhibition are Dan Flavin (sculpture installations and drawings), Joe Goode (paintings from the Torn Sky series), Donald Judd (a single stack, wood blocks and woodcut prints), Sol LeWitt (sculpture and drawings), Robert Mangold (paintings), John McCracken (sculpture), John McLaughlin (paintings), Cy Twombly (drawings), and Agnes Martin (works on paper).
Judd Foundation is pleased to present Donald Judd: Prints, a selection of woodcut prints and metal furniture, curated by Flavin Judd, at 101 Spring Street in NewPrints, a selection of woodcut prints and metal furniture, curated by Flavin Judd, at 101 Spring Street in Newprints and metal furniture, curated by Flavin Judd, at 101 Spring Street in New York.
Also included is a rare text by Wassily Kandinsky, previously printed in a 1934 exhibition bulletin for a show of Albers's woodcuts at the Galleria del Milione in Milan.
Judd's preferred medium was woodcut, which he used right from the beginning; all the prints in this exhibition are woodcut, except a pair of lithographs and a set of screen prints.
For this installation, Judd Foundation will feature three complete sets of woodcut prints dating from 1988 to 1993 that explore color and proportion in series, key concerns for Judd's work in both two and three - dimensions.
Over the course of four decades, Judd created hundreds of prints in aquatint, etching, and screenprint techniques though focused on woodcuts as his primary print medium.
In the way that an eloquent author's chosen words illuminate a story, Stella's layered printing techniques (lithography, etching, engraving, aquatint, screen printing, mezzotint, relief, collagraph, woodcut, and hot foil stamping) and sculptural forms elucidate the power of a narrative thread to join his works together.
Josef Albers, a founding member of the Bauhaus, pioneered print making in the last century, making use of numerous media, including etching, engraving, woodcut, lithography and screen - printing.
First established in 1964 in Barcelona, Polígrafa's renowned workshop was opened in the 1970s, enabling artists to use traditional printing techniques including woodcut, etching, and lithography to realize their ideas and give them the space to experiment and innovate.
In the 1970s Joan de Muga, son of the founder, opened Polígrafa's own workshop with facilities for etching, lithography, woodcuts, and other traditional print techniques.
The scroll will be on display through March 30, alongside additional woodcut prints by Shapiro in editions of 30.
Mr. Sims, however, emphasizes the artist's process here by including the working photos and some of the plates used in the various stages involved in creating the artist's silkscreen and woodcut prints.
Down south, the Amon Carter Museum of American Art in Fort Worth, TX, is exhibiting Frankenthaler prints more expansive in their techniques: lithographs, etchings, aquatints, screen prints, and woodcuts.
Two print portfolios by David Shrigley, which were shown in the UK for the first time in GENERATION, will be the first woodcuts by the artist to be acquired by a UK public collection.
Chiaroscuro woodcut printed from three blocks, the tone blocks in yellow and green.
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