And lo, after many weeks of teasing us pitiful mortals with trailer after trailer, Farming Simulator 15 has finally deemed us worthy of its grace, mercy, and new
woodcutting feature.
Her materials range from plywood - for
woodcuts featuring simple, lonely figures - to fabric from workers» uniforms and high - visibility jackets.
Woodcuts feature a cast of characters, both real and imagined, intriguing as his life - size wood - sculpted canvas paintings.
Not exact matches
A Christmas card that I have cherished for many years
features a black - and - white
woodcut showing Mary and the baby in the stable — and in the background the silhouette of a devastated city with the shell of a burned window, twisted and bent, but unmistakably shaped like a cross.
The attractive book design
features striking
woodcut illustrations and sidebars about camera techniques and Bentley's experiments with snow.
It's played using a custom controller consisting of actual vintage 19th - century telegraph hardware, and
features on - screen visuals made entirely of found 19th - century
woodcut illustrations.
Works on display will
feature black and white and color images combined with words in
woodcuts, intaglio and monoprints.
[2] In the early 1960s, he concentrated on specific archetypes in paintings and
woodcuts, mostly of rebels, heroes, and shepherds, becoming increasingly interested in anamorphosis, the distorted or monstrous representation of an image, as exemplified in the proportions and facial
features of his figures.
Albrecht Dürer: Master Drawings, Watercolors, and Prints from the Albertina
features nearly all of Dürer's finest watercolors and drawings from the collection of the Albertina, Vienna, as well as 27 of the museum's related engravings and
woodcuts.
Zarina's work displays a broad range of technical mastery and inquisitiveness: the show
features woodcuts, etchings, rubbings, incised paper, and even cast multiples executed in paper and bronze, as well as other techniques.
TAG Fine Arts «s work on show will include the highly acclaimed
woodcuts by Katsutoshi Yuasa, recently
featured in the RA Magazine as part of the Collectors» Choice.
This exhibition
features a small group of etchings and
woodcuts recently added to our collection.
Print
features newsprint, blueprint, xerox, lithography, offset lithography, screen - printing,
woodcut, monotype, giclee, etching and other methods by a variety of artist.
Other
featured works include the powerful color
woodcuts Mommy Why?
For this installation, Judd Foundation will
feature three complete sets of
woodcut prints dating from 1988 to 1993 that explore color and proportion in series, key concerns for Judd's work in both two and three - dimensions.
It also
features woodcuts by skilled yet little known Indian artists working in Calcutta in the 1870s.
Lines / Edges: Frank Stella on Paper
features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color
woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.
Featured in the exhibition will be a triptych
woodcut by Fang Lijun, Ukiyo - e printed
woodcuts by Yoshitomo Nara, monoprints by Qin Feng, etchings by Lee Ufan, and
woodcuts and screenprints by Yue Minjun.
Pace Prints will present an exhibition that
features Chuck Close's complex
woodcut «Self - Portrait» (2015) and the process behind its creation on view at 521 W. 26th Street, 3rd Floor March 2 — April 8, 2017.
Incorporating explorations of traditional
woodcutting technique, American skateboard culture, storytelling, and anime, the show
features just enough mirth and malice to kick off your Halloween weekend right.
Her work continues to be
featured regularly in solo and group exhibitions, with recent examples including Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian Gallery, NY, 2013), Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014), Giving Up One's Mark: Helen Frankenthaler in the 1960s and 1970s (Albright - Knox Art Gallery, Buffalo, NY, 2014 - 2015); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum at Brandeis University, 2015); As in Nature: Helen Frankenthaler Paintings and No Rules: Helen Frankenthaler
Woodcuts (The Clark Art Institute, Williamstown, MA, both summer 2017), and Helen Frankenthaler: After Abstract Expressionism, 1959 - 1962 (Gagosian Gallery, Paris, summer 2017).
This exhibition
features lithographs and
woodcut prints produced in recent years.
The first solo museum exhibition by Barbara Jones - Hogu, who died Nov. 14, 2017,
features works on paper including
woodcuts, etchings, lithographs and screen prints.
Featuring more than 100 works dating from 1972 — 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese
woodcut, and reduction linocut.
Featuring approximately one hundred works dated from 1972 to 2002, Chuck Close Prints illustrates the artist's range of invention in etching, aquatint, lithography, handmade paper, direct gravure, silkscreen, traditional Japanese
woodcut, and reduction linocut.
New work by Nicole Eisenman is
featured in «Nicole Eisenman:
Woodcuts, Etchings, Lithographs and Monotypes» at Leo Koenig Inc., 545 W. 23rd St., in New York City (Michael Janairo / Times Union)
The second room
features books and pamphlets containing Childish's writings, often designed and published by him and illustrated by his own
woodcuts.
This presentation is dedicated to his prints and
features woodcuts and etchings made in the 1960s and since 1999, and is being presented in conjunction with «Big Bling,» Puryear's largest public art work, which is currently on view on Kelly Drive in Philadelphia.
The Clark Art Institute's next exhibit
features Helen Frankenthaler's inventive approach to the
woodcut and pioneering abstract art on nature.
The Clark's next exhibit
features Helen Frankenthaler's inventive approach to the
woodcut, opening July 1st.
Our collection
features works by artists from many countries such as the 16th century German Renaissance
woodcut artists, Conrad Faber von Kreuznach, «Konrad Faber von Creuznach», the 17th century French artists, Antoine Masson and Francois Bignon, the British Artist, author and lithographic printer, Thomas Robert Way, the nineteenth century Norwegian painter, Anders Monsen Askevold, Anders Askevold, the British artists, Francesco Bartolozzi, George Percy Jacomb Hood, Sir Francis Seymour Haden, Luigi Schiavonetti and Donald Wilkinson, the French artists, Pierre Bonnard, Pierre Gusman, Othon Friesz and Gustave Adolphe Simonau, or the American artists such as Martin Lewis, Elmer William Brown, Elmer Brown, Jon Corbino, Robert Cumming, Erika Kahn, Louise Nevelson, Arthur Litt, James Craig Nicoll, Margaret Sargent, Margarett Sargent, Raphael Soyer and Federico Castellon, the Mexican artists, Jose Guadalupe Posada, and Francisco Dosamantes, and Jose Ignacio Aguirre, the Japanese artists, Hokusai, Kuniyoshi, Toshi Yoshida, and Yoshitoshi, the Austrian artist, Hans Gerstmayr, the German artists, Hilde Goldschmidt, Peter Ackermann and Hanns Anker, the Israeli artists, Abel Pann, David Sharir, Mireille Kramer and Yigal Zemer, the Satirical artists, James Gillray, George Cruikshank, William Hogarth Thomas Rowlandson and many others.
«Barbara Jones - Hogu: Resist, Relate, Unite 1968 - 1975»
features works on paper including
woodcuts, etchings, lithographs, and screenprints, many being presented publicly for the first time.
The series
features monumental
woodcuts with each prints in the series measuring 4 x 8 feet.
The deluxe - format volume
features 80
woodcuts in brilliant color, some with collage elements — torn papers, butcher's paper, 19th - century wood engravings, and more — pasted on individual pages.
The display
features mixed media on linen works by British painter Laurence Jones, a
woodcut from artist collaborative Pine Feroda ahead of their May exhibition at the gallery, and hand - finished cityscape monotypes from printmaker Laura Jordan.
Featuring a mixture of graphic hand lettering on aged book pages or salvaged book covers and geometric
woodcuts housed within reassigned drawers, the work explores personal memories and events in the artist's life.
The Antique Print Department will
feature works by master wood engraver and
woodcut printer Eric Gill.
The show, made up of larger
woodcuts, wall paintings, and smaller drawings (some include collage, some were made by typewriter),
features a striking juxtaposition of elements.
The collection of Baltimore industrialist and banker T. Harrison Garrett
features works by Albrecht Dürer, Francisco Goya, and Rembrandt van Rijn among more than 20,000 engravings, etchings, and
woodcuts ranging from the late 15th century through the late 19th century.