Sentences with phrase «wooden figures from»

Carved wooden figures from Nigeria.

Not exact matches

Handmade Wooden Toys by woodmouse - Handcrafted wooden toys and figures made from sustainably harvestedWooden Toys by woodmouse - Handcrafted wooden toys and figures made from sustainably harvestedwooden toys and figures made from sustainably harvested wood.

Beyond diapers, you'll love the charming selection of totally affordable and Earth friendly fun stuff for your little one, including dump trucks, modeling clay, wooden animal figures, books, puzzles and more from manufacturers that share Earth Baby's philosophy.

As for the doll and farm play, in order of the most played with (for those curious about these things): the farmhouse is by Ostheimer (as are most of the wooden farmhouse figures, with a few Kathe Kruse thrown in too); the (made in Maine) dollhouse is Seri's Dollhouse; then there is the Wooden Tree House Doll House; and the Wooden Camper (which was from Magic Cabin 8 years or so ago, and I couldn't find any maker info owooden farmhouse figures, with a few Kathe Kruse thrown in too); the (made in Maine) dollhouse is Seri's Dollhouse; then there is the Wooden Tree House Doll House; and the Wooden Camper (which was from Magic Cabin 8 years or so ago, and I couldn't find any maker info oWooden Tree House Doll House; and the Wooden Camper (which was from Magic Cabin 8 years or so ago, and I couldn't find any maker info oWooden Camper (which was from Magic Cabin 8 years or so ago, and I couldn't find any maker info on it).

Kenton Grua, Rudi Petschek, and Steve «Wren» Reynolds... embarked on [an adventure] in late June of 1983, when they defied common sense and the National Park Service and set off, at night, to attempt a record - breaking speed run down the Colorado River in a 17 - foot wooden dory called the Emerald Mile... To get from A to Z, they figured, would require roughly two nights and days of furious rowing.

Immediately after clotting, a wooden applicator stick should be used to gently separate the clot from the walls of the tube (FIGURE 3) and the sample should then be centrifuged for 10 to 20 minutes at 1000g.

From there the wooden spike can be upgraded to a better wooden wall, until eventually the only way to advance is to find out how to gain access to stone, thus you set out to figure out the next step in building up the kingdom.

This twin set features wooden figures of both WALL • E and EVE from the 2008 classic Pixar movie.

PAGES 28 - 29: From left, «Three Figures,» 1966 (oil on canvas) by Emma Amos and «It Takes Two to Integrate (Cha Cha Cha),» 1961 (painted dolls, dried fish, glass in wooden box) by Edward Kienholz.

Its shape originates from an African wooden sculpture of a figure preparing to bend in worship or prayer.

In another painting from the «Social Consequences» series, a figure adorned with polygons is poked with wooden sticks or metal spears, as if bodies were at once formed by and put at risk by inhuman elements.

«Out of Sight» then proceeds chronically to present art from 1962 to 1978 and concludes by exhibiting four wooden sculptures and a series of seven vivid painting from her Days of the Week series by way of revealing Herrera's continued experimentation with figure / ground relationships and the architectural underpinnings of many of her compositions.

Across from Bill King's Man, past Mary Frank's dense wooden Reclining Figure (1960) is Alex Katz's painting, Ada Ada, of his wife, times two, from 1959.

Upritchard is drawn to a variety of arts, crafts, and design from around the world produced over the past several centuries, and an array of objects and techniques have informed her work: the fifteenth - century German sculptor Erasmus Grasser's wooden figures; the Bayeux Tapestry, made in the eleventh century, with its scenes of the Norman conquest of England; the use of canopic jars in Egyptian mummification; the bronze figures of the Chola dynasty in India; and the blank expressions of the masks used in Japanese Noh theater.

The Cleveland Museum of Art's latest acquisitions include a Virgin and Child, a rare 13th - century wooden sculpture from the Mosan region of Europe; a Standing Female Figure, a clay figure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ carFigure, a clay figure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ carfigure representative of the Classic Veracruz period on Mexico's Gulf Coast; and Just the two of us, one of contemporary artist Julia Wachtel's first paintings to employ cartoons.

He used wooden dowels shaped with a jigsaw and hand tools to make intricate stretchers, painting figures in patterns drawn from Aztec, Benin, and Egyptian cultures.

Displayed on a reclaimed wooden floor as a mass of modelled figures, the sculptural installation, inspired by a Dieter Roth work, The Floor (Studio - floor from Mosfellsbaer, Iceland), (1973 - 1992), is what Nelson describes as a «levelling of sorts, questioning how we look at objects.»

Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.

«SPIRIT AND IDENTITY: MELANESIA WORKS FROM THE HOFSTRA UNIVERSITY MUSEUM COLLECTION» continues through Aug. 29 at the David Filderman Gallery The exhibition showcases ancestral figures, ceremonial masks, warrior shields, ritualized practical objects sourced from sacred sites, and carved and painted wooden sculptuFROM THE HOFSTRA UNIVERSITY MUSEUM COLLECTION» continues through Aug. 29 at the David Filderman Gallery The exhibition showcases ancestral figures, ceremonial masks, warrior shields, ritualized practical objects sourced from sacred sites, and carved and painted wooden sculptufrom sacred sites, and carved and painted wooden sculptures.

Featuring work from the 1980s to today, including wooden figures, pottery and newspapers that she has painted on, Himid's section of the Turner Prize exhibition at Hull's Ferens Gallery serves as an intimate window on to her intensely thoughtful practice.

Drawing on sources such as Jacques - Louis David's 1793 masterpiece The Death of Marat, carved and inked black figures emerge from swarms of writhing, fish - like eyes, with decorative woodcut prints and drawings collaged onto incised wooden panels.

The thread that connects all this disparate material, from Uncle Claudio's «Black Widow Killer» (a wooden paint paddle) to the artist's collection of toy figures, is the bittersweet quality of family memories.

Zanzibar - born, Preston - based Himid tackles attitudes to race, from slavery to the present day, through her tableaux of wooden figures and painted - over pottery.

Her latest show shies away from celebrities, and from figures in general, instead presenting utterly banal objects and interiors: a bathroom door, a wooden stool, a wall of subway tiles.

continues through Aug. 29 at the David Filderman Gallery The exhibition showcases ancestral figures, ceremonial masks, warrior shields, ritualized practical objects sourced from sacred sites, and carved and painted wooden sculptures.

In a large painting and several small works on paper Patricia Treib continues her breezy exploration of shape and color, while Nick Goss contributes a tabletop of unpainted plaster figures cast from elaborately folded wooden models as well as one large painting and two drawings, deftly straddling abstraction and representation.

The original figures from which they were cast — some wooden, others plastic — stem from a wide range of contexts, such as German folklore, African tribal art and Oceanic artefacts.

MacBeth (1989) is a somber figure cast from a weathered wooden log, bluntly carved into a sulking head and torso and placed on a planked platform.

They are of two themes: scenes from the studio and «stick figures» cobbled together from molded odds and ends (pencils, wooden sticks, screws, balls of twine, a plunger).

Deep green printed foliage extends from a circular wooden canvas, exposing a figure outline holdin...

Apart from his paintings, an installation by both artists, «I Catch the Little White Man,» (2003), features a wooden cabinet filled with strings of white figures, and refers to a mental institution in Sweden that doubles as a center for creative research.

It includes 30 paintings and 12 drawings, from «Sneeze» (2001), in which mucus spews from a woman's snoutlike nose, to «Carpenter» (2010), which shows a figure stripping a wooden deck with her teeth.

The most significant large - scale installations include Kagebangara, Of All people, And... and Some Place, are made from materials as diverse as threads coated in KumKum (a red organic pigment used on the forehead and in rituals), flattened tar barrels (from which road workers make temporary shelters), metal piping, woven hair ropes and small wooden figures with votive functions.

Those are adorable — I was just trying to figure out how to use an old wooden file drawer to give a friend a selection of herbs from my garden.