Sentences with phrase «word on the identity»

Not exact matches

While these contentious issues have already generated a heightened interest in Pope Francis» words and the American bishops» public statements, they also call on young Catholics to reflect more deeply about the seriousness of their faith and Catholic identity.

They are often crudely portrayed as voting based solely on identity politics, born suckers for quotes from Scripture or «code words» laced in the speeches of candidates appealing to their spiritual beliefs.

Tim i found it liberating to just do what the Lord wants you to do i work within his boundarys and yes i attend church and enjoy it.I love the people and i love hearing the word and worshipping the Lord even if others are still bound up with traditions thats not my walk thats theres.My focus is to do what the Lord wants me to do.There have been times i have said no to the pastor he does nt understand why i choose not to lead the worship.i query him as well regarding the idea that its not just performing a function because there is a need our hearts have to be in the right place so that the Lord can use us but he did nt understand where i was coming from and thats okay because of that i just said no until my heart is right i am better not being involved in leading.But i am happy to be an encouragement to others in the worship team i havent wanted to be the leader i have done that in the past.So my focus has been just the singing and being part of different worship teams i think the Lord has other plans as the groups i am in seem to be changing at the same time i am aware that i do nt to worry about change as the Lord knows whats best.I used to be quite comfortable leading the music but that was before when i was operating in my own self confidence and pride.The Lord did such a huge change in my life that i lost my self confidence and that is not a bad thing at all as my spiritual growth has been incredible.The big change was my identity moved from me and what i could do to knowing who i was in Christ and that he is my strength and confidence.Now i know that without him i can do nothing in fact i am dependent on his empowerment through his holy spirit all the time in everything.In the weekend i was asked to lead the music at another church i attend multiple churchs although i attend two regularly one has services in the morning and one has services in the evening so the two do nt really clash.In the weekend i was asked to lead the music its been two years since i did that and i was worried on how i would go.All i can say is that it went really well and because i stepped out in Faith the Lord really blessed the morning to the congregation.The difference is knowing that i serve the Lord with the gifts he has given me but my heart has to be right and when i do it in his way it builds up the body and it brings glory to him.May the Lord continue to show you what he wants you to do even though others may not understand your reasons i just want you to know that you do nt have to pull away completely just work within the boundarys that the Lord gives you and do nt feel pressured by others expectations to do anything that feel uncomfortable.Be involved just as you feel lead by the holy spirit even if it is in a very minor way take small steps.regards brentnz

See for instance Raimon Panikkar, On Catholic Identity (University of Tulsa 1991), p. 2, where this becomes clear from what he says on the identity of a Christian: «We may agree that a Christian is somebody who acknowledges a special relation to Jesus Christ, but the understanding of this relation can not be expressed in any univocal way and the analogy can not go beyond the formal or structural contents of the word «relation&raquOn Catholic Identity (University of Tulsa 1991), p. 2, where this becomes clear from what he says on the identity of a Christian: «We may agree that a Christian is somebody who acknowledges a special relation to Jesus Christ, but the understanding of this relation can not be expressed in any univocal way and the analogy can not go beyond the formal or structural contents of the word «relatioIdentity (University of Tulsa 1991), p. 2, where this becomes clear from what he says on the identity of a Christian: «We may agree that a Christian is somebody who acknowledges a special relation to Jesus Christ, but the understanding of this relation can not be expressed in any univocal way and the analogy can not go beyond the formal or structural contents of the word «relation&raquon the identity of a Christian: «We may agree that a Christian is somebody who acknowledges a special relation to Jesus Christ, but the understanding of this relation can not be expressed in any univocal way and the analogy can not go beyond the formal or structural contents of the word «relatioidentity of a Christian: «We may agree that a Christian is somebody who acknowledges a special relation to Jesus Christ, but the understanding of this relation can not be expressed in any univocal way and the analogy can not go beyond the formal or structural contents of the word «relation»

Among philosophers working on the mind / body problem, the word «qualia» stands for all those features of consciousness that give awareness its specific identity as a particular kind of experience: the redness of red, the sadness of depression, the piquancy of papaya juice, the irksomeness of traffic jams, the crankiness that comes from insomnia, the hurt feelings arising from playground taunts, and so forth.

Cant see that would be an issue i belong to two churchs one fellowships during the morning on sunday and the other at night.I find it is heathy to mix with other denominations my identity is not in the church it is in Christ.Even if the word spoken conflicts we take it back to the holy spirit to reveal the truth he will reveal what is right scripture does not contradict.That is why we need to feed ourselves and study the word the holy spirit is incredible what he reveals when we ask him.brentnz

In the years since I discovered those verses and underlined nearly every word in Manning's book, I've tried to make the switch from basing my identity on what I think I about when I think about me to what God thinks about when God thinks about me.

Further, it is somewhat strange that after Luther and Barth Mr. Leit - hart should insist on the identity of Scriptures and Word of God.

But when a massive change of behavioral habit has taken place, and this is sufficient to constitute a change of personal identity — as, for example, in the case of insanity — then on the view here proposed, there is no responsibility and guilt in the usual senses of those words.

He has provided His word for us to rely on when it comes to an understanding of our identity and worth as His children.

And on affordable housing, the Council will get the last word on elements of a policy central to the mayor's political identity.

The Cooper Square Committee received word last week that the city will provide most of the cash to renovate the building at 222 E. 13th St. into a home for up to 18 young people who identity as lesbian, gay, bisexual or transgendered and would otherwise be on the streets.

«Depending on the identity of the speaker and the appropriateness of the situation in which they say it, a given taboo word may have stronger or weaker psychological and / or physiological effects on the listener.»

In other words, one chat operator / letter writer chats and corresponds under identities of 1 - 4 «genuine» females listed on «the largest online dating sites with payment».

These words, tattooed on a dead man in the Arizona desert, are the only clue to his identity, and ask the first question posed to us by Marc Silver and Gael Garcia Bernal's latest project, but not necessarily the last.

There's no word on who has been cast to play Janet Van Dyne, and according to Cinemablend the actor's face won't be seen in Ant - Man due to a helmet which covers her identity.

Liman, who has also directed the likes of Go, Swingers, Jumper and films with more that one - word titles like Mr & Mrs. Smith and The Bourne Identity, has a lot of projects on the go at the moment, including a couple with Tom Cruise (Mena, Luna Park).

65 minutes rich with poetry, outstanding visuals, spoken word, and of course songs, reflecting on history and not only feminism and «is he or isn't he being unfaithful», but cultural identity, skeletons in the closet, race, sex and self doubt, family ties and so much more.

Resource contains examples of artists's work, questions to begin discussion on the subject of portraits, identity and words of identity.

Learning objectives To develop a detailed collage on oneself and to discover how other artists have represented their own identity - Cindy Sherman, Barbara Kruger and Mariel Amelia Showing examples of composition planning of collage - drawing out ideas for collage Using a text artists like Miss Wilcox and adding in words to add to identity image of oneself - adding in text in the photoshop work and then in the fabric work.

It also contains a word bank on identity.

Even though your creative self might object to the idea, this means having to occasionally leave your author identity to one side and deal with boring things like building websites, sending e-newsletters, doing a tax return and so on: in other words, all the routine aspects of running your own business.

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It should say «No word on what Stitch's game objective is, or what the identity of the second Disney game is.

The remaining funds went to more contemporary works: a 1974 photographic suite by John Baldessari called «Portrait: Artist's Identity Hidden with Various Hats» for $ 500,000, and a 2009 neon installation by Glenn Ligon that plays on the word «America» for $ 100,000.

The artist and philosopher Adrian Piper's direct and subtly intellectual approach to unpacking the tangled issues of race, gender, identity, and belonging has inspired a generation of socially - conscious artists across all media, although her impact is just now being fully recognized: she was the recipient of the Golden Lion for best artist at this year's Venice Biennale, and MoMA has recently announced plans for, in the words of Robin Pogrebin in the New York Times, «the most comprehensive exhibition to date on the conceptual artist,» set to open in 2018.

It complicates its own most obvious readings of racial and sexual identity by cutting across love, sex, lust, and longing to illustrate and embody the excruciating surfeit of words — spoken and written, etched on porcelain in notational shorthand (in Valerie Piraino's wonderfully ruminative series «Simone,» from 2010), and silk - screened ever so faintly on canvas (in Pendleton's Concrete, from 2004, which ticks off evocative phrases such as «the smell of your neck in August» and «somewhere between forgiving too easily and not giving in at all»)-- that prop up and then ruin relationships, pure verbiage as a cruel mirage.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Word on the Street artists unite to discuss power and identity in their work, and the relationship amongst public art, activism, and social and political change.

The work's title alludes to multiple meanings of the word «graft» — transplanting something to another location or engaging in political corruption — to acknowledge both diasporic identity and the influence of colonialism on the island.

Lorna Simpson (American, born 1960) created linguistic and metaphorical connections between photographs of a woman's neckline and words that refer to the horrors of slavery and lynching, while Tomoko Sawada's self - portraits made in a photo booth humorously suggest the malleability of identity based on media stereotypes and outward appearances.

This monograph focuses on Strachan's recent sculpture of white neon tubing, simulating a stop - action photograph of imploding or exploding words to either affirm or refute its statement about identity.

In the words of French anthropologist Marc Augé, «Place and non-place are rather like opposed polarities: the first is never completely erased, the second never totally completed; they are like palimpsests on which the scrambled game of identity and relations is ceaselessly rewritten.»

Even though this vision consists of a nebulous collection of words that, on their own, are theoretical concepts and linguistic connectors to a wider dialogue on art and its shared values, the lack of a more precisely crafted statement also presents the discursive slippages in which the collaborative team of curators can operate more fluidly as they seek to represent the varied cultures and identities of the Southeast Asian nations.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

Contemporary Art from the Collection,» Museum of Modern Art, New York, NY, July 7 — September 17, 2007 «Substance & Surface,» Bortolami Gallery, New York, NY, June 26 — August 31, 2007 «Contemporary Art from the Harvard University Art Museums Collections,» Fogg Art Museum, Harvard, Cambridge, MA, June 23 — January 31, 2008 «Repicturing the Past / Picturing the Present,» Museum of Modern Art, New York, NY, June 15 — November 5, 2007 «Lines, Grids, Stains, Words,» Museum of Modern Art, New York, NY, June 15 — October 22, 2007 «Art Unlimited,» Regen Projects at Art Basel 38, Basel, Switzerland, June 13 — 17, 2007 «Art in America, Now,» Museum of Contemporary Art, Shanghai, China, May 1 — June 30, 2007 «Paper: from the collection of Emily Fisher Landau,» curated by Bill Katz, The Fisher Landau Center for Art, Long Island, New York, NY, May 19 — December, 2007 «Remix Identity and Abstraction,» Albright Knox Art Gallery, Buffalo, NY, Fall 2007 «Learn to Read,» curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 — September 2, 2007 «Novel Readings,» curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale - on - Hudson, New York, NY, May 13 — 27, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; catalogue

Yet, Johnson seems to be expanding on the meaning of the word by proposing questions of identity.

I Just Want to Do Whatever I Feel like Doing; GRAYSON PERRY ON HIS CROSS-DRESS HAPPINESS; EXCLUSIVE The Mirror (London, England); October 22, 2014; Wynne - Jones, Ros; 700 + words... ROS WYNNE - JONES When artist Grayson Perry was made a Commander of the British... going to compromise my identity as Britain's pre-eminent transvestite... woke up to the eccentricity of Grayson Perry.

These «Concerned,» «Cautious,» and «Disengaged» segments for the most part do not have a strong political or partisan identity and rely mostly on local TV news, local newspapers and word of mouth for information and to form decisions about climate change, if they had even considered the issue much at all.

Next up then is [Poet in the City's] super evening on Poetry and Identity... at the National Portrait Gallery [with]... dazzling word play from Lynton Kwesi Johnson, Billy Bragg and George Szirtes, winner of the 2004 TS Eliot prize... So at last, an alliance between the lawyers and the «unacknowledged legislators of mankind».

No official word was given on the status of any of the victims or their identities, but police sources did state that one victim left the hospital not long after the incident.

As the paper maintains, the same approach is visible in the recent Taricco judgment of the Italian Constitutional Court: while in this reference to the European Court of Justice (ECJ) the Constitutional Court mentioned for the first time ever the words «constitutional identity», its ruling was mostly grounded on the notion of common constitutional traditions.

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Like any other social trait, sexual preferences, attitudes, behaviors, and identity can be flexible to some degree.1 Another related concept, erotic plasticity, is defined as change in people's sexual expression (attitudes, preferences, behavior) due to socio - cultural factors and situational concerns.2 In other words, the basic idea is that someone's sexual response can fluctuate depending on their surrounding environment.

It is infused in the big things like our organizational identity as well as the smallest details of our work, like word choices on parent handouts.

In other words, the developmental changes of adolescence have an impact on the behaviors of significant others, which, in turn, influence ways in which adolescents resolve the major issues of adolescence, namely, autonomy, sexuality, identity, and so on.