Sentences with phrase «words in between the lines»

Even though one can kind of hear the stumbling words in between the lines, the actor doesn't do the usual bits of physical meekness or verbal stammering of an Allen - character.

Not exact matches

Once or twice a piece of fish was deemed unworthy, but instead of the yelling or harsh words I expected (I'm looking at you, Gordon Ramsay), a few quiet words were exchanged between, say, Eric Gustel and a sous chef and a line cook: a little advice, a little feedback, and a quick, «Yes, Chef,» in reply.

In just over a month, what began with tariffs on steel and aluminum has grown into a war of words between the U.S. and China — a showdown now threatening nearly 1,500 product lines.

Reading between the lines suggests that the Bank does not expect a strengthening in employment growth and any significant reduction in the unemployment rate over the next eighteen months; in other words before the 2015 election.

The evidence indicates that the written sources of our Synoptic Gospels (Matthew, Mark, Luke, and John) are not later than c. AD 60; some of them have even been traced back to notes taken of our Lord's teaching while His words were actually being uttered... We have then in the Synoptic Gospels, the latest of which was complete between 40 - 50 years after the death of Christ, material which took shape at a still earlier time, some of it even before His death, and which, besides being for the most part 1st hand evidence, was transmitted along independent and trustworthy lines.»

Surely, I don't say it in those words, but religious people don't like to read between the lines of an atheist.

Jeremy Myers, i think you are wrong and David is right, so many out there are preaching you can live any way you want and be right that Grace covers any sin, they really believe that, that is not what the bible says, God was very concerned about sin so much he sent Jesus his son to die on a cross for us, if we accept Jesus as our savor then we are to obey his commandments, not break them, we are to live a righteous and holy life as possible, the bible plainly list a whole list of things if we live in will not to to heaven unless we repent, if we die while in these sins, we will not go to heaven, what is the difference, between someone who said a prayer and someone who did not, and they are living the same way, none, i think, if we are truly saved it should be hard to do these things let alone live and do them everyday, i would be afraid to tell people that it does not matte grace covers their sins, i really think it is the slip ups that we are convicted of by the Holy Spirit and we ask for forgivness, how can anyones heart be right with God and they have sex all the time out of marriage, lie, break every commandment of God, i don't think this is meaning grace covers those sins, until they repent and ask for forgiveness, a lot of people will end up in hell because preachers teach Grace the wrong way,, and those preachers will answer to God for leading these people the wrong way, not saying you are one of them, but be careful, everything we teach or preach must line up with the word of God, God hates sin,

We read between the lines the despair of shattered hopes in the words, «We had hoped that he was the one to redeem Israel.»

there is no doubting that Arsene has helped to provide us with some incredible footballing moments in the formative years of his managerial career at Arsenal, but that certainly doesn't and shouldn't mean that he has earned the right to decide when and how he should leave this club... there have been numerous managers at each of the biggest clubs in Europe throughout the last decade who have waged far more successful campaigns than ours yet somehow and someway each were given their walking papers because they failed to meet the standards laid out by the hierarchy of their respective clubs... of course that doesn't mean that clubs should simply follow the lead of others, especially if clubs of note have become too reactionary when it comes to issues of termination, for whatever reasons, but there should be some logical discourse when it comes to the setting of parameters for a changing of the guard... in the case of Arsenal, this sort of discourse was largely stifled when the higher - ups devised their sinister plan on the eve of our move to the Emirates... by giving Wenger a free pass due to supposed financial constraints he, unwittingly or not, set the bar too low... it reminds me of a landlord who says he will only rent to «professional people» to maintain a certain standard then does a complete about face when the market is lean and vacancies are up... for those who rented under the original mandate they of course feel cheated but there is little they can do, except move on, especially if the landlord clearly cares more about profitability than keeping their word... unfortunately for the lifelong fans of a football club it's not so easy to switch allegiances and frankly why should they, in most cases we have been around far longer than them... so how does one deal with such an untenable situation... do you simply shut - up and hope for the best, do you place the best interests of those with only self - serving agendas above the collective and pray that karma eventually catches up with them, do you run away with your tail between your legs and only return when things have ultimately changed, do you keep trying to find silver linings to justify your very existence, do you lower your expectations by convincing yourself it could be worse or do you stand up for what you believe in by holding people accountable for their actions, especially when every fiber of your being tells you that something is rotten in the state of Denmark

And he said I don't like the dragging on but if you can read between the lines I think LC asked vardy and arsenal the transfer to be completed after the euros so LC can buy a replacement (which they started immediately offering 20m for Deny and now they are chasing Sporting Lisbon striker which will cost the same) and LC fans don't get hurt, they like to soften the blow, even in Ranieri's comment he doesn't mention like I'm sure vardy wants to stay, or not accepting the offer immediately proves like he wants to stay with us, or stuff like that he is saying that vardy has the last word which translate to we can't do nothing he will accept the offer and doesn't sound confident even the slightest.

But reading between the lines of what our BFG said about the defeat at Stamford Bridge, as reported by Arsenal.com, T think that Ozil could be in for a few choice words from his fellow countryman.

In other words: where to draw the line between degrading regime capabilities to make Assad more acquiescent to international demands to negotiate and weakening him so much that rebels sense a military victory for them is now possible?

With this in mind, he quotes from the ancient Persian poet Omar Khayyam's musings on the visceral difference between what has gone and what is yet to come: «The moving finger writes; and having writ, moves on: Nor all thy piety nor wit shall lure it back to cancel half a line, nor all thy tears wash out a word of it.»

In other words, you usually need an unobstructed line of sight between yourself and any object you intend to view.

In other words, the basement membrane provides a physical dividing line between cells descendant from embryonic ectoderm (epidermis) and embryonic mesoderm (dermis).

In a few words, the lines between good and evil are blurred.

Bookended by war scenes that dramatize the fine line between civilized society and the brutality of war, it all comes together... bringing more power and poignancy to the two best scenes: as previously mentioned, Letts and Lerman go mano y mano in arguing the brilliance of Bertrand Russell, and their word battle highlights the age - old idealist vs. real world struggles; a mother - son scene towards the end is as heart - breaking as any we're likely to see on screen this year.

between Jim, Maggie, and Don (and Lisa); the goosebump - raising way that the show used on - screen text to reveal the BP spill and the Giffords shooting; the structural flourishes of the 2010 election episode and the season finale; that great scene where Don gives a master class in covering trashy news; the way you can see Olivia Munn finding her bearings as an actress, and how that parallels her character becoming a confident on - air personality; the brashness of Jane Fonda, the patience of David Krumholtz, the deliciousness with which Emily Mortimer says the word «douchebag,» the way Jeff Daniels tosses off his throwaway lines, and the way he answered that «sorority girl»'s question the second time.

By Sean O'Connell Hollywoodnews.com: The 2011 awards marathon hasn't officially begun yet — most films planning to compete are gathering at the starting line waiting for festivals in Venice, Toronto and Telluride so the real race can launch — and already we are seeing a war of words between Oscar bloggers.

One of the interesting things about the movie to me was how it could shift tonally from very dark to comical in a matter of lines; a great example being the flashback which shows the somewhat hilarious argument between Mildred and her daughter which ends with very dark and fateful final words shared.

There are also more age - specific signs.Pre - school children may show: Persistent difficulty in learning nursery rhymes or the name for things, like «table» or «chair»; difficulty with clapping a simple rhythm; enjoyment of being read to but no interest in words or letters; delayed speech development; primary school children may show a poor sense of direction and confusion between left and right; pronounced reading difficulties, specifically hesitant or laboured reading, omitted lines or repetition of the same line or loss of place in the text and difficulties in saying multi-syllabic words.

Gamification is that extra question you fit in at the end of the Reading Comprehension task which makes the learners read between the lines, that vertical word - code you elicit on completion of the big crosswords which triggers the students» sense of discovery, and that time hint you insert to help them with where to focus on the video clip to answer the close - watching questions!

Topics covered: Finding fractions of a number Adding and subtracting fractions Fractions on a number line 9 x table Relationship between multiplication and division 2 digit x 1 digit multiplication Plotting points in one quadrant Angles Time Word problems

Building and Structures in French activities (10 pages covering 60 French words) Children need to draw a line between each adjective and its translation.

Home in French activities (14 pages covering 71 French home - related words) Children need to draw a line between each image and its translation.

The emphasis on trend lines makes this a good time to point out that Phi Delta Kappa and the Gallup Organization decided in the early 1990s to avoid changes in wording on the questions having to do with the relationship between private and public schools.

Blank lines between paragraphs are a Microsoft Word artifact that are additionally widely used in onscreen text.

Glose (n.): from the latin glosa or glossa, designates a handwritten annotation made in the margins or between the lines of a book, intended to clarify for the reader an obscure word or passage.

Maybe others will recognize themselves in my words, and will nod at me, between the lines, in the spaces between each word.

Printed books just don't handle typesetting in this way: they fit as many words into a line as possible while maintaining the spacing between them, and they aren't afraid to either break a word in half to hyphenate it or to leave a gap at the end of a line.

As I read between the lines of a March 8, 2010 New York Times article, «Pondering Good Faith in Publishing,» something occurred to me: nonfiction authors who haven't been 100 % concerned about the veracity of their words should fear book promotion opportunities.

In other words, if you have two credit cards with $ 5,000 limits, and a $ 10,000 line of credit, you don't want owe more than $ 10,000 between the three of these debt products.

And this is coming from a guy who can't put words in the right order, can't tell the difference between «should» and «shouldn't», and can't split two unrelated sentences into two separate lines?

In other words, the shortest distance between two points is no longer a straight line, but a tesseract.

As the distance between pursuer and pursued closes, the space between the letters and lines of text stencilled on to the canvas in hazard red correspondingly collapses, until the climax of the chase ends in a crash of words at the bottom of the canvas.

At Tate Modern, don't miss the unveiling of French artist Philippe Parreno's Hyundai Commission in the Turbine Hall, a multimedia artist whose exhibitions — or «choreographed spaces» in his words — erase the line between reality and fiction.

Ruscha probes the visual and emotive power of words in Pews, a 1970 screenprint made with unorthodox materials such as chocolate syrup and red salmon roe, as well as in a new series, Rusty Signs, in which in the artist's words «neglected and forgotten signs from neglected and forgotten landscapes» are reproduced in uncanny detail that blurs the line between the fictitious and the real.

His Work & Contemporary Video Art Deutsches Filmmuseum, Frankfurt am Main, Germany Cross-Strait Relations Parsons the New School for Design, New York, USA Double Indemnity Cornerhouse, Manchester, UK Reading Cinema, Finding Words: Art After Marcel Broodthaers National Museum of Modern Art, Kyoto, Japan La Biennale de Lyon — «Meanwhile... Suddenly and Then» Lyon, France Rohkunstbau: Moral Schloss Roskow, Roskow, Germany Me in Me * Shiseido Gallery, Tokyo, Japan A Journal of the Plague Year Para Site, Hong Kong, China Between the Lines Former Tagesspiegel Building, Berlin Cinema Pacific Presents: White Box Gallery, Portland & Jordan Schnitzer Museum of Art, Ming Wong * Eugene, Oregon, USA The Life of Others Akbank Art Centre, Istanbul, Turkey Extra Kino: Art goes Cinema OK Offenes Kulturhaus, Linz, Austria

Really shiny things that don't mean anything, Public Commission, Trybuna Honorowa, Plac Defilad, Muzeum Sztuki Nowoczesnej w Warszawie, Warsaw, PL Ryan Gander, Billboard for Edinburgh: Year 4, Ingleby Gallery, Edinburgh, UK Icarus Falling - An Exhibition Lost, Maison Hermès, Le Forum, Tokyo, JP Meaning... surrounds me now, 1223 Gendaikaiga, Tokyo, JP New Collisions in Culturefield, Johnen Galerie, Berlin, DE Locked Room Scenario, Artangel, London UK Now there's not enough of it to go around, Annet Gelink Gallery, Amsterdam, NL You have my word, Dazaifu Tenmangu, Fukuoka, JP Attempting to remain light on ones feet: Work from Daiwa Collection, Okinawa Prefectural Museum, Okinawa, JP Ftt, Ft, Ftt, Ftt, Ffttt, Ftt, or somewhere between a modern representation of how a contemporary gesture came into being, an illustration of the physicality of an argument between Theo and Piet regarding the dynamic aspect of the diagonal line and attempting to produce a chroma - key set for a hundred cinematic scenes, Taro Nasu Gallery, Tokyo, JP

Catalogue: essay, A Project by Richard Tuttle / Line / 1967 / Road Trip / The Vogels / The Philadelphia Museum of Art / Agnes Martin / 1975 / The Spaces in Between / The Fabric Workshop and Museum / Books / In Thirteen Parts / Wordin Between / The Fabric Workshop and Museum / Books / In Thirteen Parts / WordIn Thirteen Parts / Words.

2017 Desert X Biennial, Coachella Valley, CA 2016 SITElines.2016: New Perspectives on Art of the Americas, SITE Santa Fe, New Mexico NO COMMISSION, Bronx, NY Recent Acquisition, exhibited as part of Beyond Limits, Museum of Fine Arts, Boston, MA Recent Acquisition, exhibited as part of Native Artists of North America, Newark Museum of Art, Newark, NJ Kindred Beasts: The Everson Biennial, Everson Museum of Art, Syracuse, New York Convene, Nerman Museum of Contemporary Art, Overland Park, Kansas March Madness, Fort Gansevoort, New York, New York WORD, Hudson Valley Center for Contemporary Art, Peekskill, New York New Geometries, Fleisher / Ollman, Philadelphia Perfect Day, Roberts and Tilton, California 2015 - 6 Affinity Atlas, The Tang Museum, Skidmore College, Saratoga Springs, New York Greater New York, MoMA PS1, New York, New York An Evening Redness in the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyin the West, IAIA Museum of Contemporary Native Arts (MoCNA), Santa Fe, New Mexico Between History and Body, The 8th Floor, Shelley and Donald Rubin Foundation, New York, New York P3, Prospect New Orleans, New Orleans, Louisiana 2015 Piece by Piece, Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri Gray Would Be The Color if I Had a Heart, MARC STRAUS, New York, NY Geometries of Difference: New Approaches to Ornament and Abstraction, Samuel Dorsky Museum of Art, New Paltz, New York 2014 - 5 Beautiful Games: American Indian Sport and Art, Heard Museum, Phoenix, Arizona 2014 Xigue - Xigue, MARC STRAUS, New York, New York Contemporary American Indian Art, The Nerman Museum Collection, Overland Park, Kansas 2013 Fiction / Non-Fiction, Esker Foundation, Calgary, Canada On Deck, MARC STRAUS, New York, New York Sakahan: International Indigenous Art, National Gallery Canada, Ottowa, Ontario Outside the Lines, Contemporary Art Museum Houston, Houston, Texas Hotbox Forever, Steven Wolf, San Francisco, California Totem, Aysa Geisberg Gallery, New York, New York Group Show, Samson, Boston, Massachusetts 2012 - 4 Changing Hands 3, Museum of Art and Design, New York, New York; Memorial Art Gallery, Rochester, New York; McMichael Canadian Art Collection, Kleinburg, Ontario, Chazen Museum of Art, University of Wisconsin, Madison; Museum of Contemporary Native Arts, Santa Fe, New Mexico, University of Michigan Museum of Art, Ann Arbor, Michigan 2012 Shapeshifting, Peabody Essex Museum, Salem, Massachusetts E-Vapor-8, 319 Scholes, Brooklyn, New York, organized by Francesca Gavin Peekskill Project V, Hudson Valley Center for Contemporary Art, Peekskill, New York 2011 Recent Acquisitions, Museum of Fine Arts, Linde Wing for Contemporary Art, Boston, Massachusetts Close Encounters, Plug - In Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, BrooklyIn Institute of Contemporary Art, Winnipeg, Canada Recent Acquisitions, Denver Art Museum, Denver, Colorado Anthony Greaney x Dan Graham x Samson, Cottage Home Gallery, Los Angeles, California An Exchange with Sol LeWitt, Cabinet Exhibitions and Mass MoCA, Brooklyn.

This shift in Piacentino's work, away from pure minimalism while still maintaining a commitment to blemish-less surfaces, is in line with these words from Germano Celant: «It is in this historical climate of oscillation between art and design, handcrafts and industry, the useful and the useless, the one - off piece and the mass - produced object, and between the autonomy and heteronomy of pure creation, that we can place the contribution of Piacentino, whose otherness and uniqueness lie precisely in the dialectic between the two poles, Pop and Minimal.

The fine line between inspiration and an infringement of copyright Belfast Telegraph; September 24, 2010; 583 words... 20 - foot sculpture Hymn in 2000.

SOLO SHOWS 2014 EBK Gallery, Hartford, CT Amy Simon Fine Art, Westport, Ct, Out of Line William - Scott Gallery, Provincetown, MA, TRASHED 2013 The Orison Project, Essex, CT, TRASHED 2012 Garrison Art Center, Garrison, NY, Recent Paintngs William - Scott Gallery, Provincetown, MA, STICK IT 2011 Sarah Doyle Gallery, Brown University, Providence, RI, HOSE ME EO Art Lab, Chester, CT, STICK IT 2010 William - Scott Gallery, Provincetown, MA 2009 EO Art Lab, Chester, CT, Hose Me 2007 EO Art Lab, Chester, CT, Laid Rubber Diane Birdsall Gallery, Old Lyme, CT, Tie Me Down 2006 Diane Birdsall Gallery, Old Lyme, CT, Leaners and Hangers 2004 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, Landscape 2002 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, New Paintings 2000 University of Connecticut, Avery Point, Alexey Von Schlippe Gallery of Art, The C Word 1995 Viridian Gallery, New York, NY, Mixed Landscape 1991 Queens College Art Center, Queens, NY, Between Something and Nothing Pump House Gallery, Hartford, CT, Between Something and Nothing 1988 Bratton Gallery, New York, NY, Yesturday I Found My Soul 1986 Cummings Art Center, Connecticut Collage, New London, CT, Illuminated Paintings Artworks Gallery, Hartford, CT, Illuminated Paintings MUSEUM EXHIBITIONS 2011 Housatonic Museum of Art, SLASH, group exhibition 2000 Stamford Museum and Nature Center, Stamford, CT (Juror: Lauren Ross, White Columns Gallery, NY, NY, NEW ART ANNUAL 2000) 1997 Stamford Museum and Nature Center, Stamford, CT Solo Show Award (Juror: Ann Philbin, Director of The Drawing Center NY, NY, New Art Annual 1997) 1996 Stamford Museum and Nature Center, Stamford, CT 4 Winners Stamford Museum and Nature Center, Stamford, CT (Juror: Jill Snyder, Director of the Aldrich Museum of Contemporary Art in Ridgefield, CT, New Art Annual 1996) Stamford Museum and Nature Center, Stamford, CT (Juror: Dorothy Mayhall, Director, Stamford Museum and Nature

Much more recently, text has played a central role in modern and contemporary movements: Georges Braque's Cubist paintings featured words tucked between lines of fractured geometry, while Roy Lichtenstein's cartoonish Pop Art paintings often contained quote bubbles.

In other words, are the temperature gradients between closely spaced collection points small enough to make milli - degree / year trend lines based on data collected from randomly drifting buoys meaningful?

Furthermore, where does one draw the line between «fabrication and / or misrepresentation» versus non-rigor in wording in a scientific publication?

In her words, «One must question whether members of the Bar, who occupy positions of special trust and confidence, should chafe too strongly against rules designed to ensure that the line between lawyers and others trading on their own account does not become blurred» (para. 88).

In other words, Information Management and Knowledge Management done well will help to generate revenue, it's just that it is not a straight line between expenditure and ROI.

If you are using a rich - text editor like Word or the Visual editing tab in WordPress, you should not leave a blank line between paragraphs.