Sentences with phrase «words leave no traces»

But words leave no traces in the archaeological record.

Not exact matches

Rather, God's Word leaves a sure, irrefutable trace of its passage, just as at the beginning of creation, when God said «Let there be light» (Gen. 1:3).

In any case, the believer sees only two possibilities: the word will either disappear completely, leaving no trace, or it will remain as a question for all men.

You could write the word on the leaf for them and allow them to «write» on or decorate the leaf as well, or you could make dotted trace lines and allow them to trace over the letters, writing the word themselves, depending on their age or ability!

Hibernation - find out about different animal that hibernate over Winter Literacy resources Snowflake alphabet Book review Worksheets - various worksheets about the story, Winter and the characters Word searches Writing pages - various pages to photocopy for the children to write and colour in the borders Writing sheets Hibernation worksheets Worksheets - Signs of Autumn, Winter and Spring worksheets Acrostic poem Art and crafts Animal paw prints - use the cards to copy the paw prints in the sand tray or in the snow Tracing picture Colouring worksheets Winter scene worksheet Animal puppets to make Animal masks - black and white masks of the different animals in the story Games Bingo - a colourful picture bingo game Snowman building game - throw the die and collect the different parts of your snowman Hibernation game - throw a die and turn over a card to see how many hedgehogs are hibernating under the pile of leaves Please note: The art work used in these resources has been produced by ourselves.

Five Little Leaves in the Tall, Tall Tree Felt Set Pattern PDF Digital Download Five little leaves in the tall, tall tree As bright and pretty as they can be Along came the wind Blowing all around And one bright leaf fell to the ground The leaves range in size from 10 cm (4 inches) to 14 cm (5.5 inches) This Pattern includes: A complete list of felt and supplies required Full sized patterns — just print and use — no need to enlarge, reduce, trace or duplicate Detailed step - by - step instructions A song card template containing the words to the song ready to print, laminate and use.

Marking, in terms of leaving a trace, is evident in Baum's gelatin silver prints of blackboards with partially erased words, still bearing their meanings through smeared yet legible letters, while elsewhere allowing the marks to blend into smudges of chalk to lose their consistency.

One Mile Film (5,280 feet of 35 mm film negative and print taped to the mile - long High Line walk way in New York City for 17 hours on Thursday, September 13th, 2012 with 11,500 visitors — the visitors walked, wrote, jogged, signed, drew, touched, danced, parkoured, sanded, keyed, melted popsicles, spit, scratched, stomped, left shoe prints of all kinds and put gum on the filmstrip — it was driven on by baby stroller and trash can wheels and was traced by art students — people wrote messages on the film and drew animations, etched signs, symbols and words into the film emulsion lines drawn down much of the filmstrip by visitors and Jwest with highlighters and markers — the walk way surfaces of concrete, train track steel, wood, metal gratings and fountain water impressed into the film; filmed images shot by Peter West — filmed Parkour performances by Thomas Dolan and Vertical Jimenez — running on rooftops by Deb Berman and Jwest — film taped, rolled and explained on the High Line by art students and volunteers) 2012, 58 minutes, 40 seconds 35 mm negative and film print transferred to high - definition video, no sound Commissioned and produced by Friends of the High Line and the New York City Department of Parks and Recreation

What traces are left when we burn our words, allow them to dissolve?

This exhibition traces a narrative of Schor's work since the early 90s to the present, from Semi-colon in a Flesh Comma (1994) which punctuates the text of the female body, and Undue — a section of War Frieze, her major 1991-1994 200 - running feet long multiple canvas work on militarism and aggression, painted in the aftermath of the first Gulf War but still as timely today — through representations of the nature of artmaking itself — the sign, the trace — to the empty thought balloon when grief has left the artist at a loss for words, to her most recent works schematically figuring the artist as thinker, reader, writer in an uncertain world.

The last word is unclear, but appears to be «Noyabr», that is «November» Pencil on tracing paper with serrated left edge, irregular, 13 x 9 (33 x 23) Presented by the artist 1977 Exh: Naum Gabo, Stedelijk Museum, Amsterdam, April - June 1965 (t7); Kunsthalle, Mannheim, June - August 1965 (54); Wilhelm - Lehmbruck - Museum, Duisburg, August - October 1965 (54); Kunsthaus, Zurich, October - December 1965 (54); Den inre och den yttre Rymden, Moderna Museet, Stockholm, January - February 1966 (114); Naum Gabo, Tate Gallery, March - April 1966 (73) as «First Sketch for the Monument of Physics and Mathematics»; Naum Gabo: The Constructive Process, November 1976 - January 1977 (16)

In her own poetic words, Fleming is compelled to make visible, «the glimpse of the strangeness beyond the world to which we cling, opening a place where thought becomes tangible, history leaves a trace and information exhales form.»