Last November I wrote over 50,000
words of a new novel and won my first National Novel Writing Month (NaNoWriMo).
NaNoWriMo challenges participants to write 50,000
words of a new novel between November 1 and 30, and over 340,000 writers took up the challenge in 2012.
Not exact matches
That is obvious in a broad and vague way when we consider some
of the various ways in which we speak
of trying (and often failing) to understand: We speak
of hoping to understand the instruction manual that accompanies a
new word processor and
of trying to understand a
novel like James Joyce's Ulysses; though both are printed texts, what it is to understand one is quite different from what it is to understand the other.
The field belongs increasingly to those who have experienced the richness and depths
of the tradition and who are restive with the something -
new - every - week folks who, in Luther's
words, have «no more than an itch to produce something
novel so that they might shine before men as leading lights.»
It might even be called «radical,» if by this we intend what the
word itself indicates: that is, a getting at the roots
of our tradition and then a seeking to discover ways in which these may be adapted to and used in a
new age with its own particular questions and its own
novel opportunities.
In other
words, they created their own opportunities in the form
of a
new adaptation
of a revered
novel and one time movie.
In other
words, this
new report shows that a huge turnover
of species in habitats around the globe is under way, resulting in the creation
of novel biological communities.
The screenplay (based on Barry Crump's
novel Wild Pork and Watercress) follows the duo's survival in the woods, as Ricky learns the ways
of living in the wild and Hec learns
new slang
words.
As we near closer to the
New York Film Festival world premiere
of Paul Thomas Anderson's Inherent Vice on October 4th, critical
word is beginning to gather on Anderson's eagerly anticipated adaptation
of Thomas Pynchon's
novel.
Featuring readings from his
new novel A Legacy
of Spies, and a rare question and answer session, this will be an unmissable opportunity to experience the author direct and in his own
words.
On my last visit to Smashwords there were more short - forms at.99 than there were full - length
novels in the
NEW listings on the front page
of the website... anything from 500
words to just short
of 6,000.
Well, the writing hasn't gone so well in August 2016 in terms
of word count, but I've attended the fantastic Romance Writers
of New Zealand Conference, and read some outstanding
novels:
Each year, tens
of thousands
of new and aspiring authors sign up for NaNoWriMo — a challenge to write 50,000
words of a
novel during the... Continue reading How to win NaNoWriMo
Just this morning I read a
new review
of one
of my books and was quite astonished that while it was complimentary about the story, the main complaint was that it was not a 110,000
word novel.
The current «team» features nine «players» and
new teams, featuring an increasing roster
of domestic and foreign players, will join the
Novel - T
Word Series league in the future.
Authors, and especially
new authors, often worry about the length
of their
novel, which is usually gauged one
of two ways: by the number
of words, or the number
of pages.
Though publishing company offices were closed throughout
New York in advance
of Hurricane Sandy, Riverhead Books, a division
of Penguin, managed to spread the
word this morning that Hosseini's next
novel, And the Mountains Echo, will be published on May 21.
Ultimately, Lisa See's
new novel addresses universal themes: the bonds
of friendship, the power
of words, and the age - old desire
of women to be heard.
You're a
new author, so you're very focused on the
words of your
novel.
The Memory Keeper's Daughter, her first
novel, became a
word -
of - mouth best - seller, spending 122 weeks on the
New York Times Best Seller list, 20
of those weeks at # 1.
WINNER
of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Opr
of the NATIONAL BOOK AWARD and A
NEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Op
NEW YORK TIMES TOP 10 BEST BOOK
OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Opr
OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen
Words Literary Prize, and a
New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Op
New York Times bestseller, this majestic, stirring, and widely praised
novel from two - time National Book Award winner Jesmyn Ward, the story
of a family on a journey through rural Mississippi, is a «tour de force» (O, the Opr
of a family on a journey through rural Mississippi, is a «tour de force» (O, the Oprah
The title
of Thus Bad Begins, Javier Marías» challenging
new novel, comes from Act III
of Hamlet: «Thus bad begins, and worse remains behind,» or, in other
words, the current situation may be dire, but worse is to come.
If you're a
New Yorker, I'll be appearing at Brooklyn College on March 19 with the poet Dana White and playwright Donna Di Novelli — a brief reading from each of us will be followed by a Q & A. Nashville's Parnassus Bookstore has acclaimed young novelist Amy Greene (Bloodroot) stopping by on Monday evening, March 3, to read from her new novel, Long Man, which has received wonderful advance wo
New Yorker, I'll be appearing at Brooklyn College on March 19 with the poet Dana White and playwright Donna Di Novelli — a brief reading from each
of us will be followed by a Q & A. Nashville's Parnassus Bookstore has acclaimed young novelist Amy Greene (Bloodroot) stopping by on Monday evening, March 3, to read from her
new novel, Long Man, which has received wonderful advance wo
new novel, Long Man, which has received wonderful advance
word.
The goal
of NaNo is to get 50,000
words on the page (or in the file) by November 30th, NOT to upload a brand -
new novel to KDP on December 1st.
Now
word comes that Meyer (one
of The
New Yorker's Best 20 Writers Under 40) will publish a second
novel in 2012 with Ecco.
During the month
of November, thousands
of new and seasoned writers aim to complete the goal
of writing a 50,000
word novel in the month known as NaNoWriMo (National Novel Writing Mo
novel in the month known as NaNoWriMo (National
Novel Writing Mo
Novel Writing Month).
I wanted to do it right, write 50k
words on a
new novel, though there are plenty
of rebels who continue existing projects.
The
New Yorker's «Book Bench» blog points out that Assassin
of Secrets lifts so many passages from other sources that the book is more
of a «pastiche or collage, rather than a «
novel,» as we properly understand the
word» and that Q.R. Markham (the pseudonym for Quentin Rowan), who is a poet and part owner
of a bookstore in Williamsburg, a section
of Brooklyn, may have consciously perpetrated an elaborate hoax.
We're proud to have offered workshops, clinics and keynotes at these outstanding conferences and festivals: Writers Digest Conference Tucson Festival
of Books IBPA Publishing University Deckle Edge Festival SC Book Festival Tallahassee Writers Conference Historical Writers
of America (HWA) Publish15 Atlanta Historical
Novel Society Conference
Words & Music
New Orleans SC Writers Workshop Chanticleer Authors Conference PubSense: Emerging Authors, Emerging Avenues Florida Writers Conference Atlanta Writers Conference Chicago Lawyers for Creative Arts Pat Conroy Literary Festival Book Expo America Indie Author Stage Killer Nashville
The
word «novella» is derived from the feminine derivative
of the Italian
word «
new» and the reference source, wikipedia.org, defines «novella» as «a written fictional prose narrative normally longer than a short story but shorter than a
novel».
I wanted to do it right, write 50k
words on a
new novel, though there are plenty
of rebels... Continue reading →
Another author posted about the publication
of his
new «
novel», which is 117 pages long with lots
of white space (probably 15K
words) and selling for $ 2.99.
-LSB-...] by Joanna Penn on November 1, 2009 NaNoWriMo has started and thousands
of people round the world are tackling
new novels, aiming to finish 50,000
words in 1 month!
Brian Selznick is an acclaimed
New York Times bestselling author whose books include The Invention of Hugo Cabret, winner of the 2008 Caldecott Medal, Wonderstruck, winner of the 2012 Schneider Family Award, and The Mavels, a stunning new novel in words and pictures released September 15, 20
New York Times bestselling author whose books include The Invention
of Hugo Cabret, winner
of the 2008 Caldecott Medal, Wonderstruck, winner
of the 2012 Schneider Family Award, and The Mavels, a stunning
new novel in words and pictures released September 15, 20
new novel in
words and pictures released September 15, 2015.
I'm here to tell you that you should be proud
of your 10,000 or 17,000 or 45,000
words you wrote on a
new novel in November.
Not only did the marketing campaign work wonders for spreading the
word about the
new novel, in the very last month, on the very last day
of the tour, Moonlight Falls became an Amazon Kindle bestseller!»
Visiting the exhibition at Regen Projects is a bit like watching a book unfold before you — a graphic
novel, perhaps — only to see the pages tear themselves from their binding, crumple, rip apart, and reassemble in
new combinations
of word and image.
With his
new book he continues the themes from his paintings and installations, and in a New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual wor
new book he continues the themes from his paintings and installations, and in a
New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual wor
New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use
of words that we recognize from his visual world.
Texts have formed an important part
of Gillick's oeuvre and From 199A to 199B: Liam Gillick highlights his use
of the written and spoken
word through a
new recording
of his
novel Erasmus is late, and a radio broadcast, A Broadcast from 1887 on the subject
of our time (1996), taken from his republished edition
of Looking Backward, by Edward Bellamy.
Words into Action: The story
of the Milan Women's Bookstore Collective Established as a platform for debates around gender, sexuality, feminism and politics in 1975, Libreria delle Donne de Milano stocked essays,
novels and graphic works by women only, encouraging the publishing
of new writing as well as making earlier publications accessible.
GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST ART
OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
OF MYANMAR, At The Brooklyn Museum
of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Art: KEHIND WILEY: A
New Republic, At The CUNY Grad Center's James Gallery: SPECTERS
OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish
Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary
of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE
OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum
of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Art: CAPTAIN LINNAEUS TRIPE: Photographer
of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art
of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Urban Form, LINCOLN SPEAKS:
Words That Transformed a Nation, PIRANESI & THE TEMPLES
OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art
of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Barbara Wolff, EMBRACING MODERNISM: Ten Years
of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Drawing Acquisitions, At MCNY — The Museum
of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of the City
of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of New York: EVERYTHING IS DESIGN: The Work
of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of Paul Rand, SAVING PLACE: 50 Years
of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemen
of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.
Last winter, I asked writers Rick Moody and Porochista Khakpour — whose passionate and fiercely intelligent exchanges about literature, writing, and writers I'd been reading on social media — to bring their conversation to The Brooklyn Rail, partly to share their
words with our readers and partly to celebrate the occasion
of Rick Moody's
new novel Hotel
of North America.
Contemporary Art from the Collection,» Museum
of Modern Art,
New York, NY, July 7 — September 17, 2007 «Substance & Surface,» Bortolami Gallery,
New York, NY, June 26 — August 31, 2007 «Contemporary Art from the Harvard University Art Museums Collections,» Fogg Art Museum, Harvard, Cambridge, MA, June 23 — January 31, 2008 «Repicturing the Past / Picturing the Present,» Museum
of Modern Art,
New York, NY, June 15 — November 5, 2007 «Lines, Grids, Stains,
Words,» Museum
of Modern Art,
New York, NY, June 15 — October 22, 2007 «Art Unlimited,» Regen Projects at Art Basel 38, Basel, Switzerland, June 13 — 17, 2007 «Art in America, Now,» Museum
of Contemporary Art, Shanghai, China, May 1 — June 30, 2007 «Paper: from the collection
of Emily Fisher Landau,» curated by Bill Katz, The Fisher Landau Center for Art, Long Island,
New York, NY, May 19 — December, 2007 «Remix Identity and Abstraction,» Albright Knox Art Gallery, Buffalo, NY, Fall 2007 «Learn to Read,» curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 — September 2, 2007 «
Novel Readings,» curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale - on - Hudson,
New York, NY, May 13 — 27, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum
of Art,» Dallas Museum
of Art, Dallas, Texas, February 11 — May 20, 2007; catalogue
«Shades
of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum
of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum
of American Art,
New York, NY, March 24 — September 18, 2005 «The Shape
of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks
of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted
Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum
of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History
of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum
of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at
Words: The Formal Presence
of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery,
New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum
of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum
of Modern Art,
New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a
novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand
Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute
of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005