Sentences with phrase «words of a new novel»

Last November I wrote over 50,000 words of a new novel and won my first National Novel Writing Month (NaNoWriMo).
NaNoWriMo challenges participants to write 50,000 words of a new novel between November 1 and 30, and over 340,000 writers took up the challenge in 2012.

Not exact matches

That is obvious in a broad and vague way when we consider some of the various ways in which we speak of trying (and often failing) to understand: We speak of hoping to understand the instruction manual that accompanies a new word processor and of trying to understand a novel like James Joyce's Ulysses; though both are printed texts, what it is to understand one is quite different from what it is to understand the other.
The field belongs increasingly to those who have experienced the richness and depths of the tradition and who are restive with the something - new - every - week folks who, in Luther's words, have «no more than an itch to produce something novel so that they might shine before men as leading lights.»
It might even be called «radical,» if by this we intend what the word itself indicates: that is, a getting at the roots of our tradition and then a seeking to discover ways in which these may be adapted to and used in a new age with its own particular questions and its own novel opportunities.
In other words, they created their own opportunities in the form of a new adaptation of a revered novel and one time movie.
In other words, this new report shows that a huge turnover of species in habitats around the globe is under way, resulting in the creation of novel biological communities.
The screenplay (based on Barry Crump's novel Wild Pork and Watercress) follows the duo's survival in the woods, as Ricky learns the ways of living in the wild and Hec learns new slang words.
As we near closer to the New York Film Festival world premiere of Paul Thomas Anderson's Inherent Vice on October 4th, critical word is beginning to gather on Anderson's eagerly anticipated adaptation of Thomas Pynchon's novel.
Featuring readings from his new novel A Legacy of Spies, and a rare question and answer session, this will be an unmissable opportunity to experience the author direct and in his own words.
On my last visit to Smashwords there were more short - forms at.99 than there were full - length novels in the NEW listings on the front page of the website... anything from 500 words to just short of 6,000.
Well, the writing hasn't gone so well in August 2016 in terms of word count, but I've attended the fantastic Romance Writers of New Zealand Conference, and read some outstanding novels:
Each year, tens of thousands of new and aspiring authors sign up for NaNoWriMo — a challenge to write 50,000 words of a novel during the... Continue reading How to win NaNoWriMo
Just this morning I read a new review of one of my books and was quite astonished that while it was complimentary about the story, the main complaint was that it was not a 110,000 word novel.
The current «team» features nine «players» and new teams, featuring an increasing roster of domestic and foreign players, will join the Novel - T Word Series league in the future.
Authors, and especially new authors, often worry about the length of their novel, which is usually gauged one of two ways: by the number of words, or the number of pages.
Though publishing company offices were closed throughout New York in advance of Hurricane Sandy, Riverhead Books, a division of Penguin, managed to spread the word this morning that Hosseini's next novel, And the Mountains Echo, will be published on May 21.
Ultimately, Lisa See's new novel addresses universal themes: the bonds of friendship, the power of words, and the age - old desire of women to be heard.
You're a new author, so you're very focused on the words of your novel.
The Memory Keeper's Daughter, her first novel, became a word - of - mouth best - seller, spending 122 weeks on the New York Times Best Seller list, 20 of those weeks at # 1.
WINNER of the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Oprof the NATIONAL BOOK AWARD and A NEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the OpNEW YORK TIMES TOP 10 BEST BOOK OF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the OprOF THE YEARA finalist for the Kirkus Prize, Andrew Carnegie Medal, Aspen Words Literary Prize, and a New York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the OpNew York Times bestseller, this majestic, stirring, and widely praised novel from two - time National Book Award winner Jesmyn Ward, the story of a family on a journey through rural Mississippi, is a «tour de force» (O, the Oprof a family on a journey through rural Mississippi, is a «tour de force» (O, the Oprah
The title of Thus Bad Begins, Javier Marías» challenging new novel, comes from Act III of Hamlet: «Thus bad begins, and worse remains behind,» or, in other words, the current situation may be dire, but worse is to come.
If you're a New Yorker, I'll be appearing at Brooklyn College on March 19 with the poet Dana White and playwright Donna Di Novelli — a brief reading from each of us will be followed by a Q & A. Nashville's Parnassus Bookstore has acclaimed young novelist Amy Greene (Bloodroot) stopping by on Monday evening, March 3, to read from her new novel, Long Man, which has received wonderful advance woNew Yorker, I'll be appearing at Brooklyn College on March 19 with the poet Dana White and playwright Donna Di Novelli — a brief reading from each of us will be followed by a Q & A. Nashville's Parnassus Bookstore has acclaimed young novelist Amy Greene (Bloodroot) stopping by on Monday evening, March 3, to read from her new novel, Long Man, which has received wonderful advance wonew novel, Long Man, which has received wonderful advance word.
The goal of NaNo is to get 50,000 words on the page (or in the file) by November 30th, NOT to upload a brand - new novel to KDP on December 1st.
Now word comes that Meyer (one of The New Yorker's Best 20 Writers Under 40) will publish a second novel in 2012 with Ecco.
During the month of November, thousands of new and seasoned writers aim to complete the goal of writing a 50,000 word novel in the month known as NaNoWriMo (National Novel Writing Monovel in the month known as NaNoWriMo (National Novel Writing MoNovel Writing Month).
I wanted to do it right, write 50k words on a new novel, though there are plenty of rebels who continue existing projects.
The New Yorker's «Book Bench» blog points out that Assassin of Secrets lifts so many passages from other sources that the book is more of a «pastiche or collage, rather than a «novel,» as we properly understand the word» and that Q.R. Markham (the pseudonym for Quentin Rowan), who is a poet and part owner of a bookstore in Williamsburg, a section of Brooklyn, may have consciously perpetrated an elaborate hoax.
We're proud to have offered workshops, clinics and keynotes at these outstanding conferences and festivals: Writers Digest Conference Tucson Festival of Books IBPA Publishing University Deckle Edge Festival SC Book Festival Tallahassee Writers Conference Historical Writers of America (HWA) Publish15 Atlanta Historical Novel Society Conference Words & Music New Orleans SC Writers Workshop Chanticleer Authors Conference PubSense: Emerging Authors, Emerging Avenues Florida Writers Conference Atlanta Writers Conference Chicago Lawyers for Creative Arts Pat Conroy Literary Festival Book Expo America Indie Author Stage Killer Nashville
The word «novella» is derived from the feminine derivative of the Italian word «new» and the reference source, wikipedia.org, defines «novella» as «a written fictional prose narrative normally longer than a short story but shorter than a novel».
I wanted to do it right, write 50k words on a new novel, though there are plenty of rebels... Continue reading →
Another author posted about the publication of his new «novel», which is 117 pages long with lots of white space (probably 15K words) and selling for $ 2.99.
-LSB-...] by Joanna Penn on November 1, 2009 NaNoWriMo has started and thousands of people round the world are tackling new novels, aiming to finish 50,000 words in 1 month!
Brian Selznick is an acclaimed New York Times bestselling author whose books include The Invention of Hugo Cabret, winner of the 2008 Caldecott Medal, Wonderstruck, winner of the 2012 Schneider Family Award, and The Mavels, a stunning new novel in words and pictures released September 15, 20New York Times bestselling author whose books include The Invention of Hugo Cabret, winner of the 2008 Caldecott Medal, Wonderstruck, winner of the 2012 Schneider Family Award, and The Mavels, a stunning new novel in words and pictures released September 15, 20new novel in words and pictures released September 15, 2015.
I'm here to tell you that you should be proud of your 10,000 or 17,000 or 45,000 words you wrote on a new novel in November.
Not only did the marketing campaign work wonders for spreading the word about the new novel, in the very last month, on the very last day of the tour, Moonlight Falls became an Amazon Kindle bestseller!»
Visiting the exhibition at Regen Projects is a bit like watching a book unfold before you — a graphic novel, perhaps — only to see the pages tear themselves from their binding, crumple, rip apart, and reassemble in new combinations of word and image.
With his new book he continues the themes from his paintings and installations, and in a New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual wornew book he continues the themes from his paintings and installations, and in a New Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual worNew Novel we continue into Melgaard labyrinthine layer - by - layer stories with exaggerated and destructive themes, expressive visuality and powerful use of words that we recognize from his visual world.
Texts have formed an important part of Gillick's oeuvre and From 199A to 199B: Liam Gillick highlights his use of the written and spoken word through a new recording of his novel Erasmus is late, and a radio broadcast, A Broadcast from 1887 on the subject of our time (1996), taken from his republished edition of Looking Backward, by Edward Bellamy.
Words into Action: The story of the Milan Women's Bookstore Collective Established as a platform for debates around gender, sexuality, feminism and politics in 1975, Libreria delle Donne de Milano stocked essays, novels and graphic works by women only, encouraging the publishing of new writing as well as making earlier publications accessible.
GLENN LONEY»S JANUARY, 2015 RAMBLES At The Asia Society: TAKAHIRO IWASKAI: In Focus, BUDDHIST ART OF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemenOF MYANMAR, At The Brooklyn Museum of Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Art: KEHIND WILEY: A New Republic, At The CUNY Grad Center's James Gallery: SPECTERS OF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemenOF COMMUNISM: Contemporary Russian Art, At The Frick Collection: COYPEL»S DON QUIXOTE TAPESTRIES: Illustrating a Spanish Novel in Eighteenth Century France, At The Galerie St Etienne: ALTERNATE HISTORIES: Celebrating the 75th Anniversary of the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof the Galerie St Etienne, At The Grolier Club: ALDUS MANUTIUS: A Legacy More Lasting Than Bronze, LITERATURE OF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemenOF THE LIBERATION: The French Experience in Print — 1944 46, At LCLPA — The Lincoln Center Library for The Performing Arts» Vincent Astor Gallery: BROADWAY REVEALED: Behind the Theatre Curtain, At MMA — The Metropolitan Museum of Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Art: CAPTAIN LINNAEUS TRIPE: Photographer of India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof India & Burma — 1832 1860, At The MLM — The Morgan Library & Museum: The World Monuments Fund 2015 Paul Mellon Lecture, RENAISSANCE & BAROQUE ROME: The Art of Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Urban Form, LINCOLN SPEAKS: Words That Transformed a Nation, PIRANESI & THE TEMPLES OF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House SettlemenOF PAESTUM: Drawings from Sir John Soane's Museum, HEBREW ILLUMINATION FOR OUR TIME: The Art of Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Barbara Wolff, EMBRACING MODERNISM: Ten Years of Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Drawing Acquisitions, At MCNY — The Museum of the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof the City of New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof New York: EVERYTHING IS DESIGN: The Work of Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof Paul Rand, SAVING PLACE: 50 Years of New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlemenof New York City Landmarks, At The Park Avenue Armory: WAS — The Annual Winter Antiques Show: A Benefit for the East Side House Settlement.
Last winter, I asked writers Rick Moody and Porochista Khakpour — whose passionate and fiercely intelligent exchanges about literature, writing, and writers I'd been reading on social media — to bring their conversation to The Brooklyn Rail, partly to share their words with our readers and partly to celebrate the occasion of Rick Moody's new novel Hotel of North America.
Contemporary Art from the Collection,» Museum of Modern Art, New York, NY, July 7 — September 17, 2007 «Substance & Surface,» Bortolami Gallery, New York, NY, June 26 — August 31, 2007 «Contemporary Art from the Harvard University Art Museums Collections,» Fogg Art Museum, Harvard, Cambridge, MA, June 23 — January 31, 2008 «Repicturing the Past / Picturing the Present,» Museum of Modern Art, New York, NY, June 15 — November 5, 2007 «Lines, Grids, Stains, Words,» Museum of Modern Art, New York, NY, June 15 — October 22, 2007 «Art Unlimited,» Regen Projects at Art Basel 38, Basel, Switzerland, June 13 — 17, 2007 «Art in America, Now,» Museum of Contemporary Art, Shanghai, China, May 1 — June 30, 2007 «Paper: from the collection of Emily Fisher Landau,» curated by Bill Katz, The Fisher Landau Center for Art, Long Island, New York, NY, May 19 — December, 2007 «Remix Identity and Abstraction,» Albright Knox Art Gallery, Buffalo, NY, Fall 2007 «Learn to Read,» curated by Vincent Honoré and Maeve Polkinhorn, Tate Modern, London, United Kingdom June 19 — September 2, 2007 «Novel Readings,» curated by Florencia Malbrán, Bard Center for Curatorial Studies, Annandale - on - Hudson, New York, NY, May 13 — 27, 2007 «Fast Forward: Contemporary Collections for the Dallas Museum of Art,» Dallas Museum of Art, Dallas, Texas, February 11 — May 20, 2007; catalogue
«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005
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