Sentences with phrase «words of living artists»

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Not exact matches

Of course, if you're taught over and over by the rock mythology, or even by PBS or the NYT, that the Righteous Artist ought to say the equivalent of «F# $ @ You» to the likes of the «military - industrial establishment,» the «system,» or the «Power,» you might assume that you ought to say the words themselves to something a bit more obviously impacting your life, such as your ex-girlfrienOf course, if you're taught over and over by the rock mythology, or even by PBS or the NYT, that the Righteous Artist ought to say the equivalent of «F# $ @ You» to the likes of the «military - industrial establishment,» the «system,» or the «Power,» you might assume that you ought to say the words themselves to something a bit more obviously impacting your life, such as your ex-girlfrienof «F# $ @ You» to the likes of the «military - industrial establishment,» the «system,» or the «Power,» you might assume that you ought to say the words themselves to something a bit more obviously impacting your life, such as your ex-girlfrienof the «military - industrial establishment,» the «system,» or the «Power,» you might assume that you ought to say the words themselves to something a bit more obviously impacting your life, such as your ex-girlfriend.

Words can not express the depth of gratitude we feel for the ways the Waldorf School of Princeton and the academic community it sustains have contributed to our son's development as a student, as an artist, and as a human being and to our lives as a family.

Crack the code and you can read the messages, but as a hint, Venter revealed the quotations: «To live, to err, to fall, to triumph, to recreate life out of life,» from James Joyce's A Portrait of the Artist as a Young Man; «See things not as they are but as they might be,» which comes from American Prometheus, a biography of nuclear physicist Robert Oppenheimer; and Richard Feynman's famous words: «What I can not build I can not understand.»

I have decied to make or brak option in life and I have give it the word tacofic it is a learing experince the machine whats me to give what I am ok im an artist righter I read I love waiching moves but some of my tasts can be very cheesey in film film is a love of mine cooking is...

In Painted in Words, internationally renowned artist and Holocaust survivor Samuel Bak sets aside his brushes to narrate the stories of his life — as a child in Nazi - occupied Poland, as a youth in European refugee camps, and as a maturing artist in Israel, France, Italy, Switzerland, and the United States.

Joining them are thirty other lovers of words — from engineers to teachers to mothers to artists — women writing about books that touched their lives.

Title: The Goblins of Bellwater Author: Molly Ringle Publisher: Central Avenue Publishing Cover Artist: Michelle Halket, Sinna Nyan, Anna Ivanova Release Date: October 1, 2017 Romance Genre (s): New Adult, Paranormal Words: 81,000 View on Goodreads About the Book Most people have no idea goblins live in the woods around the small town of Bellwater, Washington.

This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career Keeping track of your royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an author?

Debt Collector Season Two Episodes 10 - 18 Susan Kaye Quinn Genre: Urban Fantasy with a Cyberpunk Twist Date of Publication: Dec 15, 2014 ASIN: B00OF18W50 Number of pages: 500 Word Count: 125,000 Cover Artist: Steven Novak Book Description: What's your life worth on the open market?

The article is directed at artists and it states, «A creator, such as an artist, musician... or author — in other words, anyone producing works of art — needs to acquire only 1,000 true fans to make a living.»

These artists and creative souls are my online (and real life, now) tribe, and I am so grateful for all of your creativity and open - heartedness (yes, I'm making up words now).

6 Art - World Lessons From the Unorthodox Classroom of Akademie X Chris Kraus on the Ambiguous Virtues of Art School Words to Live By: Marina Abramović's Mystical Maxims for Artists Venice Biennale Representative Joan Jonas's Workout Regimen for Artists The Four - Hour Art Week?

Chan's dual identity as artist and activist — he aims to keep the two poles separate so as to, in his words, «keep his allegiances clear» — is just one example of the resolution of opposites that characterizes his life and work.

In Delahunty's words, this sculpture is «one of the first commissioned works by a living female artist to be installed at the entrance of an American Museum» and it is «by far the most ambitious sculpture she has ever made in terms of scale and painted surface.»

Artist Statement Descriptions of my art are often populated with words such as very colorful, funny, deep, and full of life.

The artists, in the words of arts writer Lucia Simek, «build upon the manifold architecture of isolation and artifice that they have sustained throughout their collaboration» to create «an elaborate sound sculpture» that explores containment and the imaginary within the framework of contemporary life.

Kunsthalle Wien director Nicolaus Schafhausen invoked Berger's words last Wednesday at the inaugural convening of the weekend - long opening for «How to Live Together,» a sprawling group exhibition bringing and holding together artists including Bas Jan Ader, Kader Attia, Goshka Macuga, Adam Pendleton, Yvonne Rainer, Wolfgang Tillmans, and Rosemarie Trockel.

Combining existing and newly made footage with an extraordinary soundtrack of music, spoken words and muffled conversations, Mr. Kahlil captures Harlem in both its day - to - day life and its magnetic effect on artists of all kinds.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

6 Art - World Lessons From the Unorthodox Classroom of Akademie X Chris Kraus on the Ambiguous Virtues of Art School Go On a New York City Scavenger Hunt With Artist Mark Dion Words to Live By: Marina Abramović's Mystical Maxims for Artists Venice Biennale Representative Joan Jonas's Workout Regimen for Artists

Drawing on life and the kaleidoscope of verbal, literary, philosophical and poetic communication, each artist has succeeded in conferring upon the word a power that goes beyond mere meaning: more than words!

As a part of this series, she also gets to bring three visiting artists per semester into the Senior Seminar course for a casual discussion on personal measures of success, time management and studio practice, the day job, post-graduate trajectory and in her words, «all that real life stuff».

There will be a drawing by Dana Schutz called «Building the Boat While Sailing,» from 2012, which speaks to the notion of artists trying to navigate life's tumultuous seas, along with Mr. Ruscha's 2004 painting «The Old Tool & Die Building,» a comment on American industry in a global age, and «Ruckenfigür,» Glenn Ligon's neon sign, from 2009, that spells out the word «America.»

This was certainly a quite unique and bizarre case, as this was the first time that the living artist had to fight such accusations, as it is widely accepted that their word concerning the authenticity of a work is final.

Some of Johanson's words and compositions feel like heirlooms from a long and ragtag coastal tradition of poets, artists, and musicians: Wallace Berman's mystical photocopies and seminal Semina culture; the poem - paintings of Kenneth Patchen; the beaming peacenik posters of Sister Corita Kent; the blurring between art and life embodied by Allan Kaprow (the subject of a 2008 MOCA retrospective); all filtered through the dirty socks of punk and the wondrous messy freedom that tumbled out of that.

For some reason I think it trivialises their existence — astrology, hieroglyphics, the life of artist, actor and occultist Cameron Parsons — but perhaps it has more to do with the stigma I've applied to the word that it doesn't actually imply.

His recent exhibitions include The Interview: Red, Red Future, a solo exhibition with the artist MPA that addressed the impending human colonization of Mars; Double Life with artists Jérôme Bel, Wu Tsang, and Haegue Yang that considered possibilities for performance without live bodies; Parallel Practices: Joan Jonas & Gina Pane, which brought together multimedia works by two pioneering female performers based in New York and Paris, respectively; and LaToya Ruby Frazier: WITNESS, which documented, in the artist's own words, of «the rise of globalization and the decline in manufacturing as told through the bodies of three generations of African - American women.»

A legendary American artist widely considered the finest painter living today (take that, Gerhard), Jasper Johns also «ranks with Dürer, Rembrandt, Goya, Munch, and Picasso as one of the greatest printmakers of any era,» in the words of the Metropolitan Museum of Art.

As the artist explained, «if my Abstract paintings show my reality, then the landscapes and still - lives show my yearning... though these pictures are motivated by the dream of classical order and a pristine world - by nostalgia in other words — the anachronism in them takes on a subversive and contemporary quality» (G. Richter, quoted in A. Zweite (ed.)

• 3.30 pm - Artforum will be presenting a live version of their series «500 Words», with artists Rachel Rose and Ryan McNamara in conversation.

The NoMa BID and Words, Beats & Life have invited 55 artists to transform a parking lot into what might become the largest piece of public art in DC!

Newcomer Steven Lowery draws his dense word - scapes in London; the legendary Zap artist S. Clay Wilson lives in San Francisco where he can't keep up with demand; and young Erik Schoonebeek of the inventive gouaches lives near Kingston, NY.

Though the show's description never uses the word digital, all of the works are made by a generation of artists whose lives have been marked by the unprecedented proliferation of digital technology over the past three decades.

By the 1950s, the ethos of bullfighting, as described by Ernest Hemingway inDeath in the Afternoon (1932), enjoyed new popularity among artists and intellectuals attuned to the sensibility of Existentialism, which made every brushstroke or word into a life - or - death decision.

But of course the incontrovertible sensuality of Wesselmann's nudes was constantly accompanied by an ironic guiding thread that was cleat,» revealed in the artist's own words: «Painting, sex, and humor are the most important things in my life» (interview with I. Sandler, 1984).

Conversely, the Slade School of Art, founded in 1871, was intended to train fine artists, and recommended «constant study from the life model», in the words of its first professor, Sir Edward Poynter Bt PRA.

Layered into this are words of wisdom courtesy of the New York - based feminist artist Jenny Holzer's Living Series, which appear in the deep space above.

In the artist's words, «I chose the spiral as a symbol of life's continuity.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Christopher Wool has continued and enhanced the Pop tradition of word painting begun by Pop artist Robert Indiana, twenty years before; Damien Hirst placed a pickled tiger shark in a cage and called it The Physical Impossibility of Death in the Mind of Someone Living; Richard Wilson filled a room with sump oil and called it 20:50.

That's Life as Shrigley Takes His Place in Turner Exhibition The Herald; October 25, 2013; Miller, Phil; 700 + words David Shrigley, the Glasgow - based artist in this year's Turner Prize final four, does not... familiar to viewers of Shrigley's sketches and drawings... It is a shame that Shrigley did not present any... honestly, said that the Turner Prize usually gives people...

The show features two distinct bodies of work: the Dartmouth Collection, works completed during Daniel Heyman «s prestigious artist residency at Dartmouth College and In Our Own Words: Native Impressions, a collaborative portfolio with Lucy Ganje, an outstanding project of 26 prints that chronicles stories of individual Native people who live within the Tribal Nations of North Dakota.

That's Life as Shrigley Takes His Place in Turner Exhibition The Herald; October 25, 2013; Miller, Phil; 700 + words... Glasgow - based artist in this year's Turner Prize final four, does not believe he, or fellow nominees Laure Prouvost and Lynette Yiadom - Boakye, have a chance of winning the pound (s) 25,000 top prize.

The scope of ICA's program as shaped by Schaffner can be readily sampled by such past and forthcoming shows as: Strange Messenger: The Work of Patti Smith; Make Your Own Life: Artists in and Out of Cologne; Locally Localized Gravity; Pathways to Unknown Worlds: Sun Ra, El Saturn & Chicago's Afro - Futurist Underground, 1954 - 1968; «That's How We Escaped»: Reflections on Warhol; Jeremy Deller: Joy in People; Karla Black; Dear Nemesis: Nicole Eisenman 1993 - 2013; Barbara Kasten: Stages; Christopher Knowles: In a Word, and The Freedom Principle: Experiments in Art and Music, 1965 to Now.

2007 Appendix Appendix Radio Play, Performa 07, New York, US In the Stream of Life, Betonsalon, Paris, FR For Sale, Cristina Guerra Contemporary Art, Lisbon, PT Wouldn't it be nice, Centre d'art contemporain, Geneva, CH Words fail me, MoCAD, Detroit, US Projecktion, Lentos Art Museum, Linz, AT How soon is now, Luis Seoane Foundation, Coruna, ES Language of Vision, mima Middlesborough Institute of Modern Art, UK Without, Yvon Lambert, Paris, FR Zero, Zero, S, Lyon Biennale, Lyon, FR Plankjes, tak, Atelier als Spermedium, Artist Space for Contemporary Art, The Hague, NL Twice told tales, Galerie Michel Rein, Paris, FR You have not been honest, Museo D'Arte Donnaregina, Naples, IT Whenever It Starts It Is The Right Time, Frankfurter Kunstverein, Frankfurt am Main, DE Blackberrying, Christina Wilson Galerie, Copenhagen, DK Der Droste Effekt, Esther Schipper, Berlin, DE Prediction — Exhibition Trouble, Paris, FR Un touchable, Patio Herrianom - Museo de Arte Contemporáneo, Valladolid, ES Some Time Waiting, Kadist Art Foundation, Paris, FR Kit Bashing, Western Bridge, Seattle, US On the Future of Art School, STORE, London, UK

It also features many previously unpublished photographs of the artist in the studio and at home and other ephemeral materials, making the publication the complete word on this acclaimed and original artist's life and work.

Challenging the Notion That True Love Means Living Together, Author Anouchka Grose Explains Why Moving in with Her Partner, Artist Martin Creed, Will Never Be Top of Their To - Do List The Mail on Sunday (London, England); April 10, 2011; 700 + words... have to tolerate it every single day of his life.

Glasgow Artists on Turner Prize Shortlist The Herald; May 8, 2014; Miller, Phil; 430 words... continued with three Glasgow - trained artists on the Turner Prize shortlist.Duncan... live and work in Glasgow, as well as Tris... curator of the Turner Prize show, said: &laqArtists on Turner Prize Shortlist The Herald; May 8, 2014; Miller, Phil; 430 words... continued with three Glasgow - trained artists on the Turner Prize shortlist.Duncan... live and work in Glasgow, as well as Tris... curator of the Turner Prize show, said: &laqartists on the Turner Prize shortlist.Duncan... live and work in Glasgow, as well as Tris... curator of the Turner Prize show, said: «I...