Sentences with phrase «work traces of life»

Not exact matches

But they traced through the tragic life of their people the divine working of judgment, of healing, and of mercy, and they recognized the Lordship of the righteous God over all life.

With the approach of Updike's 50th birthday, and with the publication of this his 25th book, it is time to offer an assessment of his work as a whole: to trace his natively Lutheran vision of life as cast by God into an indissoluble ambiguity, to examine his treatment of death and sex as the two phenomena wherein the human contradiction is most sharply focused, to set this new novel in relation to the earlier «Rabbit» books, and to determine what is religiously troubling and compelling about Updike's art.

My Ph.D. research was part of a larger study — Living Changes in the Life Sciences: Tracing the «Ethical» and the «Social» within Scientific Practice and Work Culture — at the University of Vienna's Department of Social Studies of Science, with Ulrike Felt as project leader.

In work that has spanned more than a decade, the researchers analyzed blood from adults living in malarial regions of Africa and eventually traced the protection to antibodies against a previously unknown malaria parasite protein called MSP3.

The work is a «sound, basic observation that there were traces of life in these rocks,» he says.

For 50 years of brilliant creativity in biomedical science — exemplified by his legendary work on the genetic code; his daring introduction of the roundworm Caenorhabditis elegans as a system for tracing the birth and death of every cell in a living animal; his rational voice in the debate on recombinant DNA; and his trenchant wit.

Though I on certain days much rather stroll around in flip flops, kaftan, a tousled hair bun, and no trace of make up, beach life doesn't really work in the city.

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An dramatic and comedic ensemble piece, the one - act traces several years in the lives of a group of characters working in an auto parts warehouse during the Great Depression of the 1930s.

Through interviews with both the filmmaker and many of his closest collaborators, this revealing profile traces Linklater's life and work — from the DIY landmark Slacker to his latest comedy Everybody Wants Some!!

Tracing the rambling adventures of working Berliners on their day off, this naturalistic film remains a rare and vital slice of Weimar life.

Director Mimi Leder («The Peacemaker») now traces three plot threads: The teen astronomer, Leo, one of the few chosen to live in Missouri caves and try to perpetuate the species, works to save his girlfriend (Leelee Sobieski) and her family.

Award - winning psychologist and educator Thomas Lickona offers more than one hundred practical strategies that parents and schools have used to help kids build strong personal character as the foundation for a purposeful, productive, and fulfilling life.Succeeding in life takes character, and Lickona shows how irresponsible and destructive behavior can invariably be traced to the absence of good character and its ten essential qualities: wisdom, justice, fortitude, self - control, love, a positive attitude, hard work, integrity, gratitude, and humility.

But Richard's ex-wife Caroline and troubled children, Trenton and Minna, are not alone as they work to rid the house of the traces of the man who once lived there: Their actions and emotions are acutely observed by two former residents of the home, Alice and Sandra, each so different from the other, yet both bound to the house by dreadful tragedies.

Certain that the change of tack would help her words pass through the hidden currents of the mechanized life - support apparatus, Bessie launched into long, fertile monologues, tyrannizing him, vowing that if he let go, she would wipe away all traces of his existence, destroy his work, and spread abhorrent lies about him.

Chew on This traces the rise of the fast - food industry and its effects on how we work, how we eat, and how we live.

This art - filled work combines glimpses into Marc Chagall's paintings with factual details and evocative poems that trace the distinctive life path of the artist.

With «incantatory prose» that «sweeps over the reader like a dream,» (Philadelphia Inquirer), Hoffman follows her celebrated bestseller The Probable Future, with an evocative work that traces the lives of the various occupants of an old Massachusetts house over a span of two hundred years.

Pop Life: Everyone needs a Thrill traces an arc from the 1950s to the mid-1960s, when there was a massive shift from Abstract Expressionism to work that began to reference and incorporate the symbols of an exploding consumer and commercial culture, ultimately giving rise to Pop art.

Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life assembles more than 120 paintings, drawings, and prints in once - in - a-lifetime combinations to trace the route Johns traveled in relation to Munch's work.

Metropolis M spoke with Vo in Amsterdam about the influence of Western imperialism on his family's life, and how he traces their complex personal histories through his work.

This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondences and various ephemera, in order to build a picture of the artist's life and work.

The exhibition traces the evolution of Michael Goldberg's work from the early cubist inspired drawings of the 1940s to the monumental nonobjective paintings of the early 1960s and the abstracted landscapes and still - lifes of the mid - to late «60s, the monochromatic paintings of the 1970s and ending with his use of grids in the 1980s.

While the artist has eliminated (or temporarily set aside, as time will tell) all but traces of narrative from her working method in larger canvases, she continues to paint heads, roughly life - sized (though this show includes none).

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

The exhibition is accompanied by a small publication that features a timeline of Tang Chang's life and Thai history and an original essay by Orianna Cacchione that traces Chang's relationship with the Thai art scene and examines affinities and divergences between his work and international forms of gestural abstraction and concrete poetry.

Kelly's iconic feminist work Post-Partum Document (1973 — 79) is resurfaced in a show devoted to her early photographs, films, and prototypes from the 1970s, tracing the first six years of her son's life and the intimate relationship between mother and child.

Various Small Fires presents LIFE: On The Moon, a group exhibition tracing the immediate influence and lasting significance of the epochal July 20, 1969 moon landing on the early development of Land Art, represented by Robert Smithson and Michelle Stuart, in dialogue with recent works by Christopher Badger, Trevor Paglen, Katie Paterson, and Tavares Strachan... read more

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

The exhibition, which traces the trajectory of 2015 AIA Gold Medal Recipient Moshe Safdie's life and work over the course of his more than 50 - year career, has been specifically updated for the National Academy presentation and features a new focus on projects devoted to issues of dense urbanism, together with an expanded section exploring the firm's recent and ongoing work across Asia.

Her 2016 Flint is Family body of work traces the lives of three generations of women living through the water crisis in Flint, Michigan.

His recent work examines how reclaimed objects, makeshift monuments and images reveal a life parallel to conflict, demonstrating both factual evidence and where traces of fiction emerge.

These works trace Syms's decade - long investigation of how identity production and image production intertwine in contemporary life, with high production values widely accessible and everyone acutely aware of the potential for their own imaging, whether through the lens of social media or surveillance.

Beginning with historic works drawn from the RA Collection, From Life traces a line from the origins of the RA in the 18th century to the present day.

Over the years Maartje Korstanje's works have become more abstract, although her sculptures can still be traced back to her childhood near the coast of Zeeland; a place where human life and nature have always been in contact.

It is the later period of her work that is presented in «Traces of Life» at Galerie Eva Presenhuber.

The stains of a mattress cover are made observable in Lauren Carter's work, emissions and traces of a person's life.

Including work by Alice Channer, Felix Gonzalez - Torres, Isa Genzken, On Kawara, Fred Sandback, and Francesca Woodman, the exhibition reveals our innate desire to make and mark traces of our lives, exploring time not just as a subject matter, but also as an engine of relativity.

Drawn from life, memory, imagination, or from sources such as films, books, newspapers and magazines, the works in the exhibition reveal a variety of human presences and traces of activity.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

The exhibition brings together some 75 works that trace Miller's use of the figure throughout his career in order to incisively comment on the status of art and life in American culture.

As a collateral event of the 57th Venice Biennale, the exhibition traces Jan Fabre's output since its early days, prompting a philosophical, spiritual and political reflection on life and death centred on the crucial notion of metamorphosis, presenting works in glass and bone produced between 1977 and 2017, now brought together for the first time.

>> > Japanese Tharmakrishnar Krishnapriya (Born in 1987, lives and works in Jaffna, Sri Lanka) Krishnapriya's practice traces the losses of those she has missed in her past, and also act as reminders for forgotten memories and a sense of self.

Krishnapriya Tharmakrishnar (b. 1987) （ Image: Impression 2 - 1, 2015, Nail drawing on tracing paper ） is an emerging artist lives and works in the northern Sri Lankan city of Jaffna, Sri Lanka, which experienced fierce fighting during the civil war from the early 1980s.

His work mixes media and crosses continents, combining video, photography, and sculpture with text, live music, and even plants to trace the ways that people understand and influence cultural production in other parts of the world.

Tracing the full arc of the Joseph Cornell's life and career, the exhibition «Joseph Cornell: Wanderlust», presents 80 works ranging from collages,...

Expanding upon the ideas he laid out in The United States of Jasper Johns, published in 1996 by Zoland Books, Yau traces the ways that the artist's work conveys a connection to the common experience — a «sense of life» that encompasses thoughts, memory, consumption, excretion, life, death, time and mortality.

The work is poignant, a medical chair with stirrups and the traces of a female presence (jewellery on the side operating table), referencing the loss of life as small fish scurry by disrupting the objects inside.

While as curators we seek to leave a trace, it is through the horizontal loyalty of our peers, predecessors, and progeny that we can assure our advocacy, and by extension the work of artists, lives on.