Sentences with phrase «work after the screening»

Several of the artists in the film will be on hand to talk about their work after the screening.

I also never really got the raise - your - wrist - and - say - Hey - Siri move to work, mostly because it only really works after the screen flips on, and the screen delay wrecked my timing.

Not exact matches

It means so much to hear people like it after all this time behind the screen working away at it:) Maybe this is the feeling people get when others tell them their baby is beautiful?

Use screen time as a privilege that can be enjoyed after the work is done.

Anna Maria: After years of sharing the love of making through a screen, I foresee Craft South to be a place where any one can walk in, any time, for any reason, and share what they are working on, learn something, knit, sew, stitch, talk, buy beautiful materials for all of it and be an important part of a community of crafters.

For example, if your kid has after school activities, have them work on homework before or after dinner (having screen time be contingent on completing homework time can be a good motivator!).

After weeks of toil and frustration, your hard work at the bench has paid off — the mutation - screening device really works!

Then you instruct the program how long to wait after you've stopped working before the screen saver launches and triggers a request to a central computer for something to work on.

My early work focused on understanding the residual risk of HIV infection from transfusions after implementation of HIV antibody screening in 1985.

And I also really try hard to avoid screen fatigue, for someone who loves working with her hands so much and building things it probably does not surprise any of you that after spending 40 + hours a week in front of a computer I really do need my weekends away from it or I'll simply go out of my mind.

There are plenty of days where I get home after work and the last thing I want to do is open up my laptop and work on the blog — one can only stare at a computer screen for so long!

And after that, I believed there is really someone working behind the screen to protect us and improve the community.

Though he never wrote anything directly for the screen after 1965, Richard Rodgers was well represented in films by his previous body of work, including filmizations of On Your Toes (1936) Babes in Arms (1939) Pal Joey (1957) and all but three of the Rodgers and Hammerstein stage collaborations.

After having his first major Broadway success with A Shot in the Dark, Matthau began working on the screen, usually in small supporting roles that cast him as thugs, villains, and louts in such films as The Kentuckian (1955) and King Creole (1958).

After stage work, Freeman began taking bit roles in major - studio features in 1948, seldom getting screen credit but always making a positive impression.

While at work on Fifteen Minute Hamlet, Louiso moved to L.A. to further pursue his screen career, and, after appearing in such films as Scent of a Woman (1992), Apollo 13 (1995), and Jerry Maguire (1996), he had his most high profile role to date in Stephen Frears» widely celebrated adaptation of Nick Hornby's High Fidelity (2000).

Chances are, Beatrix Potter would be flattered to know that one day, more than a century after she published «The Tale of Peter Rabbit,» her most beloved character would be reinterpreted on screen not as a traditional cartoon (even though her work paved the way for the likes of Bugs Bunny and Mickey Mouse) but -LSB-...]

Chances are, Beatrix Potter would be flattered to know that one day, more than a century after she published «The Tale of Peter Rabbit,» her most beloved character would be reinterpreted on screen not as a traditional cartoon (even though her work paved the way for the likes of Bugs Bunny and Mickey Mouse) but as a photo - real, fully anthropomorphic rabbit, complete with opposable thumbs and a tiny blue jacket.

After 10 years of working with government television, I started Screen It in 1996 and went full - time in 1997 after being chosen as the sole reviewer for AOL's now defunct Entertainment Asylum webAfter 10 years of working with government television, I started Screen It in 1996 and went full - time in 1997 after being chosen as the sole reviewer for AOL's now defunct Entertainment Asylum webafter being chosen as the sole reviewer for AOL's now defunct Entertainment Asylum website.

And, after a title card that proudly thumps its chest in a declaration that there are no rules in politics, deciding to put in a consciousness in the middle of the on - screen chaos is huge risk... that doesn't quite work because the satire isn't in firm place.

Let's just say that he's working out some anger issues and resentment through his story, which we see played out on the screen as Susan reads page after page with increasing alarm and dread.

After the impact of these two features (the latter screening at Cannes and championed by such critics as Pauline Kael), Schepisi moved on to directing films overseas, including such varied works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.

After Shakespearean work on stage after college, his screen career began with «bad Shakespeare» as part of the Richard III play within the Oscar nominated comedy The Goodbye Girl (1977) in which he mostly lays like a corpse on a table while Dreyfus overacts the hunchback aroundAfter Shakespearean work on stage after college, his screen career began with «bad Shakespeare» as part of the Richard III play within the Oscar nominated comedy The Goodbye Girl (1977) in which he mostly lays like a corpse on a table while Dreyfus overacts the hunchback aroundafter college, his screen career began with «bad Shakespeare» as part of the Richard III play within the Oscar nominated comedy The Goodbye Girl (1977) in which he mostly lays like a corpse on a table while Dreyfus overacts the hunchback around him.

Ripley is engulfed by darkness and despair in director David Fincher's claustrophobic and underrated big - screen debut (which looks a lot better in light of Seven — photographed by Alien Resurrection cinematographer Darius Khondji — and The Game), as she crash lands on Fiorina «Fury» 161, a remote, nearly deserted, Class C Prison, maximum security, Double Y Chromosome - Work Correctional Facility after drifting in space — again — for an unspecified time.

In regards to the graphics, numerous visual elements have been improved such as vehicles now have interior cabins with working instruments and screens as well as farming vehicle exteriors collect dirt after working in the fields.

Reportedly, Welch requested not to have to work with Reynolds after an unpleasant previous experience, which led to them not having much screen time together.

Although this is not a biographical study, Thomas» book does proceed in a basically chronological manner, beginning with Lorre's work on the European stage in the 1920s and early 1930s, following his move to Hollywood and roles as a leading actor in the 1930s, proceeding to a study of his work as a supporting actor at Warner Bros. in the 1940s, his not - so - triumphant return to Europe to direct and star in Der Verlorene after WWII and finally his late screen roles in the 1950s and 1960s.

Lars von Trier) Cast: Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBeouf, Uma Thurman, Jamie Bell Even aside from the whole persona non grata that resulted after his ill - advised comments while promoting «Melancholia» at the festival two years ago (and there have been some suggestions that Lars von Trier «s work is still welcome at the festival, just not so much the filmmaker himself), it's very unlikely that von Trier's latest will be on the Croisette this year, for the principal reason that it's not ready: the film's producer indicated that the two - part movie just wouldn't be prepared in time to screen for contention.

Some wag commented on Twitter during the festival that when a film is described as «soporific,» it means that the critic fell asleep during the screening, but here, we'd mean the word as a compliment; Tsai conjures up a surreal tone closest to the moments after waking where you try and work out if your dreams were real or not, and it's a feeling that lingers long after the credits roll.

After a composer writes a score, the process of getting music to the screen requires a team of professionals working collaboratively and creatively.

Donovan and Bullock work well together, having a natural chemistry of their own that would spill over off - screen (they were engaged for a time sometime after making this film).

Unsurprisingly, «Fantastic Beasts» amplifies both the strengths and weaknesses of Rowling's storytelling approach, which unfolds in the episodic style of vintage serials — a cliff - hanger - oriented tactic that works well in novels, where readers might otherwise be tempted to put the book down after each chapter, but feels less elegant on screen, since viewers invariably commit to taking in the entire story in one sitting.

Takeaway # 4: After our work with Joan, this screening was a perfect example of where our efforts could lead to... a beautifully wrought story.

After its Friday - night screening, TheWrap called it «a brutal, scorching and unflinching work that is hard to watch and will no doubt be harder to forget.»

After enduring Whatever Works the year prior, just about anything Allen put on the screen would've been an improvement.

After all their on - screen chemistry as the wise - cracking old master and young, inexperienced apprentice worked so incredibly well in Spider - Man Homecoming it's hard not to get hyped about seeing where Marvel Studios will take the characters in the third Avengers film.

Writer and Oscar - nominated director Buckley had a very personal reason for bringing this story to the big screen, after working with the UN in African refugee camps and learning the average time spent in the camp is 17 years.

After Fonda had begun getting work in Hollywood, he talked Jimmy Stewart into coming out after tepid success on Broadway, doing some screen tests which got him a contract atAfter Fonda had begun getting work in Hollywood, he talked Jimmy Stewart into coming out after tepid success on Broadway, doing some screen tests which got him a contract atafter tepid success on Broadway, doing some screen tests which got him a contract at MGM.

Working with a strategized network narrative — one that stands out from the many in Bordwell's samples, the year 2000 film had appeared as less all - encompassing and oddly mapped out, but after the screening I felt that device was no less disciplined as it engages the viewer by revealing some information, dispelling some, while omitting others — those countless fades to black are welcome beats for analysis.

The movie marks Hanks» return to the big screen after his Tony nominated - turn this spring in «Lucky Guy,» in which he played a late tabloid journalist in Nora Ephron's final work.

After bringing the warped and surreal works of Charlie Kaufman's «Being John Malkovich» and «Adaptation» to the screen, director Spike Jonze carved himself a reputation for the off - beat.

The man's a legend, but he has no idea about the qualities that used to shine in his own work, and what comes clear for a fan of the «Italian Hitchcock» after a screening of Trauma is that the thrill is gone.

The film has been selected to screen in competition in the festival's Official Selection, returning to Annecy after presenting as a Work in Progress back in 2015.

But Petit's video — the first time Farber has ever appeared on - screen, notwithstanding extended homages to him and his work such as Jean - Pierre Gorin's feature - length essay Routine Pleasures (1986) and Paul Schrader's short film Untitled: New Blue (1995)-- is after something more.

Surrounding atmospherics are also poorly handled; whether it's Shy doing yardwork or meeting back up with his friend after barely escaping from Andrea's room after oversleeping one morning, the film is riddled with examples of on - screen, foregrounded action featuring no corresponding foley work.

After all, Star Wars game load screens and character textures were found buried in the files for Resident Evil: Operation Raccoon City, and Kotaku reported in 2010 that they were working on something called Star Wars: Battlefront Online.

After starring in such films like «My Week with Marilyn» and «The Devil's Double», it seems that Dominic Cooper is out of Albert Hughes» «Motor City» and instead, will be replaced by Jake Gyllenhaal, who was last seen on screen in «Source Code» and recently wrapped working on «End of Watch».

Mathieu Amalric once again plays Paul Dedalus — now middle - aged and headed back to France after years working abroad — but he gets relatively little screen time, appearing primarily in bookend sequences.

After collaborating on a series of inspirational true story films in recent years like «Lone Survivor,» «Deepwater Horizon» and «Patriots Day,» filmmaker Peter Berg and actor Mark Wahlberg's fourth teaming on screen is switching tones to the kind of gritty action thriller both were more known for in their separate work.

After years of tweaking the screenplay and looking for financing, Todd McFarlane's hard work finally paid off last year when Jason Blum's Blumhouse Productions boarded his long - gestating big screen reboot of the hit comic book character Spawn.