Considerably less familiar is
her work as a Conceptual artist in...
Lorraine O'Grady: A Portrait (2012), inspired by Gertrude Stein's textual portraits, presents a chronology of O'Grady's
work as a conceptual artist in New York since the 1970s and the artist reflecting on her familial relationships.
Not exact matches
She
worked as an assistant to the
conceptual artist Vito Acconci and later joined a British collective called Art and Language.
The film, Eyes of Laura Mars (1978), served
as the source for the
conceptual photo
work, Woman with a Camera (2009), by the
artist Anne Collier.
Featuring
artists as solo exhibitors, and also in the context of
conceptual group exhibitions, Brunswick Street Gallery offers a completely unique viewing experience of
work from contemporary emerging
artists.
For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of
works that homage her artistic heroes —
artists who share an approach that Lemieux describes
as «the
conceptual, the playful, the «why not»?»
Yves Klein (1928 — 1962), was a
conceptual artist par excellence, a radical, utopian dreamer described by the French critic, Pierre Restany
as «a painter, but also infinitely more: a believer living in his own sense of the divine», whose diverse practice included ephemeral
works in his quest for immateriality.
The exhibition begins with
works by early Minimalist
artists such
as Sol LeWitt and Carl Andre; drawings by
conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated
artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.
In a recent issue of New York magazine, critic Jerry Saltz described Mr. Bader's
work as «late - late - late post —
Conceptual Relational Aesthetics,» referring to the feel - good, still - born movement that had 1990s
artists engineering miniature events, serving up Thai food and hosting parties
as artworks.
Although most
artists want to sell their
work, she implies that it's okay for a
Conceptual work or a Rauschenberg to sell to IBM, but if a Noland is collected by that same company, it's not okay because it must have been sold just
as decoration... I don't think so.
Flavin has been credited with being «one of the first
artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his
work that not only led to it being characterized
as Minimal art but which moreover influenced
Conceptual artistic practices.
Ken Lum is a prolific writer
as well
as a
conceptual artist, deeply attuned to semiotics across media, whose past
work includes a series of «language paintings» that depict nonsensical words in colorful designs.
While Tony Tasset may modestly credit a large portion of his creative inspiration to «more successful
artists,» the art world has long been eyeing his large - scale multimedia
works with enthusiastic appreciation, fittingly so
as his enormous «pop
conceptual» monuments are meant to be ogled.
CIMA's first two - person exhibition pairs the Metaphysical painter Giorgio de Chirico with the contemporary
conceptual artist Giulio Paolini, who has described de Chirico
as an «illustrious model» and has incorporated overt and coded images and references to de Chirico in his
work for years.
Currently on view at the Mary Boone Gallery in both the Fifth Avenue and Chelsea locations
as well
as with Team Gallery in New York are
works by premiere French
conceptual artist Pierre Bismuth titled «One Size Fits All.»
A Los Angeles - based
artist best known for his portraits of Latino day laborers, John Sonsini adds a
conceptual twist to his portraiture by paying his subjects their normal hourly
working wages to sit
as his painting models.
Conceptual artist Charles Gains speaks with Marshall about his childhood in South Central Los Angeles, his approach to art as activism, and the inspiration behind his landmark work, «Self Portrait of the Artist as a Shadow of His Former Self» (
artist Charles Gains speaks with Marshall about his childhood in South Central Los Angeles, his approach to art
as activism, and the inspiration behind his landmark
work, «Self Portrait of the
Artist as a Shadow of His Former Self» (
Artist as a Shadow of His Former Self» (1980).
Her reputation
as a thoughtful and thought - provoking
conceptual artist has gained over the last decade, with major biennials, a survey in England at the Whitworth Art Gallery in 2011 and an October Files book on her
work in 2016.
The approach that the
artists in Slipped have taken to clay
as an extension of their painting or sculptural practices has resulted in an exciting and innovative
works that combine the visual and sumptuous nature of ceramics with a
conceptual rigour.
Exhibited across two floors of the gallery, the paintings here range in scale from the tablet - sized Boardwalk Barter a reminiscence from the
artist's earlier years selling his
work in Venice, California, to one of his signature, immersive flower - like explosions, which can be read
as either the
conceptual origin or the end point of all other
work.
Both exhibitions subscribe to a broadened conceptually - geared view of drawing: drawing is not understood
as a secondary medium to the
work of the
artists a mere preparatory sketch, but
as hierarchically equal and autonomous media within which the
conceptual and creative basis of an artistic position is articulated.
Since then, Meireles has been recognized
as a pioneer and leader among
artists working in politically and socially engaged
conceptual art.
Visiting
Artists Open Studios February 20, 6:30 - 9:30 pm Join us February 20 as four of our visiting artists, working in the fields of conceptual art, film, music and drawing, will be opening their studios to the public for one
Artists Open Studios February 20, 6:30 - 9:30 pm Join us February 20
as four of our visiting
artists, working in the fields of conceptual art, film, music and drawing, will be opening their studios to the public for one
artists,
working in the fields of
conceptual art, film, music and drawing, will be opening their studios to the public for one night.
I'll use
as an example an
artist exactly my age, Gabriel Orozco from Mexico, whose
work is
conceptual but very, very visual.
The New York - based
conceptual artist makes
work that engages with unique methods, such
as his large paintings and site - specific installations using silver nitrate.
The show explores what dust has meant for art and society, weaving connections among artefacts and documents
as far - ranging
as old newspaper images, police photographs, postcards and computer generated imagery,
as well
as works by Surrealist and
Conceptual artists.
The organizer, the American painter and art dealer William Copley, conceived of it
as an intermedia and intergenerational publication, presenting
works by an impressive array of
artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop
artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of
conceptual and post-studio
artists represented by Joseph Kosuth and Bruce Nauman, among others.
Influenced by representational
artists such
as Fairfield Porter and Alex Katz, during her studies Fish was not always encouraged in her realistic approach, considering the fact that prestigious university's art programs advocated the idea of inferiority of the figurative painting in relation to abstraction or
conceptual work.
This selection of early paintings documents a
conceptual shift in the
artist's
work as the landscape imagery offered by earlier paintings begins to incorporate and is consumed by the symbol - laden abstract compositions that would become a recurring theme throughout his career.
A key moment came when Walker discovered Adrian Piper, the
conceptual artist and philosopher who, in the 1970s, made a series of performance
works featuring herself
as an androgynous, racially indeterminate young man.
Students are expected to be developing their own ideas, just
as professional
artists do, by completing the necessary
conceptual and technical research to finish their
work at a highest level possible.
Ifeel that both the
work and my studio practice have matured and this exhibition reflects my creative and
conceptual ambition, even with the sculptural difficulties it throws up for me
as an
artist.»
As defined by Tony Godfrey in Conceptual Art, appropriation in art is «the act of one artist assuming the work of another artist and claiming it as their ow
As defined by Tony Godfrey in
Conceptual Art, appropriation in art is «the act of one
artist assuming the
work of another
artist and claiming it
as their ow
as their own.
By the time I became aware of her
work she had become a minor celebrity — a relic of the depression era who had ignored Abstract Expressionism, Pop, Minimal and
Conceptual art and was still painting traditional portraits of her family and friends,
as well
as art historians, critics, curators and
artists.
Ger van Elk who died age 73 on 17 August was a highly regarded
conceptual artist, both nationally
as internationally, he continuously reviewed and reconsidered his own
work, his personal, trivial, observations
as well
as art historical developments.
It has been difficult for art history to assimilate the figurative
work of an avowedly
conceptual artist such
as Adrian Piper, who has painted since the mid-1960s.
Many of these
artists explore language
as an artistic medium or
conceptual framework,
as seen in
works by Jesse Howard, Joseph Kosuth, Los Carpinteros, Alexis Smith, and Lawrence Weiner.
In the crisp cool air, we crowded around an outdoor campfire before filling the Raumerweiterungshalle for a
conceptual lecture, video
work and music performance by a group of four individuals who,
as non-artists, staked their claim in the Project Space Festival, pushing the limits of the project space
as an exclusive «
artist's» zone.
Today, the gallery presents contemporary multimedia and
conceptual work,
as well
as painting and sculpture and continues to show the
artists it has
worked with in the early nineteen eighties, while it presents and
works with new talents.
Reviled by some at the time, that year's Whitney Biennial laid the groundwork for much of the intellectual landscape
artists have explored since then because it was seen at the time
as such a radical departure from previous Biennials due to the fact that the exhibited
work was much more
conceptual and politically charged than previous incarnations.
Hunter College mounted a retrospective of
conceptual artist William Anastasi's groundbreaking sound
works created over the last half century, such
as a curiously beguiling clanking radiator.
As a conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photograph
As a
conceptual artist who is deeply interested in the genesis of representation, Welling began this series of photographs
as an examination of Andrew Wyeth's influence on his own work, from Welling's earliest watercolors in the 1960s through his recent photograph
as an examination of Andrew Wyeth's influence on his own
work, from Welling's earliest watercolors in the 1960s through his recent photographs.
In fluenced by western modern and contemporary art, Chinese
artists start applying new concepts, such
as symbolic elements and inspirations from everyday life to create unique
works, which focus more on specific questions than the
conceptual ones and keep shaping the relationships between art and reality.
Spanning a broad gamut of themes and applied constructs, the show includes such
as early
works as shots taken in Nadar's 19th century Parisian studio, of the mime
artist Charles Deburau posing
as Pierrot the clown (an example of a performance played out purely for the camera); through the theatrical and
conceptual work of Carolee Schneemann and Paul McCarthy; nuanced developments of self - identity in the
work of Marcel Duchamp, Cindy Sherman and Andy Warhol; and onto the hyper - contemporary world of selfies and social - media disseminated flotsam.
Works by
artists such
as Chuck Close, Petah Coyne, and Tom Friedman display the rich cross-fertilization that occurs when painters, sculptors and
conceptual artists explore new ideas through photography.
Known for championing
artists who create groundbreaking and challenging forms of visual expression, Lehmann Maupin presents
work highlighting personal investigations and individual narratives through
conceptual approaches that often address such issues
as gender, class, religion, history, politics, and globalism.
The gallery devoted to the
artist -
as - celebrity, for instance, which typifies the
work based on a
conceptual twist, is off - putting in its self - regard and facile irony, though the puppets seated in a corner of the floor, which were conceived by Philippe Parreno and Rirkrit Tiravanija
as stand - ins for fellow
artists at a 2005 panel discussion, possess a certain flat - footed charm.
The chaotic life of her grandfather — an eccentric
conceptual artist — is scattered around the house; briefly famous, his
works are now used
as rubbish bins.
It includes small - scale paintings by «other art»
artists of various trends, key pictures and objects by masters who make up the nucleus of the «Moscow
conceptual school»,
works by classics of Sots - Art, Post-Modernist painting and photo - realism,
as well
as works by leading figures of the post-Soviet period.
I was a young gallery assistant and Claude Rutault's
work opened me up to
conceptual art, although Claude Rutault doesn't see himself
as a
conceptual artist, but
as a painter (which no longer surprises me, because Bernard Frize doesn't see himself
as a painter).