Sentences with phrase «work as a young artist»

He'll talk about publishing work as a young artist, and reveal his process from pencil sketches to finished artwork.

He graduated from the Cooper Union two years ago and he's working as a young artist in New York.

Recalling my own first eye - opening encounter with feminist work as a young artist, the paintings are full of forms that resonate with the strangeness and preliterate opaqueness of archaic sculpture.

His work as Young Artist of the Year 2016 will feature in a solo exhibition at the Tampere Art Museum from June 11 to September 11, 2016.

Not exact matches

i His writing and his work with Impact Investing draws on broad experience as an artist, bio-dynamic farmer, Waldorf teacher and co-founder of three social enterprises: 1) From 28 - 34 a farm based campus for young people who wanted a college experience without intellectual academics; 2) from 43 - 46 a biological healthcare company and 3) from 46 - present a workflow technology firm focused on personalizing healthcare.

I am not a particularly confident person, neither do I have a network before social media whom I could channel my own art to, said Alexandria Coe, a young artist who has used Instagram as a tool to share her work with the world.

Working as an assistant to an extremely demanding Hollywood producer, Heather realized she could accomplish anything if she worked hard enough and gained the confidence to open her Taylor De Cordoba — a contemporary gallery that embraces emerging artists and young collectors.

Indicative of Brewer's own interests as a young white artist in tune with black culture, it's an overarching melting - pot approach, and it somehow works, even if it kowtows to the unspoken Hollywood rule that the color not apply to the marquee characters or their families.

Kim Tae - ri stars as Sook - hee, a young pickpocket who is hired to work for seemingly sheltered Japanese noblewoman Lady Hideko (Kim Min - hee); the plan is for Sook - hee to help fellow con artist Count Fujiwara (Ha Jung - woo)-- who is, in reality, neither a count nor Japanese — defraud Lady Hideko of her fortune.

These are different, the ambitious explorations of a young artist excited to explore the possibilities of the tools at his disposal, and for all the self - indulgence and unrealized ambition of the films, they are exciting and enthralling works carried along by his delight in filmmaking itself as much as by the stories.

In many ways, Jiro's obsessive attachment to his work feels like Miyazaki's Kunstlerroman — his portrait of the artist as a young man.

«As a young artist struggling I walked away from that like «If it took Molly Shannon 10 years, who am I to be frustrated that one year later I'm still working on it?»

However, for those familiar with the great painter's works, as well as the prevailing spirit of the Era of Enlightenment and the style of the other great artists of various mediums who used their craft to comment on the blights of the world around them, Goya's Ghosts speaks on a level that transcends just the story of two men looking after the welfare of a young, unfortunate woman caught up in the hysteria of power that marked the end of the Spanish Inquisition's stranglehold of power, as well as the outrageous hypocrisy in their manner of governance.

During these delays, Silver Surfer series artist Mike Allred has taken on outside work as well, as he's scheduled to draw April's Doom Patrol # 7 for DC Comics» Young Animal imprint.

Soutine traveled as young Russian artist to Paris and live and worked among other young artists like Zadkine and his friend Modigliani.

In my mid-thirties, I spent six years as a youth worker for Melbourne Citymission, where I mentored quite a number of young people, and once again my life experiences and career position afforded me an opportunity to work along side many brilliant mentors, including some top business people and some very successful artists.

I love the idea that these remarkable and lasting works of art were done by unschooled young artists who were basically inventing the art of painting — just as the caves were the first art galleries!

As the manager of school and teacher programs, I oversee the planning and implementation of all teacher professional development programs and in - depth school partnerships, working in close collaboration with artists, educators, and young people.

Maureen Heffernan has spent more than 30 years in the field of Arts Education, working first as a teaching artist and then as a non-profit arts administrator where she has worked with young people, their teachers and their families throughout the tri-state region.

She is member of the poetry critique and performance group Cool Women and works as a teaching artist for Young Audiences of NJ and Eastern PA and Writerâ $ ™ s Theatre of NJ.

Since opening in 1971, the Kennedy Center has continued its efforts to fulfill his vision — presenting the greatest performers and performances from across America and around the world, nurturing new works and young artists, and serving the nation as a leader in arts education.

What I found so strange about this was that young artists today are getting paid the same page rate as I was when I started working in the early 1980s.

It is the charming vulnerability of the young woman artist, like that of the hesitating model, which is really the subject of Miss Osborne's painting, not the value of the young woman's work or her pride in it: the issue here is, as usual, sexual rather than serious.

In the early 1990s, as a young artist out of graduate school at Bennington College in Vermont, where he studied the work of mainstream abstract painters such as Helen Frankenthaler and Kenneth Noland, Odita got a job at Kenkeleba House in New York, owned by the painter Joe Overstreet, who collected and showed work by African American artists.

The other thing I see with middle - aged artists (and young artists as well) is that they have that fear of being criticized but they overcome it to show their work some — but when they do get any criticism, they completely fall apart.

She began the discussion with the observation that, in Cuba, many artists are leaving behind political critique in order to appeal to the international art market, and Ai talked about his own struggle as a young artist to find an audience for his work.

Combining a range of creative mediums, Augustine Carr — tipped as one of Britain's most exciting young artists — highlights the process and practice of his work for new exhibition, Summa Theologica.

She placed younger artists, including Jones, Shinique Smith, and Angel Otero, in dialogue with members of the older generation, such as Felrath Hines, Alma Thomas, and Romare Bearden, who were producing seminal works in the 1960s.

The London - born artist, named one of the Evening Standard's «Exciting Young British Artists to Look Out For» in 2017, has won an army of high profile fans including Coldplay, whose members cited his work as inspiration for their Grammy Award - nominated «Up and Up» video.

Many of the artists that we bring to the museum school to give lectures and perform studio visits with students are artists who are really engaged in interdisciplinary practices or artists who have experience as educators and working directly with young artists.

Gorvy is recognized as an expert and passionate advocate of the work of Francis Bacon, Jean - Michel Basquiat, Lucian Freud, Alberto Giacometti, Willem de Kooning, Pablo Picasso, Mark Rothko, Cy Twombly, and Andy Warhol, as well as a younger generation of artists such as Martin Kippenberger, Jeff Koons and Richard Prince.

In this issue we feature Encounters with our cover artists, as well as Lubaina Himid, Ian Davenport, Anne Collier and Kehinde Wiley, and have two Paper Galleries — one dedicated to the work of celebrated Leviathan creator Shazeed Dawood, the other to young painters who are turning the world on its head.

As I understand it, you had to be somewhat bull - headed as a young artist in the nineteen fifties in order to pursue your interest in working from lifAs I understand it, you had to be somewhat bull - headed as a young artist in the nineteen fifties in order to pursue your interest in working from lifas a young artist in the nineteen fifties in order to pursue your interest in working from life.

Turk's work has been included in many seminal exhibitions including currently the groundbreaking POPLIFE show at Tate Modern as well as the Venice Biennale the 46th International Istanbul Biennial, Istanbul in 1999; Material Culture, Hayward Gallery, London in 1998 and Sensation: Young British Artists from the Saatchi Collection, Royal Academy of Arts, Saatchi Collection, London in 1995.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

In the galleries, the works move in roughly chronological fashion, in distinct, often startling series, presenting an artist who seems to become younger and more vital with each decade, as her work becomes more spontaneous and grounded in reality.»

We have talked with him about his drive to work from life, the painting challenges that come with diminished vision, how to use the inspiration you get from other painters, and what it was like coming to New York City as a young artist in the nineteen fifties.

The young artist was also informed by the emergence of formalist theory as a major innovating force within British sculpture, as exemplified by the work of Anthony Caro, with whom Hoyland was to become a collaborator and close friend.

As visitors to his full - dress, full - floor Whitney retrospective will perceive from the moment they get off the elevator and are confronted by the mural - length 1999 painting Das Erdbeben in Chili [M # 3], the 79 - year - old artist has evolved to embrace riotous colors, unwieldy materials, and explosive forms in his recent work — even as younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working SpacAs visitors to his full - dress, full - floor Whitney retrospective will perceive from the moment they get off the elevator and are confronted by the mural - length 1999 painting Das Erdbeben in Chili [M # 3], the 79 - year - old artist has evolved to embrace riotous colors, unwieldy materials, and explosive forms in his recent work — even as younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working Spacas younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working Space.

For younger artists today, Hendricks's work provides an important touchstone as they articulate their own identities and question perceptions of race in America.

Amitis Motevalli's marker - on - photo series Confiscated Portrait of the Artist as a Young Rebel could and should be consumed as much for its humor and wit as anything else, but in the course of transit for an exhibition the work was confiscated by the government.

Although Emin first rose to prominence as part of the so - called generation of Young British Artists (YBA), the highly autobiographical nature of her work set it apart from the general artistic trends of the 1980s and 1990s.

Often seen as a reaction to the art on Tenth Street, it was a lively show, the work of young artists, many in their early twenties.

Key works by Jean Michel - Basquiat, Mark Bradford, Cecily Brown, Marlene Dumas, Keith Haring, Jeff Koons, Glenn Ligon, Reinhard Mucha, Elizabeth Peyton, Richard Prince, Cindy Sherman, Rosemarie Trockel, and younger artists such as Josh Kline, Serge Alain Nitegeka, Michail Pirgelis and Lior Shvil, are exhibited along with text from the artists.

Five exhibitions each year profile the work of established international figures such as Tom Friedman, Mark Dion, Rivane Neuenschwander, Alfredo Jaar and Superflex; as well as that by younger and mid-career British artists such as Oscar Murillo, Eva Rothschild and Ryan Gander.

Sylvester countered remarks by various critics that the artist's work was closer to sculpture than to painting: «in spite of the heaped - up paint, these are painterly images, not sculptural ones, have to be read as paintings, not as polychrome reliefs, and make their point just because their physical structure is virtually that of sculpture but their psychological impact is that of painting» (Sylvester, «Young English Painting», The Listener, 12 January 1956).

For Puder, his work is central to many of the leading Leipzig painters such as Matthias Weischer and today he is especially important to younger artists in Eastern and Central Europe.

Presents serves as a platform for young galleries no more than ten years old to showcase recent work from emerging artists.

As a young artist who arrived in New York in the late 1970s, Moffett was inspired by more - established colleagues, including Alice Aycock, Lynda Benglis, and Elizabeth Murray, whose post-Minimalist work resonated with what he calls his «fractured formalist impulses.»

With a career extended across more than half a century, Stella both holds an important place in the history of American art and maintains contemporary relevance as his work continues to influence younger generations of artists.