Sentences with phrase «work as an minimalist»

Before making the celebrated Dinner Party, however, Chicago worked as a Minimalist of sorts.

In this respect, it is important to dismiss categorization of Novros's work as Minimalist.

Not exact matches

Actually, if I'm honest it was barely any work at all to clean the majority of the apartment, as my housemate and I are both minimalists when it comes to «stuff» and always keep things super clean.

-- Dana Shultz, author of Minimalist Baker's Everyday Cooking «As a long - time follower of Laura's work, I've been anxious for her creative recipes to be printed in a book that I could use often in my own kitchen.

To see whether a single reason really can form a good basis for making decision, Goldstein, working with Max Planck researchers Jean Czerlinski and Laura Martignon compared Minimalist and Take The Best with two conventional analytical tools that use all available information — multiple regression and a simplified regression known as Dawes's rule.

As much as I love walking around barefoot in the grass, this wasn't doable on concrete or harder surfaces, and minimalist shoes like five - fingers protect my feet but allow me to work on my running techniquAs much as I love walking around barefoot in the grass, this wasn't doable on concrete or harder surfaces, and minimalist shoes like five - fingers protect my feet but allow me to work on my running techniquas I love walking around barefoot in the grass, this wasn't doable on concrete or harder surfaces, and minimalist shoes like five - fingers protect my feet but allow me to work on my running technique.

I wouldn't go as far as saying that I have a minimalist kitchen (or that I'd even try to when cooking for 7 people three times a day) but I would say that I have finally created a simplified kitchen and it works really well for our needs.

You'll find it on menus at some of our favorite feel - good food spots like The Butcher's Daughter (where they sprinkle it on kale chips) and bloggers like Dana Shultz of Minimalist Baker are working it as a crave - worthy avocado toast topper.

This minimalist backdrop (aka: a white bed sheet) worked out fine in a pinch, and as this outfit is rather «New Look» in style, it lent itself well to the very minimal background and gave me a chance to try out some fun 1950's poses.

Many trends at the moment such as fish net stockings under ripped jeans, furry mules, or minimalist accessories haven't really been my «forte» but this trend, I am working with pretty well!

This minimalist leather pick with hidden zipper details looks just as good with your slim - fit work suiting as it does with your casual T - shirt and jeans.

As you can see, they work really well with my minimalist Everlane pieces.

A similar rigour is at work here, yet permeated with a sense of melancholy, a minimalist aesthetic that renders Wang Jingmei's solitude as the moments before are coming to an unavoidable end, and the moments after are inconceivable.

The film's ultimately not quite up to «The Wages Of Fear,» on which it's based, lacking the original's minimalist tension, but its pleasures are found elsewhere, with Friedkin's abstracted take on the terror of nature, Roy Scheider «s stoic leading turn (perhaps second only to «All That Jazz» as the actor's best work), and Tangerine Dream «s phenomenal score.

It's all bold, shocking, and brutal, a tonal departure from the director's typically dry, minimalist work, although just as attuned to gradations of class as his much - praised earlier films.

The game's minimalist approach to story works for it, as any form of complex plot would be unnecessary and stifling to the game's simple and wacky premise.

A simple idea, executed superbly, which fits the hand - held market to perfection, Mini Metro works despite the rather unglamorous premise of playing as an underground transport designer of a minimalist world, where stations and passengers are plain, geometric shapes.

But where observers have connected Gale to Freud and Pearlstein, as well as Alberto Giacometti, I think that the differences between her work and theirs, which elevates it into a category all its own, lie in her unlikely affinities with the Abstract Expressionists and the Minimalists.

Minimalist 1960s works by Martin — like Leaves (1968), which fetched an auction - record $ 2.58 million last November — have sold for as much as $ 3 million privately.

Until now, these works have been either neglected or treated as a prelude to the proto - minimalist black paintings that Stella began at the end of the year.

The exhibition features works by prominent Minimalist artists as well as pieces by those who, while not necessarily considered adherents, were either an integral part of the birth of Minimalism or profoundly influenced by its aesthetic priorities.

Unlike other minimalists such as Ellsworth Kelly, Barnett Newman and Ad Reinhardt who acted in reaction to Expressionism, Stella's work became more painterly and demonstrative as it matured.

By chance, I was afforded a ringside seat on this burgeoning scene when I went to work as a cook for Mickey Ruskin, founder of Max's Kansas City in the 1960s, the favorite watering hole of both the denizens of Warhol's Factory and the generation of Minimalists and older artists that included John Chamberlain, Carl Andre, Richard Serra and Brice Marden.

The exhibition begins with works by early Minimalist artists such as Sol LeWitt and Carl Andre; drawings by conceptual artists Lawrence Weiner, William Wegman, and Mark di Suvero, among others; and continues with recently celebrated artists Fiona Banner, Teresita Fernandez, Jutta Koether, and Tracey Emin.

The West 20th Street gallery is focused on artists» estates, staging museum - quality exhibitions of work by American minimalists like Dan Flavin and Fred Sandback and twentieth - century masters such as Josef Albers and Giorgio Morandi.

Frank Stella started his career in the late 1950s as a maker of taut, Minimalist stripe paintings, works...

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

Much of his work relates to abstract expressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement.

In an interview with The White Review, Jaray characterised her work as «what's left when everything else is taken away», and that minimalist philosophy couldn't be more clear in this work; Borromini's baroque architecture is synthesised into two - tone geometry, the paper ridges gesturing toward their architectural inspiration.

One work even starts with a Minimalist grid, like much in the LeWitt collection, covering a gently raised floor and drop ceiling as well as three walls, like an open cage.

Kindred with the work of Nasreen Mohamedi who similarly developed a Minimalist style steeped in local interests, Meppayil's approach to her work is forged through her family's long history working as goldsmiths in Bangalore.

Repetition of form, particularly within a minimalist aesthetic, is particularly prevalent in her work and can be observed just as keenly elsewhere.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Thus when the viewer sees the red date and signature of one of Mr. Kim's recent paintings the first association may be with the chop signature of a traditional Korean ink drawing, but it may just as easily be considered as a formal addition to the painting much in the way that Robert Ryman has continued in his work of 1996 to incorporate the date into his own seemingly minimalist, abstract paintings.

There are examples of Minimalist theory as early as the 1920s in Europe, but the movement at the time of its birth was defined by new young artists who were often reacting against the gestural excesses of Abstract Expressionism, challenging the conventional boundaries between various mediums, subordinating authorship, and calling attention to the materiality of their works.

Jonas» work, which has been exhibited extensively across the globe since the early 1970s, is dedicated to the exploration of non-linear narratives, oral history, as well as past and current politics; it translates popular culture, anthropological influences, and literary sources into a reduced and minimalist language of gestures, objects, and signs as an expanded notion of sculpture.

As for the massive new work, Sibony invokes language that recalls his conceptual Minimalist predecessors.

While his imagery has changed several times over the years, the artist characterized himself as being «from the beginning, a minimalist abstract artist, a geometric abstractionist, with no recognizable shapes in my work» — other than circles, which have always captivated his imagination as «the perfect shape.»

New York - based artist Gedi Sibony, whose work has been described as «Minimalist assemblage,» is now exhibiting his largest sculpture to date at Greene Naftali.

Though sometimes still characterized as a Minimalist, Marden's extensive body of work throughout his long career has ultimately defied the category.

With his work, Ted Stamm draws as much from a Minimalist, hard - edge legacy as it does from the randomness and arbitrariness of his own life.

The work of Donald Judd (1928 - 1994), one of the most significant American artists of the post-war period, has come to define what has been referred to as Minimalist art — a label to which the artist strongly objected on the grounds of its generality.

It will include works from Turner Prize winner Martin Creed, the playful minimalist who created the notorious room with lights going on and off, Andrea McLean whose dense surfaces teeming with birds, beasts, flowers and trees, double up as a delicately detailed diary of her experiences, Neil Jeffries's wall - based sculpture, David Batchelor's jewel bright minimalist painting.

Like the minimalist artists that preceded him, Espírito Santo treats the floor as an integral element for his industrially produced sculptures, though he makes clear the distinction between his own work and minimalism.

Although her work tends to favor biological forms rather than a rectilinear grid system, Donovan's use of singular materials and adherence to rule - based systems has aligned her with the legacies of Minimalist artists such as Sol LeWitt and Eva Hesse.

If spare, minimalist aesthetics echoed the language of corporate lobby design, Stella's late work — once described by Dee Wedemeyer in the New York Times as the real estate developer's choice — seems to echo the bright, frivolous art that hangs on sterile lobby walls.

Krauss, who had been writing for such respected publications as Artforum since 1966 (only four years after graduating from Wellesley and three years before she received her Harvard degree), found herself increasingly interested in the work of Minimalists like Richard Serra and Donald Judd — artists Greenberg dismissed as not adhering to the strictures he laid out for Modern art.

Rauschenberg and Morris's connection through Judson Dance Theater and Surplus Dance Theater reached back to 1962, and the years 1966 to 1968 were decisive in Morris's evolution as both a writer and artist as he moved from his minimalist work to his permutations, felt, and thread waste pieces.33 LeWitt's first wall drawings were executed at the Paula Cooper Gallery, New York, in October 1968.

While Minimalist artists such as Carl Andre, Donald Judd, and Dan Flavin were gaining ground with their work in New York, McCracken was experimenting in Los Angeles with a medium somewhere between sculpture and painting, in a parallel fashion.

The monochromatic lines and forms that run through these works share the minimalist impulses of painters such as Sol Lewitt and Agnes Martin.