With Avengers: Age of Ultron, the Disney Studio has a movie that
works as a sequel to at least three or four predecessors: the 2012 Avengers to be sure, but also Captain America, Thor: The Dark World and Winter Soldier.
Not exact matches
A
sequel is in the
works, but it will not feature the original's biggest star, Will Smith, because,
as director Roland Emmerich said, «he's too expensive.»
Ammerman sees her own study
as a
sequel to the pioneering
work done by H. Paul Douglass in 1925.
Pretend Soup and Other Real Recipes: A Cookbook for Preschoolers and Up In this
sequel to her classic Pretend Soup — considered by many to be the gold standard of children's cookbooks — award - winning author / illustrator Mollie Katzen
works her magic with 20 new, child - tested recipes including such delicacies
as Counting Soup, Chewy Energy Circles, and Polka Dot Rice.
The
sequel is in the
works as we speak!
The rest of the actors look like they're lost in some direct - to - video «Speed Racer»
sequel, save for Evangeline Lilly, who turns in some nice
work as the film's Adrian.
The trick for a movie of this type, at least one that is aspiring to be more than just a simple - minded exploitation film (such
as the original Charles Bronson «Death Wish,» a far more complicated
work than usually given credit for, especially in comparison to its tacky
sequels), is to create a narrative that somehow justifies such actions without completely overdoing it.
Occasionally this approach
works wonders -
as on Evil Dead 2 - but often it results in tired, formulaic offerings, such
as the many straight - to - video
sequels produced by Disney.
Bertino returns,
as a co-screenwriter this time, leaving the directorial
work to Johannes Roberts, who brings a far surer hand and a more striking visual aesthetic to the
sequel.
Instead, it's a modern, Hollywood version of the Japanese
sequels to Gojira and like - minded, derivative
works, pumped up by millions of dollars spent on visual effects to make the incalculable destruction of property and the deaths of thousands of people look
as inoffensive — and lovely —
as possible.
Unlike franchises overexplained to breaking point, the
sequel repeats the no - frills plot of the first outing with no further depth — which means that
as a film, it needs to
work as an engine, primarily, to scare us into submission.
Just like the Guardians of the Galaxy
sequel, the novelty and freshness is gone this time around,
as we get admittedly funny repetitions of whatever
worked the first time.
It's clear this was an afterthought
as the developers
worked on the truth next - generation
sequel.
After making her film debut in That Night (1992), Heigl balanced movie
work with high school, playing a small role in Steven Soderbergh's Depression - era drama King of the Hill (1993), starring
as Gérard Depardieu's difficult daughter in My Father the Hero (1994), and Steven Seagal's niece in the action
sequel Under Siege 2: Dark Territory (1995).
My first thought was that this was a
sequel to a Roland Emmerich film which shouldn't really come
as much of a surprise considering that both he and Bay
work in the school of «blow shit up real good».
The director cited conflict in schedule
as the reason behind his decision,
as he would be
working on two other films, Chaos Walking and the Edge of Tomorrow
sequel, instead.
Stellan Skarsgard confirms that his character Alexander Selvig should return for the
sequel after his most recent appearance in The Avengers — at least
as long
as he can make the schedule
work with Lars von Trier's:
«Galaxy Quest» director Dean Parisot is the man behind the lens on the
sequel to Summit Entertainment's surprise hit adaptation of Warren Ellis and Cully Hamner's Wildstorm miniseries «RED,» the 2010 action - comedy starring Bruce Willis
as Frank Moses, a former operative dragged back into the lethal world of killers and spies against his will, all while trying to hold it together on the worst first date ever with Sarah (Mary - Louise Parker), a doe - eyed customer service rep entirely unfamiliar with Frank's line of
work.
Though he'd built up a strong reputation among critics and cineastes in the 1960s with darker character
work in films like Cast a Dark Shadow (1955) and the daring masterpiece Victim (1961), he was best known to the public
as Simon Sparrow, the heartthrob comic lead in Doctor in the House (1954) and four subsequent
sequels.
While
sequels like Iron Man 3 and Captain America: The Winter Soldier have overcome feeling like prequels to a different story audiences haven't seen yet, other entries into this super-powered universe, efforts like Thor: The Dark World, Avengers: Age of Ultron and Captain America: Civil War, struggled to come across
as anything other than vehicles conceived and designed to get all of these characters into one place at the right time for this May's massive Avengers: Infinity War, none of them
working outside of the larger story being told and
as such aren't very entertaining or worth watching more than once.
Think of «Super Troopers 2»
as less long - awaited, more obsolete; a case study in why comedy
sequels almost never
work.
Those film historians who've summed up Kemp's post-Z Cars TV appearances
as «sporadic» evidently haven't seen his small - screen
work in such miniseries
as Winds of War and its
sequel War and Remembrance (he played German general Armin Von Roon in both); he also played Cornwall in Sir Laurence Olivier's 1983 television adaptation of King Lear, and was featured in the internationally produced historical multiparters George Washington (1985) and Peter the Great (1986).
While I imagine more story will need to figure into the imminent
sequels, this one
works as a premise - establishing tale.
Colin Farrell plays his spiritless heart surgeon
as a man who doesn't quite know how to act like a human being, and Nicole Kidman channels her Eyes Wide Shut energy into a perfectly - understated performance that makes this entire exercise feel much like a spiritual
sequel to Kubrick's final
work.
The Silence of the Lambs (Jonathan Demme, 1991) In the face of grotesque
sequels, lesser prequels and numerous parodies, The Silence of the Lambs still stands
as a cinematic
work of art among crime dramas.
In an interview with Collider, del Toro discusses stepping down
as director for the much - anticipated
sequel and
working instead
as a producer on the film.
Jumanji: Welcome to the Jungle writers Jeff Pinkner and Scott Rosenberg are returning to
work on the
as - yet untitled
sequel for Sony.
The 85 year old filmmaker is probably more well - known for his examinations of public institutions in films like Welfare (1975), Titicut Follies (1967), At Berkeley (2013) or High School (1968, followed by a
sequel in 1994), but he's also one of cinema's great chroniclers of art
as work.
The two are already hard at
work on a
sequel to the original Zombieland, which could be in theaters
as early
as next year.
It's no secret that director Taika Waititi had a great time
working with Marvel Studios on Thor: Ragnarok,
as he's already said he'd love to make a
sequel.
It's an agreeable flawed film, in other words: Officially reduced to a commentator for blind audience members («Damn, I ripped the fuel line,» Marty blurts out to a puddle forming beneath the De Lorean), Fox's comic spark is almost out in this go «round — and don't get me started on Elisabeth Shue (replacing Claudia Wells in the
sequels as Marty's gal, she turns in generic
work that only aggravates Jennifer's maddening disposability).
With the exception of Boyhood, which emerged
as a Best Picture favorite only to fall to Birdman, Linklater's
work has mostly flown under the radar of awards organizations, aside from Adapted Screenplay nominations at the Oscars for the two Before
sequels.
(Frances McDormand, Tilda Swinton and Bill Murray all Coen staples, were also the adult cast of Moonrise Kingdom)
As the two filmmakers
working today that do not operate in franchises or
sequels, but still make popular entertainment on a significant scale, they feel like increasingly rare birds in the American movie landscape.
Those involved with Deadpool 2 are
working hard to assure fans that it will be just
as funny
as the first one, perhaps because so much shit has gone down behind the scenes en route to getting the
sequel into theaters.
Since snatching up the rights from THQ, Crytek has been hard at
work on a
sequel to Homefront, which has been officially announced
as Homefront: The Revolution.
Earlier this week, Universal Studios and Legendary confirmed reports that Pacific Rim 2 had been delayed
as development
work continued on the upcoming
sequel.
Rocky made him an instant star, but Stallone continued to
work behind the scenes, writing numerous films and directing many of them: he debuted
as director with Paradise Alley (1978), directed four out of the six Rocky films, made the Saturday Night Fever
sequel Staying Alive (1983), directed 2008's Rambo, and launched a new franchise with 2010's The Expendables.
Director David Yates, who is currently set
work on the film's
sequel too, revealed that the future Headmaster of Hogwarts would be returning at a roundtable discussion with journalists ahead of the release of «Fantastic Beasts,»
as reported by Screenrant.
With films like Fast & Furious 7, Tarantino's upcoming The Hateful Eight, Bone Tomahawk and Road to Save Nome in the pipeline,
as well
as a possible Stargate
sequel, Russell will continue to be a fixture in cinemas across the nation, and although the latest entry in his expansive body of
work is a long way off being his best, his cult status remains very much intact.
Marvel has done well by making their
sequels work just
as well, if not better, than their predecessors.
What makes Zoolander
work is that underpinning the absurdist stylings of Ben Stiller — who returns
as not only Derek Zoolander but also the co-writer and director of the
sequel — is a fairly scathing satire aimed at the fashion industry and how clueless and insular it can be.
That's right, after over 20 years since the most recent installment; Germany's FDG Entertainment and France's Game Atelier are
working together with one of the original developers (Ryuichi Nishizawa) to create a long - awaited
sequel now known
as Monster Boy and the Wizard of Booze.
While cultivating television
work both in Israel and the U.S., Gadot made her film debut in Fast & Furious,
as well
as its
sequels Fast Five and Fast & Furious 6, also performing her own stunts.
Devlin and Emmerich had mapped out the ID4
sequel as a two - part narrative arch, under the
working title ID Forever Part I & II.
I am not a fan of SUPERMAN 1 though or at least it made very little impact on me, and the movie
works for me
as a
sequel to a mostly non-existent original.
As a fan of director Ridley Scott's original 1982 neo-noir sci - fi film, set in a dystopian future in which humans and androids live side - by - side, Deakins was excited about the idea of
working on the long - discussed
sequel.
The look
worked before, and it's just
as arresting in the
sequel.
Functioning more
as a mythology - expanding spinoff than a proper
sequel, this fifth installment (the first directed by longtime series writer Christopher Landon) smartly moves the setting away from airy suburbs to overcrowded
working - class apartments, and introduces a winning sense of humor that almost compensates for its relentless reliance on every terror trope in the book.
As for the future of the Mighty No. 9 brand, Inafune has said he has ideas for a
sequel, while a live - action movie based on the series is also in the
works.
A
sequel to Sicario is in the
works, but Emily Blunt won't be returning
as FBI agent Kate Macer.