Sentences with phrase «work at local museums»

The Nadine Carter Russell Chair works within the college and the community, conducts a workshop or seminar for students and faculty, presents public lectures, and, when applicable, exhibits work at local museums.

Working at a local museum or in an art studio at your college can also be added to your resume.

Not exact matches

Question topics included financial incentives given by the City to Altronix (which hosted the Mayor for a visit just before the press conference), whether the mayor has concerns about offering such incentives, whether his jobs task force will work with local communities, whether his affordable housing plan conflicts with his plan to enable more manufacturing in the city, what a base livable minimum wage is, whether the mayor is concerned about the possibility that Republicans may control the U.S. Senate next year, whether NY State has done enough to assist NYC in obtaining hazard mitigation money from the federal government, the Mayor's views on items sold at the September 11th Museum gift shop and what the first «tangible» product of the task force will be.

There is no shortage of conspiracy theories as to what might have happened to the cash, but El - Dahab says that it has gone to the many projects that Hawass championed, including the construction of 22 local museums, conservation and restoration work at important sites, and his efforts to deal with rising groundwater.

I had been working for fun at the local science museum, creating a source document for the new life sciences exhibit and setting up science lecture programs and educational science forums; I was enjoying this more than my research.

On a more local level, Harshman has worked with his colleague in social studies education, Greg Hamot, social studies professor and director of the International Office in the UI College of Education to lead professional development on human rights education at the Czech and Slovak Museum in Cedar Rapids, Iowa.

Creators Your local comics creator story of the day is about Jo Rioux, who got her start when she met the editor of Kids Can Press at a book signing in the museum where she worked.

She has had a passion for animals her entire life and began her working experience with animals when she was 12 years old by volunteering at the Lutz Children's Museum and at a local horse stable where she worked in exchange for occasional riding lessons.

ITINERANT at Queens Museum will present a selection of Performance Art works by local and international artists whose works reflect on issues affecting diverse populations living in Queens, and NYC at large.

After establishing the Ferus Gallery and promoting the local avant garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

Group Activities - New York Artist Union, the WPA, and the Art Workers Coalition Teach - in - Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance cluster

Last week I wandered through the Virginia Museum of Fine Arts's American art galleries with two art - world debates in the back of my mind — one a local one about the dearth of work by Houston artists in Houston museums» permanent - collection galleries, the other about the startling lack of diversity at this year's Whitney Biennial.

Organized by guest curators Wayne Northcross and Jose Ruiz, it is presented concurrently at the Bronx Museum of the Arts and Wave Hill, the two largest institutions in the Bronx dedicated to showcasing the work of local emerging artists.

I'm an artist working with a poor family on a participatory project at a local museum.

St. Louis Public Radio covers a selection of new African American art exhibitions on view in the city, including «Hands Up, Don't Shoot,» a direct response to the Michael Brown killing organized by the Alliance of Black Gallery owners and on view at 14 venues; «Other Ways» at Philip Slein Gallery featuring than 60 works from local private collections by artists such as Radcliffe Bailey, Dawoud Bey, Mark Bradford, Ellen Gallagher, Kara Walker and Kehinde Wiley; «Living Like Kings» at the World Chess Hall of Fame explores the intersection of chess and hip hop; and a presentation of Nick Cave «s Sound Suits at the St. Louis Art Museum opening Oct. 31.

A prosperous Texas artist in his own right, Bywaters emphasized the importance of regional art in Dallas and encouraged local artists to exhibit their works regularly at the museum.

The DAM is publishing a series of interviews with local artists about how they were inspired or influenced by artists whose work is on view at the museum.

Marking both her seventy - fifth birthday and three decades of living and working in New Mexico, Local Color: Judy Chicago in New Mexico 1984 - 2014 opens at the New Mexico Museum of Art June 6, 2014 and runs through October 12, 2014.

After establishing the Ferus Gallery and promoting the local avant - garde, Hopps arrived at the Pasadena Art Museum well prepared to tackle this ambitious paean to Duchamp, one that would necessitate loans from private collections and art institutions, as well as the re-fabrication of several lost works.

The Mexican artist often works with local artisans to fabricate her labor - intensive objects; for her solo presentation at the New Museum Lobby Gallery in January of 2016, Camil installed a maze of free - standing wire - frame panels that acted as a display system for a ceremonial gift exchange.

The work is activated by performers who, at local noon (when the sun is positioned exactly above the New Museum), collectively ring the bells and then disperse throughout the building and out onto the surrounding streets of the Museum.

The work is activated by forty - seven performers who, at local noon (when the sun is positioned exactly above the New Museum), collectively ring the bells and then disperse throughout the building and out onto the surrounding streets of the Museum.

They and local museums were more proactive at the time than national museums such as Tate in collecting these works.

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary -LSB-...]

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary Art, MOCA (Los Angeles), The Jack S. Blanton Museum of Art (Austin), Chateau de Tours (Tours, France), Bienal de Mercosul (Porto Alegre, Brasil), among others.

(It may be a coincidence, but «Collected», featuring works from nine local collectors, is the current show at San Francisco's Pier 24 Photography — a 28,000 - square - foot «gallery,» not museum — that, itself, claims to be the largest photography - only venue in the world.)

Jenny Holzer, Talking Politics, 2008, Pigment print, ed 1/5, 60 x 75 in., Given by the artist, UM 2014.32 40 Years / 40 Artists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and society.

His performance work Local Report, originally conceived in 1972, was recently performed in 2005 at multiple venues including the Solomon R. Guggenheim Museum, New York.

Each year, the selected artists receive free studio space for six months; are paired with a mentor; receive a $ 1,000 stipend; attend a two - week residency at the Hambidge Center for Creative Arts and Sciences; participate in studio visits from critics, curators and visiting artists; receive year - long memberships to local arts organizations including C4 Atlanta, Atlanta Contemporary and the Museum of Contemporary Art of Georgia; and attend and teach workshops and classes in addition to creating a body of work to be exhibited in a solo show at the gallery.

More recent exhibitions include Local Color at The Studio Museum in Harlem (2013); and Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art (2012 — 13).

Public Talk with Trevor Schoonmaker, Prospect.4 Artistic Director & Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University 4 - 5PM Join us to hear Trevor Schoonmaker as he gives a public talk featuring the selected 73 local, national, and international, artists that will present their work throughout the city for P. 4!

For de la Calle (of the Street), Esparza will transform the Project Room into a commons, serving as a site for exhibition, production, and collaboration, with an assembled group of local artists and nightlife personalities working on site with the artist to produce works to display at the museum, in a special edition artist book, and a culminating performance event in Santee Alley, an open - air market in the Fashion District of Downtown Los Angeles.

As the crisis coincided with the revolution of postmodern art, the resultant work is full of myth, truth, emotion, and life, all displayed here at a bank - turned - museum funded by local art collector Fred Eychaner.

His work has been the focus of local exhibitions at the New Mexico Museum of Art, Sam Scott: An American Voice, 1967 - 1997, and the Center for Contemporary Arts, Messages from the Wounded Healers.

Cottingham often works from subjects that caught his eye on trips made years before, such as the Empire movie house in Montgomery, Alabama, which he stumbled across when he was having a show at the local museum.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapseat the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has CollapseAT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Her work is in the permanent local collections of the Miami Art Museum, Martin Z. Margulies at the Warehouse, Marty & Cricket Taplin at the Sagamore Hotel, Debra and Dennis Scholl, Kate Shanley, Arturo Mosquera, and the Mikesell Collection, among others.

«The Generational: Younger Than Jesus,» an exhibition of work from artists 33 years old or younger at the New Museum, is the latest local survey of contemporary art to challenge the pre-eminence of the Whitney Biennial.

PAMM and the Guggenheim Foundation both combine a focus on international and transnational artists and cultural movements with a deep interest in local context, and her work at both institutions has re-affirmed Nawi's belief in the crucial role museums play in writing and rethinking histories, and building and contributing to communities through the establishment of public dialogue.

Suber's work has been placed in collections across the country and included in exhibitions at local institutions such as the Houston Museum of African American Culture, Project Row Houses, and Sculpture Month Houston.

It included works by iconic international artists such as Andy Warhol as well as works by local artists including Carol Panaro - Smith and James Hajicek plus David Emitt Adams — whose photographs on objects found in the Sonoran desert were also part of the 2015 Arizona Biennial exhibition at Tucson Museum of Art.

Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.

Magali Duzant's work has been shown at SPRING / BREAK Art Fair, 3W Group, and Fridman Gallery, all in NY; Queens Museum, Local Project, and Flux Factory, all in Queens; Pelham Arts Center; and Gospel Flat, Bolinas, CA.

Numerous works by artists who took up teaching posts during their careers at the Akademie der Bildenden Künste Karlsruhe — such as Fritz Klemm, Jacob Broder, Günter Umberg, Helmut Dorner and Daniel Roth — serve to reflect how the museum is also firmly rooted in the heritage of the local region.

All of the museum's 21 outreach committees worldwide have worked with a renowned local curator to nominate artists, from which NMWA's curators will select one artist from each committee's shortlist whose work will be featured in the most extensive Women to Watch exhibition to date, at NMWA in Washington, D.C. in June 2018.

In 1995, he collaborated with the College of Eastern Utah Prehistoric Museum in Price, Utah, to make replicas of their entire collection of dinosaur track casts, and exhibited these in New York and throughout Europe; in 1997 he collaborated with the International Center for Lightning Research and Testing in Starke, Florida, to trigger lightning with rockets, and worked with a local souvenir manufacturer to create over 10,000 replicas of a fulgurite created by the lightning strike; in 2000 he collaborated with the Pioneers Museum in the desert community of Imperial Valley, California, to reproduce souvenir copies and large models of their local mountain, Mount Signal, and the unique «Sand Spike» sand concretions found at its base; and in 2003, he created 120 topographical models of the states of Missouri and Kansas, which he donated and delivered himself to 120 small historical society museums in both states.

Local Color is paired with the recently opened and widely acclaimed exhibition at the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, Chicago in L.A.: Judy Chicago's Early Work, 1962 - 1974, site of the permanent housing of Chicago's most well - known work, The Dinner PaWork, 1962 - 1974, site of the permanent housing of Chicago's most well - known work, The Dinner Pawork, The Dinner Party.

Police say Mr Caminero told them he broke the art work in protest at the Perez Art Museum Miami's failure to exhibit work by local artists.

The Graduate Student Lectureship Program provides local art and art history graduate students the opportunity to research and present public lectures on works on view at the Modern Art Museum of Fort Worth.