Sentences with phrase «work at major museums»

Throughout his career, Steinbach has exhibited his work at major museums worldwide.

In addition to numerous solo exhibits, Dwyer has shown work at major museums, including The Pictures Generation at The Metropolitan Museum of Art in 2009, the Whitney Museum of American Art, MOCA Los Angeles, Contemporary Art Museum Houston, Kunsthalle Wein, Dunedin Public Art Gallery, New Museum, and a retrospective at the Fisher Landau Center for Art in Long Island City.

Despite two recent retrospectives of Goldberg's work at major museums, these paintings - from the last twenty years of his life - have yet to be fully examined by historians and critics.

The pioneering work with ballpoint pens that Il Lee has developed over the past three decades has been critically acclaimed and widely recognized with important exhibitions of his works at major museums and cultural institutions worldwide.

Not exact matches

When the collection of major works housed at the city's world - class Detroit Institute of Arts Museum was in danger of being liquidated to pay off municipal debt, the federal mediator, Judge Gerald Rosen, city emergency manager, Kevyn Orr, and other civic leaders leaned heavily on community and national foundations, lawmakers and the museum itself to put their money where their masterpiecesMuseum was in danger of being liquidated to pay off municipal debt, the federal mediator, Judge Gerald Rosen, city emergency manager, Kevyn Orr, and other civic leaders leaned heavily on community and national foundations, lawmakers and the museum itself to put their money where their masterpiecesmuseum itself to put their money where their masterpieces were.

The sometime DJ and artist (he has collaborated with Takashi Murakami and will have a show of his work at the Museum of Contemporary Art of Chicago in 2019) is the first finalist for the LVMH Young Designers Prize to be named for a major design role within one of the conglomerate's brands.

The work at Happisburgh forms part of a new major exhibition at the Natural History Museum Britain: One Million Years of the Human Story opening on February 13.

«Marina Abramović The Artist Is Present ``: Marina Abramović prepares for a major retrospective of her work at The Museum of Modern Art in New York, hoping to finally silence four decades of skeptics who proclaim: «But why is this art?»

In this view, winners of Nobel Prizes are creative, and artists whose works are on display at major museums are creative, but not the rest of us.

«America Is Hard to See,» the Whitney Museum's inaugural exhibition in its new building, showcased art by Castle, Bill Traylor (who was born into slavery in Alabama and began making art at age 85), and Horace Pippin (one of the first self - taught African American painters to attract the attention of major museums like the Museum of Modern Art and the Whitney), but was also, in Edlin's view, «something of a missed opportunity,» considering the overall ratio of those few works to the entire installation.

At the vanguard of the major encyclopedic museums is the Philadelphia Museum of Art, which organized a Castle retrospective in 2008 and a show of work by untrained artists from the collection of Jill and Sheldon Bonovitz in 2013.

«I consider Andy's work to be really autobiographical, very deeply felt, and the opposite of everything he said about it,» says Kass, who is in the Met show and has a major midcareer retrospective opening October 27 at the Andy Warhol Museum.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

Over the years they have endowed the Institute of Contemporary Art at the University of Pennsylvania and provided major support for several high - profile exhibitions of contemporary work, including retrospectives of Jeff Koons at the Whitney Museum and Christopher Wool at the Guggenheim in New York.

The earliest mature work of Robert Motherwell will make up a major exhibition set to open at Guild Hall Museum on Aug. 9, providing a rare look at the abstract expressionist's little known artworks.

His third major U.S. retrospective, showcasing the full scope of his work to date, will take place at the Whitney Museum of American Art's new building, in Manhattan's Meatpacking District.

But curatorial attention has returned to his oeuvre in the years since his death, culminating in a major retrospective of his work at the Musée d'Art Moderne de la Ville de Paris in 2016, organized by the museum's director, Fabrice Hergott.

Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.

His work has been featured in two Venice Biennales and in major exhibitions at the Tate, Pompidou and Guggenheim museums.

In 2011, he has had a major exhibition of new work at The Lever House, New York and retrospectives at the Museo Arte Contemporáneo de Puerto Rico (through March 2012), the Hangaram Design Museum in Seoul (through February 2012) and Galerie Rudolfinum, Prague (through February 2012).

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

He has written a number of essays on Donald Judd and organized several exhibitions of the artist's work including Judd's first major museum exhibition at the Whitney Museum of American Art, New York inmuseum exhibition at the Whitney Museum of American Art, New York inMuseum of American Art, New York in 1968.

The CORPUS of works by VICTOR PASMORE (1908 - 1998), one of the most influential British Abstract Artists, has been placed in dialogue with the new work by Toby Paterson in a major exhibition at the DLI Museum and Art Gallery, in Durham (UK).

Called the Bridge series by catalogue author Richard S. Field, the new pieces comprised the first substantial body of work that Johns created following his major retrospective at the Museum of Modern Art, New York, in 1996.

Two major survey exhibitions of her work have been presented at the Institute of Modern Art, Brisbane, in 1987, and the Ian Potter Museum of Art, University of Melbourne, in 2001.

Having held the first major museum survey of the artist earlier this year as part of its «Recognition of Art by Women» series, it was at the head of a queue of more than a dozen public institutions waiting to buy Ms Crosby's painstakingly crafted works.

In 1971, Hendricks exhibited his first work in a major museum show: Contemporary Black Artists in America at the Whitney Museum, Newmuseum show: Contemporary Black Artists in America at the Whitney Museum, NewMuseum, New York.

Published to accompany the major solo exhibition by Lisa Yuskavage that was presented at The Rose Art Museum of Brandeis University in Massachusetts and at the Contemporary Art Museum St. Louis in 2015 - 2016, The Brood explores more than two decades of the artist's work.

JORDAN WOLFSON: MANIC / LOVE / TRUTH / LOVE presented major works spanning several years of the artist's practice in a two - part exhibition at the Stedelijk Museum in Amsterdam — Wolfson's first solo exhibition in The Netherlands.

EXHIBITION «Ellen Gallagher: Do nt Axe Me,» the first major New York museum exhibition of work by American artist Ellen Gallagher, who divides her time between Rotterdam, the Netherlands, and New York, opens at the New Museum Jumuseum exhibition of work by American artist Ellen Gallagher, who divides her time between Rotterdam, the Netherlands, and New York, opens at the New Museum JuMuseum June 19.

Lee's work has been featured in hundreds of solo and group exhibitions since 1967, including a June 2011 major five decade retrospective of his work, entitled Lee Ufan: Marking Infinity, at the Solomon R. Guggenheim Museum.

Oscar Tuazon: Live, the second major publication on the American artist (born 1975), concentrates on an exhibition of new sculptural works at Museum Ludwig in Cologne, Germany, including a full - scale reproduction of fragments of the artist's house in Los Angeles.

Her work has been the subject of major posthumous exhibitions including Sarah Charlesworth: Stills at the Art Institute of Chicago, IL and Sarah Charlesworth: Doubleworld at the New Museum, NY and Los Angeles County Museum of Art, CA.

In recent years, Alice Neel's work has been the subject of a major survey of paintings at the Museum of Fine Arts, Houston (touring to the Whitechapel Gallery, London, and Moderna Museet, Malmö, 2010) and a retrospective exhibition of drawings at the Nordiska Akvarellmeuseet, Skärhamn (2013).

Tobey's work has been the focus of many major retrospectives, including at the California Palace of the Legion of Honor in 1951 and at the Seattle Art Museum in 1959.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

A current exhibition at the Metropolitan Museum of Art examines the early work of 30 artists constituting the last major art movement of the 20th century.

Kiefer's work has been collected by and shown at major museums throughout the world including Philadelphia Museum of Art (1987); Museum of Modern Art, New York (1988); The Art Institute of Chicago (1988); Neue Nationalgalerie, Berlin (1991); The Metropolitan Museum, New York (1998); Fort Worth Museum of Art (2005); San Francisco Museum of Modern Art (2006); Guggenheim Museum, Bilbao (2007); Louisiana Museum of Art, Humlebæk, Denmark (2010); Tel Aviv Museum of Art (2011); Rijksmuseum, Amsterdam (2011); Massachusetts Museum of Contemporary Art, North Adams, MA (2013); Royal Academy of Arts, London (2014); Centre Georges Pompidou, Paris (2015); and Nova Southeastern University Art Museum, Florida (2016).

There's now a major retrospective of his work at the Philadelphia Museum of Art.

Castellani's work is also featured in the major exhibition ZERO: Countdown to Tomorrow, 1950s — 60s, on view October 10, 2014 through January 7, 2015 at the Solomon R. Guggenheim Museum in New York.

He is represented in several major museum collections, including Tate and MoMA, New York, and in recent years his work has been exhibited at Haus der Kunst, Munich (2014); Walker Art Center, Minneapolis (2013); Modern Art Oxford (2011) and The New Museum, New York (museum collections, including Tate and MoMA, New York, and in recent years his work has been exhibited at Haus der Kunst, Munich (2014); Walker Art Center, Minneapolis (2013); Modern Art Oxford (2011) and The New Museum, New York (Museum, New York (2011).

Curated by Adrienne Edwards (Walker Art Center, Minneapolis; recently appointed Whitney Museum of American Art, New York), the Frieze Artist Award is an international open call for an emerging artist to realize a major site - specific work at Frieze New York.

Bill Jacklin had a major print retrospective at the Royal Academy in 2016; Maggi Hambling had a retrospective of works on paper at the British Museum in 2016.

Her work has been exhibited in many solo and group exhibitions at major venues in the United States and abroad such as FIAC 2014, and it is held in numerous public and private collections including the Brooklyn Museum, Bibliotheque nationale de France, Mead Gallery and Musee de La Photographie.

Within the last two years, seminal works of his were included in a major survey on Abstract Expressionism at the Museum of Modern Art, the Smithsonian Museum, and the Brooklyn Museum.

The Directors Series brings art museum directors to talk about their experiences and work at major institutions.

Her work was also included in Visual Music at the Hirshhorn Museum and Sculpture Garden, Washington D.C., and the Museum of Contemporary Art, Los Angeles and is in many major public and private collections.

This exhibition at CCA Wattis Institute for Contemporary Arts coincides with a period of critical acclaim for Pryde, with her work featured on the front cover of Artforum (April 2012), her inclusion in the major group exhibition New Photography at the Museum of Modern Art (2013), and The Enjoyment of Photography (2015), a monographic book on her photography recently published by JRP Ringier in collaboration with Kunsthalle Bern and Kunstverein für die Rheinlande und Westfalen, Düsseldorf.

His work has been the subject of more than 200 solo exhibitions in more than 20 countries, including major retrospective exhibitions at The Museum of Modern Art and The Metropolitan Museum of Art in New York, the Museo Nacional Centro de Arte Reina Sofia in Madrid, and most recently at the State Hermitage Museum in St. Petersburg.