Sentences with phrase «work by cult»

The Dulwich Picture Gallery is presenting selected works from its permanent collection which are the inspiration behind a body of work by cult street artist Stik.

The show features music - related work by cult figures Kim Gordon, Billy Childish, Kalup Linzy, Ryan McNamara, Tony Oursler, Dave Muller, Dario Robleto, and Stephen Vitello.

The first English language stage adaptation of work by cult Spanish film director, Pedro Almodovar, received a rapturous welcome at the Old Vic tonight.

For 2015 Milan's Design Week, KALEIDOSCOPE presented an exhibition that combined glass works by the cult design group with an installation by the young American painter.

Not exact matches

The character of the imperial cult, at least in the eastern empire, is the subject of considerable debate at present, as can be seen by a cursory examination of the two most significant works on the subject: S. R. F. Price's Rituals and Power: The Roman Imperial Cult in Asia Minor and Steven Friesen's Twice Neokoros: Ephesus, Asia and the Cult of the Flavian Imperial Famcult, at least in the eastern empire, is the subject of considerable debate at present, as can be seen by a cursory examination of the two most significant works on the subject: S. R. F. Price's Rituals and Power: The Roman Imperial Cult in Asia Minor and Steven Friesen's Twice Neokoros: Ephesus, Asia and the Cult of the Flavian Imperial FamCult in Asia Minor and Steven Friesen's Twice Neokoros: Ephesus, Asia and the Cult of the Flavian Imperial FamCult of the Flavian Imperial Family.

Finally, it would also be important to mention one of the main things that separates us from all other religions and cults, which is the foundational Christian teaching that eternal life is by grace alone, through faith alone, in Jesus Christ alone, apart from works.

Truthfully, it had not become necessary to leave that work behind do to issues caused by it being connected to a church that became an abusive cult I'd likely being doing this work still and perhaps as fulltime employment.

Definition of CULT 1: formal religious veneration: worship 2: a system of religious beliefs and ritual; also: its body of adherents 3: a religion regarded as unorthodox or spurious; also: its body of adherents 4: a system for the cure of disease based on dogma set forth by its promulgator 5a: great devotion to a person, idea, object, movement, or work (as a film or book); especially: such devotion regarded as a literary or intellectual fad b: the object of such devotion c: a usually small group of people characterized by such devotion

Several walls feature one - of - a-kind hand - drawn murals by New York - based artist RJ Raizke, whose pattern work for downtown hot spots has garnered a cult following.

Gorgeously photographed, and with a minimalist score by Fred Frith, Leaning Into the Wind offers viewers a welcome chance to consider the work of an artist who defies the recent commodification cult to embrace the ephemeral and the nominally «worthless.»

Gradually it becomes clear that the the two lovers, betrayed by their relatives, committed to the psych ward, constrained by regimes and the cult of work therapy, are healthier and freer than many of those who live outside.

Carrie is a film adaptation of Stephen King's work, which got turned into a cult horror classic in 1976 and was directed by Brain De Palma.

But the actor, who died yesterday in a freak automobile accident at the age of 27, went in the opposite direction, putting his franchise clout to work on movies by cult directors like Jim Jarmusch (Only Lovers Left Alive), Joe Dante (Burying the Ex), Paul Schrader (Dying of the Light) and Michael Almereyda (Cymbeline).

Factory's «Roger Corman's Cult Classics» line of drive - in classics and exploitation items presents a pair of standouts that are both superb examples of their respective genres and early works by major American film artists.

Although Preminger was already a name on the lists (compiled from the standard coffee - table guide books of the era) of filmmakers and films I had convinced myself I needed to catch up with, I had no real notion, back then, of the kinds of intense cults of cinephilic adoration, situated all over the world at diverse moments of film criticism's history, that had been (and were still to be) inspired by his work from the 1940s through the 1960s.

Based on Reif Larsen «s cult novel «The Selected Works Of T.S. Spivet,» the film, which seems to be right in Jeunet's quirky wheelhouse, is toplined by young newcomer Kyle Catlett, with Helena Bonham - Carter, Callum Keith Rennie, Kathy Bates and Judy Davis also on board, and marks the Gallic helmer's first time shooting in 3D, which, as with Martin Scorsese and Ang Lee in recent years, is surely worth the price of admission alone.

Based on a cult novel by Walter Kirn, Thumbsucker works when its obsession with flight and freedom from dependency is carried in images and song (its soundtrack by Polyphonic Spree and the last new recordings by the late Elliott Smith will be the chief reasons for the picture's nominal success) as opposed to all the dark musings meant to underscore each character's own obvious dependencies.

Fine work is also done by Kirsten Dunst as Alton's anxious mother, Adam Driver as a government agent intrigued by the boy's abilities and Sam Shepard as the leader of a fundamentalist cult from whom Roy and Alton have escaped.

Daniel Day - Lewis won Best Actor for Lincoln (he previously won for Gangs of New York and There Will Be Blood), while Philip Seymour Hoffman, who was previously recognized by the group for his work in Capote, won Supporting Actor for his performance as a charismatic cult leader in The Master.

Director Peter Care's adaptation of Chris Fuhrman's cult novel The Dangerous Lives of Altar Boys tries to address this essential «Blake - ian» paradox (extolling the virtues of experience in the act of static creation) by splitting its protagonists between the primogenitor (Kieran Culkin as Tim) and the chronicler (a fantastic Emile Hirsch as Francis), with Jena Malone's haunted Margie left a metaphor for the balance between innocence and experience (explored by Blake in his most well - known works («Songs of Innocence,» «Songs of Experience»)-RRB-.

How better to describe the work of the Greek writer and director Yorgos Lanthimos, whose particular storytelling style, exemplified by cult hits like 2009's Dogtooth and 2015's The Lobster, feels like a whole genre unto itself?

WARREN OATES AND THE WORKING - CLASS ACTOR By Nick Pinkerton The beloved cult star Warren Oates epitomizes the waning American tradition of homegrown actors whose personas speak to the struggles of the workinWORKING - CLASS ACTOR By Nick Pinkerton The beloved cult star Warren Oates epitomizes the waning American tradition of homegrown actors whose personas speak to the struggles of the workingworking class

The movie was directed by Tommy Wirkola, whose previous work included a German TV show and cult horror movie, Dead Snow.

The connecting thread between Empire Records, The Craft, and End of Days is of course Robin Tunney, who hit it big in the late «90s and has grown to show as much longevity in her career as the select films from her body of work — cult phenoms, if not cultural touchstones by some measure.

In terms of the influence of big business, the following is a quote from a prophetic work, «Education and the Cult of Efficiency», by Raymond E. Callahan, concerning the impact of the Industrial Revolution (i.e. technology) on our present day education system.

The narrators are a member of a doomsday cult who releases poison gas in a subway in Tokyo, and details his retreat to Okinawa and a small nearby island, Kume - jima; a jazz aficionado who works as a sales clerk in a Tokyo music store; a lawyer in a financial institution in Hong Kong who has been moving large sums of money from a certain account; a woman who owns a Tea Shack on China's Holy Mountain and speaks to a tree; a non-corporeal sentient entity which is searching for who or what it is; a gallery attendant in Petersburg who is involved in an art theft scam; a ghostwriter / drummer living in London who saves a woman from being run over by a taxi; an Irish nuclear physicist who quits her job when she finds her research is being used for military purposes; and a late night radio talkback DJ who finds himself fielding calls from an intriguing caller referring to himself as the zookeeper.

Some of the earliest and most notable authors in the genre who helped it find its feet are: Laurel K. Hamilton of the Anita Blake series — often considered one of the most substantial works in the genre, Neil Gaiman's masterpiece, Neverwhere (the urban fantasy adventure set in London and a twist off parallel London Below), and another in the genre that's developed a major cult following: The Dresden Files by Jim Butcher.

Hardback versions of much - hyped new works such as Harper Lee's Go Set A Watchman also proved bestsellers, along with cult novels such as The Girl of the Train by Paula Hawkins.

While all around us in America today our economy has imploded, a historic number of Americans are out of work and all our jobs are being replaced by foreign immigrants or off - shored to other countries, the Cult of the Animal has taken over our very lexicon and showcases the destruction of American society.

The game attempts to justify its own premise by having characters comment on how they didn't take the cult of Eden's Gate seriously at first which is how they insidiously worked their way into the state before performing a full - blown take - over, but the fact that the National Guard hasn't simply stormed in is skirted around.

In 2010, Thomas Happ began work on a passion project in his spare time inspired by cult favourites like Metroid and Bionic Commando.

Featuring work by 17 artists» Bye Bye Kitty» reflects a decisive shift away from the cult of the cute, or kawaii, that appears in the art of Murakami.

Rather, I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives...» [5] Lauded by art critics, Nara's bizarrely intriguing works have gained him a cult following around the world.

Within a few short months after settling in New York, the artist received widespread attention for her work, particularly a group of canvases populated with figures inspired by the cult German film We Children from Bahnhof Zoo about the heroin subculture of the 1970s.

1985 Sarah Charlesworth, General Idea, Peter Halley, Jeff Koons, Peter Nagy, Richard Prince and Laurie Simmons, International with Monument, New York Metro Pictures, New York Paravision, Postmasters Gallery, New York (curated by Collins & Milazzo) Dealers and Critics, Mo David Gallery, New York (curated by Robert Nickas) Currents, Institute of Contemporary Art, Boston (curated by David Joselit, brochure) Final Love, CASH / Newhouse, New York (curated by Collins & Milazzo) Jay Gorney Modern Art, New York Post-Style, Wolff Gallery, New York Selected Works, Metro Pictures, New York Cult and Decorum, Tibor De Nagy Gallery, New York (curated by Collins & Milazzo) A Brave New World, A New Generation: 40 New York Artists, Udstillingsbygning ved Charlottenborg, Copenhagen; travelled to Lunds Konsthall, Lund, Sweden Biennale de São Paulo, Brazil (catalogue) Infotainment, Rhona Hoffman Gallery, Chicago; travelled to Texas Gallery, Houston (catalogue) Currents, Institute of Contemporary Art, Boston, MA

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FrCULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, FrCult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

The survey is the largest presentation of the artist's work in the United States, reflecting an artist who was largely overlooked by institutions during her life, yet has garnered a cult - like following in recent years.

Propelled by their rejection of the cult of the individual ego and automatic style of the Abstract Expressionists, the artists worked collaboratively on grid - based, spatially fluctuating drawings and paintings that were precise investigations of the scientific phenomena and psychology of optical perception.

CULT Aimee Friberg Exhibitions is an international gallery showcasing cutting - edge work by emerging and established artists who bridge formal, conceptual and process - based investigations exploring the human condition.

«Unseen» is the inaugural exhibition of a new gallery in town, CULT Exhibitions, a new contemporary gallery for cutting edge work by emerging and established artists.

New York City (February 28, 2014)-- Presenting more than 125 works by five artists who launched their careers in a gritty San Francisco neighborhood in the early 1990s, ENERGY THAT IS ALL AROUND / Mission School is the first East Coast museum exhibition to highlight these artworks that have achieved cult - like status in the Bay Area and beyond.

2009 Abstract Cabinet Show, Eastside projects, Birmingham, UK Paper Moon, Sommer & Kohl, Berlin, Germany Summer in the City, Martin Asbaek Gallery, Copenhagen, Denmark The Golden Record - The Sounds of Earth, The Collection, Lincoln, England; touring to g39, Cardiff, UK Nus, Fortes Vilaça, São Paulo, Brazil Collection Art Foundation Mallorca, CCA Kunsthalle Andratx, Mallorca, Spain 2008 Chambres a part II, la Réserve Paris, Paris, France 100 Years 100 Artists 100 Works of Art, A Foundation Gallery, London, England Golden Record - the Sounds of the Earth, Collective Gallery, Edinburgh, Scotland Supernatural, Kunsthalle Andratx, Majorca, Spain Pendre la crémaillère, Sommer & Kohl, Berlin, Germany Space to Draw, Jerwood Space, London, England Art on the London Underground, Rochelle School, London, England 2007 Star Dust, Musée d'Art Contemporain du Val - de-Marne (MAC / VAL), Paris, France Cult Fiction, Hayward Gallery, London; toured to New Art Gallery, Walsall; Nottingham Castle, Nottingham; Leeds City Art Gallery, Leeds; Aberystwyth Art Gallery, Aberystwyth; Tullie House, Carlisle, UK (catalogue) Drawing 2007 Biennial Fundraiser, The Drawing Room, London, England 2006 Drawing Inspiration, Abbot Hall Art Gallery, Cumbria, UK The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, England (catalogue) 2005 Sonnenblume Titanic, Kjubh Kunstverein, Cologne, Germany Ticker, carlier gebauer, Berlin, Germany; curated by Aurélie Voltz The Failure, Korridor, Berlin, Germany Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Post Notes, ICA, London; toured to Midway Contemporary Art, Minneapolis, USA Communism, Project, Dublin, Ireland; curated by Grant Watson

A selection of books and catalogues featuring Crumb's work includes Cult Fiction (2007) published by Hayward Gallery, London; The Best American Comics, 2006 (Houghton Mifflin, Boston); An Anthology of Graphic Fiction, Cartoons and True Stories, 2006 (Yale University Press, New Haven, CT); R. Crumb's Heroes of Blues, Jazz & Country, 2006 (Harry N. Abrams, Inc., New York); Masters of American Comics, 2005 (Hammer Museum and The Museum of Contemporary Art, Los Angeles); and Yeah, But is it Art?

This month, London's Hayward Gallery is launching the first major retrospective in Britain of works by Shrigley, whose cartoons in newspapers and books have gained him a cult following.

You'd be hard pressed to find someone that isn't a fan of the directorial work of J.J. Abrams, George Lucas or the Coen Brothers — as cult movie directors, they're all up there with the best of»em, making this series of illustrative prints by Maria Suarez the perfect Christmas gift.

Although Lowman's work is influenced by such earlier appropriation artists as Andy Warhol, Richard Prince, and Cady Noland, his own brand of image recycling disperses into an unstructured installation - environment in which posters, record jackets and silk - screened imagery create a large - scale narrative that ruminates on specific issues, from American gun culture to celebrity cults.

His sculptures often carry a cult - like feeling, an aspect that is stretched in The Philosophical Nail (1986) by installing the work in a glass and wood cabinet, as is the case with The Path of Luck (1992), a perfectly carved sphere in African blue granite.

On Shuffle presents works by these interdisciplinary underground cult figures in various mediums, which use and reference music, including sound, performance, painting, mixed media and video.

Recreating a 1993 exhibition at Galerie Daniel Buchholz's 3 - by -3-meter ancillary space (called Buchholz & Buchholz), the booth resurrects the work that inspired Wolfgang Tillmans's cult following: images that candidly captured 1990s youth culture.

This silkscreen print by Harland Miller titled Painting for Charles Addams (2012), is part of an ongoing series of work that deals with obituaries and the cult of personality.