Sentences with phrase «work by outsider»

The show features new and recent Work by outsider artist Robert Perez.

-- Venice Biennale curator Massimiliano Gioni explaining the thinking behind his incorporation of work by outsider and self - taught artists into his upcoming «The Encyclopedia of Everything» exhibition

Three works by the outsider sculptor Judith Scott (1943 - 2005), known for creating evocative misshapen presences by wrapping found objects in layers of yarn, share a low platform with the work of the mainstream artist Nancy Shaver, whose delicate assemblage - boxes covered with found papers and fabrics, resemble folk - art updates.

The exhibition also includes poems illuminated by Philip Guston and Alasdair Gray, typewriter works by outsider artist Christopher Knowles and a set of etchings by David Hockney inspired by Greek poet CP Cavafy.

Not exact matches

Worse, they were run by executives who were still viewed as know - it - all baseball outsiders — like the G.M., former management consultant Jeff Luhnow, and the so - called Director of Decision Sciences, the former NASA engineer Sig Mejdal — even though the men had at that point worked within the game for a decade.

Precisely because of their «industry outsider» status, the team has been able to reimagine the traditional customer experience, unencumbered by long - held notions of what might or might not work in the industry.

When successful, they generally work by making someone else aware he is an outsider.

The former Long Island congressman then turned his attention to the Democrats — and, more specifically, Cuomo, seeking right away to undercut the AG's argument that he's an Albany outsider and not party to the dysfunction wrought by the Democrats at the Capitol.

And Ambar's work delves deeply into how outsiders recall him now — Hamlet on the Hudson ready to fly his presidential paperwork to New Hampshire and its primary — only to confound everybody by saying «no.»

Thatcher could support the reforms, Agar argues, because she «had lived the life of the working research scientist, as a final - year chemistry student in Dorothy Hodgkin's x-ray crystallography laboratory, as an investigator of glues for BX [plastics company] and as a food chemist for Lyons & Co.... [I] t was precisely because Thatcher knew what scientific research was like that made her impervious to claims that science was a special case, with special features and incapable of being understood by outsiders, and therefore that science policy should be left in the hands of scientists.

Impressed by the artwork of psychiatric patients, prisoners and children, he amassed a significant collection of such work and invented the influential term art brut — «rough art», often paraphrased in English as «outsider art» — to describe it.

In its way, it fits in with Nair's other work in that it looks at the lengths people will go to get by and alternative choices that may seem strange to outsiders but that work for the individual.

Outsider art — also known as visionary art, or art brut — «describes the work of untrained, self - taught people who make art,» says Charles Russell, author of the book Groundwaters: A Century of Art by Self - Taught and Outsider Artists.

«A Personal Memoir by Augusten Burroughs» discusses how the author wrote the book, why he selected Ryan Murphy to adapt, and how he worked with the cast; «Inside Outsiders» features cast interviews on how the created their respective characters; and «Creating the Cuckoo's Nest» examines the production of the crazy Finch home.

The police investigation is being led by Jack Doyle (Morgan Freeman) of the Crimes Against Children police task force, who unlike a standard movie cop, doesn't resent these outsiders but suggests they work with his men Remy Bressant (Ed Harris) and Nick Poole (John Ashton).

Romero and his friends were unknown outsiders even by the standards of this raffish set — and they had to keep the Latent Image busy while working on their horror movie.

Haynes and his cinematographer Ed Lachman were inspired by the work of photographer Saul Leiter who brilliantly captured the city, its mood, and the every day person from an outsider's perspective as if he was just peering into their lives for a moment.

The students are heady with the knowledge that outsiders appreciate their work, and that it may be used by professionals.

Aside from field trips and giving presentations, parents, relatives, and neighbors are also invited to school regularly to listen to presentations by students or outsiders and to see exhibitions of student work.

Those burdened by solidarity thinking can not accept any statement by colleagues and outsiders other than «all professionals within my sector are hard - working, dedicated, and therefore, competent at their jobs», or «if not for some outside force such as poverty or bad parents, we could be successful at our jobs.»

The Outsider By Frederick Forsyth Putnam • $ 18 • ISBN 9781101981856 Subtitled «My Life in Intrigue,» this entertaing memoir by the author of the espionage classic The Day of the Jackal and 14 other thrillers recounts his adventurous life in high style, from enlisting in the RAF at 17 to his work as a journalist in many global hotspotBy Frederick Forsyth Putnam • $ 18 • ISBN 9781101981856 Subtitled «My Life in Intrigue,» this entertaing memoir by the author of the espionage classic The Day of the Jackal and 14 other thrillers recounts his adventurous life in high style, from enlisting in the RAF at 17 to his work as a journalist in many global hotspotby the author of the espionage classic The Day of the Jackal and 14 other thrillers recounts his adventurous life in high style, from enlisting in the RAF at 17 to his work as a journalist in many global hotspots.

Unfortunately, Fed governors generally believe in their own power not because they actually understand that «power» as insiders, but because as outsiders, they worked on theoretical models of «economies» where the links between Fed actions and market interest rates, bank lending, and overall GDP could simply be assumed by writing down one or more algebraic equations.

With more than 150 works by 70 artists, the exhibit highlights graffiti, tattoos, post-pop illustrations, pinstriping and rock poster art, subverting ideas of «lowbrow art» and celebrating the «outsiders» of creation.

Though the art world may not yet have a satisfactory way of referring to artists like Mullen, who are variously described by such leaky terms as self - taught, outsider, and vernacular, it has, over the past few years, shown more interest in them and is gradually growing the existing market for their work.

LAND presents work by Michael Pellew, Kenya Hanley and Garrol Gayden at Outta Sight: Outside the Mainstream at the Outsider Art Fair in collaboration with Margaret Bodell and Fountain Gallery.

The work of two outsider masters was discovered and embraced by Chicago in the 1970s: Martín Ramírez in 1973 and Henry Darger in 1977.

Despite his lack of formal training, Dial took the art world by storm with his deft fusion of painting and sculpture, leading one art critic to declare that his work marked the end of so - called «outsider» art when it was shown at the Whitney Biennial in 2000.

From Norman Lewis to Joe Overstreet, the Harlem Renaissance — derived tradition of African - American abstract painting (which has historically had a primarily black audience) is intermingled with the tradition of so - called self - taught or outsider artists such as Bill Traylor and Bessie Harvey (whose audience has been mostly in the rural south and mostly black); the more recent wave of African - American conceptualism represented by Adrian Piper, Lorna Simpson, and others (whose work

LAND returned to the Outsider Art Fair in 2016 at the Metropolitan Pavilion with work exhibited by Carlo Daleo, Garrol Gayden, Kenya Hanley and Michael Pellew.

On the contrary, ever since Jean Dubuffet established his collection of Art Brut in the 1940s and, later, Roger Cardinal coined the more inclusive category of Outsider Art in 1972, there has been a thriving market for — and discourse around — work by untrained artists which has existed more or less separately from the parallel milieu of contemporary, academic art.

Elsewhere, artists who hitherto might have been considered Outsider artists have been proposed for serious consideration by curators who have hung their work without fanfare alongside that of conventionally schooled contemporary artists.1

Chan is Hong Kong born and Nebraska bred, and his work is predicated on the idea that space for something new can be created by juxtaposing opposites: his drawings and doublesided video projections evince an equal pull to Adorno and to über - outsider Henry Darger, to the Bible and to Sade, to Beckett and to hip - hop, and while Chan remains faithful to old - fashioned charcoal drawing, he enjoys a simultaneous love affair with digital rendering and manipulation.

Artist Statement Works on paper, inspired by film interiors, visionary outsiders and decorative arts.

There, works by various outsiders hung alongside Ossorio's collection of pictures by Willem de Kooning, Jackson Pollock and Clyfford Still.

Recently, we began collecting the work of contemporary self - taught or outsider artists and the abstract paintings and sculpture created by a group of leading American modernists who gathered in Bennington in the 1950s through the 1970s.

Our exhibitions of major 20th - century modernists are always changing and have included Rockwell Kent, Helen Frankenthaler, Jules Olitski, and Sir Anthony Caro, as well as works by contemporary outsider artists such as Gayleen Aiken and Jessica Park.

Roberta Smith of The Times, who often singles out new work touched by native traditions, has called for fully integrating folk art and Americana into museum displays of past decades, much as another show has claimed outsider art in Switzerland as an inspiration for Abstract Expressionism.

I think our curatorial initiatives are always influenced by artist's interests, and artists have always been interested in these liminal territories, and artists have always supported and collected the work of self - taught outsider folk artists.

He was inspired by graffiti and the so - called «outsider» art of psychiatric patients, prisoners and children, work that was at odds with the academic, classical notions of beauty in art.

«Creative Collisions» are becoming popular at the museum, so we also have on view works by major 20th ‐ century modernists including Rockwell Kent, Helen Frankenthaler, Jules Olitski, and Paul Feeley, and works by contemporary outsider artists such as Gayleen Aiken and Jessica Park.

Known / Unknown: Private Obsession and Hidden Desire in Outsider Art showcases over 100 rarely seen works by self - taught artistic masters — so called «outsider artists» — who have worked outside the continuum of art Outsider Art showcases over 100 rarely seen works by self - taught artistic masters — so called «outsider artists» — who have worked outside the continuum of art outsider artists» — who have worked outside the continuum of art history.

The exhibition featured works by Chicago artists with an interest in outsider and folk art, including Leon Golub, Jim Nutt, Gladys Nilsson, and Ed Paschke.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

It will examine Blake as a model for the artist as outsider and bring together works by Helen Adam, Wallace Berman, Bruce Conner, Jay DeFeo, Robert Frank and Jess.

From his earliest work, dated to the late 1990s and inspired by the writings of Charles Fourier, an 18th - century utopian thinker, and the drawings of Henry Darger, an outsider artist and writer who produced a voluminous illustrated manuscript about pre-pubescent Amazons leading a rebellion against child abusers, Chan has been fascinated by the contrast between ideal visions and the violent, sexually charged feelings and sensations that inspire them.

This is an uproarious composite of British society, created by an outsider who is also, of course, an insider; a work that deserves to be far better known.

Dubuffet (1901 - 1985) first started collecting works by untrained and unconventional art makers in 1945 and coined the phrase, art brut, more commonly known now as Outsider Art.

A set of children - in - peril - themed collages (Untitled, 2010 — 3) by the self - styled outsider artist Alex Rose seems dislocated from the figure - free landscapes of most of the other works; while in A Fire in My Belly (A Work in Progress)(1986 — 7), by David Wojnarowicz, the only terrain discernible is an inner panorama of fear and shock.

Adams and Ollman, located for the past five years in Portland, showed all West Coast works: paintings by outsider artist Marlon Mullen, ceramics by Dino Matt, and Lesperance's gouaches based on sweaters worn by feminist protesters.

[11] Both locations were examples of fantastical outsider art and architecture built by ordinary working men of modest means but an expansive vision.