Sentences with phrase «work draws on»
The conference will officially open on Thursday, June 21st, with an inspiring keynote address «An Invitation to Post-Oppositional Practice» from Ana Louise Keating whose work draws on traditions of radical U.S. women - of - color feminist / womanist thought and queer studies.
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My work draws on my training in Dialectal Behavioral Therapy (DBT) Acceptance and Commitment Therapy (ACT), Motivational Interviewing, Trauma Focused Cognitive Behavioral therapy (TF - CBT), Eye Movement Desensitization and Reprocessing (EMDR) and Mindfulness.
My work draws on training in Behavior Modification, Acceptance and Commitment Therapy (ACT), Art Therapy, Play Therapy, CBT, and Mindfulness.
This work draws on the experiences of government alumni on our team.
The Lab's work draws on diverse fields such as urban planning, architecture, design, engineering, computer science and social science to capture the multi-disciplinary nature of urban problems and deliver research and applications that empower citizens to make choices that result in a more liveable urban condition.
The residency - based work draws on research and dialogue presented as original sound, installation, text and performative works within and around Pollok House and estate.
Catching people unawares under the bridges, the sound had a haunting, mysterious lilt: Philipsz's work draws on «loss, longing and the power of memory», according to judge Polly Staple, the director of the Chisenhale gallery in London.
This year the Schering Stiftung, for example, hosts an exhibition of the UK / United States filmmaker Daria Martin, whose work draws on dance and Modernism, while the Neuer Berliner Kunstverein will look at the oeuvre of Harun Farocki, the important political essay - filmmaker who died in 2014.
This display examines how the artist's work draws on art history while also responding to cultural and political changes from the 1960s onwards.
This exhibition of new work draws on original research conducted by the artist, with London - based research group Forensic Architecture, examining the killing of two Palestinian teenagers in Beitunia by an Israeli soldier on Nakba Day 2014.
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HS Your work draws on the physical materials of ESL, but these sources may soon be obsolete.
Her work draws on philosopher Ivan Illich's interests in challenging capitalist institutions and the myth of Epimetheus, Prometheus's brother.
Her work draws on a variety of formats including photography, 3D, video, animated gifs, sound, digital image making and live performance.
His sculptural composites combine taxidermy, domestic objects, neon tubing and made elements whilst his film work draws on popular references and found scenarios such as adverts or Universal Pictures title series.
Her work draws on everyday materials that are manipulated and transformed into extraordinary sculptures, collages and installations questioning ecology, historic and present day trade, and the post and neo-colonial implications of global commerce.
Relief Work draws on the double meaning of relief: easing of pain and relief sculpture.
Within his work he draws on a wide range of media (sculpture, painting, photography, etc.) to establish a parallel associative context between his activity and the socio / political -LSB-...]
Aitken's work draws on many other artists — text and image paintings by Ed Ruscha; video ruminations on animal intelligence by Diana Thater (Aitken's fellow student at Art Center College in the late 1980s); Bruce Nauman's insistent demand to audiences to «Please Pay Attention,» repeated in an Aitken light - box; Bill Viola's technical video - theatrics; Jack Pierson's faded wall texts composed from scavenged commercial signage; the mirrored sculptures of Robert Smithson, avatar of entropy; Yayoi Kusama's infinity chambers, and more.
His work draws on varied sources, including philosophy, literature, and early cinema to create intricate artworks and spellbinding environments in which he explores theories of time and relativity, the history of colonialism and the aspirations and failures of revolutionary politics.
Her work draws on memory, trauma, race, gender, and the «post-colonial condition.»
Martin Boyce's work draws on a wide range of influences, as much from the fields of architecture and design as that of art.
Much of his work draws on his historical involvement in live performance.
His inspiration for the work draws on his feeling of dislocation when living overseas and seeing Japan from a distanced perspective.
Emerging in the 90s as one of the Young British Artists, her confessional and often brutal work draws on her own experiences of love, sex, rape, abortion and loss.
Ford's work draws on the visual language and narrative ambitions of traditional natural history painting to examine the intersection of human culture and the wild from which it emerged.
His work draws on a variety of influences (from the lyrics of Dr. Dre to Neil Young, human emotions and French revolutionary slogans).
Born in Johannesburg South Africa, Sabisha Friedberg's composition, performance and installation work draws on the phenomenological and phantasmagorical, exploring perceptual delineation of space through sound, and low - end experiential thresholds.
Stimulating an artistic discourse is important to Pearl Lam Galleries, and while Yinka's new body of work draws on surrealism, his work continues to comment on cultural identity, colonialism, and post-colonialism, themes very much relevant to a Singaporean audience.»
Crehan writes: «Artist Dan Walsh's work draws on process as a mode of transcendence, working through canvases through a series of evolving forms and rule - based approaches to the canvas space.
New York - based sculptor Arlene Shechet's diverse body of work draws on balance, breath, humor, and failure.
This new body of work draws on Kapoor's own artistic history.
His work draws on ideas from art history, color theory, physics, alchemy, heavy metal, religion, and mythology.
Satirical, critical, yet matter of fact and at times poignant, his work draws both on Japanese tradition and Western Modernism, fusing the two in ways which are a model for the cultural transformations now attributed to younger artists in an age of globalization.
Brigitte's work draws on literary and political sources and often deals with personal interpretations of historical events that affected the German society in the last several decades.
Harrison's work draws on both natural and urban themes.
Born in New Orleans, LA in 1983 and raised in Alabama, Kyle Eyre Clyd's work draws on the histories of electroaucoustic performance, meditative drone, performance art, music concrete, beatnik mind expansion techniques, and American folk melancholy.
With reference points ranging from Shakespeare to science fiction, the work draws on the recent history of data and robotics.
Much of his work draws on Maoist / Socialist concepts for content, especially his gunpowder drawings which strongly reflect Mao Zedong's tenet «destroy nothing, create nothing.»
His work draws on themes from the horror genre, American minimalism, folk art.
Layered and allusive, her work draws on early American history and primary documents, weaving quotation and image into poems that often revise standard typography.
Her work draws on Constructivism and Minimalism, engaging the environment, its architecture, and light.
In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never - before - seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art.
The artist's work draws on a myriad of sources: personal memories; objects given or mailed to her; the landscape of Cape Cod; and contemporary events, such as war, displacement, and loss.
Arcangel's diverse body of work draws on the language of technological media including video games, blogs, and computer programs.
His work draws on a history of abstraction, often incorporating complex optical effects into detailed drawings and paintings.
Robert Orchardson's work draws on a range of sources from modernist architecture and futuristic design, including utopian manifestos, stage sets and details from science fiction films.
She is one of a generation of artists who have re-engaged with craft techniques and the symbolic resonance of materials, her work draws on architecture and household objects.
Pitching from sculpture, to collage, to photography, and painting, her work draws on the detailed messiness of life, but her skillful abstraction of the elements erases their previous meaning to produce a work that is open to interpretation each time it is encountered.
The work draws on the emergence of art as a marker of human consciousness and the idea that art and religion are hard - wired into the architecture of the human brain.