Sentences with phrase «work earth materials»

Not exact matches

The company says it plans to work with manufacturers, and can program any solid magnetic substance, including rare earth — based magnets, ceramics and even flexible materials.

Dr Willbold continued: «Our work shows that most of the precious metals on which our economies and many key industrial processes are based have been added to our planet by lucky coincidence when the Earth was hit by about 20 billion billion tonnes of asteroidal material.»

Just as male and female were split into duality, so they chose duality through the «Tree of Knowledge of Good and Evil» (read: they chose to become flesh on the material plane in the «solid earth» that we live in currently), in order to come to this plane to «work back» to the original divine androgyny originally intended.

Loving Earth takes the manufacturing of the products they develop back to the indigenous communities who grow and process the raw materials, thereby adding more value to their work and increasing the revenue they can generate for their local families.

This material is based upon work supported by the National Science Foundation under Cooperative Agreement SBE - 0245014 and the ADVANCE program at the Earth Institute at Columbia University.

This material is based upon work supported by the U.S. National Science Foundation (NSF) under Cooperative Agreement SBE - 0245014, ADVANCE at the Columbia Earth Institute.

Working there, the pair has created the novel method for processing drive units and electric motors to chemically separate rare earth elements — specifically neodymium, dysprosium, and praseodymium — from other materials used to make the devices.

They analyzed the magnetism of ancient rocks to work out their locations on the globe over time, and measured how the material under Earth's crust, the mantle, moves the continents that float on its surface.

To ensure her model took into account the right properties for the materials that make up the moons, she worked with earth sciences Professor Cynthia Ebinger.

Methods: The results emerged from discussions among 15 scientists working in the fields of geochemistry, physics, biology, and the earth and materials sciences, including at DOE's Pacific Northwest National Laboratory.

The work, the team suggests, provides a facile strategy for fabricating highly efficient electrocatalysts from earth - abundant materials for... Read more →

Dublin Institute of Technology, Electrical and Controls Engineering and Gaskatel, Kassel, Germany - Fuel Cells University of Applied Science - Germany, Fuel Cells and Nanocomposit Materials Trinity College - Dublin Physics - Nanotubes and Polymer Modified Carbon Nanotubes materials and Spectroscopic Characterization of Liganded Rare Earth Compounds (Chemistry) Our work has resulted inthe start up of two companies: Photonic Cleaning Technologies, LLC, Platteville, WI, USA - Manufacturer of First Contact Polymer, Sales in 62 Countries Xolve, Inc., Platteville, WI, USA Hamilton Group Past and Present Research and Development Projects: Design, Characterization and Synthesis of Chromone Laser Dyes Surface And Optical Characterization of Polymer Strip Coatings for Optics and Astronomy Double Resonance IR / VIS Fluorescence Detection using the National Free Electron Laser Facility in Newport News,Materials Trinity College - Dublin Physics - Nanotubes and Polymer Modified Carbon Nanotubes materials and Spectroscopic Characterization of Liganded Rare Earth Compounds (Chemistry) Our work has resulted inthe start up of two companies: Photonic Cleaning Technologies, LLC, Platteville, WI, USA - Manufacturer of First Contact Polymer, Sales in 62 Countries Xolve, Inc., Platteville, WI, USA Hamilton Group Past and Present Research and Development Projects: Design, Characterization and Synthesis of Chromone Laser Dyes Surface And Optical Characterization of Polymer Strip Coatings for Optics and Astronomy Double Resonance IR / VIS Fluorescence Detection using the National Free Electron Laser Facility in Newport News,materials and Spectroscopic Characterization of Liganded Rare Earth Compounds (Chemistry) Our work has resulted inthe start up of two companies: Photonic Cleaning Technologies, LLC, Platteville, WI, USA - Manufacturer of First Contact Polymer, Sales in 62 Countries Xolve, Inc., Platteville, WI, USA Hamilton Group Past and Present Research and Development Projects: Design, Characterization and Synthesis of Chromone Laser Dyes Surface And Optical Characterization of Polymer Strip Coatings for Optics and Astronomy Double Resonance IR / VIS Fluorescence Detection using the National Free Electron Laser Facility in Newport News, Virginia

Washington, DC — New work from a team including Carnegie's Hanika Rizo and Richard Carlson, as well as Richard Walker from the University of Maryland, has found material in rock formations that dates back to shortly after Earth formed.

«Eventually, when human beings populate Mars, we'll have to find local construction materials... you can't ship everything from Earth,» says professor Yu Qiao, a materials scientist who works at the University of California, San Diego (UCSD) and part of the team who just published on the topic in the open - access journal Scientific Reports.

Works with Marie and Pierre Curie to develop theory of Unfortunately, the age can not be computed directly from material that is solely from the Earth.

Michael Stevens, creator of the incredibly popular science YouTube channel Vsauce, enlightens us on why water makes it hard to make an «Earth Sandwich,» and how hydrophobic materials work.

Would work well as an early lesson in a materials and their properties topic or any topic or learning area that focuses on Planet Earth.

The instructional sequence webpage models data analysis techniques that are designed to help teachers work with their students to more readily observe geospatial patterns and relationships on the Earth's surface in addition to materials provided in the teacher guide.

He explores the various myths and narratives about our creation and how we came to inhabit the earth through the use of the readymade and manmade products placed to mimic the digestive process; the work exists as a continuum with the different objects and materials interacting, forming a narrative.

In the 4 large - scale paintings featured in this exhibition, including Auguste Rodin: Les Cathédrales de France and A. R. A. K., the layers are broken up and areas of thickness are worked and worked again with earth - toned materials.

The works are meant to be permanent; they eschew pedestals, emerging from the earth; they are often made from industrial materials; and their size amplifies the heroic role of the individual artist.

«East - West / West - East towers with the grandeur of Stonehenge or the ruins of a classical city,» wrote Hyperallergic, «and more than any work of Serra's I've ever encountered it establishes an organic relationship to its surroundings, the steel plates as much a reference to the earth's elemental forces and materials as they are to human industry.»

Referring to his choice of materials, Dill explains: «I was influenced by [Robert] Rauschenberg, Keith Sonnier, Robert Smithson, Dennis Oppenheim, and Robert Irwin, who were working with earth materials, light, and space as an alternative to easel painting.»

Land Art used the earth as its material and the land as its medium, thereby creating works beyond the familiar spatial framework of the art system.

Land Art artists used the earth as their material and the land as their medium, thus creating works beyond the familiar spatial framework of the art system.

Penone's work, as a whole, is a meaningful homage to the intrinsic connection between the earth, regarded as a universal material and our home, and us, human beings.

Nora Naranjo Morse makes constant reference to the earth as an evolving organic whole by creatively employing natural and found materials in her work.

The work ranged from drawings, to sculpted paintings on canvas to sculptures and paintings made of unusual materials: earth, shells, hair, doors, brooms, trees, shoes, mouse droppings.

Imagining artistic practice as a sedimentary process of material and social transformation (akin to a trash heap or scrap yard), Alli works in installation, performance, image - making and visual research to rummage in the aesthetics of precarity, collapse, and by extension, the vast formlessness of the Earth's ocean gyres.

Working with nature, the forms are made of thin synthetic material and earth becoming hybrid islands that dot the suspended non-space of a neutral - grey gallery floor.

Michelle Stuart is known as a pioneer of non-traditional, often organic materials, including earth, seeds, ash, feathers and fossils; works about transformation which collapse memory, time and place.

By using adobe, the earliest known building material (which requires a skillful, labor intensive process) to create a literal ground and support structure for the participating artists to exhibit their works, he challenges ideas of labor, exchange, and value — poignantly communicated in the title of the show, which translates into English as «Earth.

His technical use of materials such as clay, ash, earth, lead, fabric and dried flowers amongst others, adds further symbolism and depth to his work.

Stuart's original approach to material and process has seen her create large - scale site - specific works in the landscape, sculptural installations incorporating objects, drawings, and audio - visual elements, as well as photographs, drawings and sculptures that bring the material of landscape — earth and rock — into the gallery.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

Dan Halter's work will be on show as part of an exhibition titled Earth Matters: Land as Material and Metaphor in the Arts of Africa at the Fowler Museum at the University of California (23 April — 14 September 2014).

It was mainly the collaboration with the artists Robert Smithson and Dennis Oppenheim, with whom Matta - Clark collaborated for the legendary Earth - Art exhibition at the Cornell School, which had influenced his work and his approach of physically relating to found materials and found spaces.

It has been said that her world is «consumed with the romantic and the mystical, imbued with vivacious colors and wrought with emotion» According to the artist herself, Gubernale explained that she «pursues four elements [in all of her paintings]; the intellect as air, fire as self - confidence and will, water as feeling, and earth as material execution.»

Rebelling against what he saw as the dehumanizing forces of industrialization and consumerism, Merz preferred to work with everyday materials and organic matter, like earth, found objects, and neon tubing.

In «Terrain,» the artist asks us to «think about these imprints left by the material processes of work as the evidence of our presence on the earth... how contemporary human beings, living in a western urban environment, can relate to the metaphysics of the labor which enables our lives.»

In his solo exhibition at Mercer Union entitled «Fragments», Gosselin will incorporate building materials with the natural materials usually employed in his work, such as twigs, grass, earth, stones, animal parts, fruit, vegetables and found objects.

Eye Eye references an Okanagan phrase uttered to demonstrate one is present, and by way of attention the work uses the land as referent, material and concept in the form of earth made into tiles and installed on the gallery walls in a grid.

Characteristic of Kiefer's work is an ambitious use of materials; drawing on clay, ash, earth, lead, fabric, straw, shellac and dried flowers, as well as other non conventional matter, his encrusted canvases lie between the distinctions of painting and sculpture.

She comments that, «gazing steadily at the point at which one element meets another, Terrain asks us to think about these imprints left by the material processes of work as the evidence of our presence on the earth, and to think about how contemporary human beings, living in a western urban environment, can relate to the metaphysics of the labor which enables our lives.»

In the early 1950s, Tàpies developed his signature style of «matter paintings,» working with down - to - earth materials.

Though this exhibition is curated rather than juried, the artists selected represent the range of possibilities for what works on and of paper could be, including an exploration of unique processes and materials capable of making marks — from graphite and gouache to water, sun, earth, and time.

The artists worked with various different materials, combining industrially manufactured objects such as neon lights, glass and clothes with natural organic materials such as vegetables, living animals, earth, fire and water.

His work often involved the juxtaposition of objects, materials, and actions antithetical to one another; geometric metal shapes are contrasted with such materials as cotton, earth, plants and animals.

Recently published is a video documenting Reza Aramesh's recent exhibition, Them Who Dwell on the Earth, at One Marylebone, London, which includes images of source material for Aramesh's work and extensive footage of his show in London, and the latest instalment of Libyan artist and ceramicist Hadia Gana's diary, which she kept throughout the recent conflict in Libya.

2nd Floor, American Art Abstracting Nature presents a selection of contemporary sculpture made from wood and other natural materials, along with documentation of Earth Works and...