Sentences with phrase «work for an exhibition titled»

Here is a set of studio shots of Tanc preparing some of the work for the exhibition titled «Oscillations» being...

Here is a set of studio shots of Tanc preparing some of the work for the exhibition titled «Oscillations» being held at Catherine Ahnell Gallery.

Not exact matches

The title for the exhibition, Lost & Found, refers to Joe's creative process — finding long - lost images and reinventing them as often politically charged artworks — and his reinvention from the commercial world of work to finding his way as an artist.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

For all the materiality of their surfaces — Reginato works in enamel — the paintings are, as the exhibition's title underscores, fictions.

If the temporal simultaneity and historical comprehensiveness implied in the title «EVERYTHING AT ONCE» are impossible themes for any group show, so the exhibition attempts to examine the multiple ambiguities, contradictions, references and readings contained in individual works.

The chosen art work will be featured in an exhibition titled «RESPOND» planned for January 2015.

Elena Pinchuk, Founder of the ANTIAIDS Foundation: «The works we have managed to pull for the exhibition with a symbolic title Where There's a Will, There's a Way represent a story of how art community have been reacting to the AIDS epidemics.

«Under the Skin» — the overarching theme for the exhibition and also the title of Tracey Emin's selection of works — was a bold attempt at inviting viewers to look deeply into, as well as examine, their feelings, fears and emotions.

The title of the exhibition comes from the Gikuyu words for mud and trees, the materials used to make the objects in Mutu's new body of work.

Following her monumental installation in MASS MoCA's largest gallery, Building 5, in 2007 — which marked her first indoor projection in the U.S. — Holzer returns with a campus - wide series of work that will include a large - scale outdoor projection on the River Street side of the factory's complex titled For North Adams, 21 of her celebrated carved stone benches located throughout MASS MoCA's sprawling campus, an installation of her Inflammatory Essays posters, and rotating exhibitions of her work spanning the breadth of her career.

Maybe the exhibition title suggests that the works are only just at the point of gesture, like the Andrea Madjesi - Jones painting, where gesture seems to be included in a wider pictorial strategy, or perhaps that they have arrived at the point of gesture having set out from some other place, Clem Crosby's work, for example, coming out of the monochrome tradition to a reconsideration of the role of drawing.

He is currently working on a major city - wide public art and architecture exhibition titled Monument Lab for the city of Philadelphia.

For her exhibition at the Hammer Museum, titled The Tidy Kitchen, Van der Stokker may have created her most political work to date.

For example, two works both titled «Tori Tori» (2008), which were shown in her first solo exhibition at Tomio Koyama Gallery, were created from a chunk of one wood split in half.

As the title of the exhibition suggests, lapses in Thinking By the person I Am, one is confronted with not only typographical fragmentation, but also disconcertion for placing the work together with the train in some kind of logical context; by using the story of her body and objects that she interacts with, Pryde literally derails the misconceived notion that we are what we own.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

Inspired by — and drawing its title from — a neon work by the late Blair Trethowan, the exhibition signals the potential for change and transformation that MUMA's new situation presents.

Opening tonight is a group exhibition curated by Ricky Swallow titled, «GRAPEVINE ~» featuring artists who have all worked in clay, in California, for more than 40 years.

Political pop artist Qi Zhilong «s work is showing in a group exhibition titled, CHINAMANIA, taking place until January 3rd at ARKEN Museum for Moderne Kunst, in Ishoj, Denmark, not far outside Copenhagen.

This selection of works on paper is a foundation for the large - scale paintings of the mid-80s - paintings with southwest - tinged titles like Mariposa, Hot Morning, Sun Belt and Red Disc, several of which will be included in the exhibition.

The title for the exhibition is taken from American poet Frank O'Hara's poem «Why I Am Not a Painter,» which reflects on the elusiveness of the creative process, often resulting in a finished work that bears no resemblance to its initial inspiration.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

From Death to Death (and so on through what is surely the longest title in exhibition history) feels spacious, spare and properly paced for slow contemplation, despite containing 150 works.

Goodman Gallery Cape Town is pleased to present, for our first show of 2014, an exhibition of new works by rosenclaire titled Colour Theory.

Belying the precision and stakes of the obscure engineering principle for which it is titled, the artists» open - ended approaches and the loose associations in their works engage the viewers» individual experience of touch, making it a very personal — and subjective — exhibition.

Her work for the Summer Exhibition, where a blue outline snakes across loose brush marks in greens that recall the shifting light of a forest canopy, «looks in process and doesn't have a title, and you could think it's in conversation with some abstract painters.

Our exhibition, titled For The Time Being, starts with the reconstruction of outstanding works from the 1960s and «70s by Sol LeWitt, Richard Tuttle, and Blinky Palermo.

The title of the exhibition fits well: from his earliest object on display, Hunting Dogs Project (1961), a model for a public garden in the form of a maze, to PN27 Penetrable, made in 1979, a year before his death, there is a definite drive in the artist's work to contain a boundless and unpredictable human body, including the collective body — with all its joyful and painful emotions — within a certain aesthetic frame.

THE EXHIBITION OCCUPIES ALL GALLERIES COMPRISING THE HISTORIC BUILDING OF THE MUSEUM AND FEATURES THE U.S. DEBUT OF SEVERAL WORKS, INCLUDING A NEW VARIANT OF THE ARTIST»S RECENT COMMISSION FOR SKULPTUR PROJEKTE MÜNSTER (2017) TITLED COSMIC GENERATOR.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

When a work in an exhibition could not be identified, it is listed under a descriptive title or the title given by the institution (preceded by «unidentified») in the entry for that exhibition.

Claire Falkenstein: Matter in Motion takes its title from one of the guiding principles of Falkenstein's work, which she explained in an artist's statement she wrote in 1957 for an exhibition at Galerie Stadler, in Paris.

The criteria for selection is simply the best work submitted that has a connection to the title of the exhibition.»

For years now, Jack Davidson has liberally stolen the titles for his paintings and exhibitions from song lyrics, choosing them not as an interpretative aid to the work but as an extra element altogether a poetic addendFor years now, Jack Davidson has liberally stolen the titles for his paintings and exhibitions from song lyrics, choosing them not as an interpretative aid to the work but as an extra element altogether a poetic addendfor his paintings and exhibitions from song lyrics, choosing them not as an interpretative aid to the work but as an extra element altogether a poetic addendum.

This fall, Gavlak is bringing works by LA - based artists to her flagship gallery in Palm Beach for an exhibition titled «Blessed Oblivion,» opening on November 25, 2014 and remaining on view through January 5, 2015.

In addition, Bradford has created two new works related to Mithra, his monumental, ark - like public art project installed in the Lower Ninth Ward of New Orleans for the Prospect.1 exhibition in 2008: a major new sculpture (titled Detail), which incorporates elements from Mithra, and a film titled Across Canal, which examines the conception, production, and reception of that work.

«Star Cunts & Other Attractions» is a fittingly lurid title for this exhibition of Judy Chicago's early works on display at Riflemaker in Soho.

Bildungsroman, the title of the exhibition, makes use of the literary term for a coming - of - age novel, thus reflecting how the constellation of works can be read as a journey in the shaping of Barney's artistic practice.

For their latest exhibition, the collective presents work from a new series titled Long Legged Linguistics, «an ongoing investigation of language as a source of political, metaphysical and even sexual emancipation».

For a unique end to the exhibition, Craig - Martin chose to give the final gallery over to a monumental piece by Tom Phillips titled A Humument, which has been in the works for almost 50 yeaFor a unique end to the exhibition, Craig - Martin chose to give the final gallery over to a monumental piece by Tom Phillips titled A Humument, which has been in the works for almost 50 yeafor almost 50 years.

Additionally, two new works related to Mithra, his monumental, ark - like public art project installed in the Lower Ninth Ward of New Orleans for the Prospect.1 exhibition in 2008, will be featured: a major new sculpture titled Detail, which incorporates elements from Mithra, and a film titled Across Canal, which examines the conception, production, and reception of that work.

While Goodman Gallery Projects closed at Arts on Main in 2012, the [Working Title] exhibition series exists as a resolution to the Goodman Gallery's continued interest in independent and collaborative projects and allows for the continuation of previous projects and relationships, as well as the introduction of new artists, theorists and creatives into the Goodman Gallery.

The exhibition, titled «NO TREND,» showcases work that is either new, not widely exhibited, or that demonstrates a more experimental sensibility for each of the participating artists.

Recent exhibitions include a 2008 show of works from 1971 — 73, among them his Silent Ping Pong Tables and Short Stories for Popsicles (both 1971), at Chelsea Space (London) in conjunction with the Tate gallery (2009); a 2010 retrospective exhibition titled Etcetera at the Tony Shafrazi Gallery in New York; and a 2011 solo exhibition at Sammlung Hoffmann, Berlin, Germany.

Her works there will soon be transported to the Kravets Wehby Gallery in Chelsea for her fourth solo exhibition in the space, titled «Always a Winner,» opening October 15.

The title of the exhibition, Re-Reading refers to works on paper; reproduced found images on cardboard, reproductions of wallpaper that has been recycled and reenlisted serving as a palimpsest and ground for a stasis where anything can occur; two chairs, and spray painted Plexiglas works that cover found enlarged photos from a book on Ernest Hemingway's house in Cuba.

Mythical Realities is the combined title for the nine large works on paper that comprise this exhibition.

He suggested the idea of the exhibition and selected the works himself, an act of autobiography in a sense and part of the reason for the title American Memories.

For his first exhibition with Moniquemeloche, Sanford Biggers activated the street - level storefront «on the wall» project space with a site - specific installation titled Ago emerging from his recent work with civil war - era and pre-1900 quilts.