Sentences with phrase «work for this exhibition by»

The artists responded to a prompt from curator Philip von Zweck to create a new work for this exhibition by developing aesthetic instructions or notations to be executed onsite - a «recipe.»

Not exact matches

By his own admission, Webb tried to avoid photographing anything that was too «Walker Evans - ish,» and a new exhibition of his work showcases work from the urban side of his portfolio, including memorable photos he took for Fortune magazine.

ADL's work will be the focus of a short lecture by Whipple and an exhibition at the Philadelphia Center for Architecture + Design in March.

The importance of LogiMAT for the industry as a platform for presentation and communication as well as a working exhibition is summarised by its representative Manfred Lachauer, General Manager of Advantech - DLog, one of the world's leading suppliers of industrial automation: «Any manufacturer who isn't at LogiMAT just isn't in the market.»

At 5 p.m., Brewer hosts the opening reception for an exhibition of works by Béatrice Lebreton, Borough President's Office, Maggi Peyton Art Gallery, 1 Centre St., 19th floor, Manhattan.

BUFFALO, N.Y. — The Central Branch of the Buffalo and Erie County Public Library will host an exhibition of work by four elite international architectural teams produced for the competition to design the new downtown University at Buffalo School of Medicine and Biomedical Sciences.

raising awareness and gain appreciation for the work of the children and their messages with local exhibitions of the artwork made by the young peace activists

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its naFOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its nafor the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

The thematic, site - responsive exhibition «Home Land Security» will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe.

Set in a Midcentury Modern bank designed by E. Stewart Williams — a pioneer of the area's Desert Modern style (a retrospective of his work, «An Eloquent Modernist,» was the center's opening exhibition in fall 2014)-- the striking glass - and - steel structure houses a trove of inspiration for aspiring architects.

Jaymee K. Harvey Willms has been invited to participate in a two - week residency in France, leaving one work for the permanent collection of the Chateau Orquevaux that will become part of a travelling exhibition of work by the artists in residence.

See works by both at the Turner Contemporary gallery on the seafront and head to Resort Studios and Crate for regularly changing art exhibitions and events.

The NYU Game Center, for instance, hosts talks and lectures by established game developers and features new work in its annual No Quarter exhibition.

Having been immediately hailed by European critics as one of his era's greatest painters, Soutine, who was based in France for much of his career, was largely ignored in America until the Museum of Modern Art in New York hosted a small exhibition of his work in 1950.

For the current crowd, Wine by the Bay is bringing out some of its best wines and works of art by renowned American artists like Andy Warhol, Robert Rauschenberg, Hunt Slonem and Donald Sultan for a special exhibition, running daily from noon until 9 p.m. through December 10For the current crowd, Wine by the Bay is bringing out some of its best wines and works of art by renowned American artists like Andy Warhol, Robert Rauschenberg, Hunt Slonem and Donald Sultan for a special exhibition, running daily from noon until 9 p.m. through December 10for a special exhibition, running daily from noon until 9 p.m. through December 10th.

Prescient (and controversial) collector Bill Arnett's Souls Grown Deep Foundation has donated 57 works, including pieces by quilters from Gee's Bend, Alabama, and Alabaman assemblage artist Thornton Dial, to the Metropolitan Museum of Art, which is planning an exhibition of the material for 2016.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

Julian Cox, co-curator of the exhibition, believes Mandel did not become better known because «she was a very private person, very modest by nature, and she really created her greatest work before there was such a thing as an art market for photography.

A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.

Among its programs is the annual Grants & Commission Program, for which artists, nominated by a network of CIFO - affiliated curators and artists, submit proposals for new work to be debuted at an annual exhibition in September.

John Yau blogs about the work of Catherine Murphy on the occasion of the exhibition Catherine Murphy: Two Subjects — Forty Years, curated by Portia Munson, at the BYRDCLIFFE Kleinert / James Center for the Arts, Woodstock, New York, on view through August 11, 2013.

The exhibition of eight pictures by Soutine opening at New York's Museum of Modern Art [to Jan. 6] will, for many people, be the first real encounter with his work and for nearly everyone will provide the first opportunity for a comprehensive view.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

KW Institute for Contemporary Art in Berlin currently presents a solo exhibition with works by the German artist Judith Hopf...

Also creating new work for the exhibition is Adam Pendleton, whose Black Dada works draw on traditions of absurdist poetry with minimal compositions based on letters, lines and shades of black, both abiding by and resisting historical concepts of language as image or material.

Dawn DeDeaux and Lonnie Holley: Thumbs Up For the Mothership An exhibition designed to give an extended public forum to two artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie HollFor the Mothership An exhibition designed to give an extended public forum to two artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Hollfor the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Holley.

Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted last summer, and a new project by Thomas's artist - run political action committee For Freedoms will take the exhibition out of the Museum and into direct contact with Portlanders.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

RADICALS II At the Brooklyn Museum in April, a smaller exhibition, «We Wanted a Revolution: Black Radical Women, 1965 - 85,» organized by the museum's Elizabeth A. Sackler Center for Feminist Art, came with work by more than 40 artist - activists and a dynamite sourcebook - style catalog.

Organized by Ellen Lupton, senior curator of contemporary design, and Andrea Lipps, assistant curator of contemporary design, the exhibition includes work by more than 65 designers and teams and reveals how sensory design can solve problems and enhance life for all people, including those with sensory disabilities.

Jordan Mack interviews Yoon Lee for Milk Made by Milk Studios in conjunction with her exhibition, «New Work.»

EXHIBITION «Melvin Edwards: In Oklahoma,» a survey exhibition of works by Melvin Edwards who is known for his scrap metal sculptures, opens Oct. 20 at Oklahoma Contemporary in OklaEXHIBITION «Melvin Edwards: In Oklahoma,» a survey exhibition of works by Melvin Edwards who is known for his scrap metal sculptures, opens Oct. 20 at Oklahoma Contemporary in Oklaexhibition of works by Melvin Edwards who is known for his scrap metal sculptures, opens Oct. 20 at Oklahoma Contemporary in Oklahoma City.

In addition to a selection of works by Motherwell and the artists he brought to Hunter College, the exhibition will offer a collection of archival materials to make the case for the aesthetic and intellectual remaking of Hunter's Art Department.

Developed in close consultation with the artists, the exhibition features original works by Rachel Harrison, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, and Adrian Piper created specifically for the show and shown here for the first time.

Finally, to open the door to what followed, and to pay tribute to one of artists who paved the way for American Pop Art, the exhibition will close with an emblematic work by Robert Rauschenberg (1925 - 2008): his Art Car designed in 1986 for BMW.

For Art Nova 2010, Gavlak Gallery presented a two - person exhibition featuring work by Marilyn Minter and Rob Wynne.

For this pivotal first exhibition, Firestone chose to display works by an artist who, like the block's artistic past, was fading into the annals of history.

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowerment.

Wienberger, who wrote his new essay collection A Calendar of Stones for the exhibition catalog, will introduce and interview Teresita.Teresita Fernandez's work is characterized by an interest in perception and the psychology of looking.

This exhibition presents works by eight mid - to late - 20th century artists represented in the museum's collection (Elizabeth Catlett, David Hammons, Al Loving, Adrian Piper, Betye Saar), juxtaposed with 18 younger contemporary artists whose works will appear for the first time at the museum (Nona Faustine, Ayana V. Jackson, Tschabalala Self, Talwst, Billie Zangewa).

Major works were brought together for this exhibition from both the Jacques and Natasha Gelman Collection and the Stanley and Pearl Goodman Collection, the latter comprised of more than 75 works by modern Latin American artists pledged by the couple to the NSU Art Museum Fort Lauderdale.

For this exhibition, Dole - Recio was inspired by a show at The Norton Simon Museum on the discovery of the color Prussian blue, and many of the works explore the subtle interplay between gradient shades of blue.

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

Works produced for her exhibition at the Atlanta Contemporary Art Center are influenced by religious narratives of conception, communion, and death.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Known for her portraits of imagined figures, British artist (and sometimes writer) Lynette Yiadom - Boakeye is presenting a new body of work in the exhibition, which is accompanied by a forthcoming publication.

«It as been our passion and profession, my wife and I, to create an exhibition of American Abstraction in Europe since 1986,» Otto Hübner writes in the foreword for the catalogue accompanying the exhibition, «For years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack Tworkfor the catalogue accompanying the exhibition, «For years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack TworkFor years I have wanted to crate a museum exhibition with the works by Sam Francis, Adolph Gottlieb, Hans Hofmann, Charles Pollock, Richard Pousette - Dart, David Smith and Jack Tworkov.

For this commemorative exhibition, artist and writer Michael McMillan has created a multi-media installation that expands upon a work by Nigerian artist Sokari Douglas Camp, Battle Bus (2006).

Five years ago I drafted an article for abstractcritical focussing on the works by Anthony Caro and Katherine Gili in the 2013 RA Summer Exhibition, neither of which I liked.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).