Sentences with phrase «work for this exhibition include»

Participate in and / or manage process for drop off / pick up of art work for all exhibitions including juried exhibitions, special exhibitions, and site - specific installations.

Artists who have created work for this exhibition include:

Not exact matches

By his own admission, Webb tried to avoid photographing anything that was too «Walker Evans - ish,» and a new exhibition of his work showcases work from the urban side of his portfolio, including memorable photos he took for Fortune magazine.

This week included, in addition to a two hour appointment after work on Tuesday to have my braces removed and a beautiful closing exhibition reception for my students and their artwork at Old Dominion University's Virginia Beach Higher Ed Center on Thursday, lots of cooking for the «Incredible Edibles» cookbook launch party that is tonight (so excited!).

«It's one of my favourite cities at the moment, especially for the art, there is so much going on here,» continues Unwerth, who has worked for a slew of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal work from exhibitions around the world.

Von Unwerth has now shot for all of the of top fashion publications including Vogue, Vanity Fair, Interview, The Face, Arena, and i - D, and published dozens of books of personal work from exhibitions around the world.

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its naFOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its nafor the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

Because Ai is unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

Because Ai is currently unable to visit Alcatraz, he is developing the works in his Beijing studio with the support of exhibition curator and FOR - SITE Executive Director Cheryl Haines and an international team of collaborators from organizations including Amnesty International and Human Rights Watch.

CBAA Members get special notices about all of the exhibits at the Cannon Beach Gallery, including Call For Work notices, a yearlong exhibition calendar and monthly exhibit postcards.

CBAA Members get special notices about all of the exhibits at the Cannon Beach Gallery, including Call For Work notices, a year long exhibition calendar and monthly exhibit postcards.

He has worked on high - profile projects for museums, exhibitions and luxury boutiques including Fondation Cartier.

Her work has been included in exhibitions at Intersection for the Arts, Southern Exposure, RayKo Photo Center and Root Division in the Bay Area, BC Space Gallery and the Robert V. Fullerton Art Museum in Southern California, the Minneapolis Photo Center, Perspective Fine Art in Evanson, IL, the Visual Arts Center in Portsmouth, VA and the Washington Square Art Galleries in New York City.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

For the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibitiFor the first time, Michael Jackson: On the Wall will bring together the works of over 40 of these artists, drawn from public and private collections around the world, including new works made especially for the exhibitifor the exhibition.

Prescient (and controversial) collector Bill Arnett's Souls Grown Deep Foundation has donated 57 works, including pieces by quilters from Gee's Bend, Alabama, and Alabaman assemblage artist Thornton Dial, to the Metropolitan Museum of Art, which is planning an exhibition of the material for 2016.

Over the years they have endowed the Institute of Contemporary Art at the University of Pennsylvania and provided major support for several high - profile exhibitions of contemporary work, including retrospectives of Jeff Koons at the Whitney Museum and Christopher Wool at the Guggenheim in New York.

Penjweny, who also worked as a news photographer for Reuters, had a solo exhibition that included the «Saddam» series at the Ikon Gallery in Birmingham, England, earlier this year.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

For ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom HuntFor ten years he worked at the London Institute, now the University of the Arts in London, where he was responsible for developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Huntfor developing the London Institute Gallery where he built an exhibition programme showcasing the work of outstanding students alongside leading contemporary artists, designers and photographers including Julian Opie, Richard Deacon, Nicola Hicks, Mike Leigh and Tom Hunter.

Opening at Mana Contemporary in Jersey City on Saturday, May 10 and continuing to August 1, 2014, the exhibition will present work from Resnick's entire six - decade career, including a rare 1937 portrait; quintessential Abstract Expressionist paintings from the 1940s and»50s; a selection of the large allover paintings of the 1960s through 1980s for which Resnick is best known; and a group of late figurative works.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

Riff's work has also been included in international museums and exhibitions, including the Venice Biennale (1990, 1993), Dia Center for the Arts, New York (1994), Palacio de Vela?zquez / Museo Nacional Centro de Arte Reina Sofi?a, Madrid (2001), and the Museum moderner Kunst Stiftung Ludwig (MUMOK), Vienna (2013).

Organized by Ellen Lupton, senior curator of contemporary design, and Andrea Lipps, assistant curator of contemporary design, the exhibition includes work by more than 65 designers and teams and reveals how sensory design can solve problems and enhance life for all people, including those with sensory disabilities.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Her accolades also include the 2016 Prize Yishu 8 China; silver prize at the 1895 China Contemporary Ceramic Exhibition in Nantong, China; the «YiLian» scholarship at the Central Academy of Fine Arts in 2014; and first prize at the «Graduate Show of Central Academy of Fine Arts 2007» in Beijing, China, for her ceramic work «Banquet of HanXizai.»

Some of his recent exhibitions have included: Brice Marden: Work Books 1964 - 1995, at The Fogg Art Museum at Harvard University, The Wexner Center for the Arts, Ohio, and The Museum of Fine Arts, Houston; Brice Marden: Work of the 1990s at The Dallas Museum of Art, The Hirshhorn Museum, Washington, D.C., and The Carnegie Museum of Art, Pittsburgh; and an exhibition of recent paintings and drawings at The Serpentine Gallery, London.

For his first solo exhibition at C24 Gallery the artist will present new work that includes collages, prints on bed sheets, and paintings.

This groundbreaking exhibition follows the artist's exploration of interlined topics, including a halting suite of works about 9/11; contemporary «history paintings» on life in America since the events of 9/11; homages to his friends, the women quilt makers of Gee's Bend, Ala.; memories of vanishing ways of life and his childhood in the the South; and evocations of human struggles for freedom.

From 2008 to 2013, Sheridan worked as director of exhibitions and publications at Mercer Union, a recognized center for contemporary art in Toronto, where she has subsequently curated numerous well - received presentations and exhibitions by artists including Pierre Leguillon (2012), Aleksandra Mir (2011), and Sol LeWitt (2010).

This exhibition Chris Ofili: Weaving Magic showcases the tapestry surrounded by fresco murals and includes the original watercolor for the exquisite handwoven piece as well as related graphic work.

CCA presents Scottish artist Ross Birrell's 2017 documenta 14 projects, Criollo and The Athens - Kassel Ride: The Transit of Hermes, including new film and installation works conceived specifically for this exhibition.

Her works have been selected for solo and group exhibitions nationally and internationally including Annapolis Maritime Museum (MD), DC Arts Center (DC), Greater Reston Arts Center (VA), Hillyer Art Space (DC), The Painting Center (NY), and Gallery 175 in Seoul, Korea.

For nearly a decade, she has coordinated and co-curated a multitude of exhibitions, including the Foundation's inaugural exhibition Remembering Henry's Show: Selected Works 1978 - 2008, in addition to overseeing the advancement of the Brant collection.

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

Monographic exhibitions of his work have since been hosted at various prominent venues including Yale Center for British Art, New Haven (1991) the Royal Academy of Arts, London (2001) and the Rijksmuseum, Amsterdam (2013 - 14).

His work has been included in numerous exhibitions at venues including KOP, Breda, NL; Athens Festival, GR; Palais de Tokyo, Paris, FR; 54th Venice Biennale, Venice, IT; The De La Warr Pavilion, Bexhill, UK; The Grand Palais, Paris, FR; Guido Costa Projects, Turin, IT; The Embassy Gallery, Edinburgh Scotland; and The BALTIC Centre for Contemporary Art, Newcastle - Gateshead, UK.

Widely recognized for his large - scale, modular works produced throughout the 1960s and 1970s, Smith was included in the seminal group exhibition Primary Structures at the Jewish Museum, New York, in 1966.

Working closely with international charities to create public exhibitions and charity fundraising events, exhibitions Simon has curated include WaterAid at the London Canal Museum, Layers at the Southbank Arts Centre, royal sculptor Frances Segelman's Tower of London retrospective for the Stroke Association and intersex activist Ela Xora's Captured Hermaphroditus campaign.

This exhibition features newly - commissioned work from artist collective the Institute for New Feeling (IfNf), including the video nominated by Ballroom Marfa for the 2016 season of Artists» Film International (AFI).

The largest survey of Nari Ward «s work to date, this traveling exhibition «focuses on vital points of reference for Ward, including his native Jamaica, citizenship, and migration, as well as African - American history and culture, to explore the dynamics of power and politics in society.»

He has edited for television broadcast and cinematic exhibition with Tracy, including Culture, Water, and Money: The Passion of the Frontier an award winning documentary on the contamintion of the Rio Grande, The Butchershop of Divine Providence a collaborative homage to the Mexican Revolution, and the upcomin work in progress Antique Gamboge.

It will include works from the past 15 years and new projects created for the exhibition.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

His work has been included in museum exhibitions at The Museum of Modern Art, New York; the Hudson Valley Center for Contemporary Art, Peekskill, NY; The Knoxville Museum of Art, Knoxville, Tennessee; and the Katzen Arts Center at American University.

Bringing together some 250 works in a range of media, the exhibition includes more than 80 schooled and unschooled artists and argues for a more diverse and inclusive representation in cultural institutions and cultural history.

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

Presenting photographs from the artist's Wyeth series, Things Beyond Resemblance: James Welling Photographs included works created specifically for the exhibition.

The works of Josef and Anni Albers have been featured both together and separately in exhibitions worldwide, most recently including A Beautiful Confluence: Anni and Josef Albers and the Latin American World, Mudec, Museo delle Culture, Milan, 2015 - 2016; and Leap Before You Look: Black Mountain College 1933 - 1957 at the Institute of Contemporary Art, Boston in 2015 (traveled to the Hammer Museum, Los Angeles and will be on view at the Wexner Center for the Arts, Columbus, Ohio, from September 17, 2016 — January 1, 2017).

Three works on paper from the 2008 series, Suite for Mount Washington, will also be included in the exhibition.