Sentences with phrase «work for white women»

«We know such family - friendly policies work for women,» Didion notes, «but what we're really saying is we know they work for white women.»

Not exact matches

She is also a formidable voice for women's empowerment in Turkey, a nation with one of the worst gender gaps in the workplace; the university founded and chaired by Sabancı made headlines last year when it published a report on the impact of domestic violence against white - collar working women in Turkey.

It has worked with Merck and the White Ribbon Alliance for Safe Motherhood to allow women to use Gram Vaani's voiced - based platform to review the quality of care they get from clinics.

Despite stating that «performance is the primary bases for all salary increases,» the reality was that women, minorities, and those born outside the U.S. needed «to work harder and obtain higher performance scores in order to receive similar salary increases to white men.»

The men and women in white coats tracked the eating habits of 16,000 university graduates for a decade from the moment they threw their mortar boards in the air and set off into the world of work.

«We have a dynamic role model in the White House, a black woman who gets the idea that she can go to work, be a lawyer and still provide milk for her baby,» said Napiera Loveless, co-founder of MamaTotoMatema, a Cincinnati - based organization committed to educating and encouraging leaders and health care professionals to adopt different approaches to promoting breastfeeding in African American families.

-LSB-...] in memoriam: a Tribute to LLLI Co-Founder Mary White, a woman to whom many of us are indebted for her work to promote breastfeeding when it had gone out -LSB-...]

The evangelical bloc went crazy when Michelle Obama wore a sleeveless dress — but now we have a First Lady in «that dump of a White House» who posed nude while intimate with other women and apparently used to work for an escort service.

Though the current Congress is the most diverse in history, people working for Democratic senators are overwhelmingly white and mostly women, according to a first - of - its - kind report on diversity in some congressional offices.

He notes, for example, that family commitments might make it harder for women to work the expected 80 hour weeks than it is for men, and that it's natural for members of the predominant group — white males — to choose people who look like themselves.

Smith wrote that Bienenstock also worked to expand opportunities for women and underrepresented minorities in STEM while serving as associate director of the White House Office of Science and Technology Policy during the Clinton administration.

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Like Sandberg's breakout work, which has been criticized for minimizing the barriers women in the workforce face — especially women of races, classes and sexualities that differ from its wealthy, white, cis author — the tips provided do seem to be geared towards «employable,» educated women.

Their most recent email shows several ways to style their Relaxed Striped Chino Pants ($ 88) for work... featuring four white women of nearly identical body types wearing boxy tops it seems... but hey, at least Anthro is thinking about work again, right?

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White men are perceived to be good housemates in terms of working around the house all day, pulling chairs, opening car doors for their women, buying flowers and showering their partners with gifts.

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I've tried working my way through Season's 1 and 2 yet Kerry Washington's over-enunciation (like she's doing jaw exercises, not a naturally articulate woman), always wearing white (which would be distracting fashion for a supposedly a low - key «fixer»), seems to over-compensate for the insecurities of the producers / show - runners to the fact she's a black woman.

But this film would have worked either way: It's a celebration of a tough woman's rise from her role as a powerful man's spouse, and it's a case for why reporting should never be beholden to the whims of the White House (as the Supreme Court ruling in favor of the Times put it, the role of the press is to serve «the governed, not the governors»).

Essentially Shooter with the tagline «They fucked with the wrong Mexican,» it says in three minutes more about the function of exploitation pictures on the fringe for fringe audiences (minorities, women, dorky white guys working in independent video stores) than does the whole of Planet Terror.

Davis started his career in vaudeville as a hoofer at age 3, was bullied in the armed forces, faced death threats for dating white women and worked with MLK during the civil rights movement.

A Senegalese woman moves to Antibes to work for a white family.

Although not quite as sharp and clever as the aforementioned Heckerling vehicle, Clueless, I Could Never Be Your Woman (its rather odd choice for a title is derived from a lyric to the 1997 White Town song, «Your Woman», covered by Tyler James in 2005, the same year this was filmed), is actually quite inventive in its own fashion, with Heckerling drawing upon her own experience in being an older woman working in a youth - oriented industry, making entertainment meant to appeal to people about 30 years her juWoman (its rather odd choice for a title is derived from a lyric to the 1997 White Town song, «Your Woman», covered by Tyler James in 2005, the same year this was filmed), is actually quite inventive in its own fashion, with Heckerling drawing upon her own experience in being an older woman working in a youth - oriented industry, making entertainment meant to appeal to people about 30 years her juWoman», covered by Tyler James in 2005, the same year this was filmed), is actually quite inventive in its own fashion, with Heckerling drawing upon her own experience in being an older woman working in a youth - oriented industry, making entertainment meant to appeal to people about 30 years her juwoman working in a youth - oriented industry, making entertainment meant to appeal to people about 30 years her junior.

The way she holds a spoon as she eats cereal with such white - knuckled intensity you'd think it was her last meal; the angle of her jaw when she steps onto the ice, facing judges she knows loathe the transparency of her working - class background; and the tender hurt in her eyes when she confronts a judge in the parking lot about her score, and learns that no matter her skill, her inability to live up to the proper, soft standard for women in figure skating would bar her from the adoration she yearned for.

The film has happy endings for all involved, but I still felt my stomach twist at the white - washed cluster of women in comedy, and how a man's portrayal of them resulted in shell - shocked, nervous, and unmotivated characters (despite the constant hints at the hard work they do off screen).

From the institutional perspective, policies for pay and work - life balance have long perpetuated systemic privileges for white women, so it is important to identify within - gender disparities and advocate for solutions that take these important differences into account.

Most recently, Maribel served as chief of staff for the Office of Elementary and Secondary Education and as a member of the White House Council on Women and Girls Federal Taskforce and the Education Department's Diversity and Inclusion Working Group.

In Mary Lynn Bracht's atmospheric debut, White Chrysanthemum, a young Korean woman, Hana, is kidnapped and forced to work as a comfort woman for the Japanese during World War II.

Thanks to our work, and to other social changes, the situation for women writers is better, but it is better for the most part for white, non-Latina writers.

So the other week I was happily vintage treasure hunting about these beaches... I must say that there may have been some broomstick twitching in this old cottage to get me out hunting... I had been doing too much and not getting out for any me - time... broomstick tends to twitch when I let that happen... so I took a few hours out, got myself in the Beach Mobile (I would like to say that this is a vintage white vehicle from the past, however it is a typical car of a forty - is - the - new - thirty woman of this time with three children to cart around to various activities), grabbed a coffee, a basket and my wipes (op - shops are the grubbiest of abodes) and went to work.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

Margaret Lee (b 1980, Bronx, NY) has organized and exhibited work at numerous venues domestically and internationally including The Windows, Barneys, NY; Concentrations HK: Margaret Lee, curated by Gabriel Ritter, Duddell's x DMA, Hong Kong; Made in L.A, 2014 Hammer Museum Biennial, Los Angeles; 2013 Biennale de Lyon; de, da do... da, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA; Caza, curated by Sofía Hernández Chong Cuy, Bronx Museum, New York; NO MAN»S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami; New Pictures of Common Objects, curated by Christopher Lew, MoMA PS1, New York, and Looking Back, White Columns, New York, amongst others.

Hammond has had over 40 solo exhibitions and her work has been shown internationally in venues such as: the New Museum, the National Academy Museum, the Downtown Whitney Museum, and White Columns in NYC; the Brooklyn Museum and Smack Mellon Studios in Brooklyn; the Bronx Museum; P.S. 1 MoMA Contemporary Art Center in Long Island City, Queens; the Museum of Contemporary Art and the Hammer Museum in Los Angeles; the National Museum of Women in the Arts, in Washington, D.C.; the Tucson Museum of Art and Museum of Contemporary Art in Tucson; the Walker Art Center in Minneapolis; the Phoenix Art Museum; Site Santa Fe, the Center for Contemporary Arts in Santa Fe; the Vancouver Art Gallery; the American Center, in Paris; the Neue Galerie, in Graz, Germany; the Gementemuseum Den Hague in The Hague, among others.

This free artist's talk is part of our Spring Exhibition Opening Celebration for Gray Matters, a multifaceted survey of 37 contemporary women artists working in the surprisingly vibrant space between — and including — black and white.

Ads Imitate Life features work from three celebrated series by Thomas, titled: Branded, Unbranded: Reflections in Black Corporate America and Unbranded White Woman, allowing for an in - depth investigation into the visual language strategies of advertising and the cultural stereotypes in which they are rooted.

Later, artist Betye Saar would criticize Walker on PBS: «I felt the work of Kara Walker was sort of revolting and negative and a form of betrayal to the slaves, particularly women and children; that it was basically for the amusement and the investment of the white art Establishment.»

This «rage» is powerfully present, and punctures the exhibition like a blast in the side — most specifically Pindell's powerful video work from 1980, Free, White, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulWhite, and 21, in which the artist recounts for the camera racism she has experienced throughout her life (from childhood to working professional), and then switches into the guise of a blonde white woman who reprimands Pindell for her paranoia and ungratefulwhite woman who reprimands Pindell for her paranoia and ungratefulness.

It is a game of Chinese whispers with children selected by Tino Sehgal (at the ICA), a timed series of apparatus - based dance works (Trisha Brown at the Barbican), or a woman in a white dress gently cutting sheets of paper for days (Sachiko Abe at the 2010 Liverpool Biennial).