Sentences with phrase «work illusionistic space»

In Paris he became a confirmed abstractionist; in his work illusionistic space in figurative paintings yielded to uptilted planes and increasingly to a Cubist fracturing of the picture plane.

Not exact matches

The spaces herein are not wrought out of illusionistic ambiguities, but from plastic certainties.»

Her works are displayed as site - specific projections that amplify the architectural setting by blurring the boundary between real and illusionistic space.

The Los Angeles based artist will continue to explore ideas of space and motion with these works and is applying new media technology to create the illusionistic environments.

«When I work I move back and forth between the creation of illusionistic space and a fully non-representational relationship with the process, the surface of the picture, and even the formal considerations relating to its shape,» says Ms Adams.

Taylor's «B» is angled to remind us that it has been applied on the flat surface of the picture, not on the door in illusionistic space; the white drips on the floor could be in the room itself, or a result of his vigorous work on the canvas.

Steinkamp's works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.

Through these works, the exhibition examines the social, political, and creative impulses that help drive the creation and subversion of illusionistic space in art.

Her digitally animated works make use of the interplay between actual space and illusionistic space, creating environments in which the roles of the viewer and the object become blurred.

He began building his works so that they would project off the wall, combining illusionistic painted space with real space.

These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or «painting as object») which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution — a new beginning — in Western painting's history (Malevich).

His 1964 essay «Specific Objects» is considered a manifesto for Minimalist sculpture, advocating artists whose works inhabited the actual space of the viewer rather than the illusionistic space of traditional painting and sculpture.

He enclosed vast panoramas in abstract lines of color that created an oscillation between pure painting at the edges and moments of illusionistic space at the center of the work.

Space is implied in his work, rather than being illusionistic.

Her works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.

In his recent body of work New York native, Ben Grant, continues to push the boundaries of his process as he returns to the idea of illusionistic space.

Her newest works emphasize the ceiling as pictorial space, drawing inspiration from Renaissance and Baroque murals that made ceilings into illusionistic, mythological zones.

Throughout his long career, Stella has used color, surface texture, and space to create dichotomies in his work, adeptly playing with real space as opposed to illusionistic space.

All the works featured in the show are the product of Stella's diverse approach to the conventions of illusionistic and literal space, not just from a pictorial viewpoint but also from the architectural and sculptural.

Working like the Roman god, Vulcan, forging calderas and caverns with deep, rock - like chasms of paint, Berg's illusionistic space offers no horizon, only an ever - changing, tumultuous world where time and space are uncertain.

His abstract and figurative work alike is devoted to the delicate balance between surface modulation and illusionistic depth, between the establishment of structure and its dissolution in light and space.

These works often demonstrated her keen interest in how paintings function in a given room and used illusionistic techniques to extend the plane of a wall or floor directly into the space of her pictures.

The work features an illusionistic torn portal, which also brings to mind another art - historical predecessor: Ilya Kabakov and his «The Man Who Flew into Space from His Apartment,» 1988, an installation centered around an empty makeshift sling, from which the protagonist had just catapulted into the cosmos leaving behind a prosaic Soviet apartment.