Sentences with phrase «work in a domestic environment»

You can't always put this kind of work in a domestic environment; many of these «new media» works require very specific viewing conditions.

Staging her work in a domestic environment Hopf powerfully conveys how emancipatory possibilities of desire and action may be pent up, waiting to brim over in the most everyday scenarios.

Not exact matches

It's a dramatic U-turn in the quest for the perfect work environment — a migration back to the cubicle from the often - idealized home office, but a cubicle reimagined for a time when the line between domestic and professional life has never been more blurred.

Sexual abuse, domestic violence, unequal pay, hazardous work environments, and almost no child custody rights in disputes with men... these were all commonplace at the time, and the film does a terrific job of making the points without distracting from its central message.

Working hand and hand with the domestic violence shelters in Orange County, pet owners of domestic violence can have peace of mind that their pets are safe while they work toward providing a safe environment for themselves, their children and the animals in their lives.

Chosen among a competitive field that included Theaster Gates, Julie Mehretu and Mickalene Thomas, she was recognized for her innovative works capturing domestic environments and intimate interactions depicting «postcolonial African cosmopolitanism and her experiences as an expatriate living in America.»

As commentary, the works investigate why some objects are given greater importance than others in the domestic environment.

In so doing, Melee's work suggests an underground or alternative narrative of how and why visual ideas develop; because Melee's language draws in such a large part from the private realm of domestic environments, his work elicits emotional responses that are both uncannily familiar and disarmingly strangIn so doing, Melee's work suggests an underground or alternative narrative of how and why visual ideas develop; because Melee's language draws in such a large part from the private realm of domestic environments, his work elicits emotional responses that are both uncannily familiar and disarmingly strangin such a large part from the private realm of domestic environments, his work elicits emotional responses that are both uncannily familiar and disarmingly strange.

As one might expect from a collection of 19th and 20th century Scandinavian paintings, scenes are full of gloomy weather, domestic interiors and often that signature anxious isolation that permeates work created in these environments.

In Hiato [Hiatus] a new exhibition by Rodrigo Matheus at Fortes D'Aloia & Gabriel Galpão, materials from urban architecture are rearticulated in works that evoke the domestic environmenIn Hiato [Hiatus] a new exhibition by Rodrigo Matheus at Fortes D'Aloia & Gabriel Galpão, materials from urban architecture are rearticulated in works that evoke the domestic environmenin works that evoke the domestic environment.

I have noticed my domestic environment influences my work in unexpected ways.

In gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham CruzvillegaIn gallery news: David Zwirner now represents the Joan Mitchell Foundation, with an exhibition planned for next year in the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the gallery's New York space — «The gallery is proud to be entrusted to help with the extraordinary legacy of Joan Mitchell, one of the most important and original American painters to emerge in the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain the second half of the twentieth century», Zwirner commented; Lehmann Maupin have announced representation of the Estate of Heidi Bucher — «Her exploration of spaces — often designated as feminine, particularly domestic environments and objects — is very much in line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain line with Lehmann Maupin's programming and closely ties into the work of artists such as Do Ho Suh and Liza Lou,» director Anna Stothart said; New York's James Cohan Gallery represents Matthew Ritchie; LA's Kayne Griffin Corcoran now represents painter Mary Obering (her work is on show at their booth at Frieze New York); London's White Cube have opened an office on New York's Upper East Side; and Mexico City gallery kurimanzutto also opened a space in New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegain New York's Upper East Side yesterday, inaugurated with new work by Abraham Cruzvillegas.

In placing us at a remove from our relationships to familiar, domestic objects and environments, the labor - intensive work of Robert Gober (born 1954) defies our understanding of accepted conventions and draws attention to the movement of meaning between materials and across personal histories.

The other works included in Domestic Spaces demonstrate the varying ways individuals approach the built environment.

Shown on classical plinths for the exhibitions, these works find gravity in the environment off the pedestal, incorporating themselves into their domestic surroundings.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Jordan Casteel is a figurative painter whose recent work uses bold color and thick, gestural paint to explore the theme of black masculinity in a domestic environment.

Closed Quarters Curated by Rodrigo Valenzuela Opening Reception: Wednesday July 12, 5:00 - 8:00 PM Exhibition: July 13 - September 29, 2017 Guest curated by Los Angeles -(formerly Seattle --RRB- based artist Rodrigo Valenzuela, Closed Quarters brings together video works that use the mis - en - scene of domestic environments as a site of vulnerability, especially in its relationship with privacy, gentrification, and intimacy.

Using home - decorating items and suburban architectural elements, Leyden Rodriguez - Casanova works in areas of personal space to deconstruct the domestic environment.

And if Merz's imagery is at the same time a hortus conclusus and an infinite sky that burns, so the exhibition at Met seems to look with one eye at the chaotic and creative intimacy of her house - atelier in Turin (on view too few photographs bear witness to the relationship between her art and domestic environment, which is by contrast well documented in the catalogue) and with the other to the endless possibilities of recombination allowed by her works (eloquent, in this perspective, are the rooms in which significant groups of drawings converse with recent paintings, installations, and sculptures).

Working in response to specific domestic environments, Oliver combines prosaic materials, such as coal, light bulbs, and sometimes food, to reinterpret our perceptions of photography and also of the objects and spaces that we think of as everyday.

Like her «Threshold» works, these paintings serve as a thoughtful meditation on the nature of occupancy within a domestic environment, exactingly rendered in multiple paint layers.

The artists» works result from artistic investigations taking place in their studio environments, as well as in domestic realms, the public sphere, archives, and social media.

One Foot in the Real World 12 October 2013 — 14 April 2014 Drawing on IMMA's Collection, One Foot in the Real World, includes works that explore the urban environment, the everyday or the domestic.

In the Hortiflora area at the Middelheim Museum, Zittel's newest work consists of an installation that examines the roles and potential of flat «panels» or «fields» — in reference to the horizontal and vertical panels that comprise the most basic elements of our domestic and urban environmentIn the Hortiflora area at the Middelheim Museum, Zittel's newest work consists of an installation that examines the roles and potential of flat «panels» or «fields» — in reference to the horizontal and vertical panels that comprise the most basic elements of our domestic and urban environmentin reference to the horizontal and vertical panels that comprise the most basic elements of our domestic and urban environments.

Drawing on IMMA's Collection, One Foot in the Real World, includes works that explore the urban environment, the everyday or the domestic.

Grabner's paintings are a particular focus of the exhibition, spanning early works based on textile patterns appropriated from her domestic environment; her shift to abstraction, which continued her interest in repeated forms and gestures; and recent works that revisit textiles directly through the use of torn fabric and brightly colored gingham patterns.

The nonprofit organization works to accelerate the shift to plug - in vehicles powered by clean, affordable, domestic electricity to reduce our nation's dependence on petroleum and improve the global environment.

While working in an assisted facility, a domestic assistant will need to possess more than knowledge of housekeeping; he will need to me empathetic, friendly and caring as well because of the demands of the environment.

It's at the heart of the healing work we do and it's darn near guaranteed, that if a therapist can help a couple understand the process by which each becomes emotionally reactive to the other (and then is responded to with an equally emotional reaction) we have traveled leagues in the direction of creating safety and an emotionally calmer domestic environment.

They are trained in working in a family law environment and in responding to domestic and family violence.