Sentences with phrase «work in a few centuries»

Like Broken Age, it's another softly - spoken point and click adventure, but here, it's so aesthetically brazen — especially as their own confidence in their methods has increased from release to release — that it's accompanied by this sense that its developers are from a far - future, and have time travelled back to now, dropped this on our laps, and humbly said «this is how storytelling in videogames will eventually work in a few centuries».

Not exact matches

Scientists involved in this work have achieved impressive results: in some cases they've recreating coral organisms that originally took a century or two to grow in just a few years.

No, we generally have translated greater output in the few hours of work per week over the last century.

In his book, The Rise of Creative Class, Richard Florida says that fewer than 10 percent of Americans were doing creative work at the turn of the 20th century.

If you allow only one side to be heard... you will get one side... and that's it... That hasn't exactly worked out for non believers in the past few centuries.

We have said something about the place of the Bible in the living Christian tradition which preachers represent and for which they function; we have discussed a few of the problems or questions which are raised both for preachers and for people; and we have tried to sum up the theological and moral implications of the gospel as these have been worked out in the tradition down the centuries.

You could say that it is very disrespectful to the men and women who have worked very hard to give us all this knowledge and understanding of how things works over the last few centuries to still believe in these ancient stories.

But the form critic utilizes the work of literary critics, for example, in the inspired work of the father of form criticism, Hermann Gunkel, in the early decades of this century, and G. von Rad now in the middle decades.6 Only relatively few, notably among Scandinavian scholars, have completely abandoned the presuppositions of literary criticism.

For a few years in the early part of the sixteenth century Cyril Lucar (1572 - 1637), who became Patriarch of Constantinople in 1621, worked for the moral and spiritual improvement of the Orthodox Church.

In Brittany, French sea salt producers rely on centuries - old Celtic traditions to produce their Sel Gris, and in Guatemala, Maya Natural Salt operates only a few miles away from salt works dating back thousands of yearIn Brittany, French sea salt producers rely on centuries - old Celtic traditions to produce their Sel Gris, and in Guatemala, Maya Natural Salt operates only a few miles away from salt works dating back thousands of yearin Guatemala, Maya Natural Salt operates only a few miles away from salt works dating back thousands of years.

It is remarkable to think that, a century ago, quantum theory was barely formed, general relativity was a work in progress and only a few scientists believed there was a beginning to the universe.

However, one of the panel's reservations was that ``... a statistical method used in the 1999 study was not the best and that some uncertainties in the work «have been underestimated,»...» The panel concluded «Based on the analyses presented in the original papers by Mann et al. and this newer supporting evidence, the committee finds it plausible that the Northern Hemisphere was warmer during the last few decades of the 20th century than during any comparable period over the preceding millennium.

Los Angeles Sex Guide (LA Sex Guide) advises where to find sex, working girls, prostitution, street hookers, brothels, red - light districts, sex shops Dating as an institution is a relatively recent phenomenon which has mainly emerged in the last few centuries.

20th Century Fox is also developing a few other X-Men spin - offs as well, with X-Force in the works along with The New Mutants.

«We've heard several times over the past few years that nothing is more cognitively and physically taxing in the project - learning environment than managing student work groups,» McDowell writes in «Leading Student Work Groups in the 21st Century,» an in - progress article that discusses the tools, best practices, and scholarly strategies for student work groups in the project - learning environmwork groups,» McDowell writes in «Leading Student Work Groups in the 21st Century,» an in - progress article that discusses the tools, best practices, and scholarly strategies for student work groups in the project - learning environmWork Groups in the 21st Century,» an in - progress article that discusses the tools, best practices, and scholarly strategies for student work groups in the project - learning environmwork groups in the project - learning environment.

In the four centuries since Shakespeare's death (April 23, 1616), his works have been adapted to pretty much every media you can imagine: books, plays, films, radio shows, TV series, board games, and Web series, to name but a few.

At the turn of the 20th century, in an effort to standardize high school curricula and college admissions, a committee at the National Education Association determined that a satisfactory year's work in a given high - school subject would require no fewer than 120 one - hour instructional periods.

The organization of work in the countries with the best - performing education systems took its current shape over the last few decades, not in the first few decades of the 20th century.

VG247 came to this conclusion based on a few factors: the game's apparent late - 19th - century - early - 20th - century setting; Guillot's past work with Ubisoft, creating ads for games like Driver and Red Steel 2 (apparently ruling out him making an ad for Red Dead Redemption 2); a poll issued by Ubisoft in 2015 asking players what types of settings they'd like to see the Far Cry series adopt (among the top contenders were the Wild West and Dinosaur times).

Picasso, Braque, Matisse, Léger, Gris, the Duchamp brothers, De Chirico, Modigliani, and Klee to name a few artists whose works set the stage for modern art in the twentieth century.

Tate Modern works across six continents and here we're working across six centuries, and we'll see that becoming more apparent in the next few years.

This is due in large part to the site's dedication to representing primarily painters working in the realm of Magic Realism, a predominantly Midwest American school of painting often considered an offshoot of Surrealism, but which traces its roots to the early 20th century as an outgrowth of German expressionism (thereby actually pre-dating the surrealists by a few years).

In the 1940s there were not only few galleries (The Art of This Century, Pierre Matisse Gallery, Julien Levy Gallery and a few others) but also few critics who were willing to follow the work of the New York Vanguard.

While working in the U.S. a few years earlier, Piet Mondrian created arguably the first American color - field painting; Guggenheim opened her gallery Art of This Century in 1942; The New Yorker coined Abstract - Expressionism in 1946.

From Surface to Space: 100 Years of Sculpture, Relief and Collageis an extensive exhibition of 20th century highlight works by Claes Oldenburg, Roy Lichtenstein, Donald Judd, Christo, Julio Gonzalez, Fernando Botero, Alexander Rodchenko, Mel Ramos, Allen Jones, Robert Indiana, Roberto Matta and Yves Klein to name but a few luminaries of art history that will be on view in this century spanning showcase.

The Brooklyn - based sculptor and installation artist Rachel Harrison is one of the few artists working today able to integrate the seismic 20th - century artistic innovations (think appropriation, readymades, and a general post-medium approach) into her work in a way that moves these gestures beyond winking conceptualism and into the realm of formal elegance.

By juxtaposing new and recent paintings by the four artists with historic works ranging in date from the 1930s to early 1960s by artists such as Franz Kline, Irene Rice Pereira, John Graham, and Reginald Marsh, to name a few, Open Windows reveals sometimes surprising affinities, influences, and contrasts among and between the twenty - first - century works and mid-twentieth-century paintings, opening windows on new possibilities and fresh ways of seeing.

Stamos produced very few works in this genre (automatic drawing is closely associated with Surrealism) and most of these were influenced by an early 20th century American painter Arthur Dove.

The Amon Carter Museum of American Art typically strikes a nice balance by including a few works by Texans as part of the national story it tells of 19th — and early 20th - century painting and sculpture in its main collection galleries — Julian Onderdonk hangs with fellow American Impressionists; Jerry Bywaters and Everett Spruce serve as Texan exemplars of Depression - era regionalism — and mounting annual exhibitions of about a half - dozen works in a small gallery set aside for Texas art.

Anselm Kiefer@Larry Gagosian: Last Century in Berlin (December 24, 2010) The forcible eviction of a few peaceable demonstrators by the NYPD from the Kiefer exhibition at Gagosian Gallery in December 2010 was the spur to consider aspects of this body of Kiefer's work with its inflated production values and questionable arrogation of Judaism.

«This is an astonishing work, which relates directly to the National Gallery's holdings of 19th - century European landscape paintings... At the same time, it is highly unconventional in its conception and execution... It also responds to new impetuses, and looks ahead to the anguished Northern Expressionism which is going to flourish a few decades later.»

Varejão is so prepared to back up her work that she has photocopies in her hands of some of the most important books and images that stood out to her while researching a culture and an ethnicity that at first seemed foreign: photos of Hopi women wearing a hairstyle of whorls, drawings of Mimbres's burial rituals, images of her own previous series where cracked paintings looked to make ties with 11th century Chinese Song dynasty ceramics, and American Indian portraits by George Caitlin were only a few of the many pages that she held and showed me during our time together.

From Surface to Space: 100 Years of Sculpture, Relief and Collage is an extensive exhibition of 20th century highlight works by Claes Oldenburg, Roy Lichtenstein, Donald Judd, Christo, Julio Gonzalez, Fernando Botero, Alexander Rodchenko, Mel Ramos, Allen Jones, Robert Indiana, Roberto Matta and Yves Klein to name but a few luminaries of art history that will be on view in this century spanning showcase.

In Paris, which since the 19th century had been the epi - centre of the global art scene, aside from the surrealists and a few notable exceptions, such as Balthus and André Derain, the work of figurative artists disappeared almost entirely from view.

The Guardian discusses a new exhibition, Comix Creatrix: 100 Women Making Comics, which aims to dispel the myth that there are few women creators in the comic industry and includes works dating back to the 18th century.

Milhazes» work is included in prestigious international collections including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art and the Museum of Modern Art, New York, NY; the Carnegie Museum of Art, Pittsburgh, PA; San Francisco Museum of Modern Art, San Francisco, CA; Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain; 21st Century Museum of Contemporary Art, Kanazawa, Japan to name a few.

Motley was born in New Orleans, but during the first half of the 20th century he lived and worked in a predominately white neighborhood on Chicago's Southwest side, a few miles from the city's growing black community known as «Bronzeville.»

In an article titled, «Negro Artists: Their Works Win Top U.S. Honors,» Cortor is joined by a few emerging artists and figures who would come to be regarded among the most important artists of the century, including Richmond Barthe, Romare Bearden, Palmer Hayden, Sargent Johnson, William H. Johnson, Jacob Lawrence and Horace Pippin.

The project will also allow works by some of the most significant British artists in the 20th century, including Anthony Cato, Ben Nicholson, LS Lowry and Henry Moore, who was born just a few miles from the proposed gallery site.

The collection of American art includes works by the great 18th century history painter John Singleton Copley; the Francophile Mary Cassatt, a leading figure in the American Impressionism movement; the portraitist Gilbert Stuart; the painter of the cowboy west Frederic Remington; the wonderful 19th century realists Winslow Homer and Thomas Eakins; the post-Impressionist Whistler; the virtuoso society portrait painter John Singer Sargent; the Pop - Artists Jasper Johns, Edward Ruscha, Andy Warhol, and Roy Lichtenstein; co-inventors of «Action - Painting» Jackson Pollock and Lee Krasner; and the Abstract Expressionist Mark Rothko, to name but a few.

This was in the late 1960s when detailed information on 20th century avant garde art and artists was relatively sparse, and a few years prior to the last major retrospective of László Moholy - Nagy's (1895 > 1946) work in the United States.

Jones stands amongst those twentieth century giants of British abstract art such as John Hoyland, Bert Irvin, John McLean and Terry Frost, to name but a few, and whose influence is noticeable in works such as No Pasaran and Duality.

Spanning more than fifty years, the exhibition will examine the transformation of paper from its traditional role as a substrate for prints to an active partner — and stand - alone medium — in the creation of editions and unique works by such groundbreaking artists of the 20th and 21st century as Mel Bochner, Lynda Benglis, Chakaia Booker, Lesley Dill, Leonardo Drew, David Hockney, Louise Nevelson, Robert Rauschenberg, and Richard Tuttle, to name just a few.

After several decades of pioneering work, the «environmental» movement was captured by environmental extremists during the last few decades of the last century; EPA, in turn, was effectively captured by the «environmental» movement starting during the Clinton Administration and in a very accelerated way during the Obama Administration.

It may well be that ice core data are too noisy for a 100 ppm spike in CO2 levels lasting for a few centuries to be detectable, but to make such an assertion, Alexi has more work to do.

For Bruce Holmes, CCIM, president of Century 21 Venture Ltd., in Augusta, Maine, doing the same work with fewer staffers means «we no longer have the luxury of creating a professional property brochure for every listing.»