Sentences with phrase «work in a modern context»

The pope's encyclical, putting the issue of work in a modern context, states, «We are on the eve of new developments in technological, economic and political conditions... which will influence the world of work and production no less than the industrial revolution of the last century.»

Not exact matches

In modern history the work ethic was first given a great impetus by the Protestant Reformation, in which context Martin Luther and John Calvin argued convincingly that the great and good life was ultimately experienced not in the monastery or convent, but in working at one's job in everyday lifIn modern history the work ethic was first given a great impetus by the Protestant Reformation, in which context Martin Luther and John Calvin argued convincingly that the great and good life was ultimately experienced not in the monastery or convent, but in working at one's job in everyday lifin which context Martin Luther and John Calvin argued convincingly that the great and good life was ultimately experienced not in the monastery or convent, but in working at one's job in everyday lifin the monastery or convent, but in working at one's job in everyday lifin working at one's job in everyday lifin everyday life.

What Christian education curriculum seriously examines work and the Christian life in a modern context?

Wieman was also impressed that Whitehead was working out of a context of mathematics and thorough familiarity with modern physics, and devoted a chapter to «The Scientific Test of this Concept,» in which he also affirmed a resounding «yes» to Whitehead.

This lesson explores the work of Elie Wiesel and places his quotes in a modern context.

For organisations this means that modern learning technologies can increase your ROI as they can provide context - sensitive pop - up navigation within any application, and support your employees as and when they require in their everyday work, reducing user errors, lost production ultimately improving efficiencies.

Tibbits is complaining that they don't show enough work by Houston artists from the juried shows of yesteryear and / or the Fresh Paint era, and that's a proposition that needs to be evaluated in the context of how those museums present historical and modern American art in general.

«Journeys with The Waste Land» includes work by more than 60 artists who have been inspired by T.S. Eliot's great modern lament, or whose art resonates in the context of the poem.

Tate St Ives presents international modern and contemporary art in the unique cultural context of St Ives, including works from the Tate Collection, in particular works by the artists from the St Ives school.

Pierre Chareau: Modern Architecture and Design proposes a fresh look at the internationally recognized designer and examines his work in the Parisian cultural context between the wars to highlight his circle of influential patrons, engagement with the period's foremost artists, and designs for the film industry.

The surrealistic tendencies in his work melded well with the society's goal of promoting modern art movements in a Canadian context.

What's more, no museum in the vicinity of Boston has the depth to be able to put this work convincingly in a wider context - teasing out connections not just with earlier strains of modern art, both American and European, but with the full gamut of contemporary productions.

Brian O'Doherty coined his now famous description of the white cube in a series of essays in 1976, highlighting the often unarticulated context that he argued was a determining factor in the way that many modern artists made their work.

For if artists in the West were making work that would look best in the clean spaces of the modern art museum, over the last 20 years Asian artists have largely been responding to a different context, that of biennials.

Works by Olaf Breuning were most recently to be seen at the exhibition Swiss Video at the Tate Modern in London (2006), and at the Mori Art Museum in Tokyo in the context of all about laughter (2007).

The works of art that we could dub as formalist already achieved fame by other names — modern art, abstract art, the avant - garde, yet they here are presented in the context of their philosophical origin.

The exhibition's title alone, taken from Clark's seminal book The Painting of Modern Life: Paris in the Art of Manet and his Followers (1985), sets up notions of how one should view Lowry's work, pulling up his northern roots and positioning him in a different context.

Mendelson, a sculptor whose works reinterpret ancient and rare glass and ceramic objects in a modern context, is the recipient of three New York Foundation for the Arts fellowships and a Pollock Krasner Foundation Grant.

Her provocative works have been shown extensively in solo exhibitions, including one at the New Museum in New York, and in group contexts such as Tate Modern and the 2005 and 2007 Venice Bienniales.

For the series, Art History 201, «Anna Stothart, Brown Foundation Curator of Modern and Contemporary Art, engages in conversation with nationally - known artists about their work and its role in the greater context of the history of art.»

Growing up in the Midwest, he was heavily influenced by Chicago's modern architecture and developed an in - depth understanding of contemporary art within the context of architecture while working at the Des Moines Art Center and the High Museum of Art.

His subject matter was not chosen as particularly suitable for formal experiments in abstraction: in his late works «he continued to explore visual perception, natural phenomena, modern life, the course of history and the social and ethical contexts that determine the endeavours of mankind».

Collection Irish Museum of Modern Art, Purchased 2007 The international dominance in the 1990s of interactive art practices that draw on human relations and their social context, termed «Relational Art», is not reflected in the Weltkunst Collection, although noted exponent Douglas Gordon does feature with the work Above all else, 1991.

Weerasethakul has presented his work widely in international art and film contexts, including the Sharjah Biennial 11 in the UAE (2013), where he and fellow Kick The Machine artist Chai Siri received the Sharjah Biennial Prize, dOCUMENTA 13 in Kassel, Germany (2012), Liverpool Biennial (2006), Busan Biennale (2004), the Istanbul Biennial (2001), and in solo and group exhibitions at art spaces such as Haus der Kunst in Munich, Germany; Hangar Bicocca, Milan, Italy; Walker Art Center, Minneapolis; New Museum, New York; Irish Museum of Modern Art, Dublin; and Musée d'Art Modern de la Ville de Paris.

The show pushes our conceptions of the boundaries of Indian abstraction by including works like 17th century Islamic tiles from the CSMVS permanent collection along with the selection of modern abstract works from the Foundation's collection.The layered interpretation of Indian abstraction as well as the inclusion older works, usually unmentioned in this modern context, make this a show a must see.

Fulton presented Slowalk (In support of Ai Weiwei) at Tate Modern as a collective action created specifically in response to the iconic architecture of the Turbine Hall and in the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end of the Turbine Hall as the eleventh project in the series of Unilever CommissionIn support of Ai Weiwei) at Tate Modern as a collective action created specifically in response to the iconic architecture of the Turbine Hall and in the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end of the Turbine Hall as the eleventh project in the series of Unilever Commissionin response to the iconic architecture of the Turbine Hall and in the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end of the Turbine Hall as the eleventh project in the series of Unilever Commissionin the context of the recent disappearance of Chinese artist Ai Weiwei, whose work Sunflower Seeds is currently on display in the east end of the Turbine Hall as the eleventh project in the series of Unilever Commissionin the east end of the Turbine Hall as the eleventh project in the series of Unilever Commissionin the series of Unilever Commissions.

African Art Collectives includes a short presentation by Elvira Dyangani Ose, Curator International Art Tate Modern, placing Issa Samb's work in the context of Laboratoire Agit» Art and other African art collectives, exploring the situations and politics that motivated them.

The photo works by Sherrie Levine after Walker Evans, Andreas Feininger, Edward Weston, Alfred Stieglitz and other masters of early modern photography are among the most radical works in this context.

The internet explorer (and archiver) continues his examination of the shifting nature of self in the context of modern technology and virtual living, using video works, installations, sculptures, prints, and traditional painting techniques to probe the subjectivity of memory and the collapse between the virtual and «the real».

His work has been featured in Recognize, National Portrait Gallery, Smithsonian Institution, Washington, DC (2008); Black Alphabet — contexts of contemporary African - American art, Zacheta National Gallery of Art, Warsaw, Poland (2006); Down By Law, Wrong Gallery at the Sondra Gilman Gallery, part of the Whitney Biennial, New York, NY (2006); and Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC (2006).

MoMA's early history is marked by an ongoing interest in celebrating forms and techniques not usually considered in the context of fine art — perhaps the outgrowth of its habitual revolt against the strictures of good taste as the museum worked to legitimize «ugly» and «nonsensical» Modern art in the 1930s.

Recent group exhibitions include: Ericka Beckman: Image games — work in context at Tate Modern, London; Videonale.14 at the Kunstmuseum, Bonn, Lagos and Odessa; Videocracy at The Centre for Contemporary Art, Tel Aviv and The House in the Sky at Concrete, Hayward Gallery, London.

In keeping with The Met Breuer's mission to present modern art in the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham RydeIn keeping with The Met Breuer's mission to present modern art in the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Rydein the context of the history of art, this exhibition will include select works from The Met collection by other artists who shaped Hartley's vision, including French modernist Paul Cézanne, Japanese printmakers Utagawa Hiroshige and Katsushika Hokusai, and American painters Winslow Homer and Albert Pinkham Ryder.

Jaune Quick - to - See Smith is one of the most creative American Indian artists whose work explores Native American aesthetic traditions in a modern and post-modern art context.

Viewing his own pieces and artificial lighting as a «modern technological fetish,» Flavin's work pried entirely replaceable commodity products, like florescent lighting, from their standard context — placing them in the gallery space for the purposes of critical enquiry.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

It is striking how tired the post-Warholian tendency looks today, placed in its art - historical context: compare the somewhat weary reviews of the new Tate Modern exhibition Pop Life, featuring work by Jeff Koons and Hirst, with the response to this year's Turner prize show — a quieter, less commercial, but more thoughtful kind of art.

Lu's book on the work of Chinese artist Wang Yin (born 1964) situates his work within the historical context of twentieth - century Chinese painting, as well as broader shifts in modern Chinese culture.

This original documentary provided an artistic and historical context to Miró's works through stunning high - definition video, historical footage and photographs of the artist at work in his studio, and in - depth interviews with the Marshall Price, the Nasher Museum's Nancy Hanks Curator of Modern and Contemporary Art; Nasher Museum Director Sarah Schroth and Miró scholar Robert Lubar.

The exhibition traces how iconic works from Western modern art have been interpreted or «twisted» in a different cultural context to create images and ideas clashing with orthodox interpretations of art history.

Rather than emphasize continuity over time, the book emphasizes cross-generational connections, and much of the talk focuses on the historical context — direct and indirect — that informs the work of Mexico's vibrant contemporary artists, several of whom — such as Francis Alÿs, Melanie Smith, and Teresa Margolles — are included in the Modern's current exhibition, México Inside Out: Themes in Art Since 1990.

Just as Christie's has enjoyed success with sales that present the works of different time periods, Art Basel promises a special highlight this year with the ongoing strength of the Modern and historical works on view in the context of the contemporary offerings.

From the outset, our program has combined modern and contemporary works in an effort to create a cohesive art historical and commercial context for collage and its related forms, spanning most of the major art movements of the postwar period.

By showing his work in a contemporary context, Sight Unseen sheds new light on his contribution to modern sculpture and asks what today's artists can draw from his work.

The exceptionalism professed by so many lawyers simply does not hold up under scrutiny in the modern context, and the vast array of alternative work formats and technologies at our disposal.