Sentences with phrase «work in dark spaces»

«A lot of people work in dark spaces.

Not exact matches

Working with NASA on its Wide - Field Infrared Survey Telescope (WFIRST) mission, due to launch sometime after 2020 (see «Mapping the Dark,» page 47), Perlmutter will help choose between the different models by studying groups of supernovae that lie farther out in space than any yet studied, following the universe's expansion history back in time.

DAMPE's data could help to determine whether a surprising pattern in the abundance of high - energy electrons and positrons — detected by the Alpha Magnetic Spectrometer (AMS) aboard the International Space Station — comes from dark matter or from astronomical sources such as pulsars, says Pohl, who also works on the AMS.

To verify dark energy and understand how it works, scientists are trying to peer ever farther out in space and back in time.

But there are also the first signs of life for the division, after JWST: Congress is giving NASA $ 90 million to begin work on the Wide Field Infrared Space Telescope, which will aid in the search to understand dark matter and dark energy.

Surprisingly, recent work demonstrates that visual brain maps are dark - centric and that, just as stars rotate around black holes in the Universe, lights rotate around darks in the brain representation of visual space.

Back in the US, meanwhile, teams work flat out on plans for a $ 650 million space probe called the Joint Dark Energy Mission.

A 100 - year - old «cosmological constant» theory introduced by Albert Einstein in relation to his work on general relativity and some other theories derived from this model remain as viable contenders because they propose that dark energy is a constant in both space and time: Gravitational waves and light waves are affected in the same way by dark energy, and thus travel at the same rate through space.

But I'm proud I made the decision to do that cos right now I feel spanking new and ready to go on another work clock marathon cos the party never really stops and indeed we never want it to stop so I'm back in full swing with fresh new ideas and inspirations I can't wait to share with you but first lets start with that one earring thing I'm currently loving especially in this dark cozy space where I shot this post.

A rich dark gray can work well in a formal space, study, or even on a statement piece of furniture.

Amazing work space boasts walls clad in yellow and gray wallpaper, Black Edition Jessica Zoob Desire Wallpaper, lined with a white juju hat over a dark gray desk and a taupe leather task chair atop a cowhide rug.

These family palaces, pressed together in an ancient street, frozen in the modern Italian bureaucracy, are prison architecture on the outside, but they contain great and graceful spaces, high silent halls no one ever sees, draped with rotting, rain - streaked silk where lesser works of the great Renaissance masters hang in the dark for years, and are illuminated by the lightning after the draperies collapse.

for a weekend, annoying for any longer Pros: Stylish rooms and common parts Comfortable bed Reliable shower Fast elevators Excellent breakfast service Cons: Room too dark to work in Having to move all towels and gowns before showering Lack of storage space Lack of complimentary water Too much space given to expensive mini-bar «Free welcome cocktail» actually $ 24 Passive aggressive price list for room items Stains on walls - removed after second request

All in all, a fun, no - frills shmup with satisfying and addictive gameplay — although the game never explains how a fighter jet works in the deep, dark vacuum of space.

In 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoIn 1949, he exhibited Ambiente Spaziale a Luce Nera (Spatial Environment with Black Light), a room - sized work using neon lights in a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoin a dark space of colored walls, a proto - installation style that would reappear decades later and in the Gagosian shoin the Gagosian show.

An ambient sound piece permeates the space, and around a wall to the left, other sonic works loop in a listening room with dark walls and a long bench.

Presented in conjunction with the 47th annual conference of the National Council on Education for the Ceramic Arts — a FotoFest - style extravaganza that will flood the city's art spaces with all things clay — the exhibit will fill Moody's front gallery with all - white porcelain works, the show's dark title notwithstanding.

Both authors will discuss the relationship of the idea of the avant to their own work and the extent to which it is or isn't a useful way to think about ideas of time and temporality, newness and oldness, chronology and succession, beforeness and afterness, and the layered, textured, multi — species spaces in which culture (and not just human culture) happens: Morton in relation to his writings on literature, art, music, and ecology in landmark texts such as Ecology Without Nature, The Ecological Thought, Hyperobjects, and Dark Ecology; and Wolfe in relation to his work as both author (Critical Environments, Animal Rites, and What Is Posthumanism?)

TF: I have always been interested in dark, subterranean spaces and have often used mined, underground materials to create works about light, landscape, and the cosmos, what's below correlating somehow to what's above.

These alternately tragic, comic, sublime, and horrific works reflect artists grappling with dark, suppressed, and frequently taboo emotions and behavior inherent in the contested spaces of religion, culture, and human nature.

Similar ornamental motifs are deployed in a several entirely abstract meditations, Crescent Totem, and in two works (Observatory and Muscorum) that revisit the Artificial Paradise series of 2008, a title that references the dark, refined sensuality of Charles Baudelaire and the new frontiers of poetical and pictorial space explored in his writings.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

06.2017 Suffering ², MONA, Tasmania (solo show) 04.2017 The World Made New, PiArts London [commissioned] 03.2017 Casebooks, Ambika P3 London [commission] 10.2016 Suffering, Queenstown, Tasmania [commission] 10.2016 Nowhere Less Now ⁷ Glynn Vivian Gallery, Swansea, Wales, UK [commissioned solo show] 07.2016 Leisure Land Golf, Quad, Derby, UK 06.2016 Seeing Round Corners, Turner Contemporary UK 04.2016 Leisure Land Golf, New Art Exchange, Nottingham, UK 02.2016 Objects Do Things, Ujazdowsky Castle, Centre for Contemporary Art, Poland 03.2016 Stories in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 0in the Dark, The Beaney, Whitstable Biennale, UK 05.2015 Leisure Land Golf, Venice Biennale (EM15 commission) 01.2015 Reads Like a Book, Cricoteka, Kraków, Poland 09.2014 Mirrorcity, Hayward Gallery, Southbank Centre, London [new work] 10.2014 Top of the World, Sami Centre for Contemporary Art, Karasjok, Norway 01.2014 For The Record, Birmingham Museum and Art Gallery, UK 09.2013 Entangled ², (Theatre II), Matt's Gallery, London (solo show) 09.2013 Monocular ⁴, Quad, Derby [commission] 08.2013 Narrative Structures, Stryx, Birmingham, UK 06.2013 Nowhere Less Now ², (Red Queen) MONA, Tasmania, Australia [commission] 05.2013 A» Comes First, Toulouse International Art Festival, France [commission] 01.2013 The Book Lovers, EFA Project Space, New York, USA 11.2012 The Book Lovers, MHKA, Antwerp, Begium 11.2012 Reality Bites, Kiasma, Helsinki, Finland 09.2012 Nowhere Less Now, Tin Tabernacle, Kilburn, London [Artangel commission solo show] 07.2012 Entangled ², Turner Contemporary, Margate [commission] 06.2012 Focal Points: Art and Photography, Manchester Art Gallery, UK 05.2012 Møte (Meeting), Galleri Festiviteten, Norway 03.2012 Ich is ein Anderer, Kunstverein Freiburg, Germany 02.2012 A Trip to the Moon, Bonniers Konsthall, Stockholm, Sweden11.2011 Monodrome, Athens Biennale, Greece 11.2011 Beyond Deception, Erik Steen Gallery, Oslo, Norway 08.2011 Something In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 0In The Way, Lofoten International Art Festival, Norway 07.2011 Outrageous Fortunes, Focal Point Gallery, Southend, UK 03.2011 Extramission 6, TPW Gallery, Toronto [as part of Images Festival solo show] 03.2011 Dis - covery, Salamanca Art Centre, Tasmania 03.2011 The Collection, Rugby Art Gallery, inaugural exhibition of CAS and V&A purchase for the collection 03.2011 Just Photography, Ancient and Modern at Martos Gallery, New York, USA 02.2011 It has to be this way ², BALTIC, Gateshead (solo show) 11.2010 Persistence of Vision, Kunsthallen Nikolaj, Copenhagen, Denmark 10.2010 It has to be this way ², Mead Gallery, Warwick (solo show) 10.2010 It has to be this way1.5, Aspex Gallery, Porstmouth (solo show) 09.

A Paul McCarthy video, the darkest work in the show and only piece with a warning label, is given a more traditional video space, and it features a Pinocchio character flinging ketchup in sexually suggestive ways.

Inszenierung / Mise en scene», Atelier Augarten Contemporary, Wien 2009 «Spatial Works», Färgfabriken, Stockholm 2009 «Critical applause 3: Tris Vonna - Michell», CCA, Glasgow (performance) 2009 «Finding Chopin», Hamburger Kunsthalle, Hamburg 2009 «Art Cologne / Open Space» (with Cabinet), London 2009 «The Generational: Younger than Jesus», New Museum, New York 2009 «Just in the dark / Solo al buio», Mercati di Traiano, Rome 2009 «The Front Room», Contemporary Art Museum, Saint Louis 2009 «Ars viva 08/09.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Just as our other senses are accentuated in a dark space where our eyes are of no use, artists Lauren Seiden and Frank Webster push the boundaries of the reception in their work by minimizing them to their essential elements.

2013 BALTIC 39, BALTIC Project Space TUNED CITIES group symposium / screening Newcastle upon Tyne with Clemens von Wedemeyer, Beatrice Gibson, William English, September GRAND UNION, Birmingham, MAGIC EYE — group show with Plastique Fantastique, Paul Sharits, Goodiepal, Luke McCredie, Alexander Stevenson, The Oulipo, July - August GALLERY 400, CHICAGO, I THINK WE»RE READY TO GO TO THE NEXT LEVEL: THE LEGACY OF THE HALFLIFERS, May - June, group show with Shana Moulton, the Halflifers, Bjorn Melhus, James Fotopolis DARK HORSE MOVING PICTURE SHOW — with Paul Tarragó and guest Leo Chadburn Performance / video work I AM YOUR ERROR MESSAGE and other works in a collaborative live show at the Horse Hospital, London, April 5th

The current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16 — April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings, such as «Floor 1» (1967), «Floor with Light at Noon» (1972), and «Two Exact Rules on a Dark and Light Floor» (1975), all done in acrylic on canvas.

ART SPACE 98 - «Dark Times / My Life Since # 45 (Work in Progress)» by Camille Perrottet has an Opening Reception on Saturday, November 18, 2017 from 5 to 7 p.m..

In the gallery's main space, three large - scale paintings depict the vast expanses of an empty bed and are punctuated by four smaller works, each featuring a single window seen from without, the warm glow of its light intensified by the dark night surrounding it.

They punctuate the wall - based works, suggest the absence (or death) of a recent human presence in the space, whilst adding a touch of dark humour in the objects» obvious worthlessness.

Indicative of her personality and proclivity, the work emphasized stark contrasts as in the near - perfect transitions from white to grey, large expanses of deep dark voids and the juxtaposition of bold colors, which the combination created not only a vibrational glow, but an optical effect that enhanced the notion of these emblematic objects floating in space.

According to the artists» website, which seems to talk to potential fans that are reading, in the space will be the «next 3 episodes of Dark Content, several crowdsourced performances from the series, Befnoed, and a new work about content moderators guidelines that were leaked to us...»

However, working in contrast to traditional painting methods, Wadden's compositions are determined only during the final stages of preparation, and the use of light and dark create a stark positive and negative spaces, which optically shift from foreground to background.

At times I wish I could make work that used the logic of alternating darks to lights in a recession of pictorial space but it doesn't suit me.

The keys have ample spacing and make a satisfying click while you type, and there are three levels of backlight for when you're working in the dark.

It also depends on the specific property — white walls can work in a room with lots of natural light, but will make the space feel «dead» if it's small or dark, according to designer Emily Henderson.

One of the few brand new pieces in the room, the light fixture works with the custom wool and silk rug to add brightness and sparkle to the dark - painted space.

I do love a dark dramatic wall in a bath... but I just couldn't see it working in this space.

Even with two big windows, the office felt dark and dreary with all the wood flooring, trim, and furniture, and I dreamed of a space that was light, bright, and a happy place to work in everyday.

The corner leather sofa is ideal for a small room and her dark - blue wallpaper works surprisingly well in this compact space, creating a strong style statement.

Orange and white are natural partners and work well to brighten a dark or compact space; try the colour scheme out in a small bathroom or cloakroom for an instant lift.

The dark finishes can work in sleek modern kitchens or the most cottagey of cooking spaces.

I've learned that dark colors in a smaller space work magic.

Paint it white Dark colors are definitely having a moment right now, but they can be tricky to work with in small spaces.

It might be dark and moody, but it can work well in fun spaces too — as this child's bedroom proves.