Sentences with phrase «work in the hands of readers»

With the click of a button, one can now get their work in the hands of readers -LSB-...]

The requirement to seek permission from a Big Publisher before seeing your work in the hands of readers was quickly expiring.

Not exact matches

For the curious lay reader who can overlook Isaacson's editorializing (and his repeated insistence that Leonardo's penchant for sodomy went hand in hand with his creativity), this work is a serviceable introduction to the major events and artistic developments in the life of the genius behind the Last Supper.

The rest of my colleagues ran away from me, but my dear readers I do promise that I will always work hand in hand with them if they ever need me.

They work along the same lines as contactless payment cards and are convenient for those who may not always have a hand free to insert a pass in a reader — a vital consideration for teachers carrying lots of books, paperwork or that all important cup of tea!

For the complete publishing team package, where professionals hold your hand and even do much of the work from concept to putting copies in readers hands, we have the Platinum Program.

Ingram's Director of Metadata, Margaret Harrison, lays out the role of metadata in book discovery and book sales and some best practices and actionable tips for getting your work into readers» hands.

I have a long way to go, and lots of hard work in front of me, but in the end I believe the book will be more successful and get into more readers hands than it would have if I had pursued the traditional publishing route.

Digital publishing made the speed - to - market incredibly fast, and just like other e-short platforms, Byliner was able to get quality non-fiction into the hands of busy readers with minimal delay, along with dedicated fiction works that were written expressly for snippet - like consumption from some of the top names in books.

Rather than resting on their laurels in the years since WPR was written, they've been evolving their once - fledgling business a little bit at a time: expanding to eight publishing imprints, 10 high - profile podcasts, a coordinated staff working behind the scenes, millions of words published, and hundreds of thousands of books in the hands of eager readers.

«HarperCollins is always keen to experiment with getting our authors» work into the hands of readers in as many different formats as possible.

While Lawrence makes things with his hands in an after - school program at the Utopia Children's House in Harlem, readers are treated with glimpses of his 1930s neighborhood: street vendors hawking wares, men playing chess and checkers, mothers hurrying to work, and more.

That in turn has been helping some good authors, some published by large houses as well, get works into the hands of readers who might never have had access to those books because they would not sell in high enough volumes via traditional print ways.

As a Kindle publisher, the new Kindle Fire HD means your work can be in the hands of millions more Kindle readers.

«A good ebook developer will know that the author has put their heart and soul into writing their book and he or she will be able to take that book in whatever format the author provides and then lovingly hand - craft an ebook version for them which will honour their work and get it to the devices of readers who will appreciate it too.»

Your friends, family, and publisher will do everything they can to spread the word about your work, but at the end of the day, with more books than ever being published and read, authors who think their work is done after the finished manuscript is in simply won't be read as widely as an author who (respectfully) continues to do everything he or she can to get their book into the hands of readers.»

In the past, the only way to get your book into the hands of readers was by working with a publisher who could get your book into stores.

This indomitably popular series works well for new readers in part because you won't be able to keep it out of their hands!

I'm certainly no expert, but pirates typically won't pay for work anyway, so if your work is pirated it will end up in more reader hands than you would have managed alone, and if a reader likes your work they are likely to look for more of it.

In the ensuing years, high - minded censors in both Britain and America continued to attack Joyce's work, striving to keep his magnum opus, Ulysses, out of the hands of readerIn the ensuing years, high - minded censors in both Britain and America continued to attack Joyce's work, striving to keep his magnum opus, Ulysses, out of the hands of readerin both Britain and America continued to attack Joyce's work, striving to keep his magnum opus, Ulysses, out of the hands of readers.

They will also work on the iPhone and iPad, which puts their books in the hands of many avid readers.

Yet unlike the old days, when most prospective readers were effectively hostage to book reviews as a means of learning about new books or even reading tantalizing excerpts, the internet allows you as an independent author to publish excerpts and sample chapters to your heart's content, demonstrating first - hand that your work has those qualities that your intended readers are interested in.

Piracy, the great and terrifying force that's destroying authors» means to make a living on one hand, and getting their work in front of thousands of new readers on the other.

The personal essays in this book will leave you itching to get your work into the hands of readers and experience, first - hand, all the rewards indie publishing has to offer.

I suppose that's why I find the new direction in self - publishing to be an exciting opportunity for authors to get works directly into the hands of readers.

E-books in particular can be relatively cost - effective to produce, getting your work into the hands of readers and customers faster than if you used traditional publishers.

Kate Tilton presents Five Things You Need To Know About Self - Publishing by Cassie Phillips posted at Kate Tilton, Connecting Authors & Readers, saying, «The power to create and share work is firmly in the hands of writers with the self - publishing revolution.

And then I remembered, I had an agent, a great agent, I wrote great books (so all the rejecting editors told me) and yes, you are right, self pub has given my stories a voice and an ear and the chance to be read, when they otherwise would have still been gathering dust on my hard drive, yet, on the other hand this is hard, REALLY HARD, it is SO hard to find your way to a readership as a SP, with limited funds (dwindling)... and the glimmer of trad pub — with their power to splash your name around established circles of readers, and their ability to secure a great number of reviews where, as a self pub, doors have been slammed in my face — becomes temptingly shiny again, (it's like childbirth, you forget all the painful stuff with time)... and it all gets very tempting... almost tempting enough to consider sacrificing one work JUST one artistic premise for the trade off of visibility... and then perhaps, just perhaps THEN, my SP efforts will finally sprout wings... but then I hear you and other say, it wasn't worth it, you'd never do it again, and I sigh... And then I wake up the next morning and think of packing it all in, and going to work for Walmart and steady shitty pay... lol And then along comes this blog post.

Participants at «Great Beginnings» are encouraged to bring the first chapter of a work in progress, as this hands - on class is designed to help writers — new or old hands — sort through conflicting advice about first chapters, and create compelling opening chapters that draw readers into the story.

As for «success», right now I would like to place my recent first book in the hands of as many readers as possible, while being remunerated for my work.

«I chose to participate in KDP Select because it's an innovative way to get my eBooks in the hands of readers who are new to my work.

It goes beyond the borders of what is known as storytelling because it challenges the reader to interact between two books that work hand in hand in order to provide a deeper understanding of the abstract, two - dimensional world of Flatland.

Your interior «reading voice» helps to both reinforce the private nature of reading, and the one - on - one connection the act creates.Handmade books in particular ask the reader to pause and contemplate the physicality of the book, the particular hands that have produced the work, and the time it took them to do so.

2016: Kunsthaus Baselland, Basel / Muttenz; Collaborative exhibition with Douglas Gordon, Taro Nasu, Tokyo (JP); 2015: Dvir Gallery, Tel Aviv (IL); Claymation, Museo Carlo Zauli, Faenza (I); All the possible combinations of twelve lights lighting (one at a time), MACRO Foyer, Rome (I); Many Hands Make Light Work (with Rodney Graham), Until Then, Paris (F); Anything by the Smiths, CAN, Neuchâtel; 2014: I ❤ 1984, Lisson Gallery, London (UK); monk > < nannucci (with Maurizio Nanucci), Quartz Studio, Turin (I); I went to school with someone called Jonathon Monk, Casey Kaplan, New York (USA); IMMA Irish Museum of Modern Art project space, Dublin (IE); Jonathan Monk a Riso, Museo d'Arte Contemporanea della Sicilia, Fondazione Sambuca (I); The Reader, Taro Nasu, Tokyo (JP); More Than Four Hundred Million Ways, Meyer Riegger, Karlsruhe (D); Left Foot, Galleri Nicolai Wallner, Copenhagen (DK); 2013: COLOURS SHAPES WORDS (pink, blue, square, circle), CAC Malaga (E); Less Is More Than One Hundred Indian Bicycles (with words from Rirkrit Tiravanija and a Silver Shadow), Kunstraum Dornbirn (AUT); In Between Exhibitions I, II, III, IV, Yvon Lambert, Paris (F); Senza Titolo, Lisson Gallery, Milan (I); Egg, Centre d'édition contemporaine, Genève; 2012: «They came out of nowhere «he said, pointing to nowhere (with Ryan Gander), Taro Nasu Gallery, Tokyo (JP); Who Ate All The Pies?

One of the workshop participants had significant experience working for an independent brick - and - mortar bookseller, and she volunteered that many (the majority, in fact) of authors who proudly publish their first novels will see those novels get in the hands of far fewer readers than you'd think.

Print citations, on the other hand, are publically accessible, work well in all of the databases, and are database - neutral such that they do not lock subsequent readers into using particular database or another.

Customizing your sales resume in a few key areas requires a bit of work but will guide the reader to see how your skills align perfectly with the job at hand.