Sentences with phrase «work led critics»

Not exact matches

When I reflect on the infinite pains to which the human mind and heart will go in order to protect itself from the full impact of reality, when I recall the mordant analyses of religious belief which stem from the works of Karl Marx and Sigmund Freud and, furthermore, recognize the truth of so much of what these critics of religion have had to say, when I engage in a philosophical critique of the language of theology and am constrained to admit that it is a continual attempt to say what can not properly be said and am thereby led to wonder whether its claim to cognition can possibly be valid — when I ask these questions of myself and others like them (as I can not help asking and, what is more, feel obliged to ask), is not the conclusion forced upon me that my faith is a delusion?
Rudolf Bultmann, a leading New Testament form critic, has interpreted his work in «The New Approach to the Synoptic Problem» now included in his essays edited by Schubert Ogden, Existence and Faith — Meridian Living Age Books No. 29 [New York: Meridian Books, 1960]-RRB-.
This bleak record has led critics such as David Rieff (author of the recent A Bed for the Night: Humanitarianism in Crisis) to argue that humanitarian intervention and humanitarianism itself no longer work.
Direct Access is lauded by Task Force members, whose work led to the plan, but has critics and immigrants wondering if it is enough.
Critics are taking Governor Andrew Cuomo's recent political attacks on unionized teachers as the strongest evidence yet he is working toward a Republican - led State Senate, despite of his pledge to help Democrats win the chamber.
Some critics accused Mr Brown at the time of producing a distinctively lacklustre display, leading to questions being raised regarding his desire to work with the US and suggesting ties between the two countries may become weaker.
Critic Consensus: Led by strong direction from Barry Levinson and outstanding work from Al Pacino, You Don't Know Jack makes compelling viewing out of real - life drama.
Critics Consensus: Led by strong direction from Barry Levinson and outstanding work from Al Pacino, You Don't Know Jack makes compelling viewing out of real - life drama.
Critic Consensus: Led by strong work from Margot Robbie and Alison Janney, I, Tonya finds the humor in its real - life story without losing sight of its more tragic — and emotionally resonant — elements.
He was Philadelphia Weekly's Lead Film Critic from 1999 through 2013, and worked as the Movies Section Contributing Editor at The Improper Bostonian from 2006 until 2014.
ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.
Joey Berlin, president of the Broadcast Film Critics Association, said in a statement that her work as an actress along with her activism give her a powerful voice, making her the perfect candidate to lead the night.
Though he'd built up a strong reputation among critics and cineastes in the 1960s with darker character work in films like Cast a Dark Shadow (1955) and the daring masterpiece Victim (1961), he was best known to the public as Simon Sparrow, the heartthrob comic lead in Doctor in the House (1954) and four subsequent sequels.
Yet there have been occasional times when Sandler's work was taken not just seriously, but respected by critics from some of his better rom - coms like «The Wedding Singer» to most notably his leading role in Paul Thomas Anderson's «Punch - Drunk Love».
Joey Berlin, president of the Broadcast Film Critics Association, said in a statement that Munn's work as an actress along with her activism give her a powerful voice, making her the perfect candidate to lead the night.
Critics have the ability to share their thoughts with the world immediately after seeing a film - and coupled with the presence of trailers on the Internet, it leads to certain Oscar - buzzed works being in high demand within a short period of time.
Then I sent some follow - up emails and when that didn't lead to work as a film critic, I figured, you know, «Whatevs.»
ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.
Wood's film work led renowned critic Roger Ebert to rave, «Elijah Wood has emerged, I believe, as the most talented actor, in his age group, in Hollywood history.»
His leading opponent, former Los Angeles Mayor Antonio Villaraigosa, early in his career worked for the United Teachers of Los Angeles and as a consultant for the CTA, but has been a harsh critic of the teachers unions on numerous issues over a period of many years.
A galvanizing new work from America's leading economic critic — a book that will set the terms of the political debate for years to come.
For those prior works she has won an impressive string of accolades, including the 2006 Hawthornden Prize, as well as both the 2009 Man Booker Prize and the National Book Critics Circle Award for Fiction, both of which went to the book that led to Bring Up the Bodies, entitled Wolf Hall.
Why do we have to have this arbitrary divide that causes some writers of literary fiction to deny their works are speculative fiction and leads literary critics to look down on genre writing?
Liberal critic John McCallum has criticized the proposal as inadequate, pointing out that it affects only the relatively small percentage of workers who are in federally regulated industries and those working for Crown corporations, saying it would likely lead to a downgrade in pension benefits overall.
Critics have argued that some tactics employed by animal advocates, including protests, risk turning public opinion against the animal advocacy movement.178 While these activities make up a small proportion of L214's work, they do organize and participate in protests and demonstrations.179 Investigations make up a larger part of L214's work and have sometimes led to a slightly different type of backlash in which industry and government respond by attempting to pass laws that target advocates, such as ag - gag legislation in the United States.180 While L214 tries to maintain good relationships with media and the government, and France does not have ag - gag laws, they have sometimes been the target of lawsuits by industry because their footage is taken without permission.181 L214 has sometimes suffered negative consequences as a result of these lawsuits, such as fines or the requirement to take footage down from their website.182, 183
So to see my work included in a book that is emblazoned «Selected and Written by Leading International Critics» is something of a benchmark in my career.
I've been described as «pseudo honest» by a few critics but it's my honesty that has led to my best connections and my best work.
MCA Monographs offer an ongoing visual record of today's freshest and most influential work, in all its far - ranging variety, in conjunction with thought - provoking essays by leading art historians and critics.
Despite his lack of formal training, Dial took the art world by storm with his deft fusion of painting and sculpture, leading one art critic to declare that his work marked the end of so - called «outsider» art when it was shown at the Whitney Biennial in 2000.
The NGA has had an association with Tyler prints since the Australian art critic Robert Hughes (1938 - 2012) first acted on its behalf in the early 1970s, which in turn led to the pivotal acquisition of 600 works.
High praise from critics and collectors has led to her work being featured in major publications, including Elle Decor, Architectural Digest, Domino, and Southern Living, among others.
Writing about his work in a 2008 review in The Evening Standard, critic Ben Lewis said, «Nigel Cooke has firmly established himself as the leading British painter of his (post-Doig) generation.»
The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Kong.
This was a more audacious commitment than it may seem in retrospect, for there was, inevitably, a price to be paid for his rugged independence: As far as I have been able to determine, neither Clement Greenberg nor Harold Rosenberg, nor any of the critics or curators or collectors who followed their lead, ever paid Bell's work the slightest attention.
Her affinity for representational exactitude is tempered with high - key formalist abstraction, leading critic Hilton Kramer to categorize her work as a mix between Charles Sheeler and Piet Mondrian.
This work often provoked outright scandal — a racy print ad in Artforum for a 1974 Benglis exhibition caused enough controversy among the staff that it soon led to the departure of critics Annette Michelson and Rosalind Krauss, who founded the journal October shortly thereafter.
These works, which led to his characterisation as an «Abstract - Realist» by the critic Thomas B. Hess, were included in The Art of Assemblage at MoMA, which contextualised the Neo-Dada phenomenon in relation to Cubism, Dada and Surrealism.
Such works made his name in 1962, when an exhibition of them at the Allan Stone Gallery in New York attracted rave reviews and, to the discomfort of the artist himself, led critics to see him as part of the Pop Art movement.
A leading world expert on Katz, distinguished New York art critic Carter Ratcliff writes the definitive, comprehensive Survey, following Katz's work from the 1950s to the present.
The lush colors and formalized shapes in Avery's paintings have often led critics to compare his works with those of Matisse.
And due to various teething problems, the exhibition was not fully installed in time for the opening, leading the critic Amanprit Sandhu to argue that «The exhibition as a visible work in progress — a literal site of production — came to be an integral part of the Kochi - Muziris experience.»
In the 1990s Drapell was widely exhibited in the United States and Europe, where he was recognized by American critic Kenworth Moffett and Parisian gallery owner Gérald Piltzer as a leading figure among the «new new painters,» a grouping of abstract artists in Canada and the northeastern United States whose work is characterized by high - keyed, glossy colour and built - up surfaces.
With the Hayward Gallery devoting a major retrospective to Mendieta's ground - breaking practice, we host a discussion about her life, iconoclastic art works and legacy featuring leading critic Adrian Heathfield, the exhibition's curator Stephanie Rosenthal, and the artist's sister Raquelín Mendieta.
Each biannual issue is a collaboration with four artists, in which their work is explored in fully illustrated essays by leading writers and critics.
This and the level of art historical awareness behind his works has led many critics to call Ray a sculptor's sculptor.
The above communication from Ad Reinhardt to Thomas Hess encapsulates some of the cross-currents that characterized the working relationship between a leading New York School artist who was also a prolific, polemical writer, and satirical cartoonist for ARTnews, and ARTnews's influential executive editor who was also a critic supportive of Reinhardt's art along with that of the other New York School artists.
It refers to groups of artists and writers in the late 19th and early 20th centuries, specifically, those making and distributing art in a different way to their contemporaries; artists who self - consciously created «isms», were promoted by themselves or critics in little magazines and showed and sold their work in private galleries or artist - led exhibitions.
Documents contextualises the Works with original artists» statements and interviews, often reproduced in book form for the first time, plus writings on art and photography by leading critics, writers and theorists of the late twentieth century.
«Grace's highly regarded tenure as the Curator of Contemporary Art at the Laguna Art Museum, coupled with her recent work in Portland as an arts writer and critic, make her an ideal candidate to lead our important mission of evaluating and celebrating our region's historical and burgeoning visual arts scene.»
The SPQ program is led by Greg Sholette, one of the most accomplished critics and artists working on contemporary socially - engaged art.
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