Sentences with phrase «work of cinematic art»

35 years later, its status as a work of cinematic art and a solid piece of problematic entertainment is more assured than ever.

, is a beautiful, sad, striking work of cinematic art.

Jeff Nichols's latest film, Midnight Special, is a beautiful, sad, striking work of cinematic art.

... Mr. Morris presents a powerful historical argument in the guise of a beguiling work of cinematic art — and vice versa.

This deceptively simple tale should be remembered as one of the decade's finest works of cinematic art.»

The 1977 original is part dream, part nightmare, a true assault on the senses, and one of the most visually sublime works of cinematic art one could possibly hope to consume — or rather be consumed by.

Not exact matches

The Rider is nothing short of a masterpiece, an elegant work of cinematic poetry that elevates the everyday struggles of real people to the level of high art.

Although the summer of 2015 has proven to be a largely disappointing season in terms of cinematic achievements for the most part, one definite bright spot has been the gradual reemergence of feature animation as a viable art form after a few years in which the genre has been largely dominated by increasingly formulaic and largely forgettable works that have done little more than fatten up the bottom lines of the studios behind them.

Gaspar Noé is akin to a Pop Art equivalent of Austrian filmmaker Michael Haneke in that his films are experimental works that manipulate formal cinematic conventions to annoy, frustrate and provoke.

The Seattle Film Critics Society (hereafter, «SFCS») is an association of professional reviewers working in concert to facilitate a community that supports local productions and festivals, that enhances public education, awareness, and appreciation of cinema, and strengthens the bonds of critical dialogue as it pertains to the cinematic arts.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

The Silence of the Lambs (Jonathan Demme, 1991) In the face of grotesque sequels, lesser prequels and numerous parodies, The Silence of the Lambs still stands as a cinematic work of art among crime dramas.

Among the highlights of this year's Ivy Film Festival will be the April 14 panel «She Scores: Women in the Musical & Cinematic Arts,» offering students first - hand insight into how composers and music supervisors work to incorporate music into a visual medium.

There's a reason he's long been considered the Charlie Chaplin of cinematic martial arts: His unbridled physicality and proclivity for self - wrought disaster prove that he's an obvious heir apparent to the master of the full - body blunder, a performer of such unparalleled precision and timing that he makes inevitable victory look like a practical mistake.

Lucas also serves on the board of The Film Foundation, the USC School of Cinematic Arts Board of Councilors and will build the Lucas Museum of Narrative Art, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 1Cinematic Arts Board of Councilors and will build the Lucas Museum of Narrative Art, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 yeaArt, emphasizing American illustrative, digital, cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 1cinematic and animation art as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 yeaart as an avenue for the exploration of the great storytelling history, populist works and artistic innovation of the past 150 years.

Two exclusive private sundecks in the living and the bedroom overlook the city while the art works of eminent artist Julius Macwan & old cine posters create a cinematic sojourn.

In 1999 he joined Gas Powered Games where he worked as an animator, director of cinematics, and art director for the Dungeon Siege and Supreme Commander franchises.

In the days before the latest set — Kobolds & Catacombs — releases to general audiences, we were invited to sit with Ben Thompson, Art Director, and Peter Whalen, Senior Game Designer of Hearthstone, to discuss not only the new set, but also what goes into making a new set, how their design philosophy has changed over the years, and even a little bit about the stellar work of Blizzard's in - house cinematic team.

Previously, Ru worked with Blizzard Entertainment, where his distinctive visual style influenced the direction of both game and cinematic art of Starcraft: Brood War, and Warcraft III Reign of Chaos.

Initially working on Starcraft ™, he then led the Cinematic art direction for Warcraft ™ III, Starcraft: Ghost ™ and World of Warcraft ™, and helped the Blizzard ™ Film Department win numerous awards and accolades over the years.

AS: I've been working with my editor since we met at USC's School of Cinematic Arts in the early 1990s.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Its big spring show «China: Through the Looking Glass,» which opens May 7, will explore how Western fashion designers have been influenced by traditional Chinese costumes; works of art and decorative arts; and cinematic portrayals of China.

From the psychedelic, cacophonous videos of South Africa's Dineo Seshee Bopape, to the abandoned Saharan film sets in Ben Rivers» latest cinematic work, we guide you through the week's top art events.

Drawing on the use of elliptical conversations in the 1961 film Last Year at Marienbad by Alain Resnais as a point of departure, the exhibition features works of art that utilize various cinematic conventions, such as editing, character development, narrative, mise - en - scène and montage, to reveal how our understanding of reality is often mediated by those very cinematic techniques.

In Rodriguez's first New York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin them.

Hawser's new work seeks to analyse the theoretical and physical attributes of a variable electronic resistor used to illuminate the art deco surround of the instrument during cinematic performances, known as the cinema organ colour changer.

For more than 40 years, Robert Bibler (American, born 1948) has combined a fascination with cinematic storytelling, classic film, and Renaissance art to create a beautifully rendered and thoughtful body of work.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

Robert Arndt's work suggests a manner of reading the object / subject under a diversiform of presentations, styles, subjectivity, and institutional structures through art and cinematic history.

Alongside a selection of color plates, Michael Darling, James W. Alsdorf Chief Curator at the MCA, reviews the works in the exhibition within the context of the artist's career; Chrissie Iles, Anne and Joel Ehrenkranz curator at the Whitney Museum of American Art, examines the artist's position within photographic and cinematic history; and novelist Kate Zambreno considers the fragments of lost objects and what it means to collect.

Blending performance art, pop - up storybook design techniques, and a cinematic score, the Center - supported work features a series of bold visual installations and an evolving, circus - style environment created in collaboration with installation artist Steven Dufala.

Illustrated with the artists» work, artists in their studios, and shots from Black's video interviews, Reflections: In Conversation with Today's Artists is a unique foray from the printed page into the world of the cinematic — a collage - like work of art in itself.

Working with a team of craftsmen, artists, and actors — and referencing a wide range of cinematic, pop - culture, and art - historical sources — del Toro recreates the lucid dreams he experienced as a child in Guadalajara, Mexico.

«When I first saw Boghiguian's work, I was struck by the cinematic rawness of her drawings,» says Carolyn Christov - Bakargiev, director of Italy's Castello di Rivoli Museum of Contemporary Art and artistic director of Documenta 13, who has worked closely with the artist in recent years.

His work is a reflection on the grammar of cinema and the relationship between visual art and the cinematic experience.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Brannon's work is characterized by the use both of cinematic tricks (flashback, the sudden take back of narrative into time, the use of subtitles), and of strategies and parameters of other disciplines (theater, writing) introducing them into a fine art context.

Visitors can experience romance, drama, action and mystery of great works of art as seen through a cinematic lens.

The Dallas Museum of Art goes to the movies this summer and invites you to view works in our collections through a cinematic lens.

Prager draws inspiration from the cinematic work of Alfred Hitchcock and Luis Buñuel and the art of such photographers as William Eggleston or Enrique Metinides, but also frequently cites the major influence her unconventional education has had on her own artistic practice, which combines the use of bold colors, unexpected angles and dramatic lighting.

Preferring a process more aligned with the cinematic to a low - fi aesthetic or documentary one, Just creates choreographed and grand works of art.