Sentences with phrase «work of historical research»

Not exact matches

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

For example, instead of selecting research topics entirely because of the state of the discipline, a historical scholar can select a topic that the church finds important in its own theological work.

On the other hand, all historical research worth the name leads simply in the pursuit of its precision work to the question of decision, (I deliberately avoid such formulations as «the question of truth» or «the question of valuation».)

The final chapter, on the «question of the historical Jesus», has been added because the current intensive discussion of this question makes it necessary that any man attempting historical research on Jesus should be prepared to take a stance with regard to the significance he would attribute to the results of that work.

There is no historical trend for the Pew Research question, so it is difficult to say how the level of difficulty men and women experience in balancing work and family life has changed over time.

To analyze the historical importance of salmon in the diets of grizzly bears, Grant Hilderbrand, a research biologist working for the Alaska Department of Fish and Game, used nitrogen - sampling techniques.

His chief area of work is the philosophy of science, in particular, historical changes in science and scientific method, theory - ladenness and empirical testability, intertheoretic relations and reductionism, and presently the methodology of applied research.

One generation of research lays the basis for the next, and the process proceeds in a cumulative, though not linear, fashion until the product of work of 100 or 50 or perhaps only 2 years ago has only historical significance.

This work reinforces previous assessments of ECE's impact on student progress, placement, and completion, but it covers a wider age range, reflects a mix of historical and contemporary research, and uses more rigorous criteria in designing its research parameters.

Connor McLaughlin previously worked as the Dr. Kathy A. Agard Fellow in Community Philanthropy with Our State of Generosity project at the Dorothy A. Johnson Center for Philanthropy, conducting research on the history of Michigan's philanthropic infrastructure by archiving historical documents and oral history interviews.

This project adds such a comparative framing to the field of education research, treating the historical and present day movements of learners as spaces for analysis and focused education design work toward more equitable communities for youth.

In a recent NEA research report, Taylor, Pressley, and Pearson (2002) summarize this research, noting several distinct historical waves of work.

In the course of doing research for a book like Astoria, which my agent has called «historical adventure,» I find myself reading bits and pieces of all sorts of works of nonfiction, as well as explorers» journals and memoirs, history, anthropology and many other eclectic subjects.

Kristin Hannah is known for her contemporary fiction so I was blown away by this meticulously researched work of historical fiction set in France during WW2.

Any reader who has even a passing interest in years gone by will find this work of historical tourism to be a well - researched and entertaining read.»

The late Halberstam's commanding and evocative final work displays his signature style: a combination of deep - drilling interviewing with thorough research, a detached awareness of historical trends, and «a respect for the nobility of ordinary people.»

Card has admitted that he can't be bothered to keep track of his plots and characters, and so his other series are always overrun with errors and inconsistencies, and his lack of interest in research is apparent in this silly work of «historical «fiction.

Though each a work of fiction, the stories are still based on historical research — which is listed in the bibliographic afterword.

She's an acclaimed writer of historical fiction and her works are so well - researched and her characters so interestingly flawed that you'd swear you were in 1205 along with the hero of this story as he returns from a Crusade in Constantinople.

All Acting Vs. Writing Advertising Apps For Writers Art Author Collectives Banning Books Blogging Blog Tours Book Cover Design Book Marketing Booksellers Branding Character Development Character - Driven Fiction Christian Erotica Clichés In Writing Co-Authoring Construction Coping With Anxiety Coping With Rejection Letters Copyright Copyright Infringement Copywriting Creating A Business Plan Dealing With Fear Defining Success Depression Developing Setting Drug & / or Alcohol Abuse Editing Vs. Writing Editors Education Entrepreneurial Skills Ethical Issues In Fiction Evoking Emotion Expat Writers Fame Fantasy Finding Inspiration Finding Your Voice Follow Your Dreams For Aspiring Writers For Indie Authors Gender Issues Genre Getting Published Ghostwriting Grief Handling Critique Historical Fiction Horror Stories In Publishing Interdisciplinary Art Karma Lit Killing Off Characters Learning From Mistakes LGBT LGBT Literature Literary Adaptations Literary Journals Lyrics Mailing Lists Marketing Memoir Metaphysical Lit Multicultural Fiction Music Music Vs. Writing Nonfiction Nonfiction To Fiction Nurturing Creativity Packaging Advice Perfectionism Photography Playwriting Plotting Poetry Political Art Pornography Protagonist Development Public Speaking Publishing Religion Research Romance Novels Self - doubt Selfpublishing Setting Goals Social Effects Of Fiction Social Media Social Networking Spiritual Lit Staying Motivated Stereotypes Success Taking Care Of Yourself Taking Risks Target Audience Thrillers Time Management Time Travel Traditional Publishing Trilogy Trust Your Instincts Truth In Fiction Twitter For Writers Typesetting Websites Work / Life Balance Writer Quirks Writer's Block Writers» Conference Writer's Life Writing Advice Writing A Series Writing As Therapy Writing Book Reviews Writing Craft Writing Dialects Writing Erotica Writing For A Living Writing For Children Writing (General) Writing Groups Writing In A Foreign Language Writing Playlists Writing Sequels Writing Vs. Medicine Writing Workshops Writing Yourself Into Your Characters Youth Arts Youth Education

For my historical work, I spend loads of time researching and organizing.

Carter is the author of two nonfiction works and uses her skills in research to create a vividly set historical thriller tracing the adventures of William Avery, a newly arrived British solider, and Jeremiah Blake, a seasoned spy gone native.

Dr. Ursula Rack, Arctic and Antarctic Historian at the University of Canterbury in New Zealand, talks with Marcie and Whistle about her incredible historical research into the working dogs of Antarctica.

Another main point of his work is the research - intensive games, that have peculiar historical events as their theme.

It is these conflicts that have fueled Fraser's engagement with what is called institutional critique over the past 30 years, during which time she's researched, analyzed, and made visible — in alternately unsettling and humorous performances — the inescapable social, economic, historical, and even emotional and sexual contexts that frame a work of art.

Although a great deal of research and work is necessary to determine the aesthetic and historical significance of this current display, we may be assured that the so - far - generated polemics regarding its place and meaning have laid the foundation for its enduring significance not only in Iran but also worldwide.

If the phrase «research - based practice» makes you squirm, S&T's take should be a potent antidote, since they bring consequential ideas — such as the conflict of democratic Western values with their bloody historical deployment in the region — to life through irresistibly engaging work.

The works are typically generated in response to specific historical material encountered in the process of making, researching and reflecting, often incorporating pre-existing forms, structures and art - historical narratives which are recreated, replayed and restaged as a means of exploring more contemporary stakes.

Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).

As a result of thorough curatorial research, Axis Mundo marks the first historical consideration and significant showing of many of these pioneering artists» work.

On April 9, NEH announced $ 18.6 million in grants for a traveling exhibition and public programming exploring the role of blacks in American cinema from 1900 - 1970, a New York Historical Society touring exhibition on Black Citizenship in the Age of Jim Crow, development of undergraduate curriculum at the University of Dayton related to the life and work of Paul Laurence Dunbar, and research for a book on self - taught Louisiana painter Clementine Hunter (1887 - 1988).

Her original work adds to the canon of art historical research and also extends our own commitment to drawing connections across time and place in the continuing narrative of the history of visual culture.»

The result of intensive research and collaboration with the artist, Hans Haacke 1967 will revisit this significant body of work as well as document part of MIT's historical contribution to contemporary art.»

Elliott Hundley's intricate and immersive works evolve from his historical research on theater, literature, and film, emerging in this exhibition from an exploration of Antonin Artaud's enduringly imperative play «There Is No More Firmament.»

Daniel Seth Kraus» work blends historical research with photographic practice in an effort to deepen our understanding of people and places.

Byrne is precise in his research and analysis of the relationship between time, documentation and an identifiable visual language, and while each of his distinct bodies of work is conceived independently, they resonate together as being made in relation to a specific, but malleable historical referent.

Her work is in the permanent collections of AT&T, Bibliothèque Nationale de France, Brooklyn Historical Society, Library of Congress, Islip Art Museum, Metropolitan Transit Authority, Pfizer, Reuters, Columbia University, YIVO Institute for Jewish Research and within artist books in the collections of Carnegie Mellon, Centre Georges Pompidou, Chrysler Museum, Metronome, Museum of the City of New York, Museum of Modern Art, and the Whitney Museum of American Art.

Likewise, we have participated in and provided research materials for use in conferences, panels, and seminars at the Turner Contemporary, the Albright - Knox, the Portland Art Museum, the Sterling and Francine Clark Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 2015.

Their work, which has been exhibited widely in major international spaces, locates them in the intersections of contemporary art, historical enquiry, philosophical speculation, research, and theory.

This exhibition catalogue features entries with full - color illustrations of the works in the exhibition as well as six new essays discussing the artistic, historical, and religious significance of the caves and their sculptures and recent research dedicated to their digital reconstruction.

Catherine Sullivan, a Chicago - based artist who works primarily with video and performance, gives us an example of artistic practice rooted in the more familiar academic territory of historical and traditional theoretical research.

Daniel Seth Kraus «s work blends historical research with photographic practice to deepen our understanding of people and places.

Curated by Antonio Natali, director of the Uffizi Gallery, and Carlo Falciani, a lecturer in art history, the exhibition will showcase new philological, historical and iconological research into the work of the two artists.

Chunn's previous works explore historical and current geopolitical scenes on well - researched topics, inventing a variety of new pictorial vocabularies that provide a relationship between each subject and its presentation.

He pointed out that exhibitions are not collected nor have they been documented with the consistency and depth that historical research requires, leaving in obscurity the work and imagination of curators who absorbed the lore of their elders and informally passed on their accumulated expertise to the succeeding generation: Only by comprehending those genealogies can we understand how some objects rather than others entered into conventional art history.

These inherently fragile works point to a process of investigative re-enactment, responding to research from African visual archives to challenge inherent biases in historical records.

An avid researcher of archives and historical narratives, Red Star seeks to incorporate and recast her research, offering new and unexpected perspectives in work that are both witty and unsettling.

Spitzmueller makes historical models based on historical book features as well as one - of - a-kind artists» books influenced by her research and conservation work.

Using the ideas of art historical research as a platform from which to both animate his work and engage with the work of artists, Bick develops responses that are at the same time generative, methodical and haphazard.

His curatorial and editorial work focuses on long - term research based on and balanced between presentations of historical and contemporary artistic positions.