Sentences with phrase «work of women writers»

Paris Press is a not - for - profit press publishing the work of women writers that has been neglected or misrepresented by the literary world.

Not exact matches

A fifth woman, who spoke to The Times on condition of anonymity, worked with Louis C.K. in the late 1990s on «The Chris Rock Show,» where he was a writer and producer.

She previously worked as a Lifestyle Writer for Romper focusing on issues of women's health.

Yet a woman writer lacks narrative models for recording the public significance of her thought and work.

It didn't help that, back then, women writers of faith were such an underrepresented group online, several advertisers and publishers literally had no category for women like me, so they labeled me a «mommy blogger,» whether the term fit my work or not.

Though 45 years separate Their Eyes Were Watching God and The Color Purple, the two novels embody many similar concerns and methods, ones that characterize the black women's literary tradition — a tradition now in full flower through the work of such writers as Toni Morrison, Paule Marshall, Gloria Naylor, Toni Cade Bambara, Ntozake Shange and Audre Lorde.

She is the lifestyles editor and writer at a San Francisco Bay Area newspaper and has been a featured blogger for the Huffington Post; columnist for Mommy Tracked: Managing the Chaos of Modern Motherhood, ModernMom.com and Divorce 360; contributor to the anthologies «Nothing But the Truth So Help Me God: 73 Women on Life's Transitions» and «Knowing Pains: Women on Love, Sex and Work in Our 40s,» a fundraiser for breast cancer.

* Day 1 Monday, February 22, 2016 4:00 PM -5:00 PM Registration & Networking 5:00 PM — 6:00 PM Welcome Reception & Opening Remarks Kevin de Leon, President pro Tem, California State Senate Debra McMannis, Director of Early Education & Support Division, California Department of Education (invited) Karen Stapf Walters, Executive Director, California State Board of Education (invited) 6:00 PM — 7:00 PM Keynote Address & Dinner Dr. Patricia K. Kuhl, Co-Director, Institute for Learning & Brain Sciences * Day 2 Tuesday February 23, 2016 8:00 AM — 9:00 AM Registration, Continental Breakfast, & Networking 9:00 AM — 9:15 AM Opening Remarks John Kim, Executive Director, Advancement Project Camille Maben, Executive Director, First 5 California Tom Torlakson, State Superintendent of Public Instruction, California Department of Education 9:15 AM — 10:00 AM Morning Keynote David B. Grusky, Executive Director, Stanford's Center on Poverty & Inequality 10:00 AM — 11:00 AM Educating California's Young Children: The Recent Developments in Transitional Kindergarten & Expanded Transitional Kindergarten (Panel Discussion) Deborah Kong, Executive Director, Early Edge California Heather Quick, Principal Research Scientist, American Institutes for Research Dean Tagawa, Administrator for Early Education, Los Angeles Unified School District Moderator: Erin Gabel, Deputy Director, First 5 California (Invited) 11:00 AM — 12:00 PM «Political Will & Prioritizing ECE» (Panel Discussion) Eric Heins, President, California Teachers Association Senator Hannah - Beth Jackson, Chair of the Women's Legislative Committee, California State Senate David Kirp, James D. Marver Professor of Public Policy, University of California, Berkeley Assemblyman Kevin McCarty, Chairman of Subcommittee No. 2 of Education Finance, California State Assembly Moderator: Kim Pattillo Brownson, Managing Director, Policy & Advocacy, Advancement Project 12:00 PM — 12:45 PM Lunch 12:45 PM — 1:45 PM Lunch Keynote - «How Children Succeed: Grit, Curiosity, and the Hidden Power of Character» Paul Tough, New York Times Magazine Writer, Author 1:45 PM — 1:55 PM Break 2:00 PM — 3:05 PM Elevating ECE Through Meaningful Community Partnerships (Panel Discussion) Sandra Guiterrez, National Director, Abriendo Purtas / Opening Doors Mary Ignatius, Statewide Organize of Parent Voices, California Child Care Resource & Referral Network Jacquelyn McCroskey, John Mile Professor of Child Welfare, University of Southern California School of Social Work Jolene Smith, Chief Executive Officer, First 5 Santa Clara County Moderator: Rafael González, Director of Best Start, First 5 LA 3:05 PM — 3:20 PM Closing Remarks Camille Maben, Executive Director, First 5 California * Agenda Subject to Change

Even fewer of these women, if any at all, have been admitted to the pantheon of «great thinkers» — that class of writer whose work is the focus of worldwide attention and debate.

Laski's main political role came as a writer and lecturer on every topic of concern to the left, including socialism, capitalism, working conditions, eugenics, woman suffrage, imperialism, decolonisation, disarmament, human rights, worker education, and Zionism.

Michele Lent Hirsch is a writer and editor and the author of Invisible: How Young Women with Serious Health Issues Navigate Work, Relationships, and the Pressure to Seem Just Fine (Beacon Press, 2018).

A professional freelance writer with wide - ranging interests in medicine, fitness, health, psychology, tech, and fashion, Kim's unique composition of life experiences includes working as an aide for a Democratic member of Congress, a senatorial nomination to West Point, extensive work with women's relief and aide organizations, and a life - long commitment to helping others obtain and further their education goals.

She works full - time as a technical writer in Chicago, and serves on the board of directors and blogs for Girls With Guts, a non-profit organization to support women with IBD and / or ostomies.

Some of them are part of my life (my sister, my family of friends, my university professors, ladies I collaborate with) and others part of me forever (my mother and grandmother); and then there are also those who I have never actually met, but make an impact all the same: inspiring food bloggers and photographers whose work and kindness I admire and aspire to, poets and activists, comedians and writers who make me feel so damn proud to be a woman.

Melissa's past work as a photographer, freelance writer, and style director prepared her for the juggling act of running the women's editorial division of the Gilt Group.

This week, there's a substantial list of watch - worthy openers that illuminate women's stories and / or are the work of women directors and writers: Marguerite, Lolo, Hello, My Name is Doris, Eye in The Sky, River of Grass, About Scout, 10 Cloverfield Lane, City of Gold, Here Come the Videofreex!

Enough Said is a romantic comedy - drama from Nicole Holofcener, the writer - director of other critically acclaimed films exploring the daily travails of mostly upper middle - class affluent women (and men) in such as Lovely & Amazing and Friends with Money — something that invites comparisons to the works of Woody Allen often.

According to a 2017 report from the Center for the Study of Women in Television and Film, women comprised 18 % of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing fWomen in Television and Film, women comprised 18 % of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing fwomen comprised 18 % of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing films.

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

According to the latest Celluloid Ceiling report, women comprised a scant 15 % of all directors, writers, producers, editors, and cinematographers working on the top 250 films of 2007 («The Celluloid Ceiling: Behind - the - Scenes Representation of Women on the Top 250 Films of 2007,» Martha M. Lauwomen comprised a scant 15 % of all directors, writers, producers, editors, and cinematographers working on the top 250 films of 2007 («The Celluloid Ceiling: Behind - the - Scenes Representation of Women on the Top 250 Films of 2007,» Martha M. LauWomen on the Top 250 Films of 2007,» Martha M. Lauzen).

The story of an American writer having an affair with a French woman on French terms — limited to two decorous hours an evening — works as long as it stays cute and light.

The set of eight principles have been developed in consultation with unions including Equity and industry member bodies and agencies such as Women in Film & TV, the Writers» Guild of Great Britain and UK Screen Alliance, as well as employees and freelancers working across all aspects of the industry.

Among the high - profile premieres this year are «Antz,» the new Dreamworks animated film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer genius.

«Women writers and directors have to start documenting the truth of female lives,» says Gerwig, who jokingly calls herself «The Lady Clint Eastwood» in the hopes that she'll be making films for as long as the 87 - year - old has, and admires the work of other female directors such as Kelly Reichardt (Certain Women), Rebecca Miller (Maggie's Plan) and Miranda July (Me and You and Everyone We Know).

So, it's not surprising that an impressive number of powerful women were also honored for their work both on the small screen, with Big Little Lies and The Handmaid's Tale, and on the big screen, with first - time writer - director Greta Gerwig winning Best Motion Picture, Comedy for her directorial debut, Lady Bird, along with leading lady, Saoirse Ronan winning Best Performance by an Actress in a Motion Picture, Comedy.

The following quote from Ryan Coogler, writer and director of Black Panther — a superhero blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth of women cinematographers behind the camera when shooting action — or any other kind of scene.

Although women continue to fare better in documentary work, Martha Lauzen's 2015 study shows that only 37 % of documentary producers, 34 % of executive producers, 29 % of directors, 29 % of writers, 23 % of editors, and 13 % of cinematographers are women.101 When it comes to the industry recognizing and awarding female documentarians for their directorial works, women are at a complete disadvantage.

The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women in the movies, and EDA Awards at selected film festivals throughout the year.

Since Farrell's character is a writer named Martin, we are probably safe in assuming that McDonagh is working through some of these same issues himself (especially the unnecessary violence and weak women characters).

Upon listing women and minority writers who are actively shifting this paradigm, Sorkin pointed to a handful of those who had produced work in recent years, including Lena Dunham, Ava Duvernay, and Jordan Peele.

Writer - director Oren Moverman (working from a novel by Herman Koch) eventually reveals that Paul is mentally ill; Paul and Claire's insufferably entitled teenage son is a nasty piece of work who set a homeless woman on fire; Stan's stepson is an imbecile who recorded the murder on his cellphone and posted it.

ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movieOF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movieof professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movieof and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movieof outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

Hardly the mere home invasion thriller it's been marketed as, this is an angry film for an angry time, a heavy, at times lumbering, allegorical work about woman and man, nature and God, painstakingly made from a script the writer - director claims he dashed off in five days; its unrefined, somewhat all - purpose symbolism is evidence of an almost demonic process, and its confusions, self - lacerations, and silliness would be less welcome if Aronofsky hadn't in the process mounted the most technically impressive filmmaking of his career.

Days later, the San Diego State University's Center for the Study of Women in Television and Film followed with the «Celluloid Ceiling» study, finding that women comprised just 18 percent of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing fWomen in Television and Film followed with the «Celluloid Ceiling» study, finding that women comprised just 18 percent of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing fwomen comprised just 18 percent of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing films.

The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters, and feature writers working in print, broadcast, and online media.

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

Two characters known only as Man (Ed Harris) and Woman (Michelle Pfeiffer) turn up separately at the house, at first seemingly merely lost but it soon becomes clear they're fans of His work and that Man is sick, wanting to see the writer before he died.

Writer - director Holofcenter (Lovely & Amazing, Walking and Talking) continues her fine work making womancentric films with Friends with Money, a few weeks in the travails of four women at a crossroads in their lives, relationships, and careers.

March 30, 2018 • Writer / director Lynn Shelton's latest film is about a man (Jay Duplass) freed from wrongful imprisonment thanks to the work of a woman (Edie Falco).

Women comprised of 17 percent of all directors, writers, producers, executive producers, editors and cinematographers working on the top 250 domestic films last year, according to Women in Television and Film.

The writers and director of that movie are also people of color, and the film's cinematographer, Rachel Morrison, was the first woman nominated for an Oscar in that category, for her work on «Mudbound.»

Centered around two sharply drawn transgender women who find the resilience of their friendship tested and affirmed over the course of one busy Christmas Eve, writer - director Sean Baker's sun - scorched, street - level snapshot is a work of rueful, matter - of - fact insight and unapologetically wild humor that draws a motley collection of funny, sad and desperate individuals into its protagonists» orbit.

The idea of selecting certain works for study, creating a canon of novels and poems and plays, fashioning a lineage, however multi-racial and filled with women writers it is, strikes all - too - many curriculum designers as a bad, bad idea.

These five women belong to the Trinity Writers Workshop and it was clear from the outset that their workshop is one of those that really works.

Laurie Garrison, Ph.D. is the director of Women Writers School, a blog and course provider that works mainly with female authors.

And there are a lot of different reasons — from trying to avoid prejudice because they were women writers, to trying to avoid being associated to works that they're not particularly attached to, to trying to find out if people really thought they were talented writers.

Recently, fairy tale scholars have re — discovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few.

Kit Raine, an American writer living in Tuscany, is working on a biography of her close friend, a complex woman who continues to cast a shadow on Kit's own life.

The Making of a Writer reveals an ambitious young woman who is working intently to be a writer and get her work publWriter reveals an ambitious young woman who is working intently to be a writer and get her work publwriter and get her work published.

The Letters — which are of course incomplete — really do give an insight into the woman, as well as the writer, and the work.