Sentences with phrase «work on their artistic practice»

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Volume XVII, Number 1 (Download) The Task of the College of Teachers: Part 2 — Roberto Trostli «Spirit is Never without Matter, Matter Never without Spirit» — Liz Beaven The Artistic Meeting: Creating Space for Spirit — Holly Koteen - Soule Contemplative Practice and Intuition in a Collegial Context — Martyn Rawson Contemplative Work in the College Meeting — Elan Leibner Work of the Research Fellows Review of The Social Animal by David Brooks — Dorit Winter Report on the Online Waldorf Library — Marianne Alsop

The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect on their artistic practice, research and make new work within an international setting.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

The program offers youth artists, of all skill levels, a professional space and forum to work on their portfolio, to gain the skills to get into art school, or take their artistic practice to the next level.

Click here to read Bergman's thoughts on her artistic inspiration, creative transition, collaboration and working process, and confidence and self - consciousness in her artistic practice.

Although perfectly relevant today — in that Havard is working now (he will be celebrating his 75th birthday on June 29th) and still very engaged in his artistic practice — Havard somehow turns his paintings into self - conscious relics.

This exhibition at Guggenheim Bilbao focuses on her work when she was living in North Carolina (from 1925 to the late 1970s) and combining her artistic practice with educational work.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Conceived as an extended meditation on labor and artistic practice, Mónica de la Torre's newest work of poetry opens like a flyer pinned to a board or an email alert beaming at you from your inbox.

December 7, 2016 — The Bowdoin College Museum of Art (BCMA) will present the first - ever survey of the museum's extensive collection of drawings, the oldest public collection of works on paper on the continent, illuminating the evolving and foundational role of drawing within artistic practice.

In this lecture, Steffen Krüger will use the works and artistic practice of Alex Israel as springboards into a discussion on digital media culture, social networking, self - valorisation and identity.

The six artists shown represent a variety of artistic practices, including ceramic, works on paper, and acrylic, and demonstrate the full spectrum from abstraction to realism.

Focused specifically on the processes of making art, and those ideas which feed into contemporary artistic practice, the gallery seeks to take risks and push the boundaries of how work is traditionally represented within formal institutions.

Thirty years after graduating from the School of Art + Design, Julie presents a new series of works that reflect on how the modernist architecture of the campus and its utopian ideals influenced her artistic practice.

Sahib's artistic practice spans sculpture, painting, works on paper and performance, where he evokes the frailty of the human body though minimalist, or non-figurative techniques.

More recently, he has continued to attract international attention though his lectures and essays on contemporary dance and on the artistic practices that emerged in the New York Underground scene of the 1960s, mainly the work of Jack Smith, Ronald Tavel and Andy Warhol (e.g. «Our Kind of Movie»: The Films of Andy Warhol, 2012)

Astute at locating and engaging the dynamic fountainhead of artistic practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil, paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.

Opening: «Martin Wong: Voices» at P.P.O.W Concurrent with his retrospective «Human Instamatic» on view at The Bronx Museum of the Arts, P.P.O.W presents Voices, an exhibition of more than 100 works focusing on language as the source of Martin Wong's artistic practice.

His more recent works, which include print making, painting and installations, still draw on this theme of everyday objects and their changing nature in society and artistic practice, using their pre-defined contextual symbolism as a way to make an audience re-think what we see, and what we know.

«Cross Country» will bring together works by more than 80 artists to explore the impact of the American countryside on their artistic practice and how they adapted the modernist style to express their sense of place.

Lipi's artistic practice spans painting, printmaking, installation, and video art, and her work often focuses on themes of female identity and gender - specific violence in Bangladesh and around the globe.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

The two works on paper specialists are united by their love of drilling down into one area of artistic practice and finding resonances across the centuries.

His interest in Sri Lankan history palpably emerges in his artistic practice, most notably in his body of work «When Platitudes Become Form»... [read on]

Since then, using a wide range of media including video, sculpture, performance, installation, and works on paper, she has generated an artistic practice centered around issues of ritual, race, consumerism, and the politics of identity.

Artists included have practices that exist on the streets of densely populated cities, on Twitter, on boats, at factory parties, in video works and films, and in a variety of academic, DIY, and artistic institutions.

Dead Lands engages with identity conflicts and their manifestation in contemporary work; the exhibition and its public programming will open this conversation to an international audience, focusing on artistic practices that uncover identity shaped through land, both concrete and imagined.

Approximately 40 — 45 works will comprise this exhibition shedding light on Pelton's artistic contribution to American Modernism, while examining her practice against a broader, international framework of spiritual and esoteric abstraction.

Past articles and published works touch on a variety of topics, mostly contained to contemporary artistic practice, for example, the public - facing sculpture of Beverly Buchanan and philosophies of black negativity, or the articulation of Wu Tsang's Full Body Quotation in relationship to notions of realness.

Several key elements lie at the center of her artistic practice: an interest in the metaphysical, the representation of feminine memory, and African - American identity which, in her work, takes on takes on evocative and unusual forms.

Commenting on his unorthodox artistic practice, Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»

Through a precise examination of this distinct form of artistic practice in works by artists ranging from John Cage to Sanford Biggers, this exhibition provides a unique perspective on the ways in which modern and contemporary artists have used language, objects, and images to forge social contracts with their publics.

The exhibition opens on January 10th and continues until February 12 2011 Ebru Uygun's work can be seen as a semaphore for the deconstruction of traditional artistic practice.

Her artistic practice has recently focused on producing works that incorporate found fabrics as well as new textiles, which the artist stretches on wooden frames to create organic and almost painterly compositions that oscillate between transparency and density, foreground and background.

Examining the impact of time and space on identity constructions, places, and (hi) stories, these works record, critique, and expand the understanding of the social role of artistic practice.

On the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her worOn the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her woron the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her work.

A: Aside from the focus on artistic practice and rigor, I also think it is important not to shy away from pertinent political and social topics, but rather find ways to have work that critically embraces the moment.

By opening with a display cabinet containing a number of summary sketches from an album Twombly created in 1951, this focus on working practice is emphasized curatorially; a major component of the exhibition's strength is the insight it offers into Twombly's artistic process.

The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.

** Though this exhibition concentrates on your artistic practice, there are also elements of curation, particularly the inclusion of the work of your collaborators.

For an artist who borrows so much from contemporary black culture epitomized by the milieu on 125th street, Simmons's current work in this context makes a strong case for the transformative (and potentially stultifying) effects of conceptual artistic practices.

Discussing the transformations wrought by the Internet — particularly the latter's implications for artistic practices — the participants in this forum illustrate how the impassioned debates taking place on the Net can help forge new kinds of communities, discourses, and intimate connections across this most transitory of landscapes.

The article, which is about Cianciolo's career and artistic practice, appears in the magazine's November 2015 issue and features her work on the cover.

An essay by Hirshhorn Associate Curator Evelyn C. Hankins sheds light on prevailing artistic practices of the late 1960s and early 1970s and establishes the significance of these important works.

Princen has also been known to reference scientific measuring systems, mapping, and amateur anthropology in his work, and his artistic practice has involved plotting ecological changes — water currents, wind patterns, and soil erosion, as well as the impacts of urban developments on the Dutch landscape.

The extensive and fascinating archive material will shed new light on the way the artist worked and documented her own artistic practice.

In reference to his newly commissioned public artwork in Museum Park on the occasion of Fringe Projects, artist David Brooks will discuss how artistic inquiries, fieldwork, and research - based practice contribute to a broader «living» characteristic of his work and projects.

Currently living and working in Tel Aviv, Yoeli's diverse artistic practice... [read on]

Over the course of three years, the artist and Walker Executive Director Olga Viso delved into Hodges» life, artistic practice, and influences, touching on topics prevalent in his work, from love and politics to language, spirituality, and mortality.

In addition to continuing her acclaimed performance work, she has gone on to broaden her artistic practice to include music, video, digital art, and sculpture.