Sentences with phrase «work on your body language»

1 trait a capt would do well to have is to always look to improve, Ozil has worked on his body language for the fans... If he can work on the communication... Not my pick as a cptn but there could be worse... Theo?

Well, you need to work on your body language and behavior when you date a cougar.

We also work on your body language to ensure that there is no conflicting communication between you and your dog.

Dress professionally and work on your body language to make sure you're projecting friendliness, enthusiasm, and professionalism (again, this is a great place to work with an interview coach).

Work on body language.

Not exact matches

In recent years, a few fascinating studies at Harvard, Princeton and other top universities shed new light on body language and how to use it at work.

Yes, here are 5 postures to work on today to answer the question «How can I improve my body language»:

Working to improve your body language has a profound effect on your emotional intelligence.

While there is a substantial body of writing — including a fine website — on the working of the Progetto, we believe that this book offers the first English language commentary on its potential for other cultures.

And yet, while Brown's most recent work, Love's Body (Random House, Inc., 1966), indicates he is familiar with Barfield's discussions on language as metaphor, Altizer does not seem to see the necessary connection between this concept and Saving the Appearances.

Ozil is too quiet during games, he has body language issues (which he said he is working on), we do need someone who fights as our cptn and not Ozil who is quiet a lot in games unless he is the focus.

Right from the beginning Sally Hawkins is given fantastic on - screen partners in Richard Jenkins and Octavia Spencer that jive well with her phenomenal performance built solely on hand gestures and body language (Jenkins makes a fine best friend working on his career as a painter, while Spencer's motormouth skills and sassy banter make conversations amusing and easily involving), but as she notices the creature being housed in isolation inside a large rectangular pool (referred to as The Asset) at the laboratory, things get complex and become transfixing.

«I really worked most on her body language because I knew I couldn't express her otherwise.

They work on voice, showing status through body language, symbolism, memorizing lines, teamwork and characterization, among other topics.

However, usually, you do not have the possibility to work on soft skills, such as Empathy or Self Control, as well as body language.

On Saturday, union and district negotiators worked out contract language for a tentative deal that now must be approved by the Chicago Teachers Union's ruling body.

I teach group Puppy Socialization Classes to build strong foundations for further work with all breeds of puppies, focusing on body language and positive shaping training methods using a clicker.

As a dog training intern, you will be able to work hands - on with dogs participating in training programs at Rover Oaks Pet Resort, learn positive reinforcement training methods, gain extensive knowledge of dog behavior and body language, as well as work with certified professional dog trainers on a daily basis.

She not only gets great results when working with my dog, but also coached me on a couple of body language things I was projecting that helped me to get better results.

I have worked with hundreds of dogs and am pretty good at picking up on their energy, reading their body language, and assessing temperament.

Requirements: Must be able to work on a fixed schedule (at the same time each week), be able to work independently, all volunteers must be comfortable around dogs while dog care volunteers must be comfortable with all size and breed of dogs, some knowledge / experience in interpreting and understanding cat / dog body language.

That said, for those of us who have heard again and again that dogs are just domesticated wolves living in a «pack» of humans — and who hasn't heard that more times than you can count, thanks to the popularization of the concept on TV — it might be helpful to learn all the scientific reasoning behind how wolves and dogs are different (and how we misunderstood wolves and their pack interactions for a very, very long time), why those «alpha dog» approaches aren't the best way to relate to your dog (and in fact, can even cause more problems), and why alternate approaches like positive reinforcement and reading the body language of a dog as a dog and not a mini wolf do work.

They require «different» raising skills than many other dogs, including more work on impulse control and on appropriate body language.

Considering there are 70 million dogs in the USA, these stats show we need to do more on all levels; from educating the public on how to work with animals to teaching children how to recognize dogs» body language and signals.

I rely on animal body language in my work as a metaphor for these underlying patterns, transforming the animal subjects into human psychological portraits.

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

A new exhibition of works on view at Ameringer McEnery Yohe in New York until August 18 deepens his body of work, meditating on experience, memory, and language in a series of 13 new paintings.

Arcangel's diverse body of work draws on the language of technological media including video games, blogs, and computer programs.

At a moment in which workers are increasingly likely to carry their professions on their bodies at all times, the exhibition includes artwork that negotiates the architectures, tools, equipment or language of the office, pointing to moments of aspiration and depression as work continually collapses into life.

On view through February 28, the exhibition will debut a new body of work from the new media artist called «The Master Index;» a project that is sourced from a table of the 5 million most visited English language Wikipedia articles from Dec 2007 - Nov 2013.

Upon witnessing how his young son instinctively took to the drum at Tlingit celebrations, he is currently working on a body of work related to language, song and how culture passes non-verbally from one generation to the next.

COMMUNITY BASED & COLLABORATIVE SOCIAL JUSTICE WORK WITH ONAMAN COLLECTIVE Youth Art Mural Project: John F. Ross Secondary School, Guelph, ON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the Land: Youth & Elders art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goinON (May 2016) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar & Oct 2015, Mar 2016) Words from the Land: Youth & Elders art retreat (Mar 2016) Youth Run for the Language (Oct 2015) The Painted Hand: Gathering to Feast Our Historic Alliances (Sept 2015) Reconciliation, Resurgence & Storytelling with Maria Campbell (Aug 2015) Canoe Building with Youth: Chippewas of the Thames (July / Aug 2015) Harvesting ochre & making paint (June 2015) Research with Elders on traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goinon traditional knowledge and the language in Ontario & Saskatchewan (June & Aug 2015) Moosehide Tanning (April 2015) The Sacred Fisher Story: The Youth Mural Project (April 2015) Anishinaabemowin Wiigwaam: Ojibway Immersion Language House (Mar 2015) Onaman Kendaagozid: Gathering about Sacred Paint (Feb 2015) Research into traditional Indigenous tattoos and face / body ochre paint (on - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goinon - going) Collaborative creation of art pieces by Isaac Murdoch and Christi Belcourt (on - goinon - going)

He shows his range in these later works gleefully inventing and exploiting new spaces in the picture plane: 1951's Every Atom Glows: Electrons in Luminous Vibration is a delicate black - and - white oil painting, while his Alabama II, 1969, is a strong protest work — a rectangular field of red in which a triangular wedge evoking bodies marching or a megaphone's amplified language emerges in glossier red on the painting's surface.

He is creating an evolving language based on typographical alphabets, but deliberately declines to offer an accompanying dictionary.Parts of his sculptures often resemble the human body: tongues, limbs, eyes, and casts of his family's fists appear among the forms — directly referring to our bodies as we move through the gallery and around his works.

Since then, he has created a body of work that focuses on systems of knowledge, meaning, language, and archetypal symbols.

During that decade, artists engaged the language of advertising and media, feminist and identity politics, and as the decade wore on, an increasingly urgent response to the AIDS crisis, to produce work that commented on the power and the fragility of the human body.

For his third solo exhibition here, Life on Mars is showcasing two bodies of work from Paul's recent set of pieces, their shared origins meeting in language, translation and narrative.

Although this body of work focuses on the potential for language to serve as an art form, the subjects of his epigrammatic statements are often materials, or a physical action or process.

Encompassing several bodies of work created over decades, this mid-career survey focuses on Moshiri's varied Pop subject matter, deft use of language, and wide - ranging materials and methods.

Also presented are two new bodies of works on paper, The Dog's Chorus (2016) and Th Rose Prblm (2015), creative engagements with language and literature.

«Dating from the 1970s to the present, the works on view focus on the use of language as a material in art, the vulnerability of the human body, and the ability of artworks to shape - shift, taking on the character of architecture, décor, or found objects,» according to the press release.

Encompassing several bodies of work created over decades, this mid-career survey will focus on Moshiri's varied subject matter, deft use of language, and wide - ranging materials and methods.

During the late 1960s and early 1970s, Camnitzer developed a body of work that explored language as primary medium, shifting from printing text on paper or walls, such as his Dictionary etchings and the room - size installation, Living Room (both 1969).

During the 1970s, Camnitzer created a key body of work that blended both language and humor — producing a series of object - boxes that placed ordinary items within wood - framed glass boxes with text printed on brass plaques.

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etc..

In the late 1990s Burr embarked on a body of work that remains ongoing; derived from the language and forms of both Tony Smith's sculptures, on the one hand, and closed architectural spaces such as bars, cages and boxes.

Her works range from conceptual to commercial and show a particular interest in using dialectical methods to create studies of architectural forms - be that in lines of the human body, manmade structures, or natural scenes - as well as on dynamics between the social and the private, gender rolls and body language.

Team Gallery has opened 2017 with a commanding group exhibition, The Love Object, a show curated by Tom Brewer that draws on the writings of Roland Barthes to frame a body of works exploring love and the act of love through a more objective lens, delving into relations of bodies, texts and language as a mode of investigating not only the state of emotional attraction, but equally the frameworks we use to understand these forms.

«Body Language» is a group exhibition in video format that focuses on the works of Hannah Black and Sara Magenheimer, whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

The Projective Drawing presents a body of work that insists on the elasticity of the language of drawing.