Sentences with phrase «work on your film set»

While working on a film set in 1987, a billboard prop collapsed and one of the beams struck her on the head, knocking her unconscious and causing long - term damage to her neck, shoulders, and memory.

Any day John Michael McDonagh gets to work on a film set is a good day in our book so it's a thrill to share a first look at the Calvary and The Guard man's latest project, War On Everyone, as he cranks the cameras in New Mexico.

To prepare for working on a film set in the»70s, aside from learning how to use cameras from that era, Gerwig says it was «more about trying to place more what it would feel like to encounter it for the first time.»

«It was how I'd painted when I worked on film sets in Montreal.

I am excited for the opportunity to work on your film set as a production assistant.

Not exact matches

On their first film together, Verdi says Kraft was the hardest - working person on set, with the vision of a natural - born entrepreneur, always thinking further into the future than everyone else around hiOn their first film together, Verdi says Kraft was the hardest - working person on set, with the vision of a natural - born entrepreneur, always thinking further into the future than everyone else around hion set, with the vision of a natural - born entrepreneur, always thinking further into the future than everyone else around him.

Earth Angel has worked on the sets of commercials, televisions series, and 13 feature films — including movies like Black Panther, The Post, The Amazing Spider - Man 2, and Ghostbusters.

After graduating from NYU's Tisch School of Arts in 2011, O'Brien started working in the film industry and was «appalled» by the waste epidemic on set.

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

Eklund, on the heels of a controversial, year - long stint in California as an adult film star under the name Tag Eriksson, got to work taking odd jobs and hawking paninis outside the set of David Letterman's Late Show.

Definition of CULT 1: formal religious veneration: worship 2: a system of religious beliefs and ritual; also: its body of adherents 3: a religion regarded as unorthodox or spurious; also: its body of adherents 4: a system for the cure of disease based on dogma set forth by its promulgator 5a: great devotion to a person, idea, object, movement, or work (as a film or book); especially: such devotion regarded as a literary or intellectual fad b: the object of such devotion c: a usually small group of people characterized by such devotion

Just within the last week I've been on four planes and three film sets, not to mention working on recipe after recipe.

The couple, who met in July 2014 while working on their film, Rock The Casbah, are set to become parents for the first time this Spring.

When she's not on the set, filming a movie, she's doing the most important work for all — being a mom.

The foundation for the workout and wellness philosophy he brings to The Revolution and his work with clients was first developed while training stars like Oscar winner Halle Berry on film sets.

So while working on the set of The X-Files guarding the honey wagons (while this can be interpreted as some sort of honey filled cart and while a search for this will give you a suction-esque type of machinery that literally sucks up human excrement but instead in reality is just a simple nice way of saying a trailer for actors and actresses) he was fired for following his dreams; writing out scripts in hopes that one day he would be able to put that film degree to good use.

Toby Jones stars as a sound engineer who travels to Rome in 1976 to work on the post-production sound mix of The Equestrian Vortex, a horror film about witchcraft set in an all - girl riding academy.

Set in a perpetually gloomy unnamed city, the film follows Somerset (Morgan Freeman), a retiring police detective, as he experiences his final week on the job, reluctantly working with assertive newcomer Mills (Brad Pitt).

Fresh from film school, an enthusiastic young runner starts work on a low budget zombie movie only to run into the first day from hell as a mystery illness starts to turn the extras on set into the bona fide undead.

Everyone knows about different acting methods and a lot of people knew about what Carrey did on the set of Man on the Moon but obviously we never saw it, but that's what this documentary is and although it's not spectacular or anything, it gives another look at the work of the actor and it becomes an excellent companion to the film and especially serves as a testament of one of Jim Carrey's best acting jobs.

Backstage chats with one of the film's stars, Ty Simpkins, about what scared him most on set, his advice for young actors, and what it was like working with Chris Pratt.

I think the best part of being an actor is that to me it feels like I've been in the best film school for the last twenty years because not only do I see the director work on set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.

In comparison to recent films based on the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the life and work of the Beats, like Howl and On the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the RadiOn the Road, Kill Your Darlings is presented less abstractedly, with Krokidas choosing a highly stylized aesthetic while employing the bold juxtaposition of the period setting and a contemporary soundtrack featuring the likes of TV on the Radion the Radio.

Beyond that, though, the film is pure invention, as Danny abandons his tour and sets up shop in a New Jersey hotel, where he works on a new song, bowls over the young staff, and flirts with hotel manager Mary Sinclair (Annette Bening, «Ruby Sparks»).

I've worked with him [on films set] in the»20s,»30s,»40s,»50s and now the»70s, and so we're referencing those cinematic language of the time.

Take a look at a clip of Rob Zombie on the set of his next horror film 31, discussing his work with talents Malcolm McDowell and...

Some people who worked with him have openly said that he was awkward to work with and at one point came on set intoxicated while filming a scene.

Echoes of the earlier films and their original source abound: the sexual triangle, the working - girl protagonist, the social settings, and so on.

There's a nice bit demonstrating how the film's culinary consultant, Susan Spungen, and executive chef, Colin Flynn, worked in a tent set up at Silvercup Studios to prepare the food that was seen on screen.

Kiarostami's film presents a concept, fully formed and cogent, and allows the rest of the film to set to work on that concept, breaking it into Heisenbergian particles, then bringing it back into solid shape, and on and on.

Paul Rudd and the cast of Ant - Man and the Wasp are hard at work on the new Marvel film and we have photos from set!

And while you can almost see the checklist that he's working from, dutifully crossing off items like «insane set - piece stunt that Cruise does himself», «tense infiltration hinging on a disguise powered by spotty tech» and «lovely, leggy woman in a tight evening gown», the result never quite gels the way it did in the previous films.

Set in 1998 and derived from a news story of that time, the film starts out by focusing on twenty - four - year - old tomboy Ilana (a strikingly charismatic debut by Darya Zhovnar), who works in the garage of her mechanic father.

Loquasto has worked on 23 Woody Allen films — every US set film since Radio days in 1987.

With another big film, Rebel in the Rye (directed and written by Danny Strong and co-starring Nicholas Hoult) coming to theaters this fall, a recent wrap on The Year of Spectacular Men (written by her sister Madelyn Deutch and directed by their mother), and production starting on the Netflix romantic comedy Set It Up, a work drought does not seem to be in Zoey's future.

Blu - ray and DVD, with plenty of supplements: new interviews with Otto Preminger biographer Foster Hirsch and music critic Gary Giddins, a featurette on graphic designer Saul Bass and his long collaborative relationship with Preminger, excerpts from a 1967 episode of «Firing Line» featuring Preminger, newsreel footage from the set, and excerpts from a work - in - progress documentary on the making of the film, plus stills, a trailer and booklet with a new essay and an archival article.

Now the actor has shared a photo from the set of Avengers: Infinity War, capturing a moment from his last day of work on the upcoming ensemble film.

For her a source of inspiration was the film's elaborate hotel lobby set, created by production designer Adam Stockhausen, a previous Anderson collaborator and recen Oscar nominee for his work on «12 Years a Slave,» in a former department store in the storybook German town of Görlitz, near the border with Poland and the Czech Republic.

Stars James McAvoy, Michael Fassbender, Hugh Jackman, Patrick Stewart, Ellen Page and Peter Dinklage open up about their experiences working on set and explain the themes of time - travel and how it plays a major role in the film.

Although Scott Thomas never wearies of working onstage (she has appeared in several West End plays over the past decade), «sitting on a film set, waiting for hours to say one sentence, can be unbelievably boring,» she said.

Along the way, we touch on the abandoned film project that Lee was working on with screenwriter Michael Arndt, how The Book Of Life affected this production, the evolution of the idea from the initial spark to the finished film, how Adrian Molina got involved in the project, how Lee Unkrich went from editor to director and how he edits his own films, how Darla got a credit as «Digital Angel» on the original Toy Story, hiding easter eggs in an international setting, and working with Michael Giacchino.

The Appendices — The Appendices Parts IX and X showcase an immersive multi-part history of the filming of The Hobbit: The Desolation of Smaug, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, training, the work done on set and in the world of its digital effects.

This track is heavy on discussion of the film's 360 - degree set design, the lighting strategy, the work on the miniature lunar landscape (turns out it was 32ft.

Being on a film set, and doing SFX skin work, involves A LOT of waiting and down time.

Worth Noting: Prior to penning her debut screenplay, Palmore has worked in various functions within the biz most notably duties on Pixar films and most recently as an assistant to Daniel Day - Lewis on the set of Lincoln.

His follow - up to the almost - VR scale of that film is a return to his home country of Mexico, where he's been working on a»70s - set family drama for years.

When we did manage to stay on topic, they talked about the great cast, their memories of National Lampoon, how Emmy Rossum got cast at the last minute, Mr. Robot, memorable moments from filming, what it was like for McHale to play Chevy Chase after working with him on Community, the way they like to work on set, and so much more.

EXCLUSIVE: Entertainment PR bigwig 42West is expanding its below - the - line publicity group, setting Rachel Aberly to spearhead the now bi-coastal division that will focus on strategies showcasing the work of film and TV crafts artists for both awards - season and overall release campaigns.

With a tight turnaround of about six months to complete work on the film, Tierney and her crew were happy to come to set with a special advantage.

Save for a few scenes that take place on a battlefield, much of this work could easily be accomplished on stage, yet instead of making the film feel small or inadequate, this restrained setting instead gives weight to the micro expressions and gentle asides that Day - Lewis uses to bring life to his role.