Sentences with phrase «work programme without»

You can't have a successful welfare to work programme without the work.»

Not exact matches

Without God, we are torn in two directions: universities praise diversity, but students still form cliques; politicians promise a bright future, but our news programmes are distressing; people are obsessed with scientific explanations of everything, and equally obsessed with the sentimental love expressed in pop songs; sexual abuse with a minor is the most shameful of all crimes, but everyone has a right to complete sexual liberation once they reach the age of consent; we relocate all over the world, preferring to live anywhere but home, yet we still agonise over our local sports club; we own many things, and still feel we don't have enough; we believe in discipline at school or at work, but we all have a right to «let ourselves go» at the weekend; we tolerate everything, except people that don't agree with us.

I have found that being an activator is a great way to make new friends as you're working alongside people with different interests, who study different courses which without the programme you may never meet.

You may not copy, store in any medium (including without limitation on any other website), modify, adapt, spider (i.e. use a computer programme to collect or aggregate material from the site), publish, distribute by any means (including without limitation via any peer - to - peer networks such as BitTorrent), prepare derivative works from, broadcast, communicate to the public or transmit any part of this site or any of the material contained in this site or otherwise use the content for any other purpose other than as explicitly permitted herein.

The government scheme to get the unemployed back to work by working without pay has suffered a further setback as Poundland became the latest firm to demand that ministers rethink the programme.

Richard Bacon, the Conservative MP for South Norfolk and a committee member, said the DWP adopted a «black box» approach to the work programme, focusing on results without taking proper interest in how they were achieved.

Teachers need ready - to - go resources that they can pick up and run with, and clear links to the curriculum allow integration of the programme into classroom activities, helping teachers deliver against existing objectives without creating additional work.

The development programme included a dedicated endurance test at the infamous Nürburgring Nordschleife in Germany, where Ford TeamRS engineers were joined by three Ford - employed racing drivers working in shifts to complete 10,000 km of non-stop driving, equivalent to competing in ten consecutive Nürburgring 24 - hour races without a break.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

The programme offers time and space for open - ended research and experimentation, without the requirement to produce finalised pieces or work.

All the artists, curators, partners, organisations and funders that we have worked with this year, and in previous years, have been absolutely crucial in helping us to realise the programme and without them nothing would have been possible.

Introduction: Lucia Pietroiusti, Public Programmes curator, Serpentine Galleries Screening: Marc Camille Chaimowicz, Fade, 1976 (27 min, colour) Talk: Chris Kabel, on blue skies and talking machines: a short talk about Kabel's latest works and the immersive and experiential layers that are incorporated therein Talk / Reading: Gil Leung, Assets, 2015: A short reading on isolation pods, jet lag and the end of a relationship Screening / Talk: Sidsel Meineche Hansen, screening of the animations ONE - self, 2015 and Seroquel ®, 2014, and a talk about the psycho - pharmaceutical industry and the emotional - industrial complex Screening: Betzy Bromberg, Soothing the Bruise, 1980 (16 mm, 21 min, colour) Talk: Alexei Penzin, The Night Preserved: night, sleep, and the continuum of sleepless production, reproduction, consumption, financial speculation, and other incessant and open - ended activities without any interruption or meaningful finale Screening / Performance: Samuel Levack and Jennifer Lewandowski, Winter Solstice - Meditations in the Colour Blue, 2015, performed by Das Hund (Samuel Levack, Jennifer Lewandowski, Nicholas Pankhurst, Fancy Smith.

An exhibition that introduces work by seven artists, all strangers to Sharjah, into a space that was originally a family home March 16 Ziad Antar's exhibition and book launch Portrait of a Territory March 17 Screening of 1395 Days without Red an Artangel commission by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers March 18 Basma Alsharif's exhibition Farther Than the Eye Can See March 19 Revisiting Tarab an Evening of Music by Tarek Atoui For further information on Sharjah Art Foundation and the March programme please visit www.sharjahart.org

An exhibition that introduces work by seven artists, all strangers to Sharjah, into a space that was originally a family home March 16 Ziad Antarʼs exhibition and book launch Portrait of a Territory March 17 Screening of 1395 Days Without Red an Artangel commission by Šejla Kamerić and Anri Sala in collaboration with Ari Benjamin Meyers March 18 Basma Alsharifʼs exhibition Farther Than the Eye Can See March 19 Revisiting Tarab an Evening of Music by Tarek Atoui For further information on Sharjah Art Foundation and the March programme please visit www.sharjahart.org

Latour is a real empirically trained applied scientist — without his understanding the Apollo programme wouldn't have worked — you really think he doesn't know what he's talking about?

These programmes take time and are not available in local prisons, so the two appellants» tariffs came and went without them being able to do any work on their rehabilitation.

They are a central part of our programme and we could not do our work without them.

Most work fell on nurses without formal psychotherapy training but they received ongoing supervision during the programme.