Sentences with phrase «work references religious»

Dean Byington's work references religious conflict and terrorism in the Middle East and Western Europe alongside the damage wrought by human processes such as climate change and urban sprawl into previously uninhabited regions.

Alongside subjective experiences, the works reference religious martyrdom, contemporary news media, historical Western portrait painting, the narratives of Dante's Inferno and Sartre's No Exit.

Not exact matches

Although the book is best regarded more as a presentation of the Supreme Court's religious - freedom work than as a direct study of the questions underlying that work» the work of constitutional scholars, for example, is for the most part only referenced, not engaged» it is, nonetheless, recommended.

For the open - minded among the social scientists, Girard's work can serve as a gateway for the introduction of Kierkegaardian insights into social scientific thinking, which will always remain woefully incomplete as long as it functions without reference to religious transcendence.

In the Epistle to the Hebrews, where the author is attempting to define or characterize the profoundly religious ideas of priesthood and sacrifice and to show in what sense the work of Christ can be understood in terms of those ideas, he introduces a strangely vivid and moving reference to the narrative of Jesus in the Garden of Gethsemane, which is familiar to us from the gospels (Hebrews 5:7 - 10).

And he also worked in a religious Shakespeare reference.

Though always intriguing and making use of stunning visuals and an evocative atmosphere, this esoteric Western of religious references is still an unripe Jodorowsky, clearly lacking in narrative structure before he started developing better his ideas in later works.

NEW GCSE Edexcel Religious Studies short - term scheme of work covering Christian, non-religious and non-belief in life after death including reference to sources of wisdom and authority.

This was apparent in his first solo exhibition at the Betty Parsons Gallery in New York City (1951), where the titles of many of the works «incorporated weighty poetic or religious references, including Eden (c. 1950), Trinity (c. 1949 - 1950), and Crucifixion and Reflection (1950).»

Hirst titled each work twice, his own allusions to spirituality and religious iconography accompanied by references to the poetry of Philip Larkin, taken largely from the poet's final published volume, «High Windows» (1974)(«Sympathy in White Major - Absolution II» (2006)-RRB-.

Other references in Jemison's work include the more contemporary work of artist and musician Rammellzee and Clarence13X's Supreme Alphabet, which the religious leader developed in the 1960s.

Much of his work has art historical references but nods to religious / spiritual ceremonies that highlight repetition as a space for meditation and contemplation.

His religious upbringing gave Rauschenberg a solid understanding of Christian symbols and themes, and during the early 1950s he produced a number of works whose titles referenced religion, such as Trinity (ca. 1949) and Crucifixion and Reflection (ca. 1950).

Hopps and Ross join in to comment on the religious references of the work's title and link the painting to other works from the period, including Crucifixion and Reflection (ca. 1950).

Among the ways she does this is by combining different religious and cultural references in her internationally acclaimed work, which was included in the 2005 Venice Biennale and the 1997 Whitney Biennial.

Her work often makes reference to religious communities, drawing attention to the relationship between religion and art, and between religious communities and the art world.

Her work often makes reference to religious communities, drawing attention to the relationship between religion and art, and between religious communities and the...

His works center around the relationship between form and content: often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating contemporary black culture.

In many cases, the works reflect idiosyncratic and unexpected viewpoints, while in others the artists make reference to organized religious doctrine and traditional iconography.

London - based multidisciplinary artist Gayle Chong Kwan has created site - specific works in the forms of re-imagined religious chasse which reference the historic «Herb Garret» apothecary that was used when the old operating theatre was located in the Church's attic.

Reichman's compositions frequently reference those of religious paintings, imbuing the erotic with a sense of sacred space, struggle and sacrifice, while locating his work in a tradition of historical painting.

Archetypes and religious symbols can be found in the work of Kachramanoglou, that also has many historical and personal references.

Color combinations vibrate in these large - scale figurative works that reference Matisse, Blaxploitation, religious icons such as the Madonna and psychedelia.

Her works evoke impressions of remembered experience and landscapes from her roots as an Italian, as well as reference to religious iconography, using poetic ways of combining found and fine art materials — a practice that comes in part from years of living in the San Francisco Bay Area, where she encountered a number of beat - era artists there, and from her previous career in dance.

[13] His work often made reference to religious or classical imagery, such as a portrait of Patti Smith [14] from 1986 which recalls Albrecht Dürer's 1500 self - portrait.

Certainly containing a titularly and aesthetically proclaimed religious context, the work references the progression from one realm to the next, much as Dante did within his epic poem.

For some time there have been religious references in the duo's work.

Their practices are useful parallels to Love's; her works in the accompanying exhibition produce social critique in referencing hegemonic symbolic structures — like certain fashion or religious iconography — while being composed of expressive, powerfully raw mark making.

His work incorporates everything from pop culture references like Tony the Tiger and Scrooge McDuck to Americana elements like the Lincoln Memorial to the American Flag; to religious iconography including skulls, Buddhas and Ganeshas — all filtered through his own gaze.

Other works combined references to religious music with vertical forms, notably Ascending Form (Gloria) and the contemporary carving Figure (Requiem), 1957 (BH 230, Estate of the artist, repr.

Working in a variety of media and techniques (e.g. old - fashioned items such as woodcuts, glass painting and pressed flowers), Andrea Büttner references religious and spiritual themes in her practice.