Sentences with phrase «work surfaces before»

Pay particular attention to work surfaces before you begin cooking to ensure there is no trace of anything untoward.

Clean work surfaces before food preparation in case Puss has walked across them.

If you bake with products that contain gluten, thoroughly clean appliances, utensils, and work surfaces before preparing gluten - free products.

Not exact matches

Before you begin, divide your work surface in half; lightly flour one side (for cutting) and leave the other half clean (for shaping).

Repeat the process two more times (for four folds total), dusting the work surface and the dough with flour each time before rolling out.

Here's something I had never done before: Spread a clean kitchen towel on a flat work surface and place a lid (for the medium skillet you already have been using) in the center.

Working with 1 piece at a time and keeping the other pieces covered with plastic wrap, roll out on a lightly floured surface to 8» rounds (if dough springs back when rolled, let rest a few minutes before proceeding).

The night before you plan to grill the chickens, place them on a work surface, breast side up, and open them up against the surface as much as possible.

Working in 2 batches, cook gnocchi in large pot of boiling salted water until very tender, 15 to 17 minutes (gnocchi will float to surface but may come to surface before being fully cooked).

Unwrap and let rest at room temperature on a lightly floured work surface, covered with plastic wrap, for 2 — 3 hours before shaping.

Holding knife parallel to work surface, cut lamb lengthwise, following seam where bone was removed and stopping about 1/2» before you get all the way through.

Generously dust the surface of your working area with flour before rolling out the dough.

Dusting the work surface with flour before rolling the dough, and dusting a little flour on top makes them easier to work with.

Sherwood worked with the forward during his brief tenure at White Hart Lane and, speaking before news of Adebayor's Spurs exit surfaced, admitted that he would be keen to reignite his interest in the striker if Adebayor became available.

These new whitening strips from Rembrandt actually dissolve on your teeth in minutes, offer enamel safe whitening in just 2 weeks (with twice daily use) and works miracles on tough surface stains like coffee, tea, soda, red wine and smoking as well as new surface stains before they settle in and set up camp on your pearly whites.

Set up for the bath anywhere you have a large surface area to work and set the room temperature to 74 degrees, 15 minutes before undressing your baby.

The allegations against Bercow surfaced shortly before Debbie Abrahams, the shadow work and pensions secretary, was suspended from her role while an allegation of bullying against her was investigated.

The same would have happened to the rest before it could leak out to the surface, says Clarens, who presented the work this week at the Goldschmidt conference in Prague, the Czech Republic.

Before that he and his shipmates had seen how buoyant the hydrate was: As they worked off the coast, large blocks of it sometimes bobbed to the surface near the ship.

These minerals, which likely originated deep below the lunar surface, are different from anything found on the lunar surface before, so they raise the possibility of an as - yet - unknown geologic process at work.

Then, the day before landing, engineers discovered that reverse thrusters, meant to keep Philae pinned to the surface after touchdown, were unlikely to work.

A recipe may also ask you to «dust» a work surface with flour or icing sugar to stop dough or fondant icing from sticking before kneading and rolling it out.

The ganglion is soft and I feel it was working but noticed an old cancer scar under armpit had come to the skin surface and had turned red / whereby before it was only felt under the skin and taped off during annual ultra sounds.

Best before the kids come home from school, or if you are in an office or work environment, take a coffee break and relax fully for 15 minutes (lying down on a carpeted surface is best).

A couple things you can try are uncoiling your leather a few hours before you get to work, or even clipping the leather cords to your work surface at the bottom — try a binder clip or a chip clip.

These acids work the same way in serum - form, except they're able to treat bumps before they reach the surface of the skin and take shape.

But there's a genius at work beneath the surface which slowly begins to reveal itself before crescendoing into one of the most extraordinarily heartwarming climaxes we've seen in quite some time.

but more surprising is how smoothly the system works, pausing briefly as it passes over sketchy surfaces before gently rolling back into forward momentum.

That Microsoft is working on the next generation of the Surface RT has long been rumored, with some sources pointing out the Redmond - based company had started with Surface RT 2 even before the first gen device was launched.

Expect to need at least two to three hours» practice before getting acclimated, and even then at only a fraction of your usual speed — we found that typing with four fingers rather than ten worked pretty well for e-mails and brief notes, though long hours of typing on the hard surface would seem to risk carpal tunnel syndrome.

Before Cardiff became sick with his cancer reoccurrence, a plan to address several superficial skin masses that had gradually developed on the surface of Cardiff's skin was in the works.

Before making such a great investment without any assurance it may work, you can try what respected trainer and behavior expert Ian Dunbar calls the «long - term confinement area» Basically, use a small room with an easy to clean surface such as tiles found in a kitchen or bathroom.

The team working on a new version of Surface was frustrated that it took multiple steps — start the device, enter a password, open an app called OneNote — before a user could start taking notes on the tablet with a stylus.

The presentation includes a selection of works on paper along with many never before exhibited early works that offer viewers a historical overview of Lee's art and provides a rare opportunity to directly follow the disparate art resulting from Lee's extensive experimentation with theme, surface and technique.

«It is not the raw, limitless potentiality of oil, clay, wood, bronze, graphite, or any «fine art» material that motivates Bradford, but the functionally specific, socially bounded character of materials that have an explicit purpose in the world before their incorporation into his work» — Christopher Bedford «I do not like conversations about Winsor & Newton and surface and transparency and luminosity and glazing.

Using a similar technique to his vast site - specific installation Pickett's Charge, which is on show at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., until November 2018, he entombed the horizontal ropes in the paper before re-revealing them through tearing and abrasion of the work's entire surface.

At about five o'clock, an hour before closing time, the gallery lighting began to switch on — a hot orange that seemed to spring off the more industrial surfaces of the later works.

A painting may begin in a traditional sense, with a few strokes on canvas, then become whitewashed, sanded, thrown on the ground to collect spills from another project, whitewashed again, and so on, up to at most 15 times before a surface is built, and the work is deemed finished.

Just a day before the opening of his new exhibit, Scratching Away at the Surface (Peter Blum, 99 Wooster Street, October 29th, 2009 — January 2, 2010) Helmut Federle welcomes Art Editor John Yau and painter Chris Martin at the gallery to talk about his life and work.

Such a marked departure from Warhol's usual operating procedures is present in the surface style of the works as well, where the noticeable brush work, laid down before the screening of the image, is deliberately referential to New York School painting, in particular to the style of painters such as Franz Kline and Willem de Kooning, a painter whom Warhol himself has referred to as a model.

A painter before he became a filmmaker, Jacobs was a student of Hans Hofmann, and Hofmann's injunction to «manifest a three - dimensional event on a two - dimensional surface» has been, formally, the point of departure for all of Jacobs's moving - image work.

As tiny as I was back then, his large - scale works, especially the Tappezzerie (Upholsteries), were so fascinating to me because the surfaces would stick out of the frame (I'd never seen pictures like that before) and they reminded me of «my sofa and chairs».

Eight years before, the Swiss artist Jean Tinguely had assembled sculptures from landfill materials and exploded them on the dirt surface in a literally groundbreaking work he called «Study for an End of the World No. 2.»

Time enters this work through the very process of painting, with multiple decisions, a layering of scraped and repainted passages, compounding across their surfaces like maps of their own making, before finally settling into something like a stop along the way, a welcome place where we can rest and draw a breathe before resuming the path.

Martin Barnes of the Victoria and Albert Museum curated «Beneath the Surface,» using approximately 200 rarely or never - before - exhibited works from the museum's holdings.

Shortly before the start of the First World War, he arrived at his mature style, «characterized stylistically by the thick build - up of enamel - like surfaces,» but he was so distressed by the war that Tanner ceased to create art and instead worked for the Red Cross for its duration.

Corwin begins: «Surface and the illusion of surface are the heart of the matter in the work of two abstract painters whose recent exhibitions in Brooklyn dangle the mystery of process and the indisputable facticity of material before the Surface and the illusion of surface are the heart of the matter in the work of two abstract painters whose recent exhibitions in Brooklyn dangle the mystery of process and the indisputable facticity of material before the surface are the heart of the matter in the work of two abstract painters whose recent exhibitions in Brooklyn dangle the mystery of process and the indisputable facticity of material before the viewer.

Like early interventionist graffiti by Basquiat and Haring before her, Stovall works against the surface of the street and her movements are a form of ephemeral markmaking.

Not actually visiting, I can imagine seeing the work, and I can also remember other works by Dower that I have seen before, like the one I saw here once at the Eagle Gallery, and where, in a conversation with the gallery owner Emma Hill, she noted the beautiful, subtly «faulted» quality of the painted surface.

By drawing around each other's bodies on the horizontal surface, before painting on the panels vertically, the work suggests a plurality of abstract embodiment and vibrating temporality.