Not exact matches
As a leading mobile video advertising and monetization platform, AdColony
works with both Fortune 500 brands and more than 70 % of the top grossing
publishers in the App Store, reaching
over 150MM monthly uniques.
The network currently offers
over 70 niche dating ad channels, and is
working with a range of
publishers across the US and Europe.
Techland has been developing games for
over 20 years, even
working as a distributor and
publisher in Central and Eastern Europe, and now it feels the time is right to move into global publishing
with all the experience it's been able to gain through those years.
Tracey Maurer, writer of
over 100 nonfiction books, talked
with students about how she does research,
works with a
publisher, and comes up
with ideas for her texts.
They include Emily Callahan and Amber Jackson, who are using their skills and intellect to turn oil rigs into coral reefs; Nate Parker, the activist filmmaker, writer, humanitarian and director of The Birth of a Nation; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to
over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the author of «Is Shame Necessary»; Brent Stapelkamp, whose
work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who
worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace
working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
; Scott Harrison, the founder of Charity Water, whose projects are delivering clean water to
over 6 million people; Anthony D. Romero, the executive director of the ACLU, who has dedicated his life to protecting the liberties of Americans; Louise Psihoyos, the award - winning filmmaker and executive director of the Oceanic Preservation Society; Jennifer Jacquet, an environmental social scientist who focuses on large - scale cooperation dilemmas and is the author of «Is Shame Necessary»; Brent Stapelkamp, whose
work promotes ways to mitigate the conflict between lions and livestock owners and who is the last researcher to have tracked famed Cecil the Lion; Fabio Zaffagnini, creator of Rockin» 1000, co-founder of Trail Me Up, and an expert in crowd funding and social innovation; Alan Eustace, who
worked with the StratEx team responsible for the highest exit altitude skydive; Renaud Laplanche, founder and CEO of the Lending Club — the world's largest online credit marketplace
working to make loans more affordable and returns more solid; the Suskind Family, who developed the «affinity therapy» that's showing broad success in addressing the core social communication deficits of autism; Jenna Arnold and Greg Segal, whose goal is to flip supply and demand for organ transplants and build the country's first central organ donor registry, creating more culturally relevant ways for people to share their donor wishes; Adam Foss, founder of SCDAO, a reading project designed to bridge the achievement gap of area elementary school students, Hilde Kate Lysiak (age 9) and sister Isabel Rose (age 12),
Publishers of the Orange Street News that has received widespread acclaim for its reporting, and Max Kenner, the man responsible for the Bard Prison Initiative which enrolls incarcerated individuals in academic programs culminating ultimately in college degrees.
(Click here to read more) Having
worked with self -
publishers on book publishing projects for
over 35 year, I found that most potential book
publishers have the same set of core questions.
We deliver essential book development, book printing and binding services
with one aim: to help first - time and veteran self -
publishers get to market while retaining their authors» rights and full control
over their
work.
And, of course, we continue to
work with publishers around our PatronsFirst business model, and today have hundreds of
publishers (and
over 100,000 books) ready for the brave new world.
We've
worked with traditionally published clients who have gone to blows
with their
publisher over basic Amazon updates and it isn't pretty.
--
Over 42 per cent of authors are
working with one
publisher and one - third
work with more than one
publisher.
Here in my home town of Los Gatos, California, Smashwords (my company) has been
working in partnership
with the Los Gatos Public Library
over the last six months to develop and roll out a pilot program designed to help local writers learn to become professional
publishers.
While traditional
publishers (actually, the top end
publishers) are fighting
over business and legal issues, like any big business, you adapt and
work with what
works — eBooks still represent a minority in sales, but it is rapidly catching up to print, and by all accounts, has already passed hardcover (which has been in decline in a slow death since the advent of paperbacks and trade paperbacks in the 40s and 50s).
How, then, do you explain that the small epress I
worked for is capable of keeping track of the percentages paid to authors authors and editors (typically 35 % for the author and 10 % for the editor) for several hundred books sold through multiple retail outlets (all
with different net payouts to the
publisher)
over a period of four years?
I am thankful to be able to
work with a host of talented authors
over the eight years as a
publisher and 22 years as an author.
Since 2010, Papertrell has
worked with leading
publishers and authors to release
over a 100 book apps for Apple iOS devices, Google Android devices, Microsoft Windows devices and for the Web.
But as long as HQN editors are
working both
with HQN and Dellarte writers, and thus earning HQN profits through both commercial and fee - based publishing, I would hope RWA wouldn't compound the «form
over substance» problem by winking at HQN and saying that its commercial imprints are
publishers even while those same editors are also
working at Dellarte.
Shelfie
works with over 1,200
publishers including three of the Big Five
publishers, HarperCollins, Macmillan, and Hachette.
In this new world, my gut sense (meaning a wild guess) is that writers will be taking control
over more and more aspects of sales, rights, and publishing of their
work as they learn how to do it themselves, even when
working with traditional
publishers.
With more than 30 globally deployed professionals that we call our «Reality Team» and a dedicated «Australian team» (with over 20 + years experience) we work to each Author / Publishers best interest, with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintai
With more than 30 globally deployed professionals that we call our «Reality Team» and a dedicated «Australian team» (
with over 20 + years experience) we work to each Author / Publishers best interest, with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintai
with over 20 + years experience) we
work to each Author /
Publishers best interest,
with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintai
with rigorous attention to publication integrity whilst ensuring all rights and royalties are maintained.
John Prabhu, Vice President, Solutions Architect, SPi Global also was on the stage and said «We are
working with a trade
publisher to do
over 100,000 pages total of hundreds of books into EPUB3.
Over the years we've developed wonderful relationships
with the vendors we've
worked with, the
publishers whose content it's been our pleasure to sell, the authors who supported us, and the customers who it's been our honor to serve.
Andre, who wrote the Four Weddings and a Fiasco series under the name Lucy Kevin, has become widely recognized for maintaining strict creative and rights control
over her
work, despite traditional print publishing deals
with a major
publisher, a move that has allowed her to make decisions such as the Kobo deal.
Publishers Launch Conferences expand on consultant Mike Shatzkin's two decades of organizing and presenting forward - looking publishing conferences around the world, and maximize his deep experience as a top consultant for the digital era in publishing, working over the last 15 years with everyone from Google, Ingram, HP, and Overdrive to Panasonic, Copia, Sprout and even SoftBook as well as a host of major publishers on both sides of the
Publishers Launch Conferences expand on consultant Mike Shatzkin's two decades of organizing and presenting forward - looking publishing conferences around the world, and maximize his deep experience as a top consultant for the digital era in publishing,
working over the last 15 years
with everyone from Google, Ingram, HP, and Overdrive to Panasonic, Copia, Sprout and even SoftBook as well as a host of major
publishers on both sides of the
publishers on both sides of the Atlantic.
I self - published my «The Joy of Not
Working» in 1991 and turned it
over to Ten Speed Press in 1997
with a normal
publisher / author Agreement (royalties of 30 percent of net receipts, however, which is not that normal for a tradeback).
Not only does Open Library have
over one million public domain books available as digitized Adobe downloads, but they also now
work with libraries and
publishers for a book borrowing program in BookReader, PDF, and ePub formats.
For
over fifteen years helping authors
with content development and editing,
working with publishers and creating and implementing book marketing campaigns.
Going into our fourth year of service, Tasty Book Tours has booked
over 1000 events / tours, and
works with publishers such as Harper Collins (Avon Romance, William Morrow), Penquin (Loveswept), Kensington Books, Forever, Montlake, Source Books, and more.
We are looking to
work with 15 unpublished authors
over the next 12 months on an intensive one - to - one basis, who we guarantee will be published
with a top
publisher before Christmas 2011.
Remember, signing
with a
publisher — of any kind — means you are signing
over your rights to some part of your
work (often future
work, as well, and sometimes even your name as a brand).
Over the years we've
worked with many small
publishers and self -
publishers and have developed a list of book marketing tips that will get you results.
As we've seen
with high profile Kickstarter campaigns
over the last few months, studios and
publisher's are often conservative in their appraisal of a
work's appeal, and it's probably just a matter of time before an author sees similar success (David Mamet is giving it an early shot according to The New York Times).
«We are
working with Brazilian
publishers and closing sales agreements
with retailers, as well as a large chain of bookstores to distribute the eBook readers,» said Humphrey, which was excited about the digital book market in Brazil, «In
over 5 years, 50 % of digital books will be in Brazil «bet.
According to Jeff Jankowski, owner and founder of hoopla digital — who has
over 25 years of experience
working with libraries — public libraries are an evergreen, reliable, and trusted channel, offering
publishers over 12,000 outlets reaching urban, suburban and rural communities and serving a complete audience demographic.
For me, I value having some control
over my career, and I doubt I'll ever
work with a legacy
publisher again.
I have
worked in the publishing industry for
over twenty years, been a published author, and had some great sales numbers (printed editions of The Art of Abundance
over 95,000 copies sold total) and awful numbers (the less said the better), lived through a
publisher bankruptcy, ridden the waves of change in the industry, and saw the bottom fall out in mid-2008,
with all the folks I
worked with laid off and my way of making a living in traditional publishing disappear.
Additionally, Worldreader
works with over three hundred
publishers around the world, digitizing their books and making them available to the world.
But after much litigation
over the ownership of public domain
works, Google decided to the other route, and deal
with publishers, and authors directly to sell copyrighted
work and get a take.
«We have
over 200,000
publishers as clients, and we
work with traditional
publishers, small
publishers, and self - published authors.
Over the next couple of months, post-launch, we expect the number of
publishers we
work with to grow considerably.
Scholastic, the world's largest
publisher of children's books, has been
working on increasing student reading interest
over the summer months
with its reading challenges, aimed at encouraging students to meet or exceed goals outlined for them.
«We're
working with a number of major educational
publishers to transform their content for epub and kindle, and other devices,» continued Gross, «and it sure seems that all major
publishers, as well as smaller [ones], have projects in the wings for at least moving some content
over.
Because I write in different genres, but not all
publishers are open to them, you'll see that my books are all
over the place, although some presses I've
worked with twice.
I just
worked harder than almost everyone and have now published
over a hundred novels
with traditional
publishers.
Agents mostly
work for
publishers and protect their interests
with the
publisher over your interests, so when something is happening to you, your agent will usually side
with the
publisher.
Over the next six months we're going to make discovery even more polished for our users, and we'll continue to
work with publishers, authors and retailers to make this discovery valuable for them too.»
As an author
over 60 years of age: — RRB -, I can speak to the value of a website combined
with social media, especially when
working with a small
publisher.
Amazon already
worked with virtually all the world's
publishers as a bookseller, so it was able to make huge numbers of titles available for Kindle in electronic format —
over 88,000 books were available on the launch date.
The last
publisher I
worked for in - house was a computer book
publisher with over 80 titles a year — and they were considered a small press.
Over the past three years, I've
worked with several private clients and fielded numerous phone calls / emails from authors who have issues
with their «
publishers.»