Sentences with phrase «work with this artist again»

We are excited to work with this artist again and share his new work with all of you!

Not exact matches

Kenna wants the platform to become relevant again and provide artists with the digital tools necessary for them to distribute their work in one place — a function that Kenna says was not available when was starting out as a singer - songwriter.

(And while we may be tempted to equate shift work with the service industry, any journalist, designer, developer, or artist who works well into the night on deadline can relate — hey, it's well past midnight again as I'm writing this.)

We hope to work with Wendy again on another idea and will be sure to continue to prioritize those pre-program connections between teachers and teaching artists that seem key to successful collaborations.

The editor tells the story of Mrs Jo Jo, recently resurrected and now competing again / Dexter Brown also known as de Bruyne — Tony Clark traces the career of this renowned artist and evaluates his distinctive style, illustrated with examples of his work / de Bruyne Painting — One of the earlier, large De Bryune paintings depicting a scene from the 1908 French Grand Prix / Granville Bradshaw — Michael Worthington - Williams considers a new biography of this prolific and talented, but flawed, designer / The Genius of Fangio — Simon Moore talks to Michel Poberejsky about Juan Manuel Fangio and the 1957 Monaco Grand Prix

Although both currently work on «Guardians of the Galaxy» and «Ultimate Spider - Man,» Pichelli was also the artist who collaborated with Bendis on «Spider - Men,» and the possibility certainly exists that they would work together again on any number of unknown projects.

The roguelike formula seems to be working well, and with Haruhi Suzumiya artist Noizi Ito once again at the helm of creating characters once again, The Awakened Fate Ultimatum hopes to keep players hooked.

In working directly with the core creators at Lucafilm Animation, Virtuos artists have once again helped bring the magic of Star Wars to a whole new generation of youth.

Yet at the same time Rosa Bonheur is forced to admit: «My trousers have been my great protectors... Many times I have congratulated myself for having dared to break with traditions which would have forced me to abstain from certain kinds of work, due to the obligation to drag my skirts everywhere...» Yet the famous artist again feels obliged to qualify her honest admission with an ill - assumed «femininity»: «Despite my metamorphoses of costume, there is not a daughter of Eve who appreciates the niceties more than I do; my brusque and even slightly unsociable nature has never prevented my heart from remaining completely feminine.»

Afterwards, their paths crossed again in New York City with each working in studios that were part of a connected community of artists that included Kelly, Youngerman, Agnes Martin and James Rosenquist, according to MoMA.

Artists clearly had choices, of works as well as words, again with surprises.

Later that year the work was shown again in the artist's second solo exhibition (Pollock added «A» to the title to avoid confusion with more recent work) and shortly thereafter was purchased by MoMA.

«If one is involved with the art world and you are not an artist but an organizer... it basically means finding young artists who you work with successfully, and then either continuing your successful project with them, or trying to do it again with another group of young artists based on your experiences and especially the contacts you made the first time,» he said.

With an impressive group of newly produced, large scale works, Nelson once again confirms her position as a vibrant, tough, and visually and materially inventive artist — a continued influence in the discussion around current painting practices.

An introduction to the American artist who sustained virtuosity in a range of styles, from gestural abstraction to figuration and back again — illustrated with works offered in May to benefit The Donald and Barbara Zucker Family Foundation

I would like to again thank Gina for taking the time to speak with me at length about her work and concerns as an artist.

With the success of last year's inaugural Winter Workspace Program, this winter Glyndor Gallery will again be transformed into spaces for artists to create new work or develop ongoing projects.

Her work has been included in group exhibitions such as «SoundSpill,» Zabludowicz Collection, New York (2013), «With the Tip of a Hat,» the Artist's Institute, New York (2012), «Novel,» a screening for Time Again hosted by the Sculpture Center, New York (2011), «Outrageous Fortune: artists remake the Tarot,» Hayward Touring / Focal Point Gallery, Southend (2011), and «The Great White Way Goes Black,» Vilma Gold, London (2011).

Already accustomed to working with each other, Ethiopian - born artist Julie Mehretu and the American jazz pianist Jason Moran will once again collaborate on a project, this time for Performa 17.

Some of the artists work with video, others with painting and others again with sculpture or installation.

18th Street Arts Center turns its gallery yet again to a myriad of work that is profound, inspiring, active, and charged with social implications with its show «Citizen Artists Making Emphatic Arguments.»

Again, standing awkwardly, holding a beer or a plastic cup of wine at a reception, engaged in a scripted conversation with another curator or artist — «So, what are you working on?»

On a practical level, did you find yourself wanting to go back to artists you have worked with to look at them again or were you looking more at artists with whom you had never had a chance to engage?

The exhibitions are: Living Modern including work by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca SonWork by Vandy Rattana, curated by Francesca Sonara.

I got more and more lost in Evans» work throughout the day, my obvious obsession with artist studios being manifested in his paintings and then again on my paper.

Because the artist worked with the thick red layer when it was still wet, which means that the lines she scraped into it have raised edges: Think again of the passage of a plow.

Hilariously gorgeous, even garish, these colorful, highly tactile works combine oil and enamel, are dense with dots, patterns and sartorial finery and suggest an artist thrilled to be painting again.

This year, New York's Untitled Space is back with «One Year of Resistance» — a show featuring work from more than 80 artists «responding to the political climate in America since the election of Donald Trump», again curated by gallery director Indira Cesarine.

Organised over three floors at MMOMA's historic Petrovka Street gallery, visitors will be met with British artist Mike Nelson's work Again, More Things (a table ruin).

Not only does Crump do justice to the critical literature, but time and again he contributes new information about Welling's practice based on extensive conversations with the artist and provides insights into the work that even the most informed and sophisticated reader can only be grateful for.

These artists were being placed in a conversation with Minimalism almost from its inception, and their inclusion in «Others» is characteristic of the post-colonial turn to recognise artists whose significance to certain cultural narratives was previously overlooked because of national affiliation; again, this is the same principle at work as in Part I.

Clifford Chance is again celebrating Gay Pride with an international series of exhibitions showcasing the work of some of the best lesbian, gay, bisexual and transgender (LGBT) and supported artists at its offices in Amsterdam, London, Paris, Hong Kong, New York, Washington D.C., Sydney and, for the first time, Perth and Singapore.

What can be defined as conceptual art at its best, the artist's often times participatory and always haunting works once again caught the New York audience with surprise and contemplation.

Coinciding with the gallery's announcement for joint - representation of the artist's estate with Andrea Rosen Gallery, this selection of works from the artist's different bodies of works once again manifested the timelessness and universality of Gonzales - Torres» silent and poetic visual language that resists any art historical classification.

Mounted annually at the Park Avenue Armory by the ADAA, a nonprofit membership organization of the leading art dealers from around the country, The Art Show 2017 once again fostered a distinct fair environment — encouraging active conversations with gallerists and close looking at works by artists from a variety of genres, practices, and national and international origins.

In his new works, the artist again returns to his old acquaintance traditional painting and continue his stylized tone with stains of time and warmth of life.

In this new show, the artist Zhang Xiaogang will bring his latest works and unveil again in Beijing after nearly four years, in a spiritual dialogue transcending the time and space with American Master Sol LeWitt.

In his new works, the artist would again return to his old acquaintance the old painting and continue his stylized tone with stains of time and warmth of life.

Nonetheless, König's artist choice could still cause him headaches with the Russian authorities — a number on the list have made work with overt references of homosexuality in the past, including Wolfgang Tilmans and Henrik Olesen, and may choose to do so again.

1908 - 1911 Fall 1908: moves to Chicago to work as free - lance commercial artist, again living with uncle and aunt, the Tottos.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arWorks, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arworks Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Capturing Mapplethorpe's work in brand new light, rife with possibilities of interpretation, Saints and Sinners offers a devilish and daring chance to explore again some of the work that showcases the real talent of this seminal photographic artist.

With a strong emphasis on emerging artistic practice, That Art Fair, which hopes to run again alongside the Joburg Art Fair in September, looks to offer ``... an accessible platform for African artists who work under the radar of the traditional art establishment and who do things a little differently.»

A brisk sweep takes you across the length of the floor and back again in good time, with the promise of works by 60 artists from across the continent, including South Africa's William Kentridge, Frances Goodman, and Billie Zangewa.

VISIT, a city - wide open studio event, will again work in partnership with IMMA in 2008 to provide public access to a variety of artists» studios across Dublin.

«Following the extraordinarily successful Lucian Freud exhibition last year, the exhibition from the prestigious Gelman Collection in Mexico, with major works by Frida Kahlo and Diego Rivera, will again attract a wide cross section of visitors, while the line - up of artists presenting solo exhibitions continues to offer gallery - goers the very best in contemporary Irish and international practice.

Once again, these collector's items have been donated by internationally acclaimed artists, collectors and galleries with whom the Fondation Beyeler enjoys a close working relationship.

Compared to past years, works by some of the Museum's most well - known artists, such as Christian Boltanski and Alfred Stieglitz appeared again on our top 10 list — along with a few surprises, including a pair of early 18th century Torah finials from Italy and a nearly two - thousand year - old coin from Rome.

Plus Gallery artist Colin Livingston, who has continually received rave reviews over the last decade for his thoroughly unique engagement with «pop» art, finds his work surfacing once again in the upcoming Arvada Center group exhibition «rePOPulated: Contemporary Perspectives on Pop Art» on view January 22nd through March 29th, 2015.

DZ: Again, everything that we do is driven by our commitment to the artists and the estates, who have entrusted their careers and legacies with us, and our responsibility to them is to present the work in the very best spaces, with the very best lighting, and under the best conditions.