Sentences with phrase «worked as a critic»

Stylistically, First Reformed is shot and edited like an art movie, its look and tone aligned with the chilly minimalism of the «slow cinema» Schrader has theorized and canonized in his work as a critic.

After growing up in the political tumult of France in the sixties and seventies, Assayas followed a path similar to the one traveled by several titans of the French New Wave, first working as a critic for Cahiers du cinéma, then moving on to film projects, including collaborations with André Téchiné and his own feature directorial debut, the 1986 Disorder.

I'm drawn back, however, to Mark's incisive points about the politics of this all, when it comes to our work as critics.

In June 2017, Rich is being honored with a week of events at the Barbican Center for the Arts and Birkbeck, University of London, entitled «Being Ruby Rich» saluting her work as critic, curator, and advocate.

Along with writing a number of critically - acclaimed novels, Tóibín has also worked as a critic and editor of a variety of anthologies, like The Penguin Book of Irish...

The exhibition includes over 80 photographs, demonstrating how his practice as a photographer has been shaped by his work as a critic and vice versa.

Over the next decade, Judd worked as a critic for ARTnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

Whether working as a critic for Newsweek or a more specialized forum like Partisan Review, Ashbery proved peculiarly simpatico to the travails and successes — the «inside business,» as it were — of the visual artist.

He continued to do so until the beginning of 1965, after which he no longer worked as a critic for - hire.

She has worked as a critic for Art in America and as a lecturer at the Museum of Modern Art, New York.

Over the next decade, Judd worked as a critic for artnews, Arts Magazine, and Art International; his subsequent theoretical writings on art and exhibition practices would prove to be some of his most important and lasting legacies.

Place also works as a critic and criminal defense attorney.

Refreshingly, Storr is as reflexive about his own work as a critic as he is about the artistic works up for discussion.

In June 2017, Rich was honored with a week of events at the Barbican Center for the Arts and Birkbeck, University of London, entitled «Being Ruby Rich» saluting her work as critic, curator, and advocate.

From 1994 to 2001, Plath worked as a critic for the art magazines Das Kunst - Bulletin (Zurich) and neue bildende Kunst (Berlin) and wrote numerous articles for catalogues and encyclopaedia contributions on the theme of contemporary art.

In addition to his own artistic work, since 2000, Ho has worked as a critic at the Rhode Island School of Design (RISD) in Providence, Rhode Island.

But the exhibition also grows more directly out of Rubinstein's own work as a critic and occasional curator.

Not exact matches

Emma Stone has long been championed as a feminist, but some critics questioned whether her work with Allen was at odds with her public stance.

To see how this works, all you have to do is take a look at any Trump interaction with his supporters, whether through Twitter or Facebook (including his «Trump TV» broadcasts, which critics have attacked as low quality, thereby missing the point).

Duke won praise from critics for her work as the deaf - blind - mute woman.

But critics point to the high numbers of one - and - done players — who declare at the earliest opportunity under the rule — as evidence that the rule is not working as intended to prepare young athletes for life as an NBA player.

Even if fully autonomous cars don't work out as planned (some critics think it's a distant pipe dream), autopilot tech that aids drivers and prevents accidents is available now on Tesla EVs and other cars.

Yet while Prime Minister Harper said during his recent visit to China that his work as a vocal advocate of human rights in China is «paying dividends,» critics remarked no one important was listening.

As work on a final deal advances, Belgian Finance Minister Johan Van Overtveldt and other critics have said Greece's offer depends too heavily on taxes.

And as professional critics we reject any appeal to a transcendent power at work in history, much less one that «works for good in all things.»

Other critics have attempted to explain America's preoccupation with work as a reflection of her basic pragmatic, or utilitarian, outlook.

Historical critics are not immune to this danger, as Luke T. Johnson observes about John Dominic Crossan's 1991 work, The Historical Jesus: The Life of a Mediterranean Jewish Peasant: «Does not Crossan's picture of a peasant cynic preaching inclusiveness and equality fit perfectly the idealized ethos of the late 20th - century academic?»

Since all of the Bible was written many centuries before printing was invented and because in no instance do we have the original as it was written first - hand by its author, the work of the textual critic is very important.

When I reflect on the infinite pains to which the human mind and heart will go in order to protect itself from the full impact of reality, when I recall the mordant analyses of religious belief which stem from the works of Karl Marx and Sigmund Freud and, furthermore, recognize the truth of so much of what these critics of religion have had to say, when I engage in a philosophical critique of the language of theology and am constrained to admit that it is a continual attempt to say what can not properly be said and am thereby led to wonder whether its claim to cognition can possibly be valid — when I ask these questions of myself and others like them (as I can not help asking and, what is more, feel obliged to ask), is not the conclusion forced upon me that my faith is a delusion?

As it stands, most critics rely on the popularity of the work of art for the popularity of their review.

Almost as troubling as Woolf's own suffering is its invisibility in the work of so many critics and biographers who have denied its importance as a cause of her psychological problems in middle age.

Working as a music critic, author and broadcaster he lived «as a sort of urban hermit» as Katherine expresses it, and as a counsellor took a rather different approach from the standard secularist one.

I specifically found your remarks that you could argue that Mormons are «just as orthodox as many» evangelical protestants,» specifically in regard to the role of good works in salvation» to be particularly interesting given a common description by LDS critics that Mormons try to earn their salvation.

My concern is to draw a connection between the broader situation Gioia describes and the dealer's observation, which cuts to the heart of who I am, as a Christian, and the work I do as an art critic, curator, and art historian.

Mr. Nuechterlein's rhetoric, labeling orthodox critics of Benke as «ultraconservatives» with a «sectarian mentality» and a «blinkered preoccupation with unionism,» sounded much more like the kind of orthodoxy - bashing one has come to expect from the mainstream media than the thoughtful commentary typical of First Things in general and Mr. Nuechterlein's work in particular.

As far as I can see, most of their critics were religious leaders who really didn't want anything ruled as being unlikely, simply because it would make their work of holding the NT up as God's inspired Word more difficulAs far as I can see, most of their critics were religious leaders who really didn't want anything ruled as being unlikely, simply because it would make their work of holding the NT up as God's inspired Word more difficulas I can see, most of their critics were religious leaders who really didn't want anything ruled as being unlikely, simply because it would make their work of holding the NT up as God's inspired Word more difficulas being unlikely, simply because it would make their work of holding the NT up as God's inspired Word more difficulas God's inspired Word more difficult.

But I wish also to remark that what such critics often imply is a very unhistorical notion of how any faith, and a fortiori Christian faith, does work as a matter of historical development.

The work of Argentine writer Jorge Luis Borges, a perennial Nobel Prize candidate for the past two decades, has been acclaimed by many scholars and critics as classic 20th - century world literature.

Again and again in reading the works of these and other critics of the role of technology in the contemporary world, one comes upon the claim that at the core of the modern dilemma is the association of scientific and technological rationality with power, control, and domination — where these are seen as operative both in the natural and social realms.

Critic Harry James Cargas of Webster College, St. Louis, Missouri, author of Daniel Berrigan and Contemporary Protest Poetry, here talks with Philip Berrigan about his work as an author.

But as we have learned, wherever there is metaphor the demon of nonlinearity can go to work, arousing the usual fears about unpredictability and loss of rational control, as we see in people like Francis Bacon, John Locke, the French critic - novelist Alain Robbe - Grillet, and the late Paul de Man.

Real Presencesby george steiner university of chicago press, 236 pages, $ 19.95 Of the major literary critics of our period there is, apart from Northrop Frye, but one other whose work requires us to reach toward such a term as «greatness,» and this is George Steiner.

Many critics seem frustrated by how difficult it is to categorize your works, and yet that seems to be a large part of your appeal to the general public, much as it was for Gershwin with Porgy and Bess or Bernstein with West Side Story.

There is a more theological way to put this» a way suggested by the work of the French literary critic turned American theologian, René Girard, whose latest book, I See Satan Fall Like Lightning, is as clear and systematic a primer to his thought as he has yet produced.

This bleak record has led critics such as David Rieff (author of the recent A Bed for the Night: Humanitarianism in Crisis) to argue that humanitarian intervention and humanitarianism itself no longer work.

Most critics would agree that it is impossible to regard the gospel in its present form as wholly the work of John, the son of Zebedee, but widely differing views are held about the circumstances in which the gospel was composed.

There, though its creators, sponsors, critics, and readers understand the very best of work as being in continuity with the best that men and women have imagined and written, the most influential works today are marked by a noticeable discontinuity in terms of the place of religion and orthodox religious experience.

The second critic of the liberal quest who must concern us is Martin Kähler, whose work Der sogennante historische Jesus und der geschichtliche, biblische Christus (ET The So - called Historical Jesus and the Historic, Biblical Christ) was practically ignored at the time of its publication in 1892, but has since been recognized as a major contribution to the discussion.

In this respect, his approach is very different from that of another distinguished literary critic, Robert Alter, author of The Art of Biblical Narrative, who deprecates what he calls the excavative techniques of professional biblical scholarship and works with the text as it is, in its final form.

It might come as a surprise to readers who know the work of Stanley Fish only by his reputation among conservative literary critics, but every sentence in his new book How Milton Works validates» indeed depends on» Hirsch's principles of interpretation.