Sentences with phrase «worked as an art dealer»

This one is rather light on the romance, with more focus on Tanizaki's work as an art dealer.

He worked as an art dealer for ten years, before relocating to Chicago and opening the Young Hoffman Gallery in 1978 with Rhona Hoffman.

He was brought up in Cornwall, England, and began his career as an apprentice painting restorer with Martin Henry Colnaghi in London, then worked as an art dealer at the Colnaghi's Marlborough Gallery for some years, before becoming a dealer in his own right and opening a gallery in Dublin in 1908.

Claudine Papillon, art historian, has been working as an art dealer since 1976.

Though tenant Alessandra works as an art dealer, she was enchanted by the gallery wall already installed in the living area by the flat's owners, Nathalie Bouchard and Annie Horth.

Not exact matches

My concern is to draw a connection between the broader situation Gioia describes and the dealer's observation, which cuts to the heart of who I am, as a Christian, and the work I do as an art critic, curator, and art historian.

In 1931, while he was working on his celebrated Bible etchings for art dealer Ambroise Vollard (1931 — 39, 1952 — 56), he first showed a naked Isaac stretched out for ritual slaughter, Abraham with his knife raised, and the angel pointing to a ram caught not in «a thicket,» as the usual reading depicts, but in the roots of a tree.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

«Some illustrators make a living creating personal work that's exhibited at major museums and sold through dealers [and college illustration programs that offer gallery / fine art as a concentration],» she says.

Emilia was trained in Spanish literature and music, and worked in New York as an art dealer and curator beginning in the 1970s.

As a member of the Art Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutioArt Dealers Association of America (ADAA), Peter Blum Gallery subscribes to the highest standard of connoisseurship, scholarship and ethical practice, and offers an effective and confidential alternative for the resale of important works of art from and on behalf of private individuals and institutioart from and on behalf of private individuals and institutions.

Now in its 28th edition, the event welcomes 34 dealers specialising in modern and post-war British art, as well as a selection of contemporary work made after 1970.

The organizer, the American painter and art dealer William Copley, conceived of it as an intermedia and intergenerational publication, presenting works by an impressive array of artists, both well - known and emerging, including the Dada and Surrealist luminaries Marcel Duchamp, Man Ray, and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and an up - and - coming generation of conceptual and post-studio artists represented by Joseph Kosuth and Bruce Nauman, among others.

AIM is structured as a «collaborative residency» in which participants work directly with established artists, collectors, art critics, curators, dealers, lawyers and other art world professionals.

Aside from a couple of critics, most thought that this year's offerings were the best yet, and some dealers reported so much business in the first hour as to give many I talked to the impression that the more sought - after work had been pre-sold, a practice that would ban a gallery from fairs such as Art Basel, but that seems to fly here.

James Reinish and Director Ann Yaffe Phillips have worked as dealers and advisors in the art market cumulatively for over 60 years.

«If the art world works as it should and rewards quality and talent, the dealers and artists in this fair will be the next big stars,» one dealer concluded.

At The Art Show, in a thematic presentation from Van Doren Waxter and Eleven Rivington, works on paper by Diebenkorn — brand new to the market — highlight the artist's painted figures and what dealer Dorsey Waxter describes as the «long, translucent strokes» and a «fascinating attention to brushstroke that defines each work.»

The contemporaries of Andy Warhol and Francis Bacon are making a comeback to the art market as collectors and dealers sourcing works from artists who had been long overlooked.

Art dealers, collectors and auction houses furiously reacted to the bill proposal, while prominent contemporary artist such as Georg Baselitz and Gerhard Richter are threatening to pull their works from German museums.

Exhibitionism's 16 exhibitions in the Hessel Museum are (1) «Jonathan Borofsky,» featuring Borofsky's Green Space Painting with Chattering Man at 2,814,787; (2) «Andy Warhol and Matthew Higgs,» including Warhol's portrait of Marieluise Hessel and a work by Higgs; (3) «Art as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqArt as Idea,» with works by W. Imi Knoebel, Joseph Kosuth, and Allan McCollum; (4) «Rupture,» with works by John Bock, Saul Fletcher, Isa Genzken, Thomas Hirschhorn, Martin Kippenberger, and Karlheinz Weinberger; (5) «Robert Mapplethorpe and Judy Linn,» including 11 of the 70 Mapplethorpe works in the Hessel Collection along with Linn's intimate portraits of Mapplethorpe; (6) «For Holly,» including works by Gary Burnley, Valerie Jaudon, Christopher Knowles, Robert Kushner, Thomas Lanigan - Schmidt, Kim MacConnel, Ned Smyth, and Joe Zucker — acquired by Hessel from legendary SoHo art dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart dealer Holly Solomon; (7) «Inside — Outside,» juxtaposing works by Scott Burton and Günther Förg with the picture windows of the Hessel Museum; (8) «Lexicon,» exploring a recurring motif of the Collection through works by Martin Creed, Jenny Holzer, Barbara Kruger, Bruce Nauman, Sean Landers, Raymond Pettibon, Jack Pierson, Jason Rhoades, and Allen Ruppersberg; (9) «Real Life,» examines different forms of social systems in works by Robert Beck, Sophie Calle, Matt Mullican, Cady Noland, Pruitt & Early, and Lawrence Weiner; (10) «Image is a Burden,» presents a number of idiosyncratic positions in relation to the figure and figuration (and disfigurement) through works by Rita Ackerman, Jonathan Borofsky, John Currin, Carroll Dunham, Philip Guston, Rachel Harrison, Adrian Piper, Peter Saul, Rosemarie Trockel, and Nicola Tyson; (11) «Mirror Objects,» including works by Donald Judd, Blinky Palermo, and Jorge Pardo; (12) «1982,» including works by Carl Andre, Robert Longo, Robert Mangold, Robert Mapplethorpe, A. R. Penck, and Cindy Sherman, all of which were produced in close — chronological — proximity to one another; (13) «Monitor,» with works by Vito Acconci, Cheryl Donegan, Vlatka Horvat, Bruce Nauman, and Aïda Ruilova; (14) «Cindy Sherman,» includes 7 of the 25 works by Sherman in the Hessel Collection; (15) «Silence,» with works by Christian Marclay, Pieter Laurens Mol, and Lorna Simpson that demonstrate art's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.&raqart's persistent interest in and engagement with the paradoxical idea of «silence»; and (16) «Dan Flavin and Felix Gonzalez - Torres.»

From a striking portrait of a Glaswegian art dealer to a marine scene that inspired Turner — as Rembrandt: The Late Works opens at the National Gallery, here are ten unmissable paintings from the Netherlands on display across Britain.

Antiques dealers arrested as ivory seized in New York Three dealers from the Metropolitan Fine Arts and Antiques store were arrested in New York last week for selling ivory works of art without a licence, reports The Art Newspapart without a licence, reports The Art NewspapArt Newspaper.

With this painting it does seem as if we've traveled into a parallel world, but the fact is that the blue - chip dealers have a good deal of art historical works on display

A central theme of the Gallery's exhibition is the increasing mobility of the art world as a result of new modes of transportation including jet aviation and the interstate highway system during the late 1950s and 1960s, when artists, dealers, and works of art moved more swiftly between the coasts and Europe and with increasing regularity.

Prior to opening Moskowitz Gallery, Mr. Moskowitz worked as an independent curator, writer, and art dealer.

Art dealers, collectors, auction houses, and major artists such as Gerhard Richter and Georg Baselitz spoke out strongly against the «German Cultural Property and Heritage Protection Law,» which would require that any work valued at or above $ 300,000 and older than 70 years be granted an export license before leaving the country.

The exhibition marks Efstathiou's first venture into curating after working more than 10 years as an art dealer.

As an internationally recognized artist whose work spanned five decades, Allan D'Arcangelo began painting at a pivotal moment when artists, critics, and dealers were challenging the dominance of abstract expressionism and other modernist doctrines and hotly contesting new criteria in defining the creation and interpretation of art in society.

any medium including photography and writing with any skill set, (including hobbyists) and for those working in the fields such as gallery owners art dealers, ect.

He subsequently worked at Christie's, and as an art dealer, before ultimately turning to criticism.

At least not in the opinion of art dealer Robert Mnuchin, who is fond of the specific body of work by Judd known as «stacks»: the cool, vertical, wall - mounted arrangements of iron - and - Plexiglas boxes that are, in their industrial materials and repetitive form, evocative of skyscrapers and mass - produced goods.

As New York dealers compete to sell works to buyers in ascendant art markets like China, Turkey, and the Middle East, a relationship with the estates of revered figures like de Kooning is an important signifier of status.

They have spanned multiple art worlds as well, of not just stars and upstarts, but also working artists and midlevel dealers — each and every one with a personal story.

The Os Gêmeos work was one of the first in a series of artist murals that have been exhibited in the mural space on Houston Street at Bowery, beginning in 2008 when property developer Tony Goldman — who was a pioneer of the revitalization of SoHo as well as Miami's Wynwood Arts District — teamed up with art dealer Jeffrey Deitch to commission the recreation of a Keith Haring mural that had been there decades earlier.

In a new work and also the title video, The Van (Redux), the audience is re-acquainted with the art dealer (as well as three new young artists, each performed by Bag's five - year - old son, August) nearly two decades later.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

I am looking forward to seeing even more antiquities dealers in the fair, as well as Indian art, alongside the best Old Masters and 20th - century work.

His art was championed by important curators, critics, and art dealers like Dick Bellamy and André Emmerich, and he immediately joined the ranks of other well - known Color Field painters like Kenneth Noland, Jules Olitski and Larry Poons as his work was placed in major museums.

And it seems to be working, as enthusiasm abounded across the participating twenty - two galleries in the 798 and Caochangdi arts districts as they welcomed an international crowd of curators, dealers, and collectors who came through, readying themselves for Art Basel Hong Kong.

Since the artworld has become relatively borderless, and recently fashion has also swung towards Cianciolo's rough - edged mix - and - match style, she's been included in Greater New York (2015), participated in this year's Whitney Biennial and, after showing with Bridget Donahue (Fluxus - like boxes containing her archival materials), has another gallery show, in London, with Modern Art — whose director, Stuart Shave, began his career as a dealer in the 1990s by showing work that drew on skater, graffiti and fashion subcultures: a perfect circle.

Allan Stone, a vital and respected New York art collector and dealer who ignored art world fashion and embraced artists whose work stirred him personally — among them such masters as Willem de Kooning, Barnett Newman, Joseph Cornell and Wayne Thiebaud — has died of heart failure at age 74.

Hosted by the Morris Collectors, one of the museum's affiliate groups, this year's fair features such leading dealers as Hampton3 Gallery from Taylors, South Carolina and Augusta's Tire City Art Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine LiArt Gallery, both showing and selling the work of nationally, internationally, and locally renowned printmakers; artists» atelier King Snake Press from Greenville, South Carolina, representing the work of more than a dozen artists; Augusta State University art professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Liart professor Kristin Casaletto; ASU gallery director, artist Jack Cheatham; University of Georgia professors and artists Melissa Harshman and Jon Swindler; Savannah College of Art and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine LiArt and Design professor and artist Dale Clifford, and artists Kent Ambler, Suzy Schultz, Andrea Emmons, and Katherine Linn.

In a 2002 interview, de Land states that he thinks of the gallery as a situation — a nexus between the artist's studio and the marketplace (Laura de Coppet & Alan Jones, «Colin de Land,» in The Art Dealers: the Powers behind the Scene Tell How the Art World Really Works, rev. ed., 2002).

Her work has been included in solo exhibitions in New York as well as in her native Japan since 1977, and was successfully represented since the mid-90's by well known New York gallery OK Harris, founded by longtime art dealer Ivan Karp after leaving the Leo Castelli gallery in October 1969.

Not long after, Mr. Zwirner became Ms. Dumas's primary representative, a coup for the art dealer, as she had a 2008 retrospective of her work at the Museum of Modern Art, among other achievemenart dealer, as she had a 2008 retrospective of her work at the Museum of Modern Art, among other achievemenArt, among other achievements.

Her work has been included in solo exhibitions in New York as well as in her native Japan since 1977, and was successfully represented since the mid-90's by well known New York gallery OK Harris, founded by longtime art dealer Ivan Karp after leaving the Leo Castelli gallery in October 1969, and until Karp passed away, in 2012.

When he arrived, Tamayo spoke no English, but that didn't stop him from rapidly inserting himself into a number of creative communities — one of Mexican intellectuals who hung out at the midtown bookstore run by poet Juan José Tablada; one of American artists who lived near Tamayo's apartment in the Village, including Stuart Davis, Reginald Marsh, Raphael and Moses Soyer, and Yasuo Kuniyoshi; and a circle of art dealers and impresarios including Walter Pach (who had organized the 1913 Armory Show), Carl Zigrosser of Weyhe Gallery, and future gallerist and Surrealist promoter Julien Levy, then working as an assistant to Zigrosser.

TEFAF New York, New York Founded by art dealers in 1988 and run as a non-profit foundation, TEFAF has a proud history of showcasing masterpieces in every category of art and design — from antiques, Old Masters, and Haute Joaillerie to contemporary painting, works on paper, and 20th century design.

Others soon took note, such as dealer Jeffrey Deitch — now the director of the Los Angeles Museum of Contemporary Art — and curators Dan Cameron and Klaus Kertess, who featured Ward's work in the 1995 Whitney Biennial.