Sentences with phrase «worked by human hands»

Some Neanderthal remains from Goyet have been worked by human hands, as evidenced by cut marks, pits and notches.

Not exact matches

The concept that arises from a person's heart or mind is transformed into a work fashioned by human hands and takes the place of the invisible revelation that comes from above.»

Besides, no theocracy was ever established by human hands and whenever it was it was always a human work sustained by human fallibility, injustice, error, and oppression.

We carefully studied issues raised by skeptics: biases from urban heating (we duplicated our results using rural data alone), from data selection (prior groups selected fewer than 20 percent of the available temperature stations; we used virtually 100 percent), from poor station quality (we separately analyzed good stations and poor ones) and from human intervention and data adjustment (our work is completely automated and hands - off).

Ultrasound bark collars, on the other hand, work by producing an ultrasound noise not perceptible by humans, whereas electronic bark collars work by delivering a mild shock.

These activities serve many purposes: they benefit the dog by keeping him in shape, giving him useful employment, and building a bond with his human companion; they benefit people by providing opportunities to work hand in paw with another species, gain assistance in hobbies or jobs, and broaden horizons and abilities.

If we might read this work, as Ortega has said, as an index of how «the hand transforms nature», it is also a technological precursor to the objects displayed by Shimabuku in a pair of museum - like vitrines entitled Oldest and Newest Tools of Human Beings (2015).

MacLean works in a method that depends as much on the human hand as on meticulous mathematical calculations to achieve a trompe l'oeil effect — which is further enhanced by his use of dried pigments to mask the materiality of the wood.

The resulting sculptures, which she worked into by hand, sometimes adding a lick of white paint or a shade of coloured pencil, are of a human - scale and could equally be age - worn human figures or gnarled tree trunks — again, the human and the natural is a juxtaposition Carey enjoys exploiting.

They're definitely made by humans, and you see his brushwork and the evidence of the artist's hand, which I think is really cool in this work.

Many works seem to plainly reference minimalism — yet when faced with these works the human labour is laid bare, the aluminium plates have been bent and folded into existence by hand.

In her most recent work Lou has created monochrome woven canvases, which reference Color Field painting and Minimalism, while focusing on the beauty and humanity revealed in the simple repetitive processes made by the human hand.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

For example, a large skin of crystal glows with the warmth of the human hand as it is touched, a self - supporting arch made of glass filaments is flame - worked entirely by passers - by, and a dying tradition of glass bangles looks to the human hand to reconstruct its language.

Not born of nature but made by human hands, the works, themselves contorted by the surrounding landscape, represent a society uprooted by industrialisation and modernisation, illustrating how progress can often come at the expense of cultural and societal well - being.

Finally, Parker used the two clay sets to launch an expanded laboratory of artistic collaborators — who used sequential digital scans of the clay works, a CNC carving robot, architectural paper modeling, and another digital scan interpolated by a collaborator — to underscore the intervention of the human hand.

Sachs «shows his work» by emphasizing the presence of the human hand, to remind the viewer of the labor involved in the creation of objects.

Her works are distinguished by a strong sense of perfection with little trace of the human hand — many of her works are manufactured by highly specialized artisans working repetitiously with carefully selected materials.

As she states: The inescapable imperfection of something cut by hand (or drawn by hand) has its own irregular, flawed beauty that gives the work a human quality I find necessary and inevitable.

On the other hand, by covering Claes Oldenburg's iconic work Bedroom Ensemble with fake fur, Fleury calls upon human impulses of touching and feeling and the aesthetically pleasing charm of the artificial.

There is a sense of curiosity and lively wonder that pervades Johnson's images; nature's living energy is reframed by human hands to form interesting geometric shapes, patterns, or supernatural movements — such as Johnson's brilliant work with fire.

(Coincidentally, the Heartland Institute's position denying the reality of human - induced climate change harkens back to its work in the 1990s, funded by Philip Morris, that disputed the negative effects of second - hand smoke.)

We carefully studied issues raised by skeptics: biases from urban heating (we duplicated our results using rural data alone), from data selection (prior groups selected fewer than 20 percent of the available temperature stations; we used virtually 100 percent), from poor station quality (we separately analyzed good stations and poor ones) and from human intervention and data adjustment (our work is completely automated and hands - off).

Source: thinkprogress.org 17 climate deniers DeSmogBlog reported that Singer worked with an organization challenging the claims by the US Environmental Protection Agency that second - hand tobacco smoke is bad for human health.

DeSmogBlog reported that S. Fred Singer worked with an organization challenging the claims by the US Environmental Protection Agency that second - hand tobacco smoke is bad for human health.

Inspired by traditional folk tales from Russia and beyond, Ukrainian paper artist Eugenia Zoloto creates these gorgeous hand - cut works of art, which combine dream - like images of humans and animals living in harmony.

When I first began to work with my Ph.D. adviser Barry Saltzman in the early 1990s, he, like many other climate researchers at the time, remained unconvinced that there was yet a detectable human influence on the climate... other scientists, such as NASA's James Hansen and Stanford University's Stephen Schneider, were convinced by the evidence already in hand that human - caused climate change was indeed now upon us.

«These projects in East Timor, Bangladesh, Indonesia and Papua New Guinea demonstrate the difference pro bono legal work can make by strengthening the rule of law and promoting robust legal frameworks, which go hand in hand with economic opportunity and safeguarding human rights.»

Costs associated with the inefficiency of hand construction, work site hazards to humans, the waste generated and the constant challenge of staying on schedule and on budget all are addressed head - on by contour crafting: