Sentences with phrase «worked glass objects»

The exhibition includes the artist's finest lamp - worked glass objects and bronze sculptures.

Not exact matches

But it does not work well for illumination around transparent objects, like semi-transparent shadows from glass objects, or illumination by specular surfaces (so - called caustics).

Waves carry energy most effectively between objects that resonate at the same frequency, an effect at work when a singer smashes a nearby glass with the right note.

Kaminski's work went hand - in - hand with McDowell's production design relying heavily on colorless chrome and circular glass objects, providing the dominant shadows needed for the desired futuristic noir look.

Connectivity Ultra-fast 4G connectivity via Verizon's network Wireless - N Wi - Fi networking (802.11 b / g / n) for accessing home and corporate networks as well as hotspots while on the go Mobile Hotspot capable enabling you to connect to up to eight devices — from tablets to gaming devices — to the phone's 4G cellular connection via Wi - Fi Preloaded VZ Navigator for navigation and location services Bluetooth profiles supported Headset, Hands Free, Serial Port, Stereo, Audio / Video Remote Control, Generic Audio / Video Distribution, Advanced Audio Distribution, Audio / Video Control Transport, Object Push ProfileObject Push (Vcard, Music, Album, Cal — Push only), Phone Book Access Profile Bluetooth connectivity (version 3.1) Hardware 1.5 GHz dual - core processor speeds up everything — from playing games to watching shows to opening files from work 4.3 - inch, 720P HD super LCD2 Corning Gorilla Glass 2 display with 341 ppi Preinstalled 3FF SIM card Battery Capacity 1800 mAh, non-removable Usage time up to 15 hours Standby time up to 12.5 days Communications & Internet Microsoft Internet Explorer 10 for accessing real websites Text (SMS) and picture / video (MMS) messaging with threaded feature Access to popular instant messaging services Personal and work e-mail supports Microsoft Exchange, Gmail, Yahoo, AOL, Window Live Hotmail, POP3 / IMAP

• South African artist Larita Engelbrecht's collage - on - glass work «African Mask Mash - up 1» (2014) combines coffee - table book images of traditional African masks with images of contemporary everyday objects.

For Pace, Wilson will reconfigure Afro Kismet which includes two chandeliers, two monumental Iznik tile walls, four black glass drip works, and a globe sculpture, as well as installations and vitrine pieces that gather cowrie shells, engravings, photographs, a Yoruba mask, and furniture, among other objects that the artist discovered in his frequent trips to Istanbul throughout 2016 and 2017.

Emma's work consists of multiple parts using different glass techniques combined with other mediums, drawings, found manipulated objects, and video.

She works primarily with sculpture, exploring - with materials as different as glass, ceramics and concrete - the frontiers between painting and sculpture, object and architecture, form and context.

STATIC often use found objects and symbols to signify modern culture, choosing to apply their work to surfaces such as wood, glass, Perspex and metal.

Often associated in the 70's with kinetic and concrete art, his work has also a strong affinity with Dada, Kurt Schwitters and Marcel Duchamp, working with found objects, tables, chairs, crates, tools, jugs, suitcases, lampshades, wine glasses (filled with wine, red as it happens) and electric light, which through the conductors of fluorescents and bulbs is a ready - made in itself.

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

His photography gives a new clue to the fundamentals in his work: as light reflects through windows or glass and moves through translucent objects, the artist snaps at small mirages but is only focused on the reality that hides behind the apparent misrepresentations of the mind.

His photography gives a new clue to the fundamentals in his work; as light reflects through windown or glass and moves through translucent objects, the artist is only focused on the reality that hides behind the apparent misrepresentations of the mind.

The exhibition, which presents works made in glass and using glass found objects, is an exploration of each artist's use of the material.

In works from an ongoing project she began in 2012, Skaer uses elements from her childhood home (where her father still resides) such as wooden floor boards, windows and doors and reconfigures them into boxes, cubes, or slabs, embellishing them with fine materials, replacing glass panes with lapis lazuli, and embedding objects from her father's various collections of disperate objects.

Artworks include: cups, plates, planters, pots, bowls, boxes, tapestries / stitchery, hanging work, glass, watercolor & collage on paper, found objects, sculpture, wood, and much more.

Often combining glass work with photographs, text, and other objects, McElheny converts these objects into works of art that contain multiple layers of meaning.

One of the things that makes this show different from others is that we have, for the first time, his films, his Xeroxes, works made with soot on glass, as well as the drawings and objects and photographs.

Gluing cut pieces of colored paper together to form compositions, these «cut - outs» would serve not only as independent works but also as the basis for subsequent objects in a variety of other media, including ceramic, stained glass, textiles, and book design.

In these works, blue gazing balls, hand blown from glass, have been placed on white plaster sculptures depicting signature examples of antique statues from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, along with everyday utilitarian objects encountered in today's suburban landscape, such as rustic mailboxes, a birdbath and an inflatable snowman typically seen outside during Christmas.

Jim Hodges: sometimes beauty brings together photography, drawing, works on paper, and objects rendered in mirror, light bulbs, and glass alongside several major room - size installations to examine and illuminate Hodges» command of material and gesture.

The exhibition, which will present works made in glass and using glass found objects, is an exploration of each artist's use of the material.

Her works Through the Large Glass (1976), which is in Act Out, and I Object: Memoirs of a Sugargiver (1977 - 78) both reacted explicitly to Duchamp's ambivalent relationship to femininity and to the way the public tended to ignore the misogyny of the works she referenced.

The classical definition of a still life — a work of art depicting inanimate, typically commonplace objects that are either natural (food, flowers or game) or man - made (glasses, books, vases and other collectibles)-- conveys little about the rich associations inherent to this genre.

In line with Ballroom Marfa's mission to promote emerging and recognized artists every object and element related to the dinner will be created by an artist, including works on paper by Raymond Pettibon, plates and glasses by Matthew Day Jackson, table linens by Rashid Johnson, table decor by Simone Leigh, space piñatas by Adrian Villar Rojas and lighting elements by Leo Villareal.

In CHARLIE works are juxtaposed with paint layered and stretched on linen, lace, canvas and jersey, to assemblages and objects made of glass - and carbon fibers; gesso and clay, oil - and acrylic paint, carbon -, glass -, aramide -, or Dyneema fabric, crocheted, knitted, weaved and layered.

Facilities include works on paper with more than 3,000 prints and drawings; painting storage with works from the Renaissance to the present; and object storage with Greek and Roman pottery and glass, Ancient American ceramics and African and European Medieval and Renaissance sculpture and artifacts.

The glass that makes up a completed panel was used in the making of the film, though instead of servicing a tactile function such as covering an overhead projector, the sheets of glass become the objects of study in the work about Rules of Civility.

Her paintings are often still lifes, concentrating on multiple glass objects, in a style that is dense and layered, capturing complicated reflections and points of light in works the Lynden exhibition calls «crystalline labyrinths.»

An exhibition of the work of John Miller, a specialist in turning fast food and diner staples into super-sized, blown glass objects.

Wood has developed six portfolios of work and adds to them frequently... Found Object Sculpture, Hand - Carved Sculpture, Tapestry With Found Objects, Drawing, Oil Painting on Canvas or Glass, and the newest... Collage.

Claire Cadorette, a Rhode Island School of Design graduate with a BFA in glass, uses her work to bridge the relationship between the subjectivity of the object and the objectivity of the body.

To make this work, Kunitani blew into a glass tube, deforming it and rendering it a unique object that captured his breath.

The far end is the living area, with sofas, a television and an industrial - chic kitchen along one wall; the other half is her work studio, lined with vast Bollywood - style posters from a recent exhibition, tiles and fabrics strewn on the floor, and strange objects in glass cabinets which have, or will be, incorporated into her art.

Recent selected solo exhibitions: Each thought's an instant ruin with a new disease, Sabot Gallery (2013), Pending works and bureaucratic objects, Galerie Rüdiger Schöttle, Munich, Spending time in relation to usage, Barbara Seiler Gallery, Zürich (2011), Time's Own Insult, The Glass Factory, Emmaboda, Suedia (2011).

Throughout Akashi's work, glass forms are often placed in combination with other objects, such as candles and lost - wax bronze casts.

The glass works in the gallery show the infinite number of colours, forms and textures these pieces of art can take — and objects range from practical bowls and vases through to ornamental objects and large abstract sculptures.

The 12 works on exhibit, created between 2003 and 2015, all adopt the same format: large, shallow, steel - framed glass boxes holding different arrangements of found objects and two - dimensional works — mostly lithographs but also paint on paper and pochoir on sandpaper.

Each work is an independent spatial installation filled with carefully arranged objects which, in interaction with cell walls of glass, wire mesh or old doors, create psychologically tense and sensual scenarios.

He loves to work with materials such as salt, coffee, sand, glass or cement in order to create sculptural objects that cross the border between art and design.

The crafts should perhaps be thought of as the work of «citizen artisans» who manipulate clay, metal, thread, or glass with consummate skill to create exceptional objects out of common materials.

This is an artist with a rich technical vocabulary, unique vision and unsurpassed skill, who is just as comfortable working with unconventional materials such as glass tableware, thousands of dice stacked together to form fluid overlapping folds, found objects, and plastics, as he is with the more accepted media, such as perforated steel, wood or bronze.

In this period, he still continued to work with stained glass and started designing furniture and objects of utility.

Mendelson, a sculptor whose works reinterpret ancient and rare glass and ceramic objects in a modern context, is the recipient of three New York Foundation for the Arts fellowships and a Pollock Krasner Foundation Grant.

The loan exhibition includes 83 objects, including mosaics, 10 stained - glass windows, dozens of liturgical objects, and scores of works on paper, design drawings and promotional ephemera.

This is visible in The Future is Present (2011), a work that combines historically artisanal glass beads and quartz with more contemporary, urban objects like barbed wire.

In her newest body of work, Lou creates sculptures and reliefs that reference common objects such as ropes, book pages and fencing that when layered or made into multiples and then cloaked in brilliant glass beads evoke themes of containment, labor and repetition.

More than one work presents an object only half discernible inside a crate or glass vivarium.

This body of work is characterized by what the artist termed «bouncing objects, floating things,» such as a radically oversized red bird and glass hovering in front of a simple background in the work and have a strong affinity to Surrealism, a recurring theme in the artist's career.