Sentences with phrase «worked in a different post»

Not exact matches

«In the financial industry, there's been a lot of debate, post — financial crisis, around different approaches to risk and gender difference,» says Brenda Trenowden, global head of funds at ANZ Banking Group in London and a member of the steering committee of the 30 % Club, which works to get more women on corporate boardIn the financial industry, there's been a lot of debate, post — financial crisis, around different approaches to risk and gender difference,» says Brenda Trenowden, global head of funds at ANZ Banking Group in London and a member of the steering committee of the 30 % Club, which works to get more women on corporate boardin London and a member of the steering committee of the 30 % Club, which works to get more women on corporate boards.

Maybe it's different in the world these people live in — where it's all about getting wantrepreneurs to click on their posts, buy their books, and attend their seminars — but let me explain how it works in the real world.

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You can check the previous posts about What are stocks and how to value them, How does Currency Trading Work, How are Currencies Traded, Investing in Commodities, What Fundamentals Affect Commodity Prices, What are ETF's, What are Options, How are Options» Prices Structured, Investing for Beginners Part 2 — Different Investment Strategies, When does Buy and Hold not Work, An Unconventional Approach to Buy and Hold, An Unconventional Approach to Buy and Hold Part 2, How the Investment Advisor Game is Played, An Introduction Into «Secular Investing», Don't Short When it Comes to Secular Investing, An Introduction into Trend Following, An Introduction into Technical Indicators, When does Trend Following Not Work, Risk Management for Trend Followers, An Introduction to Contrarian Investing, Using Oscillators for Contrarian Investing, Using Magnitude Extreme vs. Time Extreme, Contrarian Investing can be Used for Different Time Frames

In this roundtable post, we asked animal advocates at different organizations to offer their advice for promoting healthy work cultures.

Regarding this post, well, I think that Jesus said the same thing with different works in both Matthew 7:24 - 27 and in the parable of the soils in Matthew 13 (3rd and 4th soils).

However one would get a rather different impression of the state reading Karen Tumulty's piece in the Washington Post on West Virginia's economic struggles, the plight of working class whites, and their changing....

These are all in the more expensive range of products though, which makes sense for me as I use them for work everyday but they may not be the right fit for you which is why I'm going to be posting on all the different options that are out there!

After almost 6 years of blogging, I have accumulated quite a few recipes that work in this category, so I have to cull some out so as to not end up with a post with 50 different additions.

I can understand that things work different in other families, and those who hold strong their tough - love beliefs should read this mom's viral facebook post.

What works seems to be different for every baby, but I'm posting this in hopes of helping another stressed - out mom!

No Comments / Tags: a doula's birth story, birth story junkies, c section birth story, emotional work of birth, integrating birth, invitation to share birth stories, remembering birth, tell your birth story, three different birth stories, water birth story, what is your birth story / Posted in Birth Stories, Guest Posts, Labor and Birth

I haven't used a typical nursing cover in years but when I was working on a different sponsored post for a Boppy pillow I received the Boppy Infinity Nursing Scarf as well.

It could be a different story with Liu, who is hard - charging and ambitious and trying to work his way back into an elected post after coming in fourth in the 2013 NYC mayoral Democratic primary.

I know everyone's different (and I read your previous post about food timings and it was so helpful), so I'd love to know a bit more about how you work in the training.

I've been experimenting in the last few weeks with eating different foods during the day before my runs and then post run / work out meals and I've been trying to feel how my body is with different foods.

The [sitemap] shortcode will work in any theme; however it may look slightly different e.g. it may not feature bullet points or indents, so keep note when writing your future posts!

I'm also working out another outfit post where I show it in a completely different way.

As my collection of vintage china and dishes has grown (that's a whole different post) I now love to set a mismatched table working in pink depression glass salad plates, little gold rimmed bread plates, equestrian themed dessert dishes and the list goes on.

This week I chose a cute little spring dress to style for you, by pulling different color accessories (belt and shoes) we completely changed the look of the dress and I'm sure you can find yourself in at least one of the looks:) I did say on my intro that I had a makeup look to go along with the outfit but unfortunately that wasn't uploaded together (my fault, sorry...) BUT I am working on a separate post for that one video so you can check back...

I certainly use hashtags in my post but after reading your article I will start using it today as I am working on few different blogs so I guess it will be good for them.

I've worn them in several post with different looks and they work so well with everything.

So most of the outfits I am featuring in the 10 Favorites post were ensembles I wore just to work so I did not specify a location unless it was different than a normal day.

I will not be the type to show you a new thing and the exact link every post, but hopefully some inspiration on different ways to work what is already in your closet (or my closet really).

Excuse the different editing of these images (if you can tell...) but I'm deciding on what works best for me so you might see different styles in the next few My Style posts.

When I was working on my wedges under $ 100 post I honestly fell in love with a few pairs, but figured these from Sole Society would get a ton of wear, plus I love that they're a little different.

I'll go into detail about the effects of dating multiple guys at the same time in a later post, but one of the things I've been able to observe, having been at the post-first date stage with four different guys at the same time, is what works for me, and what doesn't.

Whether he's decoding the legal page of a print book or analyzing word choice, his posts will make you think about your work in a different way.

In this specific post character animator Hirokazu Takeuchi explains how the concept of free cutting translated to working on different enemy reactions.

In a lenghty blog post, the studio said that work on the game will be separated to three different tracks.

LOL I am posting under a different id because i am at work and cant sign in via facebook

Also the reason you see me post under different IDs is because at work I am blocked from facebook and some other means of logging in

posted at Anakina.blog, saying, «This article explores the difference between being a writer and an author regarding the extended meaning of these two words, which refers to the approach of the person in respect of their work (writing - oriented vs. promotion - oriented), and it shows how this approach can be different for an indie author if compared to a traditionally published author.»

Nick first posted about that self publishing strategy back in May, and then Dan, John, and Lauren followed up with different ways to use the internet to achieve that goal, whether you Gain an Audience Using Twitter, Use the Power of a Blog to Promote Your Work, or Take it to the Web with Tools for Online Marketing and Promotion.

If you want to know how tags USED to work, read this post: Like the changing tides, different movements surge in -LSB-...]

Experiments This is Kris Rusch's weekly business blog post — it ties into something that Neil Gaimen said at his keynote at the London Book Fair about not being afraid to put stuff out there in different places, different formats, and see what works.

Over the next couple of weeks, I will post different installments on this blog to show you how you, too, can get to state - of - the - art, professional - looking eBooks that work perfectly on any eBook reader in the market, taking the guesswork out of creating your final product.

What you prescribed above in your blog post I guess works for you, but as you know different people have different ways of going about their daily scheduled activities, especially writers.

This can require more work for the author (your posts should probably be original work for each different blog), but the momentum gained by posting on several different forums in a short period can help get your book out to many more people.

Joanne Phillips made the observation in her post that indie authors trying to do the work of a whole publishing house's publicity department is never going to work, and we had to realise that indie publishing is completely different from trad.

Over the next several weeks, we will come at the same question from a slightly different angle in a series of blog posts and provide an analysis of successful No More Homeless Pets campaigns — how they work, why they work and what distinguishes them from each other to achieve no - kill in their communities.

There have been a couple for different cat breeds that Dr. Pedersen arranged and one for the rare breed, Alaskan Klee Kai is to post any day (possibly also Italian Greyhounds is now in the works).

We accept contributions in a couple of different ways — guest posts and interviews — depending on who you are and how you're hoping to work with us!

In 2014, Konami workers who liked a Facebook post by an ex-Kon saying he started working for a different company were shuffled to different positions.

In a subsequent post, I'll talk about working in a different mediuIn a subsequent post, I'll talk about working in a different mediuin a different medium.

According to the Huffington Post, the minister is working with museum sector leaders to develop a plan in which works from the government art collection would be «shared more strategically» across the country, in a range of different public buildings.

1995 Cotter, Holland, Beneath the Barrage, The Modern's Little Show, The New York Times, April 7, p. C27 Hainley, Bruce Next to Nothing: The Art of Tom Friedman, Artforum, November, pp. 4 - 5, pp. 73 - 77 Kastner, Jeffrey, lo - fo, Frieze, September / October, pp. 72 - 73 Kim Levin, Choices, The Village Voice, May 2, p. 11 Mitchell, Charles Dee, «Critical Mass»: More Than Meets the Eye, Dallas Morning News, February 3 Narbutas, Siaurys, Modernus Menas Padeda Atlaidziau Zvelgti I Pasauli, Lietuvos Rytui, August Rich, Charles, At MoMA: A «Mad» Muse, The Hartford Courant, April 1 Schjeldahl, Peter, Struggle and Flight, The Village Voice, April 18, p. 79 1994 Connors, Thomas, Evanston Art Center, New Art Examiner, May Green, David, Doors of Perception, Burelle's, May, p. 18, p. 23 Mollica, Franco, Tema Celeste, Autumn, p. 64 Perretta, Gabriele, Flash Art (Italian edition), Summer Romano, Gianni, Tom Friedman, Zoom, no. 12 Romano, Gianni, In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In and Out Liquid Architectures (Through a Few Objects, Temporale, no. 31, pp. 34 - 37 Romano, Gianni, Interactive Child, Arquebuse, May, pp. 24 - 25 Tager, Alisa, Emerging Master of Metamorphosis, The Los Angeles Times, May 3, p. F1, p. F8 Trione, Vincenzo, De Soto, Ulisside del Bello, Il Mattino, May 27 1993 Artner, Alan, Sharp Conceptual Show Dares to be Different, The Chicago Tribune, January 22, section 7, p. 56 Auer, James, There's No More Than a Hairbreath Between Art, Reality in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in This Exhibit, Milwaukee Journal, January 17 Blair, Dike, review, Flash Art, November / December, pp. 112 - 114 Flynn, Patrick J.B. review, Hair, Artpaper, February Heartney, Eleanor, New York, Dans les Galeries, Art Press, October, pp. 24 - 28 Humphrey, David, New York Fax, Art issues, May / June, pp. 32 - 33 Levin, Kim, Choices, The Village Voice, February 23, p. 65 Lillington, David, Times, Time Out, June 16 Lillington, David, Times, Metropolis M, Winter, pp. 47 - 49 Nesbitt, Lois, Artforum, Summer, pp. 111 - 112 Paine, Janice T. Hair Pieces: Exhibition Worth Combing, Mikwaukee Sentinel, January 8, p. 8D Shepley, Carol Ferring, Tom Friedman Shapes Art Out of Everyday Things, St. Louis Post - Dispatch, January 14, p. 3E Southworth, Linda, An Extraordinary Exhibition at Arts and Letters, The Washington Heights Citizen & The Inwood News, February 28, pp. 10 - 11 1992 Bernardi, David, News Reviews, Flash Art, May / June, p. 149 Cameron, Dan, In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1In Praise of Smallness, Art & Auction, April, pp. 74 - 76 Faust, Gretchen, New York in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, March, p. 79 Kahn, Wolf, Connecting Incongruities, Art in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, November, pp. 116 - 121 Marrs, Jennifer, Simple Style With a Complex Meaning, Courier, October 2, p. 15, p. 18 Smith, Roberta, Casual Ceremony, The New York Times, January 3, section C 1991 Artner, Alan, Friedman Debuts with Winning Simplicity, The Chicago Tribune, February 22, section 7, p. 56 Barckert, Lynda, The Work of Art, The Reader, March 1 Brunetti, John, New City, March 14, p. 14 Heartney, Eleanor, Art in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in America, December, p. 118 Hixson, Kathryn, Chicago in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, Arts, May, p. 108 Levin, Kim, Choices, The Village Voice, September 17, p. 104 McCracken, David, Gallery Scene, The Chicago Tribune, February 8, section 7, p. 68 McCracken, David, Gallery Scene, The Chicago Tribune, August 30, section 7, p. 54 Goings On About Town, The New Yorker, September 23, p. 12 Palmer, Laurie, Artforum, May, p. 151 Patterson, Tom, Trio of Solos: Thoughts on Three Current Shows at SECCA, Winston - Salem Journal, September 1, p. C6 Smith, Roberta, Art in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 1in Review, The New York Times, September 13, p. C5 1990 Harris, Patty, Four Summer Art Shows, Downtown, August 29, pp. 12A - 13A Levin, Kim, Choices The Village Voice, August 7, p. 102

In addition to her curatorial work in institutions, Heike Munder has held teaching posts at the Universität Lüneburg, Goldsmiths College in London and the University of Bern and has worked as a co-curator for several different projects («Disfunctional Places» in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005In addition to her curatorial work in institutions, Heike Munder has held teaching posts at the Universität Lüneburg, Goldsmiths College in London and the University of Bern and has worked as a co-curator for several different projects («Disfunctional Places» in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in institutions, Heike Munder has held teaching posts at the Universität Lüneburg, Goldsmiths College in London and the University of Bern and has worked as a co-curator for several different projects («Disfunctional Places» in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in London and the University of Bern and has worked as a co-curator for several different projects («Disfunctional Places» in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005in Lüneburg, 2004 and New York, 2005).

In post war decades, the abstract expressionism slid into different fields of op art and geometric abstraction in United States, while the European answer was the invention of lyrical abstraction, art informel and political abstraction in the works of CoBrA members Karel Appel, Constant and Asger JorIn post war decades, the abstract expressionism slid into different fields of op art and geometric abstraction in United States, while the European answer was the invention of lyrical abstraction, art informel and political abstraction in the works of CoBrA members Karel Appel, Constant and Asger Jorin United States, while the European answer was the invention of lyrical abstraction, art informel and political abstraction in the works of CoBrA members Karel Appel, Constant and Asger Jorin the works of CoBrA members Karel Appel, Constant and Asger Jorn.

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