Sentences with phrase «worked on films like»

More importantly to this project, though, is that Waugh has had some considerable experience with stunt teams, having worked on films like Biker Boyz and the Italian Job.

In addition to Walking Dead, Bernicker also worked on films like Logan, Get Out, The Hunger Games: Catching Fire and the upcoming Black Panther film.

He has worked on films like «Hannibal», «Pirates of the Caribbean The Curse of the Black Pearl» to TV shows like «Soutland» and «Hannah Montana».

Here's an interesting portrait of Howard Berger, a special makeup effects artist who's worked on films like The Chronicles of Narnia and Inglorious Basterds, and the work he does to transform actors into, well, monsters.

MAC Rick Baker Halloween Makeup Collection 2013 Rick Baker created a new exciting MAC cosmetics Holiday makeup collection for Halloween 2013 the legendary Hollywood special effects makeup artist, who's worked on films like Planet of the Apes, Tropic Thunder and...

Steven has also worked on film like «The World's End» with Edgar Wright and TV series like «Believe» with «Gravity» director Alfonso Cuarón.

In fact, the experience of working on a film like this has only solidified why sequels and remakes will continue to be made instead of focusing more on original titles.

What really elevates the Twilight Time releases are the incredible transfers, and one's reminded here of the great work by Tak Fujimoto, one of the best cinematographers of the»80s and»90s with work on films like «The Silence of the Lambs,» «Something Wild,» «Singles,» «Philadelphia» and «The Sixth Sense.»

Last week news hit that comedy duo David Gordon Green and Danny McBride, best known for their work on films like «Pineapple Express» and «Your Highness», would be writing / directing the new «Halloween» movie.

Last week news hit that comedy duo David Gordon Green and Danny McBride, best known for their work on films like «Pineapple...

As a director, Anders» work on films like Sex Drive and That's My Boy has been poor example of his comedic vision; Horrible Bosses 2 may be his strongest film yet (relatively speaking), but like his other efforts, it's hard to judge if the best stuff is flowing from the director or his comedic star (s).

He is known for his work on films like «Dear John», «Casanova» and «Chocolat».

Handel has proven his talent to his parents, though, by creating a successful career for himself, most recently working on films like Spider - Man: Homecoming and Black Panther.

Not exact matches

Earth Angel has worked on the sets of commercials, televisions series, and 13 feature films — including movies like Black Panther, The Post, The Amazing Spider - Man 2, and Ghostbusters.

From the Inside Out - «Making Avengers: Age of Ultron»: A 20 - minute video going back 18 months showing what it was like on set of the film in Italy and Seoul, Sourth Korea; a look at the Avengers Tower; some of the behind - the - scenes early visual effects of Ultron; early concept work for Quicksilver, the Hulk, and Vision; and more.

Lopez» entertainment work includes film and television gigs, too, like her judging role on the now - ended «American Idol.»

Now, talks are still early (and we'e heard rumors like this before), so this whole thing is far from certain, but Deadline is confidently reporting that talks are definitely happening and filming could start after Pratt wraps his work on Jurassic World and Guardians of the Galaxy 2.

This system worked perfectly fine until last April, when Nakayama made her film debut on the Netflix original documentary series Chef's Table, alongside big - name chefs like Massimo Botura, Francis Mallmann, and Dan Barber.

In a highlight film of his career that was shown at a testimonial dinner for him last year, Marino appears on camera, full frame, with a few earnest opening remarks about how he'd like to be remembered as a team man who worked as hard as he could, and as a team leader, etc..

Working side - by - side in a small restaurant and collaborating as celebrities on something like a TV show, with handlers and layers upon layers of pre - and post-production people, are totally different worlds; they may never even see each other while the show's filming.

We've evolved from sitting back on our tripods and shooting wildlife films like they have been shot historically, which doesn't work for us.

Warner Brothers recently asked scientists working on the South Pole if they would like to speak on a teleconference with Kate Beckinsale, star of Whiteout, a new film about a crime committed at the Amundsen - Scott research station in Antarctica.

Among other things, I ran the Great Wall of China Marathon; worked out on a pearl boat in the Kimberley; appeared semi-naked in a music video wrapped only in cling wrap; worked on a Norwegian reality TV show filmed in Malta; trained eagles in Mongolia; donned a wig and lived like Dolly Parton in her hometown in Tennessee for a month; rode a bicycle around Taiwan; sailed on a pirate ship from Seattle towards Mexico before hitting a storm and having to be rescued by theUS Coast Guard; and helped educate young girls in Kosovo who are banned from attending school because they wear headscarves.

The foundation for the workout and wellness philosophy he brings to The Revolution and his work with clients was first developed while training stars like Oscar winner Halle Berry on film sets.

Northam, too, is due some attention for the work: it is further proof of his acting abilities, which have been seen in great use on films like An Ideal Husband, The Winslow Boy, and Gosford Park.

On a visual note they seem to have tried to make the film appear like the pages of a comicbook, split screens with a bit of text and in a slightly cartoony way, kinda works but the rest of the film needs to be good to make it fully work.

The camera work on this film, makes it look like a documentary.

From there she tells how she came to be the producer for many of his films, what it was like working on Seven, which she notes was distributed by Roger Corman, Andy's penchant for casting playmates, what it was like working with William Smith and quite a bit more.

Well the film was wide release, so it makes sense there wasn't an entirety of focus on the specifics, but I still think it would have worked better if it was more like the trailers professed intentions; doco style, with vignettes of alien / human scenes that emphasized and helped explain, not found footage either, like for example, after talking about Wikus in the past tense, it could focus on him for a bit then move on, but it stuck with him, and the film changed gears, I just thought it would have been better to focus on other things, as opposed to dumbing the plot down to one man and his battle against the evil government / corporation, and still stay in the doco style, it could have worked, no?

I don't exactly mean it as an insult to compare America Wedding to Return of the Jedi because, like its Star Wars counterpart, this film is weak on its own but works in context.

Although Lassie may seem like a unusual film for Morton to appear in, she has a history of working in family friendly fare having provided the voice for Ruby in the Max and Ruby animated television series based on the popular children's books by Rosemary Wells.In 2007 she appeared as Mary Stuart in Elizabeth: The Golden Age, and appeared in the Ian Curtis biopic Control.

It doesn't try to show some drastic change, but it does attempt to convince others that change can indeed happen, it also never puts blame on one person, because obviously with marriage it is a joint effort, there will be trials and on other occasions it simply won't work, but time and commitment can change that, rarely can a simple film like this address so much in such limited issues, but sharp, often improvisational dialogue and strong performances create a very real and insightful piece that underplays everything for maximum effect, which works.

As it happens, the Ireland - based studio was also responsible for producing world - class Oscar nominees «The Secret of Kells» and «Song of the Sea,» and though Nora Twomey worked on both films, «The Breadwinner» marks her solo directing debut, employing a similarly bold graphic style in its telling («hand - drawn» via a program called TVPaint), augmented by colorful story - within - the - story interludes designed to look like stop - motion.

Yet anyone whose last will and testament demanded the establishment of a Nick Cave Memorial Museum clearly has a sharp sense of humour, and Forsyth and Pollard (who have worked with Cave before on projects such as short film series Do You Love Me Like I Love You) are as wry, dry and entertaining as their subject.

The shape - shifting, dolphin - like fighter planes that swarm a mystery heroine in the film's prologue are bracing at first, until one realizes they are almost lifted whole cloth from Yonebayashi's work on Hayao Miyazaki's Ponyo.

Starring Penélope Cruz and Javier Bardem, Farhadi's latest pivots on a disappearance (in this case a kidnapping) much like his 2009 film About Elly, but CineVue's Joe Walsh believes it «lacks the subtlety of his early work, yet he still shows he has the ability to deliver devastating blows that leave you stunned.»

Works that go behind the scenes of the cinematic process — like Francois Truffaut's Day for Night and Tim Burton's Ed Wood — tend to home in on the absurdity of such efforts, portraying directors at the center of manic three - ring circuses that couldn't possibly result in a meaningful film.

The smooth jazz score which punctuates the film gives certain sections the feeling of a silent movie, while the long awkward silences in the second act are like a lighter, less absurdist variant on the work of Samuel Beckett or Harold Pinter.

Although Douglas was again praised for her work — here portraying a Carole King - like singer / songwriter — the film did poorly among critics and at the box office.The actress went on to do a number of made - for - TV films, including the satirical Weapons of Mass Distraction in 1997.

Unlike Ferrell, Wahlberg has a few especially strong films on his resume — a result of working with directors like Martin Scorsese, Paul Thomas Anderson, and David O. Russell — but both stars have appeared in far too many middling films, as you can see below.

To me, this review and the last few comments seem like a complete misreading of the film - based, as one earlier commentator stated, on Haneke's earlier work and his particular way of making movies, rather than the actual movie at hand and its context.

The best of the odd - numbered Star Trek films, Insurrection doesn't boast nasty villains or terrible dangers but plays like a great extended TV episode, with a compelling plot that works as a smart political commentary on Western imperialism.

It was a time of big budget, Oscar nominated studio films like Misery and early genre work from filmmakers who would go on to become the best in the business, like Fincher's Seven, M. Night Shyamalan's The Sixth Sense, Tarantino and Rodriguez's From Dusk Til Dawn, and Adrian Lyne's Jacob's Ladder.

Stewart approaches the work as he approaches his own career, refusing to define it as any one thing — humor is woven throughout, with much of the film looking like news footage we've seen and ignored every day of our lives as it blares out in monotone on international news programs like CNN.

During this recent interview to discuss the TV version of Zombieland, co-creators and executive producers Rhett Reese and Paul Wernick talked about the journey from TV series to movie and now back to TV pilot, what it's been like to work with Amazon, what motivated the decision to have the same characters from the movie on the TV show, how they envision it as a road show, how much gore they can have, what Kirk Ward (who was originally cast as Tallahassee before being replaced by Woody Harrelson) brings to this version of the character, what led them to the 30 - minute format, whether they could have any surprise cameos (Bill Murray made a very memorable one in the film), what will determine whether the pilot is successful enough to go to series, and when they might know if they're picked up.

Sadly, Kubrick died prior to the release of «Eyes,» his last film, and «A.I.» seemed to be a lost cause much like Kubrick's other inevitably great unfinished work, a biopic based on the life of Napoleon Bonaparte.

Backstage chats with one of the film's stars, Ty Simpkins, about what scared him most on set, his advice for young actors, and what it was like working with Chris Pratt.

At the film's press day, actor Paul Giamatti, who's also an executive producer on the movie, talked about what drew him to John Dies at the End, his most memorable experience of the shoot, working with such new actors, how he sees the industry now, and that he doesn't think a film like Sideways would even get made today.

I think the best part of being an actor is that to me it feels like I've been in the best film school for the last twenty years because not only do I see the director work on set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.

Just like most films based on improvisational performances, the laughs are scattershot, with some bits working better than the others.