Park
worked with figurative painting from about 1950 until about 1959 when he became ill with cancer.
Not exact matches
The exhibit will include stunning hyper - realistic
work by Churchill - Johnson — stark political statement contrasted
with delicate, minimalist abstraction by Uyesaka — deeply engaging abstract oils by Scorzelli — dynamic and powerful ceramic insights by Rosenberg - Dent — fanciful, abstract adventures by Lehrer — an unsettling mixed - media installation
with video by auto - expressionist, Metrov — striking
figurative vs abstract
works by Ferris — a lively «abolish blandness»
painting by Lytle contrasted
with fabulous yarn
work from the early 90's — and a pair of McCracken's, always delightful, miniatures.
Neal notes that «it is interesting that 8 Painters, comprised of all
figurative painting, and timed to run concurrently
with The Forever Now, offers an alternative to the mostly abstract
works at MoMA.
Where as Avery's early
figurative drawings and
paintings from the 1930s attest to affinities primarily
with the
work of Ernst Ludwig Kirchner, by the 1940s he was discernibly close to Henri Matisse.
Unlike his
figurative work, these
paintings are larger in scale and made using a much different technique, utilizing a broom to
paint and later flooding the surfaces
with chlorine and water.
Neel persisted passionately
with figurative painting throughout the post-war period, gaining recognition for her
work from the 1960s onwards.
With almost 40 works, this exhibition proposes a complete view of the artist's aesthetic development, starting with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and
With almost 40
works, this exhibition proposes a complete view of the artist's aesthetic development, starting
with his figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and
with his
figurative works, when he exhibited in Barcelona in the early 30's, until his latest abstract
paintings of the 90's after going through the abstract expressionist stage that became so relevant in the United States during the 40s and 50s.
But when it comes to viewing David Park's body of
work, this book shines
with superb color plates dispersed throughout, showing Park's development as a painter from his early days, his non-
figurative period, his return to
figurative painting, and his final
figurative work in gouache.
Over 300 pages illustrated
with Zeller's own exquisite drawings and
paintings as well as
works by nearly 100 historical and contemporary
figurative art masters, the book includes some of the finest
figurative art of the past and the present day.
More generally, the chapters of «America Is Hard to See» pay homage to a number of those seminal exhibitions through which the Whitney has historically recognised and advocated for emerging American art: «Anti-Illusion: Procedure / Materials» (1969), for instance,
with its defiant presentation of the post-minimalism of Richard Tuttle and others, or «New Image
Painting» (1979), which celebrated a revival of figurative painting in an artistic climate dominated by conceptu
Painting» (1979), which celebrated a revival of
figurative painting in an artistic climate dominated by conceptu
painting in an artistic climate dominated by conceptual
work.
My wife read something that said that I'm now
working with the figure, and had in quotes that representational and
figurative paintings will be back.
But like Elmer Bischoff and David Park,
with whom he made the turn to
figurative painting a few years later, Diebenkorn was asking questions that abstract expressionism couldn't always answer, even though, as the early
works in the show at the Royal Academy (until 7 June) suggest, he was a loyal and talented disciple: the LA Times described him as «one of the most gifted artists in the American non-objective field».
These
works marked his rejection of making
figurative art
with clear references to the real world, and in particular his move away from the post-WWII Kitchen Sink group of artists who were
painting ordinary scenes of everyday life.
Matisse stands as the artist who most directly got under the skin of his
work, and indeed there have been few artists who have engaged as deeply and as intelligently
with Matisse's
paintings, and yet managed to create a distinctly American panorama, both in his
figurative work and, to a point, his later abstract canvases.
Whereas Bickerton's early
works tackle form, function, and communication,
with sometimes single words acting as the entire
painting, his later
figurative pieces are visually deafening,
with bright color and cluttered objects mirroring the over-the-top excess featured as the
work's subject.
He marked the shift
with his first foray into
figurative paintings, which made up half of the eight
works in the exhibition.
His early
work was
figurative but he moved towards abstraction from the late 1960s onwards, and is renowned for his large - scale
paintings saturated
with colour.
FRANCIS PICABIA: OUR HEADS ARE ROUND SO OUR THOUGHTS CAN CHANGE DIRECTION Picabia was on the ground
with the Dadaists in Paris, but this exhibition includes his later
work, which has influenced contemporary painters — perverse
figurative paintings that look like precursors to Pop Art, or pulp fiction book covers.
In
figurative paintings brimming
with crisp, flat forms and bold outlines (evoking sign
painting as well as the
works of John Wesley), Keogh portrays headless female bodies that have been bisected at the waist, an empty suit of armor, and flowery vines that weave in and out of swords.
Featuring more than 100
works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns
with abstracted,
figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.
With Kelly's return to the States, he moved away from
figurative painting into the crisp, carefully
wrought geometries of his mature style.
So I was then able to put in more of my
figurative work with some symbolism and mythology into my
painting.
He
worked in series, completing sets of abstract and
figurative paintings that he often exhibited together in order to explore the assumptions connected
with each mode of
painting.
Working consistently
with figurative painting for over four decades, Semmel is primarily associated
with the establishment of the Feminist art movement in the 1970s.
The
figurative works of Chantal Joffe reveal the artist's keen observation of everyday life and her active engagement
with the medium of
painting.
- Peter Doig1 British / Canadian artist Peter Doig stands in a position seemingly riddled
with contradictions: straddling national identities; employing a medium (photography) historically thought to lead to the eventual disappearance of his own medium (
painting); and
working within a continuum of large scale
figurative and landscape oil
paintings.
While Huma Bhabha is known for her
figurative sculptures, she was trained in
painting and printmaking and has been
working with photography.
Accompanying Dumas» first major mid-career survey in the U.S.,
with stops in three major American cities, (one yet to be announced) this substantial, fully - illustrated publication features a newly commissioned essay by renowned scholar Richard Shiff, placing the artist's
work in relation to both American
figurative painting since the 1980s and Abstract Expressionism.
Sundaram Tagore Chelsea is pleased to present Susan Weil: Now and Then, an exhibition of new sculptural
paintings and drawings alongside a selection of mixed - media
works from past series that combine
figurative illustration and photography
with explorations of movement, time and space.
MATRIX 250 features the
work of Los Angeles — based artist Linda Stark (b. 1956), who has been making
figurative and abstract
paintings with heavily built - up surfaces of
paint since the late 1980s.
His
work calls forth the tradition of
figurative narrative
painting by subverting it
with personal cultural references and depictions of pared down and theatrical urban settings.
Delacroix's dramatic, Romantic approach to
painting paved the way for modern art, asserts a show at the National Gallery in February, while in Bath the Holburne Museum marks its centenary year
with a display of
figurative work by 19th - century radicals, the Impressionists.
One of Australia's foremost contemporary artists
working today, Barton's distinctive use of line across
painting, illustration, video and collage creates a vibrant
figurative dream world, rich
with personal references and poignant juxtapositions.
Nevertheless, even cognoscenti are often unable to immediately conjure mental images that speak to the full scope and depth of Schnabel's
work,
with the exception perhaps of his
figurative paintings incorporating broken crockery.
Reengaging
with the iconography of previous bodies of
work, the new
paintings on view mark Osborne's return back to
figurative painting after a period of total abstraction — utilzing bookcases, her studio
painting storage, and windows as a point of departure for further play
with blocks of color within the
paintings.
Infused
with hints of Rococo and men's fashion, Mockrin offers enticing
figurative paintings; dark visions of luxury, her
works are populated by androgynous characters set in jewel - toned textiles and velvety black backgrounds.
The exhibition — a collaboration between Iziko South African National Gallery (ISANG), the country's premier public museum and host venue for this show, and The New Church Museum, a private collection
with a contemporary focus — juxtaposes historical and contemporary
works by 27 artists (20 men and seven women) to offer various critical insights about patriarchy and gendered tropes within
figurative painting.
With our latest exhibition we have set out to exhibit a group of artists who
work within the scope of analog
painting referencing the analogical representational elements of
work that could be seen as
figurative or representational at times.
After several years assembling hanging installations of two - sided
figurative paintings, Mastrangelo has recently returned to wall - mounted
work in a series of impressive
figurative collages made by adhering shapes of brightly patterned fabrics to fiberglass scrim
with acrylic binders.
Today,
figurative painting is experiencing an unprecedented revival,
with a handful of artists who are regularly exhibiting at major institutions and galleries and whose
works are counting serious dollars at auctions worldwide.
Altfest's
work calls to mind the precise naturalism of early Lucian Freud, and finds affinities in others who
painted from life such as Georgia O'Keeffe and Stanley Spencer, but she has developed her own distinct approach to
figurative and representational
painting since graduating
with an MFA from Yale University School of Art in 1997.
From there, his almost flat, almost abstract
works,
with their contrasting planes of colour and reminiscences of doorways and cheerful bunting, provided Brazilian artists
with a bridge between the bright,
figurative paintings of Brazilian modernists such as Emiliano di Cavalcanti and Tarsila do Amaral and the geometric abstraction of the 1950s Neo-Concrete movement and Grupo Ruptura.
From his ceramic sculptures that eerily resist
figurative formations
with their oozing, amorphic shapes to his multilayered mixed media
paintings, Ruby's expansive body of
work complicates already - turbulent nature of human mind.
His unease at the loss of
figurative imagery in the
painting at that time
with which he had so much success eventually led his own
work down deeply conflicted avenues.
His
works, made on vinyl foil and mounted on the walls, are in conversation
with the architecture but also
with Impressionist
paintings, which can only be perceived as
figurative imagery once the viewer has reached a certain distance from the
work.
During 2014's «Prospect.3: Notes for Now» — the third iteration of the city - wide contemporary art triennial in New Orleans — the Contemporary Arts Center was filled
with a selection of abstract
paintings,
figurative works, video installations, and fish tanks full of coral — all pieces created by artists from around the world.
The precision
with which Ali creates her small,
figurative, gouache
paintings on paper is such that it takes her many months to complete a single
work.
and possibly the fact that here they are not given a room to themselves but are juxtaposed, as are most of the
figurative works here,
with large - scale abstract
paintings in this loosely chronological hang.
Early in his career Scully made
figurative work to which he still feels indebted: «To this day my
paintings retain a sense of the body, and the feeling of a physical relationship
with the world.»
A dancing effect materializes and the
works approach the near
figurative, as if in conversation
with paintings of an earlier era
with a similar emphasis on joie - de-vivre, perhaps those of Matisse and his fauvist compatriots.