Every single one of our films has been approved by a committee of
working film critics, giving them a stamp of quality that you don't get from every film festival.
The sixth annual edition of the only week - long film festival curated by
working film critics starts this Friday, and you simply have to be there.
Ask
any working film critic who's the best director today, and you'll probably get a lot of P.T. Anderson responses.
Not exact matches
Harvey and Bob Weinstein, who run Miramax, entered Kids in the prestigious Cannes
Film Festival and began an extensive campaign to convince
critics that Kids is an important
work of art that should be given the more profitable R rating, which allows parents to take their youngsters to the
film and also opens up the video and cable television markets.
First - time director, producer and
film - maker Alison Klayman gained unprecedented access to the outspoken
critic while
working as a journalist in Beijing.
For National Public Radio and LA Theater
Works Alma performed in the radio versions of Zoot Suit and Nilo Cruz's Pultizer Prize winning play Anna in the Tropics opposite Jimmy Smits.As a 25 year member of El Teatro Campesino (ETC) founded by Luis Valdez, she has appeared in landmark ETC productions of; Zoot Suit, both the
film and play (1979 Los Angeles Drama
Critics Circle Award - Best Play); Corridos, both the TV version (1987 Peabody Award) and play; I Don't Have to Show You Any Stinking Badges; and Mummified Deer (Back Stage West «Honorable Mention» for her role as Mama Chu), all written and directed by Valdez.Ms.
Dismissing the characters as crazy rednecks, most
critics have skipped the
work of character analysis that should be part of any review, especially of a
film that originated as a stage play.
The individual instalments of The Lord of the Rings trilogy, for instance, are perfectly successful
films in whichever order you choose to view them - and it is interesting that the same
critics who defended Kill Bill did not necessarily take the same line with Peter Jackson's
work.
For her
work in the
film, Mulligan won a number of
critics awards for Best Actress, as well as garnering nominations from the Hollywood Foreign Press, the Screen Actors Guild, and the Academy.
Critics Consensus: Robert De Niro and especially Dakota Fanning have earned some praise for their work in Hide and Seek, but critics have called the rest of the film derivative, illogical and somewhat
Critics Consensus: Robert De Niro and especially Dakota Fanning have earned some praise for their
work in Hide and Seek, but
critics have called the rest of the film derivative, illogical and somewhat
critics have called the rest of the
film derivative, illogical and somewhat silly.
When Kill Bill: Volume 1 came out, some
critics made the point that it would be difficult to judge how well the
film worked until Volume 2 was out in the open.
His
film output decreased in number and quality in the l980s and 1990s, though
critics enjoyed his offbeat 1989
working - class comedy Bert Rigby, You're a Fool and his 1997 Bette Midler starrer That Old Feeling.
A
film critic and entertainment journalist with more than ten years of experience
working in Los Angeles, Todd Gilchrist is a member of the Los Angeles
Film Critics Association.
There is promise in the one episode of Dome sent to
critics and the series could
work well, despite the fact that the general conceit of people living in a microcosm has been a staple of literature,
film and TV forever.
Critics raved and the
film was a hit, but Kubrick was frustrated by his lack of artistic control — he had no say in the script or final cut — and largely disowned the
work.
Although Douglas was again praised for her
work — here portraying a Carole King - like singer / songwriter — the
film did poorly among
critics and at the box office.The actress went on to do a number of made - for - TV
films, including the satirical Weapons of Mass Distraction in 1997.
Those
films were widely rejected by
critics, who had almost unanimously celebrated Rossellini's prior
works.
So who's to say that Todd Solondz or Skip Woods or Peter Berg or Danny Boyle or Robert Frank or Lance Mungia or John Dahl or Vincenzo Natali couldn't very well go on to have some quite significant bodies of
work... or at the very least become a
film critic.
New York's Museum of Modern Art has created a YouTube series, «How To See,» that features museum curators and sometimes the artists themselves delving into the
work, Monitor movie
critic Peter Rainer's pick for best
film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.
There is a tendency among
film critics, programmers, and academics to dismiss filmmakers who
work within genres as entertainers, not accepting them as artists.
A number of mainstream
film critics have hailed his
work on the new
film — virtually unheard - of for a traditional, orchestral, «proper»
film score in the 21st century.
It may be surprising for you to learn that in a country with more than one billion people, the fastest growing
film industry in the world, and a 10 billion rmb (1.5 billion usd) box office gross in 2010 alone, there is hardly any professional
film criticism accessible to its public.When I say hardly any, I mean that there is an absence of professional
film critics who
work for major, national publications and media outlets, and thus a lack of regular
film reviews of new Chinese movies, at least for the mass audiences.
His latest, Nocturnal Animals, sounds like a real trip, almost like two
films in one that, according to
critics, calls to mind the
works of Douglas Sirk, Alfred Hitchcock, and Sam Peckinpah.
Kubrick fanatics will probably be the most gladdened at the participation of
critic and Kubrick: The Definitive Edition author Michel Ciment, who goes full - tilt
film studies in his 20 - minute conversation, picking Barry Lyndon apart like a mechanic dismantling an engine to show how it
works, and its place of importance within the director's body of
work.
The Spirit Awards Nominating Committees are comprised of writers, directors, producers, cinematographers, editors, actors,
critics, casting directors,
film festival programmers and other
working film professionals.
As probably the most celebrated and beloved
film critic around, a man whose
work has appeared in the Chicago Sun - Times for 45 years, who co-hosted «At The Movies» with Gene Siskel for almost 25, and who was the first
film critic to win the Pulitzer Prize, it's almost surprising that Roger Ebert has never been the subject of a movie himself.
ABOUT THE AWFJ and EDA AWARDS The Alliance of Women
Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie
critics, reporters and feature writers
working in print, broadcast and online media, dedicated to supporting
film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies.
Deakins spoke to Variety about his
work on the new
film, which has been hailed by some
critics as a masterpiece of genre filmmaking.
Junge, detained in Russia for a period at the end of World War II before finding
work as a magazine editor, treats the unseen Heller like a priest; one might say that her regret drives the piece, resulting in not a lurid
film about Hitler (which has disappointed those
critics out for something pulpier), but a deathbed confession.
After the impact of these two features (the latter screening at Cannes and championed by such
critics as Pauline Kael), Schepisi moved on to directing
films overseas, including such varied
works as Barbarosa (1982), Plenty (1985), Roxanne (1987), The Russia House (1990), Six Degrees of Separation (1993), Last Orders (2001) and the HBO - financed Empire Falls (2005), which won a Golden Globe for Best Mini-Series or Motion Picture made for Television.
Meanwhile, Olivia Munn hosted the show, at which a cast of celebrity presenters announced
film and TV
critics» picks for the best
work of 2017.
Though he'd built up a strong reputation among
critics and cineastes in the 1960s with darker character
work in
films like Cast a Dark Shadow (1955) and the daring masterpiece Victim (1961), he was best known to the public as Simon Sparrow, the heartthrob comic lead in Doctor in the House (1954) and four subsequent sequels.
Founded in 1996, the FFCC strives to recognize outstanding
work in
film, further the cause of good movies, and maintain the highest level of professionalism among
film critics in Florida: www.floridafilmcritics.com.
Usually, whenever
critics start writing about
films in purely mechanical terms -LRB-»em otional batteries») it means that those mechanical systems failed to
work.
Even
critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as art
film distributors are saying, we're still
working with the inclusion of Iran and Taiwan).
To the present writer, Arkadin is clearly the better
film, but The Stranger is nonetheless, at the very least, a fascinating curio, and if it's a minor
film (if...), then it's the sort of minor
film that only a really major talent could make, and an excellent example of what the Cahiers du Cinéma
critics meant about the failures of the great being better
films than the best
work of lesser talents.
Misguided notions about the
work of Stanley Kubrick in general and his eighteenth - century costume drama Barry Lyndon persist, despite the
film's growing reputation since its initial lukewarm reception, and the
work of conscientious scholars and
critics.
That's the only way reviews have ever
worked for a mainstream audience, be it as part of the captive audience for weekly reviews as part of a newscast, as a column in a popular magazine or newspaper, on its own as in shows like Siskel & Ebert At The Movies, or even in print — Leonard Maltin, another beloved
film critic and
film historian, established his name writing a book of capsule reviews.
Blu - ray and DVD, with plenty of supplements: new interviews with Otto Preminger biographer Foster Hirsch and music
critic Gary Giddins, a featurette on graphic designer Saul Bass and his long collaborative relationship with Preminger, excerpts from a 1967 episode of «Firing Line» featuring Preminger, newsreel footage from the set, and excerpts from a
work - in - progress documentary on the making of the
film, plus stills, a trailer and booklet with a new essay and an archival article.
Jones, who has charmed London
critics with her
work on stage, is a newcomer to feature
films but she is a screen natural.
After all, the
film is already shattering box office records and receiving glowing reviews from
critics, so it's safe to say Marvel Studios has a pretty firm grasp on what
works and what's better left to our imaginations.
Plus, these are not
film critics, they are
working professional, and most haven't had a chance to see all the
films in contention before their ballots are due for the nominations.
In 2004 I
worked as the field producer for Boston
film critic Gerald Peary's documentary about American
film criticism «For The Love of Movies,» which had its world premiere at the SXSW
Film Festival in 2009.
Some wag commented on Twitter during the festival that when a
film is described as «soporific,» it means that the
critic fell asleep during the screening, but here, we'd mean the word as a compliment; Tsai conjures up a surreal tone closest to the moments after waking where you try and
work out if your dreams were real or not, and it's a feeling that lingers long after the credits roll.
Nevertheless there has been a discernible change in Leigh's
work since his last dysfunctional - family opus, Life Is Sweet — a change well described by Australian
critic Adrian Martin in a recent letter to me: «I think that as a certain angry anti-Thatcher 80s politics has drained from Leigh's
work, he has gravitated to either the bombastic nihilism of Naked (a
film I have incredibly mixed feelings about) or the soft - heartedness of Secrets and Lies.»
I suppose he doesn't really have to worry about repeating himself to a certain extent, as many audiences in the US and other countries may not be intimately familiar with his previous
works, though they certainly have been lauded by
critics and
film buffs alike.
In my 20 + years as a
film critic I think Roger's approach to his
work is probably the closest to what I was aiming at in my fumbling attempts to write about cinema.
Every ten years since 1952, the world - renowned
film magazine Sight & Sound has polled a wide international selection of
film critics and directors on what they consider to be the ten greatest
works of cinema ever made, and then compiled the re...
Every ten years since 1952, the world - renowned
film magazine Sight & Sound has polled a wide international selection of
film critics and directors on what they consider to be the ten greatest
works of cinema ever made, and then compiled...
Though he got many fine reviews for his
work in such
films as «Chasing Amy,» «Dogma» and «Changing Lanes,» he said he often felt
critics judged him too harshly because of his gossip value.